क़मर जलालाबादी

qamar jalalabadi
qamar jalalabadi|200px|center
poora nam	om prakash bhandari
prasiddh nam	qamar jalalabadi
janm	1919
janm bhoomi	jalalabad, amritasar (british bharat)
mrityu	9 janavari, 2003
karm bhoomi	bharat
karm-kshetr	bharatiy sinema
mukhy rachanaean	'mera nam chin chin chooan', 'aiye meharabaan baithiye jane jaan', 'ik dil ke tuk de hazar huye, koee yahaan gira koee vahaan gira' adi.
prasiddhi	kavi tatha gitakar
nagarikata	bharatiy
any janakari	film 'hav da brij' ke prasiddh git "aiye meharabaan baithiye jane jaan" ko asha bhoansale ki madak gayaki, madhubala ke mohak abhinay aur o. pi. naiyar ke karnapriy sangit ke sath jo dakar yad kiya jata hai, jabaki is git ke behatarin shabdoan ka jal bunane vale qamar jalalabadi ka nam parshv mean dab gaya.

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qamar jalalabadi (aangrezi: Qamar Jalalabadi; janm- 1919, jalalabad, amritasar; mrityu- 9 janavari, 2003) bharatiy hindi filmoan ke prasiddh gitakar aur kavi the. ye char dashakoan tak hindi filmi jagath ko bataur gitakar ek se badhakar ek git likhakar pradan karate rahe. qamar jalalabadi dvara likhe ge git aj bhi bharat mean b de paimane par sune jate haian. film 'hav da brij' ka masti bhara git "mera nam chin chin chooan" aur "aiye meharabaan baithiye jane jaan" kalajayi ban chuke haian. qamar jalalabadi ne apane lambe kariyar mean hindi sinema ke lagabhag sabhi prasiddh sangitakaroan ke sath kary kiya. ek gitakar ke roop mean qamar jalalabadi ne bahut sare avismaraniy git hindi sinema ko diye. bahut kam gitakar aise hoange, jinake rache git dashakoan tak shrotaoan ke jivan ka abhinn aang ban rahe hoan.

janm tatha namakaran

qamar jalalabadi ka janm varsh 1919 mean british kalin bharat mean amritasar ke 'jalalabad' mean hua tha. inake bahut sare gitoan mean darshan samahit raha hai. mata-pita ne inaka nam 'om prakash bhandari' rakha tha. qamar jalalabadi ne sat sal ki balyavastha se hi urdoo mean kavitaean likhana prarambh kar diya tha. ghar se to unhean kisi prakar ka protsahan nahian milata tha, par ek ghumantu kavi amar ne unake aandar chhipi kavy pratibha ko pahachan kar unhean protsahit kiya tha. unhoanne hi om prakash bhandari ko takhallus 'qamar' pradan kiya, jisaka arth hota hai- 'chaand'. us samay ki paripati ke anusar chooanki om prakash ji jalalabad mean rahate the, atah unaka kavi ke roop mean namakaran ho gaya "qamar jalalabadi".

git lekhan

filmoan ke prati akarshan qamar jalalabadi ko chalis ke dashak ke shuroo mean poona le aya aur 1942 mean unhean 'jamiandar' film mean git likhane ka mauka mil gaya. film ke git achchhe chale aur khas taur par shmashad begam dvara gaya gaya git "duniya mean gariboan ko aram nahian milata", achchha lokapriy hua. bad mean ve bambee (vartaman mumbee) a gaye aur agale char dashakoan tak hindi filmi jagath ko bataur gitakar ek se badhakar ek git likhakar pradan karate rahe. yooan to unhoanne film ki kahani ki maang ke anusar har tarah ke git likhe, parantu unake dvara rache gaye viyog vale prem git apana ek alag hi sthan rakhate haian. manaviy bhavanaoan ko unhoanne apane gitoan mean bahut khoobasoorati aur gaharaee se dhala. unake rache git jivan se ek gahara ju dav liye huye rahe.

prasiddh git

• film 'hav da brij' ka yah masti bhara git "mera nam chin chin chooan rat chaandani maian aur too" kalajayi ban chuka hai. isake nirman mean sangit nirdeshak o. pi. naiyar, gayika gita datt, nartaki aur adakara helan, nirdeshak shakti samant, nrity nirdeshak soory kumar, sinemetographar chandoo ke alava gitakar qamar jalalabadi ka bhi bharapoor yogadan tha, jinhoanne is git mean masti bhara alam lane ke liye avashyak shabdoan ka aisa tana-bana buna ki yah sunane vale ke kanoan se usake dil mean sama jata hai aur use ek khushanuma ehasas se bhar deta hai. parantu bahut sare any hit ganoan ke sath is git ke sath bhi yahi du:khad bat ju di rahati hai ki is gane ko dashakoan se sunane vale bhi bas is git ko o. pi. naiyar aur gita datt ke namoan ke sath jo d kar dekhate haian. bahut kam aise sangit rasik hoange jo is git ko vajib shabd dene vale ka nam janate hoange ya agar nahian janate haian to janane ke liye utsuk hoange.

