इन्दीवर
indivar
| |
| poora nam | shyamalal baboo ray |
| prasiddh nam | indivar |
| janm | 15 agast, 1924 |
| janm bhoomi | baroova sagar, jhaansi, uttar pradesh |
| mrityu | 27 faravari, 1997 |
| mrityu sthan | mumbee |
| abhibhavak | haralal ray |
| pati/patni | parvati |
| karm bhoomi | bharat |
| karm-kshetr | kavi, gitakar |
| mukhy rachanaean | 'b de araman se rakha hai balam teri qasam', 'qasamean vade pyar vafa sab', 'chho d de sari duniya kisi ke lie', 'koee jab tumhar hriday to d de', 'dil aisa kisi ne mera to da' adi. |
| prasiddhi | gitakar |
| nagarikata | bharatiy |
| sanbandhit lekh | manoj kumar, kalyanaji-anandaji, lakshmikant-pyarelal |
| any janakari | nirmata-nirdeshak rakesh roshan ki filmoan ke liye indivar ne sadabahar git likhakar unaki filmoan ko saphal banane mean mahatvapoorn bhoomika nibhayi. unake sadabahar gitoan ke karan hi rakesh roshan ki zyadatar filmean aj bhi yad ki jati haian. |
shyamalal baboo ray urf indivar (aangrezi: Indeevar; janm- 15 agast, 1924, jhaansi, uttar pradesh; mrityu- 27 faravari, 1997, mumbee) bharat ke prasiddh gitakaroan mean gine jate the. inake likhe sadabahar git aj bhi usi shidhdat v ehasas ke sath sune v gae jate haian, jaise vah pahale sune v gae jate the. indivar ne char dashakoan mean lagabhag ek hazar git likhe, jinamean se kee yadagar gane filhmoan ki supar-dupar saphalata ke karan bane. ziandagi ke anajane safar se behad pyar karane vale hindi sinema jagath ke mashahoor shayar aur gitakar indivar ka jivan ke prati nazariya unaki likhi huee in panktiyoan- "ham chho d chale haian mahafil ko, yad ae kabhi to mat rona" mean samaya hua hai.
janm
prasiddh gitakar indivar ka janm uttar pradesh ke jhaansi janapad mukhhyalay se bis kilomitar poorv ki or shthit 'baroova sagar' qashbe mean 'kalar' jati ke ek nirdhan parivar mean 15 agast, 1924 ee. mean hua tha. apaka mool nam 'shhyamalal baboo ray' tha. inake pita haralal ray v maan ka nidhan inake balhyakal mean hi ho gaya tha. inaki b di bahan aur bahanoee ghar ka sara saman aur inako lekar apane gaanv chale gaye the. kuchh mah bad hi ye apane bahan-bahanoee ke yahaan se baroova sagar vapas a gaye the. bachapan tha, ghar mean khane-pine ka koee prabanhdh aur sadhan nahian tha.
git lekhan mean ruchi
un dinoan baroova sagar mean gulab bag mean ek phakhk d baba kahian se akar ek vishal pe d ke niche apana dera jamakar rahane lage the. ve kahian bhiksha maangane nahian jate the. dhooni ke pas baithe rahate the. bahut achhchhe gayak the. ve chang par jab gate aur alap lete, to rashta chalata vhyakhti bhi unaki shvar lahari ke prabhav mean git ki samaphti tak ruk jata tha. jab log unhhean paise bheant karate the to vah unhhean chhoote tak nahian the. phakhk d baba ke samhpark mean shhyamalal (indivar) ko git likhane v gane ki ruchi jagrit huee. phakhk d baba gaanje ka dam lagaya karate the. atah baba ko bheant huye paisoan se hi shhyamalal charas aur gaanje ka prabanhdh karate the. shhyamalal un baba ki gakariyaan[1] bana diya karate the, shvayan khate aur baba ko khilate. phir babaji ka chimata lekar rag banakar shvalikhit git, bhajan gaya karate the.
samhmelan mean kavita path
indivar ke bal sakha 'ramasevak richhariya' ne unhhean rashhtriy vicharadhara aur sudhar ki drishhti se sahity ki or mo da. ve unaki rachanaoan ko sudharate rahe. ek bar kalapi ke vidyarthi samhpraday ke samhmelan mean shhyamalal ‘azad' ne jab manch par kavita path kiya to shrotaoan dvara unhhean kafi saraha gaya aur b de kaviyoan ki bhaanti vidaee ke samay unhhean ikhyavan rupaye ki bheant prapht huee. in ikyavan rupayoan se unhoanne sabase pahale nee 'hinhd saikil' kharidi. tab hinhd saikil 36 rupaye mean ati thi. samhmelanoan mean jane yoghy achakan aur pajama silavae. phir bhi unaki jeb mean kafi rupaye bache the. un dinoan ek rupaya ki bahut kimat thi.[2] desh ke 'shvatantrata sangram anhdolan' mean sakriy bhag lete hue inhoanne shhyamalal baboo ‘azad' nam se kee desh bhakhti ke git bhi apane praramhbhik dinoan mean likhe the.[2]
vivah
yuva hote shhyamalal ‘azad' ki shoharat shthaniy kavi samhmelanoan mean badhane lagi aur unhhean jhaansi, datiya, lalitapur, babina, mooranipur, tikamagadh, orachha, chiragaanv, uree mean hone vale kavi samhmelanoan mean amantrit kiya jane laga, jisase inhhean kuchh amadani hone lagi. isi bich inaki marzi ke bina inaka vivah jhaansi ki rahane vali 'parvati' nam ki l daki se kara diya gaya.
mumbee agaman
bina marzi ke vivah se ye anamane rahane lage aur rushht hokar lagabhag bis varsh ki avashtha mean mumbee bhagakar chale ge, jahaan par inhhoanne do varsh tak kathin sangharshoan ke sath sinejagat mean apana bhaghy gitakar ke roop mean ajamaya. varsh 1946 mean pradarshit filhm ‘dabal fes' mean apake likhe git pahali bar lie ge, kinhtu filhm zyada saphal nahian ho saki aur shhyamalal baboo ‘azad' se ‘indivar' ke roop mean bataur gitakar apani khas pahachan nahian bana pae aur nirash hokar vapas apane paitrik gaanv baroova sagar chale ae. vapas ane par inhhoanne kuchh mah apani dharmapathni ke sath gujare. is dauran inhhean apani pathni parvati se vishesh lagav ho gaya, jo aant tak raha bhi. parvati ke kahane se hi ye punah mumhbee ane jane lage aur 'bi' v 'si' grup ki filhmoan mean bhi apane git dene lage. yah silasila lagabhag paanch varsh tak chalata raha.
prarambhik sangharsh
is bich inhhoanne dharmapathni parvati ko apane sath mumhbee chalakar sath rahane ka agrah kiya, paranhtu parvati mumbee mean sada ke lie rahane ke lie raji nahian hueean. unaka kahana tha, "raho baroova sagar mean aur mumhbee ate jate raho." indivar isake lie taiyar nahian hue aur pathni se rushht hokar mumhbee mean rahakar poorv ki bhaanti filhmoan mean kam pane ke lie sangharsh karane lage. varsh 1951 me pradarshit film 'malhar' ki kamayabi se bataur gitakar kuchh had tak vah apani pahachan banane me saphal ho ge. film 'malhar' ka git "b de araman se rakha hai balam teri kasam..." shrotaoan ke bich aj bhi lokapriy hai.
saphalata
varsh 1963 mean baboo bhaee mistri ki sangitamay film 'parasamani' ki saphalata ke bad indivar shoharat ki buanladiyoan par ja pahuanche. indivar ke sine kairiyar mean unaki jo di nirmata-nirdeshak manoj kumar ke sath bahut khoob jami. manoj kumar ne sabase pahale indivar se film 'upakar' ke liye git likhane ki peshakash ki. kalyanaji-anandaji ke sangit nirdeshan me film 'upakar' ke lie indivar ne "qasme vade pyar vapha sab batean haian, batoan ka kya..." jaise dil ko chhoo lene vale git likhakar shrotaoan ko bhavavibhor kar diya. isake alava manoj kumar ki film 'poorab aur pashchim' ke liye bhi indivar ne "dulhan chali vo pahan chali" aur "koee jab tumhara hriday to d de" jaise sadabahar git likhakar apana alag hi samaan baandha. indivar ke sine kairiyar me sangitakar jo di kalyanaji-anandaji ke sath unaki khoob jami. "chho d de sari duniya kisi ke liye...", "chandan sa badan..." aur "maian to bhool chali babul ka desh..." jaise indivar ke likhe n bhoