प्राण

chitr:Disamb2.jpg pran

ek bahuvikalpi shabd hai any arthoan ke lie dekhean:- pran (bahuvikalpi)

pran
|200px|center
poora nam	pran krishna sikand
prasiddh nam	pran
janm	12 faravari, 1920
janm bhoomi	dilli
mrityu	12 julaee, 2013
mrityu sthan	mumbee
abhibhavak	lala keval krishna sikand
pati/patni	shukla sikand
santan	aravind, sunil (putr) aur pianki (putri)
karm bhoomi	muanbee
karm-kshetr	abhineta
mukhy filmean	'madhumati' (1958), 'jis desh mean ganga bahati hai' (1967), 'upakar' (1967), 'jani mera nam' (1970), 'parichay' (1972), 'viktoriya nambar nan. 203' (1972), 'zanjir' (1973), 'majaboor' (1974), 'kaliya' (1981), 'sharabi' (1984) adi.
puraskar-upadhi	dada sahab phalke puraskar, padm bhooshan, vilen aauf d mileniyam avard
nagarikata	bharatiy
any janakari	pran ko tin bar filmapheyar sarvashreshth sahayak abhineta ka puraskar mila hai. pran ne lagabhag 350 filmoan mean kam kiya.
bahari k diyaan	pran

pran krishna sikand (aangrezi: Pran Krishan Sikand, janm: 12 faravari, 1920; mrityu: 12 julaee, 2013) hindi filmoan ke jane mane nayak, khalanayak aur charitr abhineta the. pran aise abhineta the, jinake chehare par hamesha mekap rahata hai aur bhavanaoan ka toofan nazar ata hai jo apane har kiradar mean jan dalate hue yah ahasas kara jata hai ki unake bina yah kiradar bekar ho jata. unaki sanvad adayagi ki shaili ko aj bhi log bhoole nahian haian.

jivan parichay

pran ka janm 12 faravari, 1920 ko purani dilli ke ballimaran ilake mean base ek rees parivar mean hua tha. bachapan mean unaka nam 'pran krishna sikand' tha. unaka parivar behad samriddh tha. pran bachapan se hi padhaee mean hoshiyar the. b de hokar unaka photographar banane ka irada tha. 1940 mean jab mohammad vali ne pahali bar pan ki dukan par pran ko dekha to unhean filmoan mean utarane ki sochi aur ek panjabi film “yamala jat” banaee, jo behad saphal rahi. phir kya tha, isake bad pran ne kabhi mu dakar dekha hi nahian. 1947 tak vah 20 se zyada filmoan mean kam kar chuke the aur ek hiro ki imej ke sath iandrastri mean kam kar rahe the. halaanki log unhean vilen ke rup mean dekhana zyada pasand karate the. thumb|left|pran

vyaktitv

abhineta pran ko dashakoan tak bure adami (khalanayak) ke taur par jana jata raha aur aisa ho bhi kyoan na, parde par unaki vikaralata itani jivant thi ki log use hi usaki vastavik chhavi manate rahe, lekin filmi parde se itar pran asal ziandagi mean ve behad saral, eemanadar aur dayalu vyakti the. samaj seva aur sabase achchha vyavahar karana unaka gun tha.

praranbhik jivan

pran ki shuruati filmean hoan ya bad ki filmean unhoanne apane ap ko kabhi doharaya nahian. unhoanne apane har kiradar ke sath poori eemanadari se nyay kiya. phir chahe bhoomika chhoti ho ya b di, unhoanne samanata hi rakhi. pran ko sabase b di saphalata 1956 mean 'halakoo' film se mili jisamean unhoanne dakait halakoo ka sashakt kiradar nibhaya tha. pran ne raj kapoor nirmit-nirdeshit 'jis desh mean ganga bahati hai' mean raka dakoo ki bhoomika nibhaee thi jisamean unhoanne keval apani aankhoan se hi kroorata zahir kar di thi. kabhi aisa vaqt bhi tha jab har film mean pran nazar ate the khalanayak ke roop mean. unake is roop ko parivartit kiya tha bharat kumar yani manoj kumar ne, jinhoanne apani nirmit-nirdeshit pahali film 'upakar' mean unhean malang baba ka rol diya. jisamean ve apahij ki bhoomika mean the, bhoomika kuchh chhoti zaroor thi lekin thi bahut damadar. is film ke lie unako puraskrit bhi kiya gaya tha. un par filmaya gaya kasmean vade pyar vapha sab batean haian batoan ka kya aj bhi logoan ke dilo-dimag mean chhaya hua hai. bhoole bhatake jab kabhi yah git bajata hua kanoan ko sunaee deta hai to turant yad ate haian pran. aisa hi kuchh amitabh bachchan abhinit zanjir mean bhi hua tha. nayak ke pathan dost ki bhoomika mean unhoanne apane chehare ke hav bhavoan aur sanvad adayagi se jabaradast prabhav chho़da tha. is film ka git yari hai eeman mera, yar meri zindagi sirf aur sirf unake nrity ki vajah se yad kiya jata hai.

yadagar filmean

thumb|pran pran 1942 mean bani ‘khanadan’ mean nayak ban kar ae aur nayika thian noorajahaan. 1947 mean bharat azad hua aur vibhajit bhi. pran lahaur se muanbee a ge. yahaan qarib ek sal ke sangharsh ke bad unhean 'b aaumbe t aaukij' ki film ‘jiddi’ mili. abhinay ka saphar phir chalane laga. patthar ke sanam, tum sa nahian dekha, b di bahan, munim ji, ganvar, gopi, hamajoli, das nanbari, amar akabar eanthani, dostana, karj, aandha qanoon , pap ki duniya, matyudata qarib 350 se adhik filmoan mean pran sahab ne apane abhinay ke alag-alag rang bikhere. isake atirikt pran kee samajik sangathanoan se ju de rahe aur unaki apani ek phutab aaul tim b aaumbe dayanemas phutab aaul klab bhi rahi hai.

nayakoan par bhari pran ki khalanayaki

ham bolega to bologe ki bolata hai... yah sanvad pran ne hi apane ek film mean kaha tha, jo aj unake abhinay jivan ke sar par bhi satik baith raha hai. jivant abhinay tatha behatarin sanvad adayagi ke balaboote darshakoan ke diloan mean khalanayak ka bhayavah rup ukerane vale pran ki adakari ko bhi shabdoan mean nahian dhala ja sakata. aise mean unhean lekar jitane bhi shabdajal bine jaye vo kamatar hi hoange. tabhi unaka d aauyalag 'ham bolega to bologe ki bolata hai' ka zikr hai, jo darshata hai ki pran ne apane sanvadoan ko rupahale parde par hi nahian balki jivan mean bhi utara. pran ko dada sahab phalke puraskar ki ghoshana shayad is vajah se bhi jyada mahattvapoorn hai ki yah pahali bar parade par khalanayak ki bhoomika ada karane vale ek abhineta ko mil raha hai. pran sinema ke parade par khalanayaki ke paryay haian. pran ne apane kairiyar ki shuruat panjabi film 'yamala jat' se 1940 mean ki thi. 1942 vali hiandi film 'khanadan' se unaki chhavi romaantik hiro ki bani. lahaur se muanbee ane ke bad 'jiddi' se unake b aaulivud kairiyar ki shuruat huee. isake bad to vah hiandi filmoan ke chahete vilen hi ban ge. pran ne hiandi sinema ki kee pidhiyoan ke sath abhinay kiya. dilip kumar, dev anand aur rajakapoor ke sath pachas ke dashak mean, sath aur sattar ke dashak mean shammi kapoor, rajeandr kumar aur dharmeandr ke sath unaki kee filmean yadagar rahian. vah jo rol karate, usaki atma mean utar jate. log unhean vilen aur sadhu, donoan roopoan mean sarahane lage. 'pooja ke phool' aur 'kashmir ki kali' jaisi filmoan se pran ne apana nata k aaumedi se bhi jo d liya. assi ke dashak mean rajesh khanna aur amitabh bachchan ke sath unaki kee yadagar filmean aeean.
film 'upakar' ke ek drishy mean pran (malang chacha)|thumb|left unaki khalanayaki ke vividh roop 'ajad', 'madhumati', devadas, 'dil diya dard liya', 'munim ji' aur 'jab pyar kisi se hota hai' mean dekhe ja sakate haian. unaki hit filmoan ki pheharist bhi b di lanbi hai. apane samay ki lagabhag sabhi pramukh abhinetriyoan ke sath unaki filmean aeean. panjab, uttar pradesh aur madhy pradesh mean shikshit pran kisi bhi zaban aur lahaje ko apana bana lete the. unaki ada aur dayal aaug dilivari ril rol ko riyal bana deti thi. unaka dayal aaug -tumane thik suna hai barakhuradar, choroan ke hi usool hote haian khoob charchit hua. sabase b di bat yah ki char sau se adhik filmean karane vale pran ne khud ko kabhi doharaya nahian. 'patthar ke sanam' ho ya 'jis desh mean ganga bahati hai', 'majaboor' ho ya 'haph tikat' ya phir 'dharma', pran ne har film mean apani maujoodagi ka poora ahasas karaya.

film samikshakoan ki drishti se

prakhyat film samikshak anirooddh sharma kahate haian ‘‘pran ki shuruati filmean dekhean ya bad ki filmean, unaki adakari mean doharav kahian nazar nahian ata. unake muanh se nikalane vale sanvad darshak ko gahare tak prabhavit karate haian. bhoomika chahe mamooli lutere ki ho ya kisi b de giroh ke mukhiya ki ho ya phir koee lachar pita ho, pran ne sabhi ke sath nyay kiya hai.’’ film alochak manasvini deshapaande kahati haian ki varsh 1956 mean film halakoo mukhy bhoomika nibhane vale pran ‘jis desh mean ganga bahati hai’ mean 'raka dakoo' bane aur keval apani aankhoan se kroorata zahir ki. lekin 1973 mean ‘janjir’ film mean amitabh bachchan ke mitr sherakhan ke roop mean unhoanne apani aankhoan se hi dosti ka bharapoor sandesh diya. vah kahati haian ‘‘unaki sanvad adayagi ki vishisht shaili log abhi tak nahian bhoole haian. kuchh filmean aisi bhi haian jinamean nayak par khalanayak pran bhari p d ge. charitr bhoomikaoan mean bhi unhoanne amit chhap chho di hai.’’.

pran ke prasiddh sanvad (dayal aaug)

pran ke prasiddh sanvad (dayal aaug)

kramaank	sanvad (dayal aaug)	film
1.	is ilaqe mean ne ae ho barakhuradar, varana yahaan sher khan ko kaun nahian janata.	zanjir
2.	ram ne har yug mean janm liya, lekin lakshman phir paida nahian hua.	upakar
3.	ye pap ki nagari hai, yahaan kans aur duryodhan ka thikana hai.	upakar
4.	ziandagi mean chadhate ki pooja mat karana, doobate ki bhi sochana.	upakar
5.	ye phooloan ke sath sath dil kab se bechana shuroo kar diya hai.	kashmir ki kali
6.	ek dakoo ki l daki pulis vale se shadi karegi, goli marie saradar.	jis desh mean ganga bahati hai
7.	sher aur bakari jis ghat par ek sath pani pite hoan, vo ghat, n hamane dekha hai aur n dekhana chahate haian.	an ban
8.	pahachana is ikanni ko, yah vahi ikanni hai jise barasoan pahale uchhalakar tumane mera mazak u daya tha. r aaubart seth tumhare hi sone se tumhare hi adamiyoan ko kharid kar aj maian tumhari jagah pahuanch gaya hooan aur tum mere qadamoan mean.	amar akabar eanthani
9.	kyoanki maian riv aaulvar hamesha khali rakhata hooan.	majaboor
10.	lekin maian us qism ka jelar nahian hooan. maian n to chhutti par jaooanga aur n tabadale ki darakhvast karooanga. tumhara vo rik aaurd hai, to hamara bhi ek rik aaurd hai. hamari jel se sangin se sangin qaidi jo bahar gaya hai usane tumhare us darabar mean dua maangi hai to yahi dua maangi hai ki agar dobara jel jae to raghuvir sianh ki jel mean n jae.	kaliya
11.	samajhate ho ki sab samajhata hooan isase badhakar iansan ki nasamajhi aur kya ho sakati hai.	krodhi
12.	shayad too yah bhool gaya ki is zamin par fatah khaan akela paida nahian hua hai, usake sath usaki bala ki zid bhi paida huee hai. kahian meri zid kisi zid par a gee to apani beti ke raste mean p de hue beshumar kaantoan ko to maian apane daman mean samet looanga lekin tere raste dahakate hue aangaroan se bhar dooanga.	sanam bevafa
13.	avaz to teri ek din maian nichi karooanga, sher ki tarah garajane vala billi ki zaban bolega.	sanam bevafa

samman evan puraskar

[[chitr:Pran-5.jpg|film 'zanjir' ke ek drishy mean pran (sherakhan)|thumb]] pran ko tin bar 'filmapheyar sarvashreshth sahayak abhineta' ka puraskar mila aur 1997 mean unhean filmapheyar laiph taim achivameant khitab se navaja gaya. aj bhi log pran ki adakari ko yad karate haian. qarib 350 se adhik filmoan mean abhinay ke alag alag rang bikherane vale pran ko hindi sinema mean unake yogadan ke lie 2001 mean bharat sarakar ke padm bhooshan samman se sammanit kiya gaya tha.sanh 2012 ke lie bharat sarakar ne pran ko bharatiy sinema ke sarvochch rashtriy samman dada sahab phalke puraskar se sammanit kiya.

rochak tathy

pahali film ke mile 50 rupaye

pran jab matr 19 varsh ke the to unhoanne 'dalasukh pancholi' ke nirdeshan mean bani panjabi film ‘yamala jat’ me hiro ki bhoomika ada ki thi. unhean yah film lekhak 'vali muhammad vali' ne us samay aaufar ki thi jab vah 1939 mean lahaur mean ek pan ki dukan ke bahar kh de hue the. unhean is bhoomika ke lie 50 rupaye die ge the.

shayari v fotografi se lagav

pran ko shayari v fotografi se bahut adhik lagav tha. ek samay mean unaka ghar unaki tasviroan se bhara hua tha jo vibhinn roopoan mean khianchi gee thian. pran ko kabir, galib v faiz ahamad faiz ka lagabhag poora kalam yad tha aur vah set par bhi inaki shayari padhate the.

khelapremi

tash khelana v sportas bhi unako pasand the. vah aur unaki patni muanbee ke 'kriket klab aauph iandiya' mean niyamit jaya karate the. unhoanne anek selibriti maichoan ko svargiy pi. jayaraj ke sath milakar ayojit kiya. vah muanbee ki phutab aaul tim 'dayanamo' ke prayojak bhi the.

sah-abhinetriyaan

pran ne apane zamane ki lagabhag sabhi abhinetriyoan ke sath kam kiya. 'khanadan' (1942) mean 13 varshiy noorajahaan to qad mean itani chhoti thian ki unhean pran ke sath abhinay karate samay eetoan par kh da hona p data tha. vaijayantimala (bahar, 1951) v helan (halakoo, 1956) ne apani pahali film pran ke sath hi ki thian. hindi filmoan ke parde par khalanayak ki bhoomika ada karane vale pran filmodyog mean bhadr vyakti ke roop mean jane jate the. vah apane mean mast rahate the aur aj tak kisi hiroin ke sath unaka skaiandal nahian hua. set par vah latife sunate, shayari sunate, lekin jab drishy poora ho jata to vah apane kamare mean ja kar apane ap tak simit ho jate.

prabhavi khalanayaki

pran ne parde par aksar bure vyakti ki bhoomika ki, isalie yah aandaja lagana kathin ho jata hai ki vastav mean vah kitane achchhe vyakti haian. unaki khalanayaki itani prabhavi thi ki logoan ne apane bachchoan ka nam pran rakhana band kar diya tha. unake tinoan bachchoan pianki, araviand v sunil ko bahut sharmiandagi hoti thi, jab doosare bachche pran ko khalanayak kahate the. unaki beti pianki ne ek bar unase poochha tha ki vah filmoan mean achchhi bhoomikaean kyoan nahian karate haian? isalie jab 1967 mean unhean manoj kumar ne ‘upakar’ aaufar ki to unhoanne use fauran svikar kar liya. yah hindi sinema mean unaki pahali sakaratmak bhoomika vali film thi.

mumataj se mafi maangana

mumataz ki tvacha bahut komal thi aur us par asani se nishan p d jate the. chooanki pran ke sath unaki filmoan mean unhean aksar parde par sangharsh karate hue dikhaya jata tha to mumataj ke badan par kale v nile nishan p d jate the. drishy poora hone ke bad pran ko bahut sharmiandagi hoti thi aur vah mumataj se mafi maanga karate the.

hasy ke lie pran ka nrity

pran ki ek kamazori yah rahi ki vah nrity karana nahian janate the. isalie jab film mean hasy ki sthiti utpann karani hoti to pran se nrity karaya jata jaisa ki ‘munim ji’, ‘balph mastar’ adi. nrity n karane ki vajah se hi unhoanne 6-7 filmoan ke bad hiro ki bhoomika karana band kar diya tha. phir bhi parde par gae unake git bahut mashahoor hue jaise ‘yari hai eeman mera’ (zanjir 1973), ‘raj ko raj hi rahane do’ (dharma 1973) ya ‘qasame, vade, pyar, vapha sab’ (upakar 1967).

ghar ke bahar prashansakoan ki bhi d

pran ne 1950 ke dashak mean apana bangala baandra ke yooniyan park mean banavaya. is jagah ko filmi duniya ke log manahoos jagah samajhate the kyoanki isamean rahane vale anek kalakar jaise k aaumediyan gop, nirmata ram kamalani v sangitakar anil vishvas ko jabaradast propheshanal ghata uthana p da tha. lekin pran ne aise kisi aandhavishvas ko manane se iankar kar diya. unhean jagah pasand aee aur unhoanne apane bangale ka nam apani beti ke nam par ‘pianki’ rakh diya. palihil par vah pahala mashahoor ghar tha. pran ke ghar ke age unake prashansakoan ki bhi d lagi rahati thi. bachche bhi vahaan jama ho jate the. pran ko bachche bahut pasand the aur vah unhean apane ghar mean amantrit karate v unhean mithaee, biskit adi khilate.

