बिम्ब विधान

bimb vidhan hindi sahity mean kavita ki ek shaili hai. svantryottar hindi kavita mean jaise vishay badale, vastu badali aur kavi ki jivan-drishti badali vaise hi shilp ke kshetr mean roop-vidhan ke naye ayam bhi vikasit hue. kavita ki samiksha ke manadandoan mean ek baragi yugantar aya aur naye dhang par kavita ki imarat kh di ki gee. kavi ki anubhootiyaan naye aprastutoan aur pratikoan ko khojate-khojate bimb ke naye dharataloan ko udh‌ghatit karane mean samarth huee. kavita ki jivantata mean pranashakti ke roop mean bimb ne apana sthan aur mahatv paya.

bimbavadi andolan

pratik aur aprastut to prarambh se hi kavita ki samiksha ke pratimanoan ke roop mean svikrit the, ab bimb bhi kavita ke moolyaankan ki kasauti ke roop mean svikara jane laga. yoan to bimboan ke nirman aur chayan ki prakriya sanskrit sahity mean hi prachalit thi, kintu tatkalin kaviyoan aur samikshakoan ne, balki ajadi se pahale tak hindi ke samikshakoan ne bhi bimb ko kavy ka pranatatv nahian mana tha. ajadi ke bad kee naye sandarbh, kee naye shailpik pratiman samane aye. isaka karan pashchaty sahity ka prabhav to tha hi, videshoan mean chal raha bimbavadi andolan bhi tha. chhayavadiyoan ne bhi apratyakshatah shilp ke aang ke roop mean ‘chitratv’ ko svikar kar liya tha. sumitranandan pant ne jab kavy-bhasha ke vivechan ke dauran chitrabhasha ke prayog ki bat kahi thi to prakaranatar se bimb ko hi kavy-shilp ke aang aur alochana ke pratiman ke roop mean svikar kiya tha. achary shukl bhi bimb ko svikriti de chuke the. unhoanne ‘chintamani’ ke ek nibandh mean likha tha, “kavy ka kam hai kalpana mean bimb ya moortabhavana upasthit karana”: spasht shabdoan mean kavy kalpana-chitr nahian hai, varanh anubhootiyoan ka moortikaran hai. bimb kavy-bhasha ki tisari aankh hai, jo matr gochar hi nahian, kisi agochar tatchetasa smarati noonamabodhapoorv (kalidas-pahale se jo avabodhan ho usaki smriti)-roop se, ek or kaviyitri aur doosari or bhavayitri bhasha ke lie upalabdh karati hai. bimb shabd ka arth chhaya, pratichchhaya, anukriti ya shabdoan ke dvara bhavaankan hai. bimb aangrezi ke imej shabd ka hindi roopantar hai. si.di. levis ke anusar-

“The poetic image is more or less a sensuous picture in words, to some degree metaphorical, with an undernote and some human emotion, in its context but also charged with releasing into the reader a special poetic emotion or passion.”

arthath kavyatmak bimb ek sanvedanatmak chitr hai jo ek sima tak alankrit-roopatamak bhavatmak aur avegatmak hota hai. livis ne bimb ko bhavagarbhit chitr hi mana hai. d aau. nagendr ke anusar, “bimb kisi amoort vichar athava bhavana ki punarnirmiti. ezara paund ke anusar, “bimb vah hai jo kisi bauddhik tatha bhavatmak sanshlesh ko samay ke kisi ek bindu par sanbhav karata hai.” hindi ki nayi kavita-dhara ke kavi pashchim ke kavy aur kavyandolanoan se parichit the. ‘tar saptak’ mean prabhakar machave ne apani kavita ko ‘impreshanist’ athava bimbavadi ghoshit kiya. phir bhi tisari saptak ke kavi kedaranath sianh se pahale bimb-vidhan ko kisi ne apane vaktavy mean pramukhata nahian di thi. kedaranath sianh ne ghoshit kiya ki “kavita mean maian sabase adhik dhyan deta hooan bimb-vidhan par.”
ek adhunik kavi ki shreshthata ki pariksha ki kasauti jahaan ajney ‘shabdoan ka avishkar’ ko manate haian, vahian kedaranath sianh ‘bimboan ki avishkriti’ ko. apani pustak ‘adhunik hindi mean bimb vidhan ka vikas’ mean unhoanne bimb ke pratiman par chhayavad se lekar prayogavad tak ke sahity ki pariksha ki hai. shamasher ki kritiyoan mean bimb adhik sajiv aur aindriy haian. unake samakalin rachanakar bachchan, ajney, aanchal, dinakar, narendr sharma ki kritiyaan apani bimbatmak gunatmakata ke karan hi moolyavan haian.

panne ki pragati avastha

adhar

prarambhik

madhyamik

poornata

shodh

sanbandhit lekh

1. REDIRECT saancha:sahityik shabdavali