• 'hav da brij' ka doosara prasiddh git "aiye meharabaan baithiye jane jaan shauk se lijiye ji ishk ke imtihaan" ke sath bhi yahi hota aya hai. is man lubhavane vale git ke sath bhi asha bhoansale ki madak gayaki, madhubala ke mohak abhinay aur o. pi. naiyar ke karnapriy sangit ko jo dakar yad kiya jata hai aur behatarin shabdoan ka jal bunane vala rachiyata parshv mean chhipa rah jata hai.

• "ik dil ke tuk de hazar huye, koee yahaan gira koee vahaan gira." san 1948 mean bani film 'pyar ki jit' ke is git ko yadi suna jae to jyadatar shrotaoan ko sirph muhammad rafi ki prasiddh gayaki ka ju dav is git se soojh pata hai aur kuchh gambhir kism ke sangit rasik is janakari se age jakar husnalal-bhagataram ke nam par ja pahuanchate haian, jinhone is git ke liye sangit ki rachana ki thi. is git ke shabd bhi qamar jalalabadi ji ki hi rachanatmak lekhani se utpann huye the.

gayak-gayikaoan ke sath kary

qamar jalalabadi ne apane samay ke lagabhag sabhi gayak-gayikaoan ke sath kary kiya. unake likhe gitoan ko hindi sinema ke lagabhag sabhi mashahoor gayak-gayikaoan, malika-e-tarannum noorajahaan, ji.em durrani, zinat begam, manjoo, amirabaee karnataki, mohammad rafi, talat mahamood, gita datt, suraiya, shmashad begam, mukesh, manna de, asha bhoansale, kishor kumar aur svar-kokila lata mangeshakar adi ne gaya.

sangit nirdeshakoan dvara gayan

qamar jalalabadi ke likhe gitoan ko kuchh sangit nirdeshakoan ne svayan bhi gaya. es. di. barman ne 1946 mean bani 'et dez' film ke liye ek k aaumik git "o baboo baboo re dil ko bachana bachana dil ka banega nishana…" apani avaz mean gaya. sangit nirdeshak saradar malik ne bhi unake likhe kee git gaye aur 1947 mean bani 'renuka' ke ek git "sunati nahian duniya kabhi phariyad kisi ki, dil rota raha ati rahi yad usaki" ne lokapriyata hasil ki.

• sauandary malika abhinetri nasim banoo ne bhi 1947 mean bani film 'mulakat' mean ek gazal "dil kis liye rota hai, pyar ki duniya mean aisa hi hota hai" ko apani avaz gaya. mashahoor nrityaangana sitara devi ne bhi 1944 mean bani film 'chaand' mean qamar jalalabadi ke likhe kuchh gitoan ko gaya. 'chaand' qamar jalalabadi ki shuruati ullekhaniy filmoan mean se ek hai.

prasiddh sangitakaroan ke sath kary

kam ke bad bacha hua vaktt ghar par parivar ke sath bitana pasand karane vale qamar jalalabadi ne apane lambe kariyar mean hindi sinema ke lagabhag sabhi prasiddh sangitakaroan gulam haidar, ji. damale, p. amaranath, khemachand prakash, husnalal bhagataram, es. di. batish, shyam suandar, sajjad husain, si. ramachandr, madan mohan, sudhir ph dake, es. di. barman, saradar malik, ravi, avinash vyas, o. pi. naiyar, kalyanaji anandaji, sonik omi, uttam sianh aur lakshmikaant pyarelal adi ke sath kam kiya.

film 'pahali tarikh'

1954 mean bani film 'pahali tarikh' ke liye qamar jalalabadi ne ek aisa git likha tha, jo dashakoan tak har mahine ki pahali tarikh ko rediyo silon par bajaya jata tha aur shayad ab bhi is git ko har mahine ki pahali tarikh ko bajaya jata ho. sansar ke vetanabhogi varg ke liye 'vetan divas' ka bahut b da mahatv hai aur bharat ke karo doan vetan bhogiyoan se sidha sambandh banata hua yah git unaki khushi ka izahar karata hai. sudhir ph dake ke sangit nirdeshan mean kishor kumar ne qamar jalalabadi ke likhe masti bhare boloan ko masti bhare aandaz mean gakar is git ko amar bana diya.

nidhan

qamar jalalabadi ka nidhan 9 janavari, 2003 ko hua. unhoanne bharatiy sinema tatha janata ko aise behatarin git die, jinhean kabhi vismrit nahian kiya ja sakata.

panne ki pragati avastha

adhar

prarambhik

madhyamik

poornata

shodh

sanbandhit lekh

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