any tathy

• desh ke vibhajan ke samay pran sikand muanbee ae aur itane atmavishvas se bhare the ki unhoanne bhavy tajamahal hotal mean kamara liya. unhean laga ki kuchh hi dinoan mean kam milane ke bad apana phlait kharideange, parantu unhean ne sire se sangharsh karana p da aur lahaur mean saphal nayak rahe pran ko majaboor hokar ‘grihasthi’ (1948) mean khalanayak ki bhoomika karani p di, parantu mina kumari ke sath ‘halakoo’ namak film mean ek barbar, sanaki aur vahashi tanashah ki bhoomika mean unhoanne aisa khauph paida kiya ki har b di film mean unhean khalanayak ki bhoomika milane lagi. ‘halakoo’ mean pran sikand ne yah sikha ki unhean apani bhoomikaoan ke lie vishesh poshak, vig ityadi ka upayog karana chahie. unaki poshakean aur vig unake abhinay ka hissa ban ge.
• pran ne lagabhag 350 se jyada filmoan mean abhinay kiya, lekin vah apani filmoan sahit bamushkil hi koee film dekhate the. pran ko ‘parichay’ (1972) mean apani bhoomika sabase kathin pratit huee, jisamean unhoanne ek ziddi, anushasit vyakti ki bhoomika ada ki thi. unaki sabase pasandida film ‘viktoriya nambar 203′ (1972) hai jisaka nirdeshan brij ne kiya tha.
• shammi kapoor ki lagabhag sabhi filmoan mean pran ne khalanayak ki bhoomika nibhaee. parde ki is dushmani ke bavajood donoan apas mean gahare dost the. donoan ko hi maansahari bhojan v sharab bahut pasand thi. pran ke any achchhe dostoan mean dilip kumar v raj kapoor shamil the aur yah tik di aksar unake bangale par mahaphilean jamati thian.

samachar

thumb|pran

12 julaee, 2013 shukravar

mashahoor film adakar 'pran' ka nidhan

hiandi filmoan ke mashahoor vilen aur charitr abhineta pran ki shukravar 12 julaee, 2013 ko der sham muanbee ke lilavati aspatal mean maut ho gee. vo 93 sal ke the. unake bete sunil ne bibisi sanvadadata madhoo pal ko bataya ki vo lilavati aspatal mean bharti the jahaan unaki maut der sham huee. samachar ejeansi pitiaee ne pran ki beti pianki ke havale se kaha hai, "unaki maut lanbi bimari ke bad huee." unhean is sal dada sahab phalake puraskar se sammanit kiya gaya tha lekin vo is qadar bimar the ki ise khud svikar karane dilli nahian a pae the. bad mean soochana aur prasaran mantri manish tivari ne unake ghar jakar unhean yah puraskar diya. unake nidhan par du:kh jatate hue b aaulivud ne unhean bharatiy sinema ka b da stanbh bataya, jinaka kee sitaroan ka jivan banane mean aham yogadan tha. film iandastri ke purane aur yuva abhinetaoan ne pran ke nidhan par apani sanvedana jataee. suparastar dilip kumar aur amitabh bachchan ne b aaulivud ke lijeand ke sath ju di apani yadean sajha kian. pran ke sath kee filmoan mean kam kar chuke amitabh bachchan ne kaha ki unake jaise kaddavar abhineta ab nahian ate. unhoanne kaha, 'vah ek behatarin vyakti, prashansaniy sahayogi, sanpoorn peshevar, nibhaye jane vale patroan ko apane mean atmasath karane vale, kam ke bad ek dilachasp sathi aur ek vicharashil manushy the.' dilip sahab ne kaha, 'maian kabhi nahian bhool sakata ki pran kaise mere nikah mean pahuanche the. shrinagar ke kharab mausam se joojhate hue, vah vahaan shootiang kar rahe the. unhoanne dilli ki phlait li, vahaan se phir sham mean muanbee pahuanche, bas mere nikah se thik pahale mujhe gale lagane ke lie.'

samachar ko vibhinn srotoan par padhean

• navabharat taims
• bi.bi.si. hiandi
• laiv hiandustan
• ajatak

panne ki pragati avastha

adhar

prarambhik

madhyamik

poornata

shodh

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bahari k diyaan

• nahian bhoole haian log pran ki sanvad adayagi

sanbandhit lekh

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