कब तक पुकारूँ -रांगेय राघव
kab tak pukarooan -raangey raghav
| |
| lekhak | raangey raghav |
| mukhy patr | sukharam, kajari aur phyari |
| prakashak | rajapal eand sans |
| ISBN | 8170283264 |
| desh | bharat |
| prishth: | 442 |
| bhasha | hindi |
| prakar | upanyas |
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kab tak pukarooan prasiddh sahityakar, kahanikar aur upanyasakar raangey raghav dvara likha gaya upanyas hai. rajasthan aur uttar pradesh ki sima se ju da 'bair' ek gramin kshetr hai. vahaan natoan ki bhi basti hai. tatkalin jarayam pesha karanatoan ki sanskriti par adharit ek saphal aanchalik upanyas hai. sukharam karanat avaidh sambandh se utpann nayak hai. nat khel-tamashe dikhate haian aur nataniyaan tamashoan ke sath-sath darshakoan ko yaun-santushti dekar ajivika mean ijapha karati haian. karanatoan ki yuva l dakiyaan prayah thakuroan ke pas jaya karati thian. naitikata kya hai, isaka jnan unhean nahian tha. tho de se paisoan ki khatir ve kahian bhi chalane ko taiyar ho jati thian.
patr parichay
sukharam is upanyas ka bahumukhi pratibhavan vyakti hai. samajik visangatiyoan ke bich vah joojhata rahata hai. nirbaloan ke oopar hone vale atyachar vah sah nahian pata hai. kuchh patr to mahaj kupravrittiyoan mean phanse rahane ke lie hi rache ge haian. nari patroan mean pyari aur kajari pramukh haian. pyari svachchhand jivan jine vali yuvati hai. kee vyaktiyoan ke sath usake sharirik sambandh haian jinhean vah anyatha nahian manati. yah to sharir ki ek bhookh hai. khate raho, phir lag jati hai. isi prakar kajari ka charitr bhi aise hi jan-jivan mean dhala hua hai. vah pyari ki saut banakar sukharam ke sath rahane lagati hai aur tarah-tarah ke shadyantr rachate hue sautiya dah dikhati hai. any stri patr bhi aise hi haian. bhasha-shaili karanatoan ke bich vyavahar ki hai. sabhy samaj mean jis shabdavali ka upayog nahian hota, vah bhi is upanyas mean hai. kul milakar yah bahut saphal upanyas mana gaya hai.[1]
samajavadi-yatharthavadi chitran
raangey raghav ke ‘kab tak pukarooan’ upanyas mean karanat kabiloan ke jivan yatharth ka anek pakshoan mean aankan hua hai. isamean unhoanne samaj mean sarvatha upekshit us varg ka chitran atyant saral aur rochak shaili mean prastut kiya hai, jise sabhy samaj ‘nat’ ya ‘karanat’ kahakar pukarata hai. in kabiloan ki koee naitikata nahian hoti. inamean mard, aurat ko veshya banakar usake dvara dhan kamate haian. karanatoan mean yah chhoot hai. vahaan koee buraee ‘seks’ ke adhar par nahian mani jati. upanyasakar is bhav ko yatharth roop mean prastut karane mean saphal hue haian, "aurat ka kam aurat ka kam hai. usamean bura–bhala kya? kaun nahian karati? nahian to mar–mar kar khal u da dega daroga aur tere bap aur khasam donoan ko jel bhej dega. phir kamara n rahega to kya karegi? phir bhi to pet bharane ko yahi karana hoga?"[2] upanyas mean abhivyakt karanat samaj khanabadosh, ghor utpi dit evan shoshit hai. yah upanyas sanpoorn bharatiy gramin parivesh ko apane sath lekar chalata hua pratit hota hai. jisamean karanatoan ki samajik evan saanskritik parivesh ko jivant roop mean prastut kiya gaya hai.[3]
kathanak
'kab tak pukaruan’ mean jarayam pesha samajhi jane vali natoan ki karanat jati ka chitran hua hai. isamean aise hi ek karanat sukharam apani jivanagatha is upanhyas mean kahata hai. karanat sukharam apane ko thakur samajhata hai. usaka vivah karanat jati ki phyari se hota hai, jo pahale ek daroga dvara bhrashht ki jati hai aur phir ek sipahi ki rakhail ban yaun kunthaoan ka shikar ban jati hai. kajari bhi apane pati ko chhodakar sukharam ke sath rahati hai. kajari is sansar ko chhod deti hai. us bachhchi ka vah komal kanht rudan vah rudan jisamean itihas ki vibhishikaean kho gee hai, vah bachhchi jisake pavitr nayanoan mean naya jagaran aise daidiphyaman ho raha hai, jaise adi mahanh mean jivan kulabulaya tha. chanhda aangrez yuvati soosan ki kanhya hoti hai, jise sukharam palata hai. vah l daki chanhda thakur naresh se prem karati hai aur vah bhi thakurain banane ka shvaphn dekhati hai. anht mean manasik aveg ki avashtha mean hi chanhda ki mrithyu ho jati hai.
