कवि प्रदीप

kavi pradip
pradip|200px|center
poora nam	ramachandr narayanaji dvivedi
prasiddh nam	kavi pradip
janm	6 faravari 1915
janm bhoomi	ujjain, madhy pradesh
mrityu	11 disanbar 1998
mrityu sthan	mumbee, maharashtr
abhibhavak	narayan bhatt
pati/patni	shrimati subhadra ben
santan	putri- saragam aur mitul
karm bhoomi	mumbee (bharat)
karm-kshetr	kavi, gitakar, gayak
mukhy rachanaean	ai mere vatan ke logo, ao bachchoan tumhean dikhaean, de di hamean azadi, ham laye haian toofan se, maian to arati utarooan, pianjare ke panchhi re, tere dvar kh da bhagavan, door hato ai duniya valoan adi
mukhy filmean	jay santoshi maan, jagrati, bandhan, bandhan, kismat, nastik, hari darshan, kabhi dhoop kabhi chhaanv, paigam, skool mastar, vaman avatar adi.
vishay	deshaprem, bhakti
shiksha	snatak
vidyalay	'shivaji rav haeeskool', iandaur; 'daraganj haeeskool', ilahabad; 'lakhanoo vishvavidyalay'
puraskar-upadhi	dada sahab phalke puraskar (1998), sangit natak akadami puraskar (1961)
nagarikata	bharatiy
any janakari	kavi pradip gaandhi vicharadhara ke kavi the. unhoanne jivan moolyoan ki kimat par dhan-daulat ko kabhi mahattv nahian diya. unaka manana tha ki 'yadi apas mean ham logoan mean eershya-dvesh n hota to ham gulam n hote'.

kavi pradip (aangrezi: Kavi Pradeep, janm: 6 faravari, 1915, ujjain, madhy pradesh; mrityu: 11 disanbar, 1998, mumbee, maharashtr) ka mool nam 'ramachandr narayanaji dvivedi' tha. pradip hiandi sahity jagath aur hiandi film jagath ke ek ati sudridh rachanakar rahe. kavi pradip 'ai mere vatan ke logoan' sarikhe deshabhakti gitoan ke lie jane jate haian. unhoanne 1962 ke 'bharat-chin yuddh' ke dauran shahid hue sainikoan ki shraddhaanjali mean ye git likha tha. 'bharat ratn' se sammanit svar kokila lata mangeshakar dvara gae is git ka tatkalin pradhanamantri javaharalal neharoo ki upasthiti mean 26 janavari 1963 ko dilli ke ramalila maidan se sidha prasaran kiya gaya tha. yooan to kavi pradip ne prem ke har roop aur har ras ko shabdoan mean utara, lekin vir ras aur desh bhakti ke unake gitoan ki bat hi kuchh anokhi thi.

janm

desh prem aur desh-bhakti se ot-prot bhavanaoan ko sundar shabdoan mean pirokar jan-jan tak pahuanchane vale kavi pradip ka janm 6 faravari, 1915 mean madhy pradesh mean ujjain ke b danagar namak qasbe mean hua tha. pradip ji ka asal nam 'ramachandr narayan dvivedi' tha. inake pita ka nam narayan bhatt tha. pradip ji udichy brahman the.thumb|left|300px|kavi pradip apane parivar (patni- subhadra ben, putri- saragam aur mitul) ke sath

shiksha

kavi pradip ki shuruati shiksha iandaur ke 'shivaji rav haeeskool' mean huee, jahaan ve satavian kaksha tak padhe. isake bad ki shiksha ilahabad ke daraganj haeeskool mean sanpann huee. isake bad intaramidiet ki pariksha uttirn ki. daraganj un dinoan sahity ka gadh hua karata tha. varsh 1933 se 1935 tak ka ilahabad ka kal pradip ji ke lie sahityik drishtikoann se bahut achchha raha. unhoanne lakhanoo vishvavidyalay se snatak ki shiksha prapt ki evan adhyapak prashikshan pathh‌yakram mean pravesh liya. vidyarthi jivan mean hi hindi kavy lekhan evan hindi kavy vachan mean unaki gahari ruchi thi.

vivah

kavi pradip ka vivah mumbee nivasi gujarati brahman chunnilal bhatt ki putri subhadra ben se 1942 mean hua tha. vivah se poorv kavi pradip ne apani bhavi patni se ek prashn poochha tha- "maian ag hooan, kya tum mere sath rah sakogi." isaka b da makool uttar subhadra ben ne diya- "ji haan, maian pani banakar rahooangi." isaka nirvah unhoanne jivan bhar kiya. 1950 mean vile parle mean es.bi. marg par 700 gaj ka pl aaut kharidakar 70 hazar rupaye mean pradip ne shanadar bangala banavaya. bangala sahityik mitroan ke svagat ke lie sadaiv khula rahata tha. amritalal nagar chh: mahinoan tak is bangale mean rahe the. pradip dampatti do putriyoan ‘mitul’ aur ‘saragam’ ke abhibhavak bane.

kavita ka shauq

kishoravastha mean hi kavi pradip ko lekhan aur kavita ka shauq laga. kavi sammelanoan mean ve khoob dad batora karate the. kavita to amataur par har vyakti jivan mean kabhi n kabhi karata hi hai, parantu ramachandr dvivedi ki kavita keval kuchh kshanoan ka shauq ya samay bitane ka sadhan nahian thi, vah unaki saans-saans mean basi thi, unaka jivan thi. isilie adhyapan chho dakar ve kavita ki saranchana mean vyast ho ge.

kavi sammelanoan mean shirakat

ilahabad ke sahityik vatavaran mean kavi pradip ki aantashchetana mean dabe kavyaankuroan ko phootane ka paryapt avasar mila. yahaan unhean hindi ke anek sahity shilpiyoan ka snehil sannidhy mila. ve goshthiyoan mean kavita ka path karane lage. ilahabad mean ek bar hindi dainik 'arjun' ke sanpadak aur svami shraddhanand ke suputr pan. vidyavachaspati ke samman mean ek kavi-goshthi ka ayojan kiya gaya. goshthi ki adhyakshata rajarshi purushottam das tandan kar rahe the. mahadevi varma, bhagavati charan varma, praphull chandr ojha 'mukt', harivansharay bachchan, nareandr sharma, balkrishna rav, ramashankar shukl 'rasal', padmakaant malaviy jaise diggaj rachanakaroan ne apane kavy path se goshthi ko alokit kiya. isi goshthi mean 20 varshiy tarun 'pradip' ne apane surile kavy-path se sabhi ko mugdh kar diya. us din kavy jagath mean ek naya sitara chamaka.left|thumb|patni ke sath kavi pradip

nirala ji ka kathan

sooryakaant tripathi 'nirala' ji ne lakhanoo ki patrika 'madhuri' ke faravari, 1938 ke aank mean pradip par lekh likhakar unaki kavy-pratibha par svarn-muhar laga di. nirala ji ne likha- "aj jitane kaviyoan ka prakash hindi jagath mean phaila hua hai, unamean 'pradip' ka atyant ujjval aur snigdh hai. hindi ke hriday se pradip ki dipak ragini koyal aur papihe ke svar ko bhi parast kar chuki hai. idhar 3-4 sal se anek kavi sammelan pradip ki rachana aur ragini se udbhasit ho chuke haian."

filmi padarpan

varsh 1939 mean lakhanoo vishvavidyalay se snatak tak ki padhaee karane ke bad kavi pradip ne shikshak banane ka prayas kiya, lekin isi dauran unhean muanbee mean ho rahe ek kavi sammelan mean hissa lene ka nyota mila. kavi sammelan mean unake gitoan ko sunakar 'bambe t aaukij stoodiyo' ke malik hianmashu ray kafi prabhavit hue aur unhoanne pradip ko apane bainar tale ban rahi film ‘kangan’ ke git likhane ki peshakash ki. is film mean ashok kumar evan devika rani ne pramukh bhoomikaean nibhaee thian. 1939 mean pradarshit film 'kangan' mean unake gitoan ki kamayabi ke bad pradip bataur gitakar filmi duniya mean apani pahachan banane mean saphal ho ge. is film ke lie likhe ge char gitoan mean se pradip ne tin gitoan ko apana svar bhi diya tha. is prakar ‘kangan’ film ke dvara bharatiy hiandi film udyog ko gitakar, sangitakar evan gayak ke roop mean ek nayi pratibha mili. san 1943 mean muanbee ki 'b aaumbe t aaukij' ki paanch filmoan- ‘aanjan’, ‘kismat’, ‘jhoola’, ‘naya sansar’ aur ‘punarmilan’ ke liye bhi kavi pradip ne git likhe.

chhadm nam se git lekhan

'filmistan' film nirman sanstha se anubandhit hone par bhi aantarik rajaniti ke karan kavi pradip se git nahian likhae ja rahe the. isase du:khi hokar ve 'mis kamal bi.e.' ke chhadm nam se git likhane lage. unhoanne char filmoan ke lie isi nam se git likhe. is nam ke karan ek bar to kafi hasyaspad sthiti utpann ho gee. 'nyoo thiyetar' ki lila desaee ki kamal nam ki ek bahan thi, jo 'mis' bhi thi aur 'bi.e.' bhi. jane kaise prashansakoan ne unaka pata dhooandh liya aur unhean patr likhane lage. kuchh logoan ne to shadi ke prastav bhi rakh die. unhoanne pres vijnapti nikalakar kaha ki ve git nahian likhati haian.

pradip se 'kavi pradip'

thumb|kavi pradip (yuvavastha mean) kavi sammelanoan mean sooryakaant tripathi niralaji jaise mahanh sahityakar ko prabhavit kar sakane ki kshamata ramachandr dvivedi mean thi. unhian ke ashirvad se ramachandr 'pradip' kahalane lage. pradip ka vastavik nam ramachandr narayan divedi tha, kintu ek bar himaanshu ray ne kaha ki ye relaga di jaisa lamba nam thik nahi hai, tabhi se unhoanne apana nam pradip rakh liya. pradip nam ke pichhe unake jivan ka ek rochak prasang bhi hai. un dinoan mumbee mean abhineta aur kalakar pradip kumar bhi prasiddh ho rahe the, jis karan aksar galati se dakiya kavi pradip ki chiththi abhineta pradip ke pate par dal deta tha. dakiya sahi pate par patr de, is vajah se unhoanne pradip ke pahale 'kavi' shabd jo d diya aur yahian se kavi pradip ke nam se ve prakhyat hue. kavi pradip apani rachanaean gakar hi sunate the aur unaki madhur avaz ka sadupayog anek sangit nirdeshakoan ne alag-alag samay par kiya.

svatantrata andolan mean yogadan

kavi pradip gaandhi vicharadhara ke kavi the. pradip ji ne jivan moolyoan ki kimat par dhan-daulat ko kabhi mahatv nahian diya. kathor sangharshoan ke bavajood unake nivas sthan ‘panchamrit’ par svarn ke kangure bhale hi n milean, parantu vaishvik khyati ka kalash zaroor dikhega. pradip ji bharatiy svatantrata andolan mean badh-chadh kar hissa lete the. ek bar svatantrata ke andolan mean unaka pair phraikchar ho gaya tha aur kee dinoan tak aspatal mean rahana p da. ve aangrezoan ke anachar-atyachar adi se bahut du:khi hote the. unaka manana tha ki yadi apas mean ham logoan mean eershya-dvesh n hota to ham gulam n hote. param deshabhakt chandrashekhar azad ki shahadat par kavi pradip ka man karuna se bhar gaya tha aur unhoanne apane aanrtaman se ek git rach dala tha, jisake bol nimn prakar the-

vah is ghar ka ek diya tha,
vidhi ne anal sphuliangoan se usake jivan ka vasan siya tha
jisane anal lekhani se apani gita ka likha prakkathan
jisane jivan bhar jvalaoan ke path par hi kiya paryatan
jise sadh thi dalitoan ki jhop diyoan ko abad karuan maian
aj vahi parichay-vihin sa poorn kar gaya annat ke sharan.

deshabhakti ke git

• varsh 1940 mean bharatiy svatantrata sangram apane charam par tha. desh ko svatantr karane ke liy chhi di muhim mean kavi pradip bhi shamil ho ge aur isake liye unhoanne apani kavitaoan ka sahara liya. apani kavitaoan ke madhyam se pradip deshavasiyoan mean jagriti paida kiya karate the. 1940 mean jnan mukharji ke nirdeshan mean unhoanne film ‘bandhan’ ke lie bhi git likha. yooan to film 'bandhan' mean unake rachit sabhi git lokapriy hue, lekin ‘chal chal re naujavan...' ke bol vale git ne ajadi ke divanoan mean ek naya josh bharane ka kam kiya. us samay svatantrata andolan apani charam sima par tha aur har prabhat pheri mean is desh bhakti ke git ko gaya jata tha. is git ne bharatiy janamanas par jadoo-sa prabhav dala tha. yah rashtriy git ban gaya tha. siandh aur panjab ki vidhan sabha ne is git ko rashtriy git ki manyata di aur ye git vidhan sabha mean gaya jane laga. balaraj sahani us samay landan mean the. unhone is git ko landan bi.bi.si. se prasarit kar diya. ahamadabad mean mahadev bhaee ne isaki tulana upanishad ke mantr ‘charaiveti-charaiveti’ se ki.

thumb|350px|kavi pradip apane parivar (patni- subhadra ben, putri- saragam aur mitul) ke sath is git par pratikriya vyakt karate hue pandit javahar lal neharoo ne kavi pradip ko bataya tha ki- "apane kaishory kal mean iandira prabhat pheriyoan mean 'chal-chal re naujavan' gakar apani 'vanar sena' ki pared karati thian." yah git 'nasik vidroh' (1946) ke samay sainikoan ka abhiyan git ban gaya tha. is film mean ek any halka-phulka git bhi tha- 'chana jor garam, maian laya majedar, chana jor garam.' yah git pheri valoan ke mukh par chadhakar gali-gali gooanjane laga tha.

• apane gitoan ko pradip ne gulami ke khilaf avaz buland karane ke hathiyar ke roop me istemal kiya aur unake gitoan ne aangrezoan ke viruddh bharatiyoan ke sangharsh ko ek nayi disha di. chalis ke dashak mean rashtrapita mahatma gaandhi ka aangrez sarakar ke viruddh ‘bharat chho do aandolan’ apane charam par tha. varsh 1943 mean pradarshit film ‘kismat’ mean pradip ke likhe git ‘aj himalay ki choti se phir hamane lalakara hai, door hato e duniya valoan hiandustan hamara hai’ jaise gitoan ne jahaan ek or svatantrata senaniyoan ko jhakajhora, vahian aangrezoan ki tirachhi najar ke bhi vah shikar hue. pradip ka rachit yah git ‘door hato e duniya valoan’ ek tarah se aangrezi sarakar ke par sidha prahar tha. kavi pradip ke kraantikari vichar ko dekhakar aangrezi sarakar dvara giraphtari ka varant bhi nikala gaya. giraphtari se bachane ke liye kavi pradip ko kuchh dinoan ke lie bhoomigat rahana p da. yah git is kadar lokapriy hua ki sinema h aaul mean darshak ise bar-bar sunane ki khvahish karate the aur film ki samapti par darshakoan ki maang par is git ko sinema h aaul mean dubara sunaya jane laga. isake sath hi film ‘kismat’ ne b aauks aphis ke sare rikard to d die. is film ne kolakata ke ek sinema h aaul mean lagatar lagabhag char varsh tak chalane ka rikard banaya.
• isake bad varsh 1950 mean pradarshit film ‘mashal’ mean unake rachit git ‘oopar gagan vishal niche gahara patal, bich mean hai dharati ‘vah mere malik tune kiya kamal’ bhi logoan ke bich kafi lokapriy hua. isake bad kavi pradip ne pichhe mu dakar nahi dekha aur ek se badhakar ek git likhakar shrotaoan ko bhavavibhor kar diya.
• varsh 1954 mean pradarshit film ‘nastik’ mean unake rachit git ‘dekh tere sansar ki halat kya ho gee bhagavan kitana badal gaya iansan’ samaj mean badh rahi kuritiyoan ke oopar unaka sidha prahar tha.

film 'jagriti'

varsh 1954 mean hi film ‘jagriti’ mean unake rachit git ki kamayabi ke bad vah shoharat ki buanladiyo par ja baithe. yah film kavi pradip ke ganoan ke lie aj bhi smaraniy hai. pradip dvara rachit git ‘ham lae haian toofan se kashti nikal ke, is desh ko rakhana mere bachchoan sanbhal ke’ aur 'de di hamean azadi bina khadag bina dhal, sabaramati ke sant toone kar diya kamal' jaise git aj bhi logoan ke bich kafi lokapriy haian. ye git desh bhar mean svatantrata divas aur ganatantrata divas ke avasar par khasataur se sune ja sakate haian. git ‘sabaramati ke sant toone kar diya kamal’ ke jarie pradip ne rashtrapita mahatma gaandhi ke prati apani shraddhaanjali vyakt ki hai. sath ke dashak mean pashchaty git-sangit ki chamak se nirmata-nirdeshak apane ap ko nahian bacha sake aur dhire-dhire nirdeshakoan ne kavi pradip ki or se apana mukh mo d liya; lekin varsh 1958 mean pradarshit film ‘talak’ aur varsh 1959 mean pradarshit film ‘paigam’ mean unake rachit git ‘iansan ka iansan se ho bhaeechara’ ki kamayabi ke bad pradip ek bar phir se apani khoee huee lokapriyata pane mean saphal ho ge.

b aaumbe t aaukij ka tyag

himaanshu ray ke nidhan ke bad hi 'b aaumbe t aaukij' mean jo rajaniti dabe paanv ghus aee thi, ab vah satah par a gee. donoan yoonitoan mean sangharsh tez ho gaya tha. mamala adalat tak a gaya. faisala devika rani ke paksh mean hua. devika rani film jagath se oob chuki thian, kyoanki usaka ek svarthoan se bhara syah chehara unhoanne dekha tha. unhoanne char filmoan ka nirman kiya tha, jisamean dilip kumar ki pahali film ‘jvarabhata’ (1944) bhi shamil thi. sabhi filmean fl aaup ho gee thian. unhean laga ki chitrapat jagath se sada ke lie vida lene ka avasar a gaya hai. roosi chitrakar svetoslov rorik se shadi karane ke bad unhoanne 1945 mean b aaumbe t aaukij ko bech diya aur mumbee se chali geean. b aaumbe t aaukij ke malik badal ge the aur nirdeshak nitin bos usase ju dakar dilip kumar ke sath saphal filmean bana rahe the. ray bahadur chunnilal ke sath shashadhar mukharji, jnan mukharji, ashok kumar, savak vacha aur kavi pradip b aaumbe t aaukij se alag ho ge. apane sheyar ke paisoan se in logoan ne ‘filmistan’ namak kampani ki sthapana ki aur film nirman ki yojana arambh ki.

b aaumbe t aaukij chho dane ka nirnay pradip par bhari p da. ‘filmistan’ ki pahali film ‘chal-chal re naujavan’ (1944) thi. jitani asha thi, utani n film chali aur n hi isake gane. is film ke lie pradip ne barah git likhe the. film ke asaphal hone par is sanstha mean bhi rajaniti a gee. unhoanne pradip ko alag-thalag kar diya aur gane likhane band kar diye ge. pradip filmistan se hue k aauntrekt se bandhe the. vetan mil raha tha, kiantu kam nahian. pradip ke komal man par isaka bura prabhav p da. ve nahian chahate the ki unaki kalam kuanthit ho jae. at: apani atma ki avaz ke viruddh ‘mis kamal bi.e.’ ke nakali nam se bahar ki filmoan ke lie git likhane lage. ‘lakshmi prodakshans’ ki tin filmean- ‘kadambari’ (1944), ‘sati toral’ (1947), ‘viraangana’ (1947) tatha murali mootiton ki ek film ‘amrapali’ (1945) ke git likhe. is bich filmistan ne pradip se 1946 mean ‘shikari’ film ke lie git likhava lie. in filmoan ke gitoan mean sahityikata bhale hi ho, par pahale jaisi lokapriyata ka tattv kahian kho gaya tha.

svatantr lekhan

'mis kamal bi.e.' ke nakali nam se likhate-likhate aur filmistan ki rajaniti se pradip oob chuke the. at: unhoanne filmistan se alag hokar, apane sahayogiyoan ki madad se ‘lokamany prodakshans’ namak film nirman sanstha banaee. 1949 mean pahali film aee ‘garls skool’, jisamean pradip ke nau gane the. si. ramachandr aur anil vishvas jaise sangitakaroan ka nirdeshan, lata mangeshakar aur shamashad begam ka gayan bhi koee karishma nahian kar paya. kavi pradip samajh ge ki film kampani chalana unake bas ki bat nahian hai, kyoanki isase unaki mukhy dhara kuanthit ho rahi thi. at: ve 'lokamany prodakshans' se alag ho ge aur phir svatantr roop se likhane lage. 'b aaumbe t aaukij' ne is avasar ka labh uthaya aur apani film ‘mashal’ (1950) ke lie unase sat git likhavae. is parivartan ka karan yah tha ki b aaumbe t aaukij ka kam savak vacha ke sath ashok kumar dekh rahe the, jo pradip se pahale se hi kafi prabhavit the. sachin dev barman ne achchhi dhunean banaeean aur git chal nikale. prakriti ki mahanata ko ujagar karane vale is film ke ek git ne poore bharat mean khyati arjit ki. git tha- ‘oopar gagan vishal, niche gahara patal.‘ ‘sati toral’ aur ‘kadambari’ ke git ga chuke manna de ne likha tha- "maian to pradip ji rrini hooan aur janm bhar rahooanga, kyoanki mujhe sarvapratham lokapriyata pradip ji ke git ‘oopar gagan vishal’ ne hi di hai." gitakar shaileandr ne unase kaha- "pradip ji, aisa aur is koti ka git keval ap hi likh sakate haian." rajakapoor ne badhaee dete hue pradip ko apani baanhoan mean utha liya tha.

'filmistan kampani' ke shashadhar mukharji pradip ki kalam ka jadoo janate the. apani samajik film ‘nastik’ (1945) ke sabhi nau git pradip se likhavae. sabhi git lokapriy hue aur film hit ho gee. pradip ke aandar baithe sahityakar ko mukhar hone aur gitoan mean naye prayog karane ka avasar mila. du:kh mean eeshvar yad ata hai, usi se fariyad karate hue likha aur gaya- "dekh tere sansar ki halat kya ho gee bhagavan! kitana badal gaya iansan." is git ne lokapriyata ki bulandiyoan ko chhoo liya. lata ji amataur par mujara nahian gati haian, parantu is git ke lie pradip ka likha mujara shalin tha, at: unhoanne khushi se gaya- ‘kaise ae haian din hay aandher ke. baithe balama hamare nazar pher ke.‘ mujaroan mean amataur par ashlilata parosi jati thi. shrriangar mean ashlilata se bachana pradip janate the. isi film mean unake ek any git ko lata mangeshakar ne gaya- ‘hone laga hai mujhape javani ka asar. jhuki jae nazar ....‘ is film ke gitoan ka pahala el.pi. rik aaurd bana tha.

'ai mere vatan ke logoan' ki rachana

thumb|250px|kavi pradip
abhar- odion[5]

1. REDIRECTsaancha:mukhy

'ai mere vatan ke logoan, jara aankh mean bhar lo pani' sath ke dashak mean chini akraman ke samay lata mangeshakar dvara gaya gaya tha. yah git kavi pradip dvara likha gaya tha. kaun-sa sachcha hindustani ise bhool sakata hai? yah git aj itane varshoan ke bad bhi utana hi lokapriy hai. is git ke karan 'bharat sarakar' ne kavi pradip ko ‘rashtrakavi’ ki upadhi se sammanit kiya tha. dal, chaval aur sada jivan vyatit karane vale kavi pradip ne yah likhakar diya ki- "ai mere vatan ke logoan" git se milane vali r aauyalti ki rashi shahid sainikoan ki vidhava patniyoan ko di jae." isase yah spasht ho jata hai ki pradip ek kavi hone ke sath-sath ek udar aur sachche deshabhakt lekhak bhi the.

poore bharat mean prasiddh yah git 26 janavari, 1963 ko lata mangeshakar ne gaya tha. chin ke hathoan yuddh mean parajit hone ke bad bharatiy sena ka manobal kafi gir gaya tha. sath hi is har se desh mean ek tarah ki mayoosi-si chha gee thi. isi ko dekhate hue us samay ke pradhanamantri pandit javahar lal neharoo ne ganatantr divas ke avasar par muanbee mean sainikoan ke lie phand jutane ke uddeshy se ek karyakram ayojit kiya tha. isake lie kavi pradip ko ek deshabhakti git likhane ke lie kaha gaya. us samay tak pradip vir ras ki kavitaoan aur deshabhakti git likhane ke lie kafi prasiddh the. aise mean git likhane ko lekar pareshan pradip muanbee ke mahim mean sham ke samay ghoom rahe the ki tabhi is git ke bol unhean apane man mean sunaee die. ve kahian ise bhool n jaean, isalie pan ki dukan se sigaret ka paiket kharida aur us par yah lain likh li, jisake bad is prasiddh git ki rachana huee. left|thumb|kavi pradip

pradip ki neharoo ji se bheant

dilli mean is git ke gayan ke kuchh haftoan bad hi jab javahar lal neharoo mumbee pahuanche to unhoanne pradip ki talash karavaee. ve ek skool mean the to ve vahian ja pahuanche aur ‘ai mere vatan ke logoan’ unake kanth se suna. pandit ji ne kaha- "bhee tum to gate bhi itana achchha ho, yahaan to aaurkestra bhi nahian hai." kavi pradip ne matr itana hi kaha- "yah git mere hriday ki vedana ka pratik hai, jisake lie vady samagri ki avashyakata nahian hoti hai." isi mulakat ke bad neharoo ji ko pata chala ki ‘chal-chal re naujavan’ aur ‘door hato ai duniya valoan’ git bhi pradip ne hi likhe the. unhean yah bhi pata chala ki chhatr jivan mean pradip ilahabad sthit unake nivas ‘anand bhavan’ ke pichhe rahate the. neharoo ji ne kaha tha ki- "yadi koee ‘ai mere vatan ke logoan’ se prabhavit nahian hota hai to vah sachcha hindustani nahian hai."

yah git aj bhi itana prasiddh hai ki lakhanoo ke ek 'rani lakshmibaee hayar seankedi skool' (arelabi) ne ise apane prarthana mean shamil kiya hai. vidyarthi pratidin asembali mean is git ko gate hai. skool ka manana hai ki yah git aj bhi desh ke javanoan mean naya josh aur unake manobal ko oochaan karata hai. bachchoan ko is git se pahale isake pichhe ju de itihas ki janakari di jati hai. itana hi nahian skool ki har kaksha mean chin, pakistan aur karagil l daiyoan ke nayakoan ki tasvir aur unake bare mean janakari di gee hai.

pradip ne ‘nastik’ evan ‘jagriti’ filmoan ke lie jo git likhe, svayan unhoanne hi unhean gaya bhi tha. usase samajik vighatan ki ek jhalak milati hai- ‘dekh tere sansar ki halat kya ho gayi bhagavan, kitana badal gaya iansan. chaand n badala sooraj n badala, kitana badal gaya iansan..’ 'paigam' film ke lie kavi pradip ka likha git ‘iansan ka iansan se ho bhaeechara yahi paigam hamara’ yah gana bhi kafi lokapriy hua tha.

film 'jay santoshi maan' ki saphalata

apane gitoan ke balaboote par b aauks aauphis par rikard to d vyavasay karane vali film thi ‘jay santoshi maan’, jo kavi pradip ke jivan mean ek avismaraniy yashasvi film ka udaharan bani thi. 25 joon, 1975 ko desh mean apat kal ki ghoshana huee thi. nagarikoan ke sanvaidhanik adhikar to sthagit kar hi diye ge, unake vyaktigat adhikaroan par daka p dane laga. virodh ka svar uthate hi 'misa’ namak qanoon ke tahat avaz uthane vale ko jel ke aandar kar diya jata tha, jisaki koee jamanat nahian thi. janata mean bhay ki bhavana bharane ke lie desh ke nami-girami netaoan ko jel ke bhitar kar diya gaya. aisi dabi-kuchali manasikata ka tran eesh-aradhana mean hi log manane lage. aise vatavaran mean atyant kam bajat ki film ‘jay santoshi maan’ aee. isamean koee namachin kalakar nahian tha, parantu kavi pradip ke chhahoan bhakti pradhan gitoan ne film ko suparahit kar diya. kuchh gitoan ki banagi is prakar hai- ‘maian to arati ootarooan re santoshi mata ki’, ‘yahaan vahaan jahaan tahaan mat poochho kahaan-kahaan, hai santoshi maan’, ‘karati hooan tumhara vrat mean svikar karo maan’.

svatantrata prapti ka ahvan

kavi pradip ne deshavasiyoan se svatantrata prapt karane ke lie ahvan kiya. unhoanne filmi git zaroor likhe, lekin usamean deshaprem ki dhara ko pravahit karane mean kamayab rahe. sahity samiksha ke man dandoan ke adhar par kavi pradip ek uchch koti ke sahityakar the. ve rashtriy chetana ke pratinidhi kaviyoan ki agrim pankti mean apana sthan rakhate the. bhasha ki drishti se kavi pradip ka sthan any gitakaroan se shreshth hai. samaj ki big dati dasha ko dekhakar unaki aantaratma eeshvar se kahati hai ki-

"dekh tere sansar ki halat kya ho gee bhagavan kitana badal gaya iansan."

samajikata ki bhavana se otaprot hokar vishvabandhutv ki bhavana mean unhoanne likha tha-

iansan se iansan ka ho bhaee chara, yahi paigam hamara.
sansar mean gooanje samata ka ikatara, yahi paigam hamara.

lokapriyata

[[chitr:Pradeep-Lata-Mangeshkar-C.Ramchandra.jpg|thumb|300px|kavi pradip, lata mangeshakar aur si. ramachandr]] pahali hi film mean kavi pradip ko gitakar ke sath-sath gayak ke roop mean bhi liya gaya tha, parantu gayak ke roop mean unaki lokapriyata ka madhyam bana `jagriti' film ka git jisake bol haian - ao bachchoan tumhean dikhaean jhaanki hiandustan ki sangit nirdeshak hemant kumar, si. ramachandr, lakshmikaant-pyarelal adi ne samay-samay par kavi pradip ke likhe kuchh gitoan ka unhian ki avaj mean rik aaurd kiya. `pianjare ke panchhi re tera dard n jane koy', `toot gee hai mala moti bikhar ge', koee lakh kare chaturaee karam ka lekh mite n re bhaee', jaisa bhavana pradhan gitoan ko bahut akarshak aandaj mean gakar kavi pradip ne film jagath ke gayakoan mean. apana alag hi mahattvapoorn sthan bana liya tha, ek git yadyapi kavi pradip ne svayan gaya nahian tha, lekin unaki likhi is rachana ne british shasakoan ko hila diya tha, jisake bol haian- aj himalay ki choti se phir hamane lalakara hai, door hato ai duniya valoan hiandustan hamara hai. british adhikari dhooandhane lage kavi pradip ko. jab unake kuchh mitroan ko pata chala ki british shasak kavi pradip ko pak dakar k di saja dena chahate haian to unhean kavi pradip ki jan khatare mean najar ane lagi. mitroan aur shubhachiantakoan ke dabav mean kavi pradip ko bhoomigat ho jana p da.

lekhani ka kamal

azadi ke bad 1954 mean unhoanne film 'jagriti' mean rashtrapita mahatma gaandhi ke jivan darshan ko bakhoobi film ke ganoan mean utara. ise lekhani ka hi kamal kaheange ki jab pakistan mean film 'jagriti' ki rimek bedari banaee gee to jo bas desh ki jagah mulk kar diya gaya aur pakistani git ban gaya....ham lae haian toofan se kashti nikal ke, is mulq ko rakhana mere bachchoan sanbhal ke... kuchh isi tarah ‘de di hamean azadi bina khadg bina dhal, sabaramati ke sant toone kar diya kamal’ ki jagah pakistani gana ban gaya..... yooan di hamean azadi ki duniya huee hairan, ai qayade azam tera ehasan hai ehasan. aise hi tha bedari ka ye pakistani gana....ao bachche sair karaean tumako pakistan ki, jisaki khatir hamane di qurbani lakhoan jan ki. ye gana asal mean tha ao bachchoan tumhean dikhaean jhaanki hiandustan ki...

rajakapoor ko sahara

1970 mean desh ke mahanh filmakar rajakapoor ki mahatvakaankshi film 'mera nam jokar' b aauks aauphis par baith gee. rajakapoor ke sapane khil-khil hokar bikhar ge. darshakoan ko unaki yah lanbi aur darshanikata se bharapoor film nahian bhaee. niraj ka lokapriy git 'e bhaee jara dekh kar chalo' bhi ise ubar nahian paya. rajakapoor ne is par pani ki tarah paisa bahaya tha. ve film ke aphasal hone par du:khi aur udvign rahane lage. isi samay unhean kee varsh poorv pradip ka gaya aur niyativad par likha ek chamatkarik git 'koee lakh kare chaturaee, karam ka lekh mite na bhaee' ki yad aee. pradip se parichay tha hi, at: usaka rik aaurd mangava liya. un bure dinoan mean yah git rajakapoor ka bahut sahara bana. is git ke prabhav se rajakapoor ko apane man ko niyantran mean karane ki kala a gee.

pramukh git

kavi pradip ke pramukh git

git	film	git	film
ai mere vatan ke logoan	kangan	sooni p di re sitar	kangan
nacho nacho pyare man ke mor	punarmilan	sabaramati ke sant	jagriti
ham laye haian toofan se	jagriti	ao bachchoan tumhean dikhaean	jagriti
chal akela chal akela	sanbandh	chal chal re naujavan	bandhan
chane jor garam baboo	bandhan	piyoo piyoo bol pran papihe	bandhan
ruk n sako to jao	bandhan	khiancho kaman khiancho	aanjan
jhoole ke sang jhoolo	jhoola	n jane kidhar aj meri nav chali re	jhoola
maian to dilli se dulhan laya re	jhoola	aj mausam salona salona re	jhoola
mere bichh de hue sathi	jhoola	door hato ai duniya valoan hiandustan hamara hai	kismat
kitana badal gaya iansan	nastik	chalo chalean maan	jagriti
tere dvar kh da bhagavan	vaman avatar	doosaroan ka dukh da door karane vale	dashahara
pianjare ke panchhi re	nagamani	koee lakh kare chaturaee	chandi pooja
iansan ka iansan se ho bhaeechara	paigam	o diladar bolo ek bar	skool mastar
hay re sanjog kya gh di dikhalaee	kabhi dhoop kabhi chhaanv	chal musafir chal	kabhi dhoop kabhi chhaanv
dhire dhire are badal	kismat	papiha re, mere piya se	kismat
ghar ghar mean divali hai mere ghar mean aandhera	kismat	ab tere siva kaun mera	kismat
har har mahadev allah-o-akabar	chal chal re naujavan	ram bharose meri ga di	garls skool
oopar gagan vishal	mashal	kisaki kismat mean kya likha	mashal
aj eshiya ke logoan ka kafila chala	kafila	koyal bole ku	bap beti
kanha bajae bansari	nastik	jay jay ram raghuraee	nastik
gagan jhanjhana raja	nastik	tere phooloan se bhi pyar	nastik
kahe ko bisara harinam, mati ke putale	chakradhari	tuannak tuannak bole re mera ikatara	ramanavami
nee umr ki kaliyoan tumako dekh rahi duniya sari	talaq	bigul baj raha azadi ka	talaq
mere jivan mean kiran ban ke	talaq	mukh da dekh le prani	do bahan
o amiroan ke parameshvar	paigam	javani mean akelapan	paigam
aj suno ham git vida ka ga rahe	skool mastar	saanvariya re apani mira ko bhool n jana	aanchal
n jane kahaan tum the	jiandagi aur khvab	aj ke is iansan ko ye kya ho gaya	amar rahe ye pyar
sooraj re jalate rahana	harishchandr taramati	toot gee hai mala	harishchandr taramati
janmabhoomi maan	netaji subhashachandr bos	suno suno desh ke hindoo-musalaman	netaji subhashachandr bos
bharat ke lie bhagavan ka ek varadan hai ganga	har har gange	ye khushi leke maian kya karooan	har har gange
tumako to karo doan sal hue	sanbandh	jo diya tha tumane ek din	sanbandh
aandhere mean jo baithe ho	sanbandh	sukh duahkh donoan rahate	kabhi dhoop kabhi chhaanv
jay jay narayan narayan hari hari	haridarshan	prabhu ke bharose haanko ga di	haridarshan
marane vala hai bhagavan bachane vala hai bhagavan	haridarshan	maian to arati utarooan re	jay santoshi maan
mat ro mat ro aj	jay santoshi maan	karati hooan tumhara vrat maian	jay santoshi maan
madad karo santoshi mata	jay santoshi maan	yahaan vahaan jahaan tahaan	jay santoshi maan
he maruti sari ramakatha sakar	bajarangabali	banja hooan maian	aankh ka tara

kavi pradip ke gitoan se saji filmean

kramaank	film	varsh	kramaank	film	varsh
1.	kangan	1939	2.	bandhan	1940
3.	punarmilan	1940	4.	anajan	1941
5.	jhoola	1941	6.	naya sansar	1941
7.	kismat	1943	8.	chal chal re naujavan	1944
9.	kadambari	1944	10.	amrapali	1945
11.	shikari	1946	12.	sati toral	1947
13.	viraangana	1947	14.	garls skool	1949
15.	mashal	1950	16.	prit ka git	1950
17.	chamaki	1950	18.	kafila	1952
19.	bap-beti	1954	20.	nastik	1954
21.	jagriti	1954	22.	chakradhari	1954
23.	vaman avatar	1955	24.	basant panchami	1955
25.	dashahara	1956	26.	lalakar	1956
27.	ramanavami	1956	28.	nagamani	1957
29.	chandi pooja	1957	30.	talak	1958
31.	do bahanean	1959	32.	paigam	1959
33.	skool mastar	1959	34.	aanchal	1960
35.	amar prem	1960	36.	ziandagi aur khvab	1961
37.	amar rahe ye pyar	1961	38.	harishchandr taramati	1963
39.	vir bhimasen	1964	40.	shriram bharat milap	1965
41	shankar sita anusooya	1965	42	vir bajarang	1966
43	netaji subhashachandr bos	1966	44	balaram shrikrishna	1966
45	har har gange	1968	46	sambandh	1969
47	kabhi dhoop kabhi chhaanv	1971	48	tulasi vivah	1971
49.	hari darshan	1972	50.	agni rekha	1973
51.	bal mahabharat	1973	52.	mahasati savitri	1973
53.	kisan aur bhagavan	1974	54.	har har mahadev	1974
55.	jay santoshi maan	1975	56.	raksha bandhan	1976
57.	bajarang bali	1976	58.	bolo he chakradhari	1977
59.	aankh ka tara	1977	60.	nagin aur suhagin	1979
61.	chhath miya ki mahima	1979	62.	krishna sudama	1979
63.	krishna bhakt sudama	1980	64.	karava chauth	1980
65.	baba tarakanath	1980	66.	mangalasootr	1981
67.	sher shivaji	1981	68.	sati aur bhagavan	1982
69.	anamol sitare	1982	70.	git ganga	1982
71.	jay baba amaranath	1983	72.	shravan kumar	1984
73.	samari	1985	74.	rusavaee	1985
75.	dilajala	1987	76.	shiv ganga	1988

rachanaoan ka pakistan mean prayog

kavi pradip ki lekhani mean ek khasiyat ye thi ki unaki rachanaean kisi varg vishesh ya phir kisi rajanitik vicharadhara se ot-prot nahian thi. yahi karan tha ki pradip ki rachanaean chhote-chhote pherabadal ke sath pakistan ne bhi prayog ki. jaise- film 'jagriti' ka "de di hamean azadi bina kh dag bina dhal", ye git pakistan ko itana bhaya ki pakistan ki filmoan mean ye git kuchh is prakar aya- "yooan di hamean azadi ki duniya huee hairan, e kayade azam tera ehasan hai ehasan." isi prakar "ao bachchoan tumhean dikhaean jhaanki hindostan ki", git ko pakistan mean kuchh aise gaya gaya- "ao bachcho sair karaean tumako pakistan ki." yah pradip ji ki sashakt lekhani ka hi kamal tha ki pakistan ne prabhavit hokar hindi film ‘jagriti’ ka rimek ‘bedari’ bana dala, jo vahaan par aj bhi lokapriy hai.

sada vyaktitv

nida fazali kavi pradip ko bataur kavi se adhik ek gitakar ke roop mean zyada maqabool manate haian. ve kahate haian- "pradip ji ne bahut hi achchhe rashtriy git likhe haian. yooan samajhie ki unhoanne sinema ko zariya banakar am logoan ke lie likha. bahut sandur git the vo." thumb|left|kavi pradip varishth patrakar jayaprakash chaukase kavi pradip ke sade vyaktitv ke kayal haian. unhean yad karate hue ve kahate haian- "unhoanne bahut zyada sahity ka adhyayan nahian kiya tha, vo janmajat kavi the. unhean maian deshi thath ka sthaniy kavi kahooanga. yahi unaki asali parichay hai. sadagi bhara jivan jite the. kisi rajanitik vicharadhara ko nahian manate the. jaise sahir ludhiyanavi aur shaileandr ke git lean to ve kamyunist vicharadhara ke the, lekin pradip ji ne kisi rajanitik vicharadhara ko svikar nahian kiya. bauddhikata ka jama unaki lekhani par nahian tha, jo sochate the vahi likhate the, saral the, yahi unaki khasiyat thi."

beti mitul kahati haian ki "achchhe kavi hone ke sath-sath pradip ji behatarin iansan aur pita the." yadoan ke jharokhoan mean jhaankate hue ve batati haian ki "jivan mean pitaji ki behad chhoti-chhoti aur suandar maange hoti thian- dal, chaval svadisht bana ho, subah chay ke sath akhabar samay par a jae; aur haan unaka din subah chhah baje bibisi hiandi seva ke samacharoan se hota tha. bibisi sunate hi ham samajh jate the ki din ho gaya hai."

shaant svabhav

[[chitr:Kavi-Pradeep-2.jpg|thumb|kavi pradip ke samman mean jari dak tikat]] ek bar mashahoor shayar-gitakar majarooh sultanapuri ne prasiddh sangit nirdeshak aur apane samadhi, naushad ke sath milakar kavi pradip ki lekhani ka majak u daya tha ki "aankh kya balti hai jo usamean pani bharane ki bat likh di hai pradip ne." kavi pradip us par bhi keval muskura die aur koee pratikriya vyakt nahian ki. abhineta ashok kumar unake bare mean bahut hansate hue batate the ki kavi pradip amataur par divar ki or muanh karake us par hathoan se tal dete hue git sunaya karate the. agar unhean sabake samane muanh karake git sunane ke lie kaha jata tha, to ve machis ki dibbi ya mej par tal dete hue gana sunaya karate the. 'oopar gagan vishal’ git sunane ke samay kavi pradip apane hath ko oopar-niche hila-hilakar tanmayata dikhate the. ek sant purush, sidhe-sade, kisi bhi prakar ke dikhave se door rahane vale kavi pradip ke lie maian keval itana hi kah sakata hooan ki hindi film jagath mean bhavanapoorn sahityik tatha uchch stariy git likhakar kalam ke dhani kavi pradip ne kamal hi kiya.

samman aur puraskar

kavi pradip ko anek samman prapt hue the, jinamean 'sangit natak akadami puraskar' (1961) tatha 'film jarnalist avard' (1963) shamil haian. yadyapi sahityik jagath mean pradip ki rachanaoan ka moolyaankan pichh d gaya tathapi filmoan mean unake yogadan ke lie bharat sarakar, rajy sarakarean, filmodyog tatha any sansthaean unhean sammanoan aur puraskaroan se aanlakrit karate rahe. unhean sarvashreshth filmi gitakar ka puraskar rashtrapati rajeandr prasad dvara diya gaya. 1995 mean rashtrapati dvara ‘rashtrakavi’ ki upadhi di gee aur sabase aant mean, jab kavi pradik ka aant nikat tha, film jagath mean ullekhaniy yogadan ke lie 1998 mean bharat ke rashtrapati ke.ar. narayanan dvara pratishthit ‘dada sahab phalke puraskar’ diya gaya.

sushri mitul jab apane bimar pita pradip ko pahiya kursi par bithakar manch ki or badh rahi thian to h aaul mean ‘door hato ai duniya valoan’ git baj raha tha. sabhi upasthit jan apani jagahoan par kh de ho ge the. unaki aankhoan mean aansoo the. rashtrapati ne pahale pradip ke svasthy ke bare mean poochha aur phir puraskar pradan kiya. jab ve lautane lage to doosara git baj utha ‘ham lae haian toofan se kashti nikal ke’ log ab bhi kh de the aur taliyaan bajaye ja rahe the. kavi pradip ka har filmi-gair filmi git arthapoorn hota tha aur jivan ko koee n koee darshan samajha jata tha. khed ka vishay yah hai ki aise mahanh desh bhakt, gitakar evan sangitakar ko bharat sarakar ne ‘bharat ratn’ se sammanit nahian kiya, n hi aj tak un par smarak dak tikat nikala.

nidhan

kavi pradip ne apane jivan mean 1700 gane likhe. ‘bandhan’ ke apane git ‘ruk n sako to jao tum’ ko yatharth karate hue 11 sitambar, 1998 ko rashtrakavi pradip ka kaiansar se l date hue 83 varsh ki ayu mean nidhan ho gaya. unake marmasparshi gitoan ke karan log unhean divanagi ki had tak pyar karate the. unake nidhan ke samachar se stabdh hue logoan ka sailab vile parle sthit unake avas ‘panchamrit’ ki or um d p da. arthi uthi to ‘pan. pradip amar rahean’ ke samavet udghosh se poora ilaka tharra gaya. sangit nirdeshak sachin dev barman ne unake git, unaka gayan aur svar sanyojan dekhakar kaha tha ki- “tumhean koee ‘aut’ nahian kar sakata.“ pradip mar kar bhi aut nahian hue haian. ve ab apane git ki panktiyoan mean amar ho ge haian.

panne ki pragati avastha

adhar

prarambhik

madhyamik

poornata

shodh

bahari k diyaan

• kee sadiyoan tak gooanjeange pradip ke git
• kavi pradip: sinema se am jan tak pahuanche
• Obituary: Kavi Pradeep
• Kavi Pradeep, master of the patriotic song, dies at 84
• Kavi Pradeep

sanbandhit lekh

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