उदय प्रकाश

भारत डिस्कवरी प्रस्तुति
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chitr:Disamb2.jpg uday ek bahuvikalpi shabd hai any arthoan ke lie dekhean:- uday (bahuvikalpi)

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uday prakash
poora nam uday prakash
janm 1 janavari, 1952
janm bhoomi gaanv- sitapur, anoopapur zila, madhy pradesh
karm-kshetr kavi, kathakar, patrakar aur filmakar
mukhy rachanaean mohanadas (kahani), suno qarigar, abootar kabootar (dono kavita)
bhasha hindi
shiksha em.e.
puraskar-upadhi sahity akadami puraskar, bharatabhooshan agraval puraskar, om prakash samman, shrikaant varma puraskar, muktibodh samman, dvijadev samman, vanamali samman, pahal samman adi
vishesh yogadan 'bharatiy krishi ka itihas' par mahattvapoorn pandrah k diyoan ka siriyal 'krishi-katha' ke nam se 'rashtriy chainal' ke lie nirdeshit kar chuke haian.
nagarikata bharatiy
any janakari uday prakash svayan bhi kee ti.vi.dharavahikoan ke nirdeshak-patakatha lekhak rahe haian. uday prakash ne suprasiddh rajasthani kathakar 'vijayadan detha' ki kahaniyoan par charchit laghu filmean 'prasar bharati' ke lie nirmit aur nirdeshit ki haian.
adyatan‎
12:48, 2 aktoobar 2011 (IST)
inhean bhi dekhean kavi soochi, sahityakar soochi

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uday prakash (janm :1 janavari, 1952) charchit kavi, kathakar, patrakar aur filmakar haian. uday prakash hindi sahity aur sansar ke pratishthit aur charchit kathakar haian. inaki rachanaean n keval bharatiy bhashaoan, balki kee videshi bhashaoan mean anudit hokar lokapriy huee. uday prakash ki kahaniyoan mean jahaan kavitaoan jaisi ravanagi aur sarasata hai, vahian ve samay ki visangatiyoan ki or bahat gaharaee se dhyan akarshit karati haian.

  • roosi, aangreji, japani, dach aur jarman bhasha mean unaki kavitaoan ka anuvad ho chuka hai aur lagabhag sabhi rashtriy-aantararashtriy kavita sankalanoan mean unaki kavitaean sangrahit haian . 2004 mean h aaulaiand ke prakhyat 'aantararashtriy kavita utsav' mean ve bharatiy kavi ke roop mean bhag le chuke haian.
  • inaki kee kahaniyoan ke natyaroopantar aur saphal manchan hue haian. 'uparaant' aur 'mohan das' ke nam se inaki kahaniyoan par phichar filmean bhi ban chuki haian, jinhean aantararashtriy samman mil chuke haian. uday prakash svayan bhi kee ti.vi.dharavahikoan ke nirdeshak-patakathakar rahe haian.
  • uday prakash ne suprasiddh rajasthani kathakar 'vijayadan detha' ki kahaniyoan par charchit laghu filmean 'prasar bharati' ke lie nirmit aur nirdeshit ki haian. 'bharatiy krishi ka itihas' par mahattvapoorn pandrah k diyoan ka siriyal 'krishi-katha' ke nam se 'rashtriy chainal' ke lie nirdeshit kar chuke haian.