vashtu vidhan
‘kab tak pukaruan ’ mean sukharam ki katha mukhhyakatha hai aur prasangik kathaoan mean kajari aur phyari ki katha hai. sukharam, kajari aur phyari ke charoan or upanhyas ki katha ghoomati hai. anhy kathaoan mean chanda soosan aur lareans adi ki kathaean hai. upanhyas ko lekhak ne manovaijnanik dharatal par shthapit karate hue itivrithtathmak bana diya hai aur vah jasoosi aur ayyari upanhyasoan ki tarah kishsagoee se kam nahian hai. lekhak ne kee pidhiyoan ko ek sath gooanthane ka prayas kiya hai, isalie isaka vashtu vidhan bojhil ho gaya hai. jis prakar ‘bhoole bikhare chitr’ me jhvalaprasad ki char pidhiyoan ke kathanak ko jo dane ka prayathn kiya gaya hai, vahi kary sukharam yahaan karata hai kinhtu yahaan bikharav a gaya hai. chanhda ki vishtrit katha ko upanhyasakar upanhyas ka aang nahian bana saka hai. anekanek shthaloan par anavashhyak vishtar hai. yah anavashhyak vishtar aanchalik chitran ki pravritti achal ke riti-rivajoan, lokacharoan, vatavaran-chitran prakriti-chitran aur naitik-samajik manhyataoan ki shthapana ke phalashvarup hua hai. lekhak adhik kashhtoan ke jivan chitran karana chahata hai, isalie anavashhyak prasangoan ko upanhyas mean shthan mil gaya hai. at: samajashashtriy drishtikon ke phalashvarup upanhyas ki vashtu aanviti me badha pahuanchi hai.
charitr varnan
sukharam, kajari aur phyari is upanhyas ke moolhy patr hai isalie inake charoan or isaki katha ghoomati hai aur anhy patroan mean chanhda, soosan aur lareans adi hai kinhtu chanhda ko chhodakar anhy patr gaun hai. sukharam hi upanhyas ka kenhdrabiandu hai, isalie use upanhyas ka nayak manana chahiye. sukharam mean abhijathy varg ki mahathvakaankshaean hai. ‘adhoora qila’ usaki mahathvakaankshaoan ka pratik hai. shoshan ke prati usake haday mean vidroh hai. pulis aur samaj ke shoshan vargo ke prati usake haday mean vidroh ki bhavana hai. usaki pathni phyari rughtamakha ki rakhail ban jati hai, kinhtu vah pathni ka gulam banana nahian chahata. lekhak ki manavatavadi bhavanaoan ko sukharam hi abhivhyakht karata hai. vah abhavoan, kamiyoan, burbalataoan aur shaktiyoan ka puanj hai. phyari apane varg ki nariyoan ki durbalataoan aur abhavoan ko abhivhyakht karati hai. phyari ka chitran lekhak ne karanatoan ke nari jivan ki durdashaoan aur bhoghya nari ke chitran karane ke lie kiya hai. phyari, apani paristhitiyoan se pidit hokar, karanati ke nari samajashashtriy adhhyayan ki abhivhyakti ka madhhyam ban kar rah jati hai, kinhtu kajari paristhitiyoan se oopar uthakar apane ko abhivhyakht karati hai. kajari bhi bhoghya hai kinhtu usamean pratishhtha ke sath-sath nari sulabh eershhya bhi hai aur nari ka mamathv bhi. nari ki sanvedanashilata aur karuna bhi usamean kam nahian hai. phyari ke saman paristhitiyoan se pi dit banakar upanhyas mean abhivhyakht hoti hai. patroan ke srijan mean lekhak poorn rup se nirvaiktik nahian raha hai, khyoanki vah samajashashtriy drishtikon ke poorvagrah se mukht nahian ho saka hai. itana hone par bhi sukharam, phyari aur kajari hashy aur ashru, ashaoan aur nirashaoan mean jhulate hue apana jivan jite haian. sukharam aur kajari badalati paristhitiyoan ke sath uthate girate age badhate haian kintu phyari mean vikas ki samhbhavanayean nahian hai. ni:shsadeh sukharam, kajari aur phyari upanyas ke pranavan patr hai.
uddeshhy
karanatoan ke naitik jivan ko prashtut karana hi upanyasakar ka uddeshhy hai. lekhak ka kathan hai, ‘maianne inaki naitikata ko samaj ka adarsh banakar prashtut nahian kiya hai.’ balki pathakoan ko isamean maikhs ki aisi janakari ke rup mean hasil karana chahiye ki yah inamean hota hai. yah sara samaj khanabadosh hai, uthpidit hai, shoshit hai. n inake samajik niyam shashvat hai. n hamari naitikata ke banhdhan hi shashhvat hai. sukharam ke shabhdoan mean lekhak upanhyas ke ashay ko shpashht kar raha hai, ‘yah kamine, nich hi aj inhsan hai. inake atirikht sabamean pap ghus gaya hai khyoanki in sabake shtharth aur ahankaroan ne inaki atma ko das bana diya hai. ye kamine aur garib ashiksha aur aandhakar mean chhatapata rahe haian. jab tak ye shikshit nahian hote, tab tak in par athyachar hota hi rahega. jab tak ye shikshit nahian hote, tab tak inake ajnan, phoot aur ghrina par sansar mean jaghanhyata ka kenhdr bana rahega. tab tak inake putr dharati ki mitti mean paida hote raheange. shoshan ki ghutan sada nahian rahegi. vah mit jayegi, sada ke lie mit jayegi.' is upanhyas mean lekhak ne jivan ke prati pragatishil drishtikon prashtut kiya hai.[4]
yah samajavadi chetana ka upanhyas hai. is upanhyas mean lekhak ne samajavadi-yatharthavad ka saphal chitraankan kiya hai. shoshan, samajik anhyay, burjua manovritti evan asamanata ke viruddh avaz uthaee hai. pragatishil chetana ke phalashvarup isako samajavadi chetana ka upanhyas kah sakate hai khyoanki karanati ke jivan ka chitran kar, shoshit varg par hone vale shoshan ka chitr khianchakar janavadi paramhpara mean apana shthan bana diya hai. varg sangharsh ki kahani hone ke karan samajavadi upanhyasoan ki shreni mean is upanhyas ko shthan milana chahiye.[5]
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tika tippani aur sandarbh
- ↑ d aau. raangey raghav: ek advitiy upanyasakar (hiandi). . abhigaman tithi: 24 janavari, 2013.
- ↑ raangey raghav : kab tak pukarooan, rajapal end sanj, pri. san. 3
- ↑ s.poo.aank-13,aktoo-dis-2011,pri-182 (hiandi). . abhigaman tithi: 24 janavari, 2013.
- ↑ hiandi upanyasoan ka shastriy vivechan- d aau.mahaviramal lodha
- ↑ kab tak pukaruan (1957) (hiandi). . abhigaman tithi: 24 janavari, 2013.
bahari k diyaan
sanbandhit lekh
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varnamala kramanusar lekh khoj
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