वी शांताराम
vi shaantaram
| |
| poora nam | rajaram vaankudare shaantaram |
| any nam | annasahab |
| janm | 18 navanbar, 1901 |
| janm bhoomi | kolhapur |
| mrityu | 30 aktoobar, 1990 |
| mrityu sthan | muanbee |
| karm bhoomi | maharashtr |
| karm-kshetr | film nirdeshak, abhineta |
| mukhy filmean | 'amar kahani', 'amar bhoopali', 'jhanak-jhanak payal baje', 'do aankheanan barah hath', 'navarang'. |
| vishay | nrity, sanvad, kathanak, sangit |
| puraskar-upadhi | 'filmapheyar puraskar', 'padm vibhooshan', 'dada sahab phalke puraskar' |
| prasiddhi | film nirdeshak, filmakar, abhineta |
| nagarikata | bharatiy |
rajaram vaankudare shaantaram (aangrezi: Rajaram Vankudre Shantaram, janm- 18 navanbar, 1901, kolhapur; mrityu- 30 aktoobar, 1990) ek kushal nirdeshak, filmakar, behatarin abhineta the. hindi filmoan mean bataur nirdeshak shuruat karane vale shaantaram ne d aauktar kotanis ki 'amar kahani' (1946), 'amar bhoopali' (1951), 'jhanak-jhanak payal baje' (1955), 'do aankheanan barah hath' (1957) aur 'navarang' (1959) jaisi vividhatapoorn aur goodh arthoan vali filmean banakar alag muqam hasil kiya tha.
parichay
maharashtr ke kolhapur mean 18 navanbar, 1901 ko ek jain parivar mean janme rajaram vaankudare shaantaram ne baboorav peantar ki maharashtr film kampani mean chhote-mote kam se apani shuruat ki thi. shaantaram ne namamatr ki shiksha payi thi. unhoanne 12 sal ki umr mean relave varkashap mean apreantis ke roop mean kam kiya tha. kuchh samay bad vah ek natak mandali mean shamil ho ge.
git aur sangit
git aur sangit shaantaram ki filmoan ka ek aur mazaboot paksh hota tha. ek filmakar ke roop mean vah apani filmoan ke sangit par vishesh dhyan dete aur unaka zor is bat par rahata ki ganoan ke bol asan aur gunagunane yogy hoan. shaantaram ki filmoan mean rangamanch ka put zaroor nazar ata tha, lekin vah apani filmoan se samaj ko ek nee drishti dene mean kamayab rahe. har film apane vaqt ki kahani bayan karati hai, lekin unhean lagata hai ki ab shaantaram ki 'p dosi' (1940) aur 'do aankheanan barah hath' jaisi jivant filmean dobara nahian banaee ja sakatian. shaantaram ki kuchh kritiyoan ki gunavatta ka muqabala aj bhi nahian kiya ja sakata. qarib chhah dashak lanbe apane filmi saphar mean shaantaram ne hindi v marathi bhasha mean kee samajik evan uddeshyaparak filmean banaee aur samaj mean chali a rahi kuritiyoan par chot ki.
nirdeshak
shaantaram ne filmoan ki barikiyaan baboorav peantar se sikhian. baboorav peantar ne unhean 'savakari pash' (1925) mean kisan ki bhoomika bhi di. kuchh hi varshoan mean shaantaram ne film nirman ki tamam barikiyaan sikh lian aur nirdeshan ki kaman sanbhal li. bataur nirdeshak unaki pahali film 'netaji palakar' thi.
kanpani ka gathan
isake bad unhoanne vi.ji. damale, ke. ar. dhaeebar, em. phatelal aur es. bi. kulakarni ke sath milakar 'prabhat film' kanpani ka gathan kiya. apane guru baboorav ki hi tarah shaantaram ne shuruat mean pauranik tatha aitihasik vishayoan par filmean banaeean. lekin bad mean jarmani ki yatra se unhean ek filmakar ke taur par nee drishti mili aur unhoanne 1934 mean 'amrit manthan' film ka nirman kiya. shaantaram ne apane lanbe filmi saphar mean kee umda filmean banaeean aur unhoanne manoranjan ke sath sandesh ko hamesha prathamikata di.
filmi saphar
hindi sinema ke shuruati daur mean pramukhata se ubhare filmakar vi shaantaram un hastiyoan mean the jinake lie filmean manoranjan ke sath samajik sandesh dene ka madhyam thi. apane lanbe filmi saphar mean unhoanne prayogadharmita ko bhi badhava diya. d aau. kotanis ki amar kahani, jhanak jhanak payal baje, do aankhean barah hath, navarang, duniya na mane jaisi apane samay ki behad charchit filmoan mean shaantaram ne film nirman se ju de kee prayog kie. unhoanne filmoan ke manoranjan paksh se koee samajhauta kie bina ne prayog kie jinake karan unaki filmean n keval am darshakoan balki samikshakoan ko bhi kafi priy lagian. shaantaram ne hindi filmoan mean mooviang sh aaut ka prayog sabase pahale kiya. unhoanne bachchoan ke lie 1930 mean rani sahiba film banayi. 'chandrasena' film mean unhoanne pahali bar trali ka prayog kiya.
rangin film
unhoanne 1933 mean pahali rangin film 'sairandhri' banaee. bharat mean enimeshan ka istemal karane vale bhi vah pahale filmakar the. varsh 1935 mean pradarshit huee film 'janboo kaka' (1935) mean unhoanne enimeshan ka istemal kiya tha. unaki film d aau.kotanis ki 'amar kahani' videsh mean dikhaee jane vali pahali bharatiy film thi.
rajakamal kala mandir
shaantaram ne prabhat film ke lie tin behad shanadar filmean banaee. shaantaram ne 1937 mean karukoo (hindi mean duniya na mane), 1939 mean manush (hindi mean adami) aur 1941 mean shejari (hindi mean p dosi) banaee. shaantaram ne bad mean prabhat film ko chho dakar rajakamal kala mandir ka nirman kiya. isake lie unhoanne 'shakuantala' film banaee. isaka 1947 mean kanada ki rashtriy pradarshani mean pradarshan kiya gaya. shaantaram ki behatarin filmoan mean se ek hai d aau.kotanis ki amar kahani. yah ek deshabhakt daktar ki sachchi kahani par adharit hai jo sadbhavana mishan par chin ge chikitsakoan ke ek dal ka sadasy tha.
do aankhean barah hath
shaantaram ki sarvadhik charchit film do aankhean barah hath hai. jo 1957 mean pradarshit huee. yah ek sahasik jelar ki kahani hai jo chhah qaidiyoan ko sudharata hai. is film ko sarvashreshth fichar film ke lie rashtrapati ke svarn padak se sammanit kiya gaya tha. ise barlin film phestival mean silvar biyar aur sarvashreshth videshi film ke lie saimual goldavin puraskar se bhi sammanit kiya gaya. is film ka git ai malik tere bande ham... aj bhi logoan ko yad hai.
jhanak jhanak payal baje aur navarang
jhanak jhanak payal baje aur navarang unaki behad kamayab filmean rahian. darshakoan ne in filmoan ke git aur nrity ko kafi saraha aur filmoan ko kee-kee bar dekha.
pianjara
shaantaram ki akhiri mahattvapoorn film thi pianjara. yah film josaph starnabarg ki 1930 mean pradarshit huee klasik film 'd blyoo eanjel' par adharit thi. vaise unaki akhiri film jhaanjhar thi. yah film b aauks aaufis par kamayab nahian ho saki aur sat dashakoan tak chale unake shanadar filmi kairiyar ka aant ho gaya.
puraskar
shaantaram ek chalate-phirate sansthan the, jinhoanne film jagat mean bahut samman hasil kiya. film nirman ki unaki takanik aur unake jaisi drishti aj ke nirdeshakoan mean kam hi nazar ati hai. unhean varsh 1957 mean jhanak-jhanak payal baje ke lie sarvashreshth nirdeshak ka filmapheyar puraskar diya gaya tha. unaki kalajayi film do aankheanan barah hath ke lie sarvashreshth film ka puraskar pradan kiya gaya. is film ne barlin film samaroh aur goldan glob av aaurd mean bhi jhande ga de. annasahab ke nam se mashahoor shaantaram ko varsh 1985 mean bharatiy sinema ke sabase b de puraskar dada sahab phalke puraskar se sammanit kiya gaya. thumb|googal ke doodal dvara vi. shaantaram ko shraddhaanjali
googal dvara shrriddhaanjali
sinema jagat ke pitamah vi. shaantaram ke 116vean janmadin par 18 navanbar, 2017 ko iantaranet sarch kanpani googal ne doodal ke jarie unhean shraddhaanjali di hai. googal ne is mauke par ek khas doodal banaya hai aur unaki tasvir ke sath GOOGLE likha gaya hai.
mrityu
film jagat mean amooly yogadan karane vale shaantaram ka 30 aktoobar 1990 ko muanbee mean nidhan ho gaya.
|
|
|
|
|
|
bahari k diyaan
sanbandhit lekh