janm sthan

bharat ke prakhyat kavi, kathakar, patrakar aur filmakar uday prakash ka janm gaanv sitapur zila anoopapur, madhy pradesh mean 1 janavari, 1952 mean hua tha. "maian madhyapradesh ke anoopapur zile ke ek chhote se gaanv sitapur mean paida hua. aj bhi vahaan mitti ke 18 ghar haian. hamara ghar pakka aur purana hai. gaanv ke pichhe ek bahut badi son nadi bahati hai. jahaan se son ka udgam hai usi se kuchh door narmada ka udgam hai. amarakantak mere gaanv se paidal jaean, to 23 kilomitar door hai. mera janm 1952 mean hua tab vahaan bijali nahian thi. ham log lalaten aur dhibari ki roshani mean padhate the. pul nahian tha, isalie gaanv ke sabhi log tairana janate haian. paanchavian kaksha ke bad nadi ko tair kar skool jana hota tha. kalam, phaunten pen yah sab bad mean aya. ham shuroo mean lakadi ki pati par likhate the chhathe darje se aangrezi padhaee jati thi. maian jahaan par tha, vahaan chhattisagadh tha aur madhy pradesh ka simant hai. mera gaanv chhattisagadh sima mean hai. meri maan bhojapur ki aur pita ji baghel ke the. [1] uday prakash shuruati kee naukariyoan ke bad lanbe arase se lekhan ki svayattashasi duniya se jude haian.

karyakshetr

pichhale do dashakoan mean prakashit uday prakash ki kahaniyoan ne katha sahity ke paranparagat path ko apane akhyan aur kalpanatmak vinyas se poori tarah badal diya hai. ne yug ke yatharth ke nirman mean uday ki kahaniyoan ki zabardast bhoomika hai. vaividhyapoorn jivananubhavoan se lais uday ki kahaniyoan par kadachit jitani asahamatiyaan aur vivad darj kie ge utani kisi aur ki kahaniyoan par nahian. kintu sabhi asahamatiyoan aur vivadoan ko pichhe chhodate hue uday prakash ne pashchimi mapadand par tiki hiandi alochana ki kasautiyoan ke samane sadaiv ek chunauti kh di ki hai. 'suno karigar', 'abootar kabootar', 'rat mean haramoniyam' v 'ek bhasha hua karati hai'- kavita sangrahoan aur 'tirichh', 'dariyaee ghoda' aur 'aant mean prarthana', 'palagomara ka skootar', 'dattatrey ke dukh', 'pili chhatari vali ladaki', 'maiangosil' v 'mohanadas' jaise kahani sangrahoan ke lekhak uday prakash ne kee lekhakoan par filmean banaee haian aur bijji ki kahaniyoan par dharavahik bhi.[2]

atmakathatmak kriti

“mohanadas” uday prakash ki atmakathatmak kriti hai. bahut kam log janate haian ki lagabhag sabhi bharatiy bhashaoan aur vishv ki adhi darjan bhashaoan mean anoodit ho chuki “mohanadas” kahani uday prakash ne tab likhi thi, jab dilli vishvavidyalay ke hiandi vibhag mean prophesar ke pad ke lie unhoanne iantaravyoo diya tha aur unhean vah naukari nahian di gayi thi. tab uday prakash ko naukari isalie nahian di gayi thi kyoanki chayan samiti ke ek sadasy ko is bat par gahara etaraj tha ki uday prakash ke pas pi.ech.di. ki digri nahian hai. halaanki tab tak uday prakash ki kahaniyoan aur kavitaoan par desh bhar ke vishvavidyalayoan mean adhe darjan se zyada pi.ech.di. aur ek darjan se zyada em.phil. ki upadhiyaan baanti ja chuki thian. isake alava kee videshi vishvavidyalayoan ke silebas mean unaki kahaniyaan jagah pa chuki thian aur vahaan padhayi ja rahi thian.

bl aaug

shabh‍doan ke anoothe shilh‍p mean buni kavitaoan aur usase bhi jh‍yada anoothe gady shilh‍p ke lie jane jane vale uday prakash ka bh‍l aaug ki duniya mean padarpan ek sukhad ghatana hai.

saphar ki shuruat

sanh 2005 mean jab hiandi mean koee thik se bh‍l aaug ka nam bhi nahian janata tha, uday prakash ne apane bh‍l aaug ki shuruat ki, lekin yah silasila jh‍yada lanba nahian chala. lanbe aantaral ke bad ab phir us saphar ki shuruat huee hai. jinh‍hoanne 'palagomara ka sh‍kootar', 'v aauren hestiangh‍j ka saan d' aur ‘tirichh’ sarikhi kahaniyaan padhi haian aur jo unake lekhan se vakiph haian, unh‍hean bh‍l aaug par uday ji ke likhe ka zaroor iantazar hoga. unake bh‍l aaug par aee pratikriyaean bhi yah batati haian.

khula manch

is bh‍l aaug ki shuruat ke pichhe uday prakash ka makasad ek aise manch ki talash thi, jahaan kinh‍hian niyamoan aur pratibandhoan ke bagair unh‍mukh‍t hokar apani kalam ko abhivh‍yakh‍t kiya ja sake, jahaan koee seansaraship n ho, jo ki priant ya ilekh‍tr aaunik midiya mean sanbhav nahian hai. uday prakash ka manana hai ki ek sachh‍cha rachanakar nirbandh hokar apane samay ka sach likhana chahata hai. pahale lekhak dayariyaan likha karate the. muktibodh ki push‍tak 'ek sahityik ki dayari' bahut prasiddh hai. ab tekh‍nol aauji ne hamean ek naya madhh‍yam diya hai. hiandi mean bh‍l aaug ki duniya ka dhire-dhire vish‍tar ho raha hai. hamean apani bat vh‍yapak paimane par logoan tak pahuanchane ke lie is madhh‍yam ka ish‍temal karana chahie.


chitr:Blockquote-open.gif 'niji sh‍vatantrata ke adhunik vichar ke lie bhi bh‍l aaug ki duniya mean jagah hai. bh‍l aaug ke madhh‍yam se kitane sarthak kam aur bahasean ho rahi haian, yah ek alag mudda hai, lekin bh‍l aaug lekhak ko ek niji kish‍m ki sh‍vatantrata deta hai. us sh‍pes ka ish‍temal lekhak apane tarike se nirbandh hokar kar sakata hai.' chitr:Blockquote-close.gif

- uday prakash

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philahal ap muktibodh se lekar 'asad jaidi' aur 'kuanvar narayan' tak ki kavitaean uday prakash ke bh‍l aaug par padh sakate haian. muktibodh ki ek shanadar aprakashit kavita 'agar tumh‍hean sachh‍chaee ka shauq hai' ka anand uday prakash ke bh‍l aaug par uthaya ja sakata hai.[3]

mohanadas

mohanadas kahani azadi ke lagabhag sath sal bad ke halat ka akalan karati hai. yah us aantim vyakti ki kahani hai jo bar-bar yad dilati hai ki satta keandrik vyavastha mean ek nirbal, sattahin aur garib manushy ki asmita tak usase chhini ja sakati hai. par yah kahani pratikar ki, pratirodh ki kahani nahian hai. is kahani ko uttar adhunik kahani ke roop mean bhi dekha aur saraha gaya hai. 'vartika films' ke lie 'mazahar kamaran' ne is par film banaee hai, jisaki patakatha, sanvad adi om nishchal ne likhe haian. halaanki film us sanvedana ko to nahian chhoo pati, jise lakshy kar kahani likhi gayi thi, lekin kahani aj ke halat mean ek manushy ki niyati ka akhyan to rachati hi hai.

kahani

kahani ek kathin vidha hai, bhale hi upanyas se akar mean yah chhoti hoti hai aur kavita ki tulana mean yah gady ka ashray leti hai. phir bhi kavita aur upanyas ke bich ki yah vidha bahut asan nahian hai. kahani ko samman kabhi mila hi nahian. shayad yah ek punarvichar hai hamare samay ke vidvanoan ka jinhoanne kahani ko vah pratishtha di hai jisaki vah hakadar rahi hai. chekhav ne to kahaniyaan hi likhian, upanyas nahian likhe. premachand apani kahaniyoan se hi lokamany mean jane ge, godan adi upanyasoan se nahian. nirmal varma ki pahachan bhi prathamik taur par kahani se hi bani. to is samay ke paridrishy kean keandr mean kahani hai.

alochana

hiandi ka abhijan yani ilit varg kahani ke nihitarth mean nahian jata, vah yuktiyoan ke bare mean bat karata hai. chandrakaanta santati ki lokapriyata ki kya vajah hai. koee alochana ap us par dikha sakate haian jisase prerit hokar pathakoan ne use padha ho. is akhyan ki bhi akhir apani kalayuktiyaan haian jinaka jadoo pathak par asar karata hai. ham deshi videshi alochakoan par najar dalean to pate haian, unaka adhyayan bahut vyapak tha. alochana ka maqasad moolyoan ka sandhan karana hai. yah b di sadhana ka kam hai. bharat desh ki sanskriti-sabhyata mean ek se ek bade kathakar mauzood haian. par hiandi ke bauddhik varg ke pas us taiyari ka abhav hai jo kisi bhi rachana ke moolyaankan mean pravritt hone ki prathamik yogyata hai.

moolat kavi

maian moolat: kavi hi hooan. isako maian bhi janata hooan aur baqi log bhi janate haian. maian to aksar mazaq mean kaha karata hooan ki maian ek aisa kumhar hooan jisane dhokhe se kabhi ek kamiz sil di aur ab use sab darji kah rahe haian. sach yah hai ki maian kumhar hi hooan.[4]

prakashit kritiyaan

kavita sangrah
  1. suno qarigar
  2. abootar kabootar
  3. rat mean haramoniyam
  4. ek bhasha hua karati hai
  5. kavi ne kaha
anuvad
  1. iandira gaandhi ki akhiri l daee
  2. kala anubhav
  3. lal ghas par nile gho de
  4. romyaan rolaan ka bharat
katha sahity
  1. dariyaee gho da
  2. tirichh
  3. dattatrey ke dukh
  4. aur aant mean prarthana
  5. palagomara ka skootar
  6. areba
  7. pareba
  8. mohan das
  9. maiangosil
  10. pili chhatari vali l daki
nibandh aur alochana sangrah
  1. nayi sadi ka panchatantr
  2. eeshvar ki aankh
kritiyoan ka manchan
  1. tirichh[5]
  2. lal ghas par nile gho de (anuvad)[6]
  3. v aauren hestiangs ka sand par natak[7]
  4. aur aant mean prarthana[8]
any bhashaoan mean anuvad
  1. Short Shorts Long Shots[9]
  2. Rage Revelry and Romance[10]
  3. The Girl with Golden Parasol[11]
  4. Mohan Das[12]
  5. Das Maedchen mit dem gelben Schirm[13]
  6. Und am Ende ein Gebet[14]
  7. Der golden Gurtel[15]
  • uparokt ke atirikt italo k aaulvino, nerooda, yehuda amichaee, pharnaando pasova, kavafi, lorka, tadyush rozevich, zegjevyeski, aleksaandr bl aauk adi rachanakaroan ke anuvad

samman

  • 1980 mean apani kavita 'tibbat' ke lie 'bharat bhooshan agraval puraskar' se sammanit, 'om prakash samman', 'shrikaant varma puraskar', 'muktibodh samman', 'sahityakar samman' prapt kar chuke haian.
  • 2004 mean h aaulaiand ke prakhyat aantararashtriy kavita utsav mean ve bharatiy kavi ke roop mean hissa le chuke haian.
  • 2010 mean 'kahani mohan das' ke liye 'sahity akadami puraskar'.[16]
  • bharatabhooshan agraval puraskar
  • om prakash samman
  • shrikaant varma puraskar
  • muktibodh samman
  • sahityakar samman
  • dvijadev samman
  • vanamali samman
  • pahal samman
  • SAARC Writers Award
  • PEN Grant for the translation of The Girl with the Golden Parasol, Trans. Jason Grunebaum
  • krishnabaladev vaid samman
  • maharashtr phauandeshan puraskar, 'tirichh ani itar katha' anu. jayaprakash savant
  • 2010 ka sahity akadami puraskar, ('mohan das' ke liye)

uday prakash ke kathan

uday prakash ke kathan
  • maian moolat: kavi hooan. maianne bahut sari kavitaean likhian aur chitr bhi banae haian. maianne k aaulej samay mean ek kahani likhi thi jo bahut lokapriy huee. maian samajhata hooan ki kahani ke pathak adhik hote haian aur vah zyada logoan tak pahuanchati hai. use lokapriyata adhik milati hai. maian lagabhag isi tarah ka ek kumhar hooan jisane kamij sil di, to log use darji samajhane lage. log phir surahi lene usake pas nahian jaeange, jabaki kumhar janata hai ki mitti ka kam vah zyada achchhe tarike se kar sakata hai aur usamean hi zyada anand milata hai. mere sath yahi hai ki kavi hote hue bhi kahani likhakar samaj ki seva kar raha hooan. varishth kavi kedaranath sianh ne ek bar kaha bhi hai ki meri kahaniyaan darasal meri kavitaoan ka hi vistar haian. kahaniyaan likhate hue mujhe bhi nahian lagata ki maian kahaniyaan likh raha hooan, balki jo kavyatmak sanvedana kavita mean nahian a rahi vah kahaniyoan mean a rahi hai. nirmal varma aur ऎse kee kahanikaroan ke sath bhi lagabhag yahi raha. unaki kahaniyaan padhate hue ऎsa lagata hai jaise kavitaean padh rahe haian. maian kahani likhate hue bhi kavi hooan aur kavi sada kavi hi rahata hai.
  • jarman logoan ki bharat mean gahari ruchi hai. mere vyakhyan vibhinn vishayoan par the, lekin iandoloji mukhy vishay raha. vahaan bharat ke nagarikaran ko lekar badi jijnasaean haian. apane pravas ke dauran mujhe kee chhote-bade 23 shahar-kasboan aur gaanvoan mean vyakhyan dene ka mauqa mila. maianne yahaan apani kahani 'aur aant mean prarthana' ko apani tarah se padha to logoan ne ऎsa anubhav kiya jaise yah unake atit ki kahani ho, kyoanki vahaan ke log bhi 1943-45 mean ऎsi hi barbarata se gujare haian. kuchh sanket vaishvik hote haian. mere kahani sangrah 'aur aant mean prarthana' ko avard mila hai. isaka jarmani mean anuvad vahian ke 29-30 sal ke yuva lekhak andre peee ne kiya hai.
  • jivan mean ap jitana doobeange utana hi achchha likh paeange aur zyada logoan tak pahuancheange. koee chiz likhana bina jivan jie sanbhav nahian hai, kyoanki isase hi anubhav-sansar badhata hai. agar ap apane samay ke manushy ke sankat aur usake yatharth ko vyakt kareange jisamean har koee ji raha hai, to vah sahity avashy hi lokapriy hoga. agar sahity kisi bazar ya ek simit varg ko dhyan mean rakhakar likha ja raha hai, to bat alag hai. agar koee bada uddeshy samane rakhakar sahity likha jaega to usaka samman hoga.
  • 'mohanadas' apane samay ke prashnoan ko kuredata hai. mohanadas ek sachamuch ka patr hai. vah aj bhi hai ek dalit vyakti poori mehanat ke sath padh-likhakar merit se age badhata hai, lekin hamari lokataantrik sthitiyoan mean aj bhi ऎse vyaktiyoan ke lie koee thikana nahian hai. ek nakali mohanadas naukari pa leta hai aur asali mohanadas dar-dar bhatakane ko majaboor hai. ऎse hi maianne har kriti mean samay ke sach aur vidanbanaoan ke bich jivan jine ki majabooriyoan ko udghatit kiya hai.
  • 'pili chhatari vali ladaki' ka anuvad 29-30 varsh ke ek yuva amarikan lekhak jison groonabam ne kiya. is anuvad ke lie unhean varsh 2005 ka pen yoo.es.e. anuvad kosh samman mila. shikago mean is upanyas ka lokarpan hua aur ise kafi lokapriyata mili. chhatr to har jagah ise pasand karate haian, kyoanki prem to vaishvik hai. jison hal hi bharat ae to unhoanne bataya ki ve mere kahani sangrah 'meangosil' ka anuvad kar rahe haian.
  • aangreji mean ham dekhate haian ki jo kuchh bhi nahian hai usi bhasha mean sab avard milate chale jate haian. is bar ek achchhi bat yah huee ki sahity ka tisara avard meri kriti 'aur aant mean prarthana' ko mila, jabaki isamean aravind adiga ka aangreji upanyas bhi tha jise chhathavaan sthan mila. isase ham kah sakate haian ki chiniyoan se to ham kafi pichhe rahe lekin hindi sahity ne aangreji ko kafi pichhe chhod diya hai.
  • kahane vale kah rahe haian ki ane vala samay hindi bhasha ko nasht aur bhrasht kar raha hai, to ऎsa kuchh nahian hai. hindi bharat ki takat rahi hai. har parivartan ko atmasat karana use ata hai aur jo rakhane yogy nahian hai use bahar karana bhi ata hai. hindi lagatar samriddh ho rahi hai. hindi bharatiy bhashaoan, boliyoan aur vishv ki bhashaoan se tamam tarah ke shabd, vyanjanaean, muhavare aur bahut sari chizean le rahi hai.
  • maian madhyapradesh ke anoopapur jile ke ek chhote se gaanv sitapur mean paida hua. aj bhi vahaan mitti ke 18 ghar haian. hamara ghar pakka aur purana hai. gaanv ke pichhe ek bahut badi son nadi bahati hai. jahaan se son ka udgam hai usi se kuchh door narmada ka udgam hai. amarakantak mere gaanv se paidal jaean, to 23 kilomitar door hai. mera janm 1952 mean hua tab vahaan bijali nahian thi. ham log lalaten aur dhibari ki roshani mean padhate the. pul nahian tha, isalie gaanv ke sabhi log tairana janate haian. paanchavian kaksha ke bad nadi ko tair kar skool jana hota tha. kalam, phaunten pen yah sab bad mean aya. ham shuroo mean lakadi ki pati par likhate the chhathe darje se aangrezi padhaee jati thi. maian jahaan par tha, vahaan chhattisagadh tha aur madhy pradesh ka simant hai. mera gaanv chhattisagadh sima mean hai. meri maan bhojapur ki aur pitaji baghel ke the.
  • 'meangosil' mere ird-gird ghati ek sachchi ghatana par adharit hai. ek saphaee karmachari ke parivar mean 45 sal ki umr mean pahali santan paida huee to bahut khushi huee, lekin kuchh samay bad ek vajrapat sa hua ki bachche ka sir asantulit roop se bada ho raha hai. bataya gaya ki vah jivit nahian rahega. jyoan-jyoan bachcha bada hota gaya to ghar ki chiantaean badhati gee, lekin usaka dimag bahut tej tha. vah jagath ki sab chijoan ko samajhata tha. ghar ke logoan ki upeksha ke bavajood usaki maan jivan ke sare sukh usake lie jutane mean lagi thi. is bich ghar mean dhyan hatane ke lie ne bachche ke janm lene ki ghatana hoti hai. yah katha visangatiyoan par buni gee hai jisamean sanvedana ko vishesh roop se ubhara gaya hai.[17]


panne ki pragati avastha
adhar
prarambhik
madhyamik
poornata
shodh

tika tippani aur sandarbh

  1. ↑ udayaprakash (hiandi). . abhigaman tithi: 1 aktoobar, 2011.
  2. ↑ maian kumhar hi hooan, darji nahian – uday prakash (hiandi). . abhigaman tithi: 1 aktoobar, 2011.
  3. ↑ uday prakash (hiandi). . abhigaman tithi: 1 aktoobar, 2011.
  4. ↑ uday prakash (hiandi). . abhigaman tithi: 1 aktoobar, 2011.
  5. ↑ pratham manchan - rashtriy nath‌y vidyalay ke prasanna ke nirdeshan mean.
  6. ↑ pratham manchan - prasanna ke nirdeshan mean.
  7. ↑ pratham manchan - aravind gau d ke nirdeshan mean, asmita natay sanstha dvara kiya gaya. yah natak rashtriy nath‌y vidyalay ke bharat rang mahotsav v indiya haibitait sentar mean bhi ayojit hua hai. 2001 se ab tak lagabhag 80 pradarshan ho chuke haian.
  8. ↑ pratham manchan - arun pandey ke nirdeshan mean.
  9. ↑ Translated by Robert A. Hueckstedt, Publisher Katha, New Delhi
  10. ↑ Translated by Robert A. Hueckstedt, Publisher, Srishti, New Delhi
  11. ↑ Translated by Jason Grunebaum, Publisher, Penguin India
  12. ↑ Translated by Pratik Kanjilal, Publisher, Little Magazine, New Delhi
  13. ↑ Translated by Ines Fornell, Heinz Werner Wessler and Reinhald Schein
  14. ↑ Translated by Andre Penz
  15. ↑ Translated by Lothar Lutze
  16. ↑ uday prakash (hiandi). . abhigaman tithi: 1 aktoobar, 2011.
  17. ↑ uday prakash (hiandi). . abhigaman tithi: 1 aktoobar, 2011.

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· dharmavir bharati · chandradhar sharma guleri · annapoornanand · faqir mohan senapati · narmad · narendr kohali · bang mahila · sudhish pachauri · vishnu sakharam khaandekar · lochan prasad pandey · vasudev sharan agraval · shamasher bahadur sianh · shrilal shukl · ronald stuart mekgreg aaur · alekseee paitrovich varannikov · rahi masoom raza · radhanath ray · sukhalal kayasth · raghuvir sahay · motoori satyanarayan · vasudev mahadev abhyankar · raangey raghav · phanishvaranath renu · nirmal varma · khushavant sianh · masti veankatesh ayyangar · janaki vallabh shastri · manohar shyam joshi · siyaramasharan gupt · sarveshvar dayal saksena · banarasidas chaturvedi · sudarshan · krishn chandar · jnanaranjan · asagar vajahat · shivaji savant · gurujada apparav · gunadhy · kedaranath agraval · kedaranath sianh · rajeandr yadav · vijayadan detha · harikrishna devasare · annaram sudama · vishvanath satyanarayan · ti. pi. minakshisuandaram · es. ke. pottekkatt · radhavallabh tripathi · bhagavatasharan upadhyay · radhakrishna · parashuram chaturvedi · rajanath paandey · vishvanbharanath jijja · kishoridas vajapeyi · shrimannarayan agraval · kailashachandr dev vrihaspati · jhabaramall sharma · bhuvaneshvar · r aaubin sh aau · suresh kaant · guradayal sianh · prabhakar machave · kashinath sianh · amritalal beg d · doodhanath sianh · bhagavat ravat · vishnu virat · d aau. rashtrabandhu · udayaraj sianh · ramadarash mishr · shani · govind mishr · kanti kumar jain · shivaprasad sianh · soorajabhan sianh · kailash vajapeyi · indu prakash pandey · hari narayan apate ·vachanesh mishr · madhav shukl · gopal prasad vyas · raghuvir chaudhari · sudarshan sianh chakr · harikrishna 'premi' · nathooramasharma 'shankar' · suandaradas (chhote) · rajendralal mitra · shri narayan chaturvedi · sakharam ganesh deusakar · goviand shastri dugavekar · gijubhaee badheka · viveki ray · kuppali veankatappa putappa · giridhar sharma chaturvedi · garib das · sant siangaji · chandragupt vidyalankar · bhoopeandranath datt · chaturbhuj audichy · magan bhaee desaee · ved prakash sharma · seth govind das · ramakiankar upadhyay · karatar sianh duggal · kuanvar chandr prakash sianh · babooram saksena · ji.pi. shrivastav · guru bhaktasianh 'bhakt' · giridhar sharma navaratn · gangaprasad agnihotri · anant pai · ajit shankar chaudhari · manu sharma · oankaranath shrivastav · mehata lajjaram sharma · chandrakaant devatale · narasianh chintaman kelakar · anna sahab bhopatakar · guramukh sianh musaphir · pandit mukharam sharma · radhakaant dev · uday shankar bhatt · akshar anany · aksakov · phariduddin attar · abraham goldapheden · radhakrishna das · radhacharan gosvami · radhikaraman prasad sianh · alaol · aktev kremaianji · azad · ramadahin mishr · ramadas gau d · anandabodh · anandagiri · ram narayan mishr · ramavatar sharma · roop narayan paandey · rohit mehata · lakshminarayan garde · lakshminath bejabarua · amir ali 'mir' · vikram seth · upeandr bhanj · umar khayyam · veankatesh narayan tivari · shibali numani · shivaram mahadev paraanjape · shiv poojan sahay · kipaliang rudayard · shyam suandar · shyam suandar das · shridhar veankatesh kelakar · shripad krishna kolhatakar · shripad krishna belavelakar · santokh sianh bhaee · sadasukh lal· achary vaman · dvijendranath mishr 'nirgun' · ratan lal bansal · d aau. ashok bansal · trilok nath pandey · svayan prakash · sitakaant mahapatr · baladev prasad mishr · digambar haansada · kuberanath ray · kolakaluri inoch · em. pi. vireandr kumar · vishvanath tripathi · haraprasad das · si. radhakrishnan · raghuvansh · krishna bihari mishr · d aau. ramamoorti sharma · kalyan mal lodha · yashadev shaly · ramamoorti tripathi · shyamacharan dube · muni shri nagaraj · manubhaee paancholi · si. ke. nagaraj rav · kedaranath chaudhari · arjun sianh shekhavat · kapil tivari · subbu arumugam · shitala prasad tripathi · baboo totaram · lala shrinivasadas · pankaj bisht · shankh ghosh · sharad pagare · paramanand shrivastav · kamal kishor goyanaka · surendr varma · ramesh chandr shah · ramash‍varoop chaturvedi · madanalal varma 'krant' · lakshman shastri joshi · bhabendr nath saikiya · chandrashekhar kambar · devego da javarego da · bi. em. shrikaantaiya · e. en. moorti rav · kapil dev dvivedi · pi. parameshvaran · manoj das · em. kirti sianh · raghuveandr tanvar · dhananjay kir · veankatarama ramaliangam pillee · haramohindar sianh bedi · akhon asagar ali basharat · je. bi. morayash · yoosuf shekh · kakkanadan · ji. vi. kakkanadan · rahaman rahi · govind vinayak karandikar · em. ti. vasudev nayar · di. jayakantan · subhash mukhopadhyay · sachchidanand rautaray · takaji shivashankara pillai · kusumagraj · birendr kumar bhattachary · amitabh ghosh‎‎ · vishnu de‎‎ · nilamani phookan · braty basu · mukund das · sanjiv chattopadhyay · atin bandyopadhyay · radharaman mitr · premendr mitr · naresh bharatiy · ramasharan joshi · ravindranath tyagi · prayag shukl · jnan chaturvedi · alok mehata · ke. pi. saksena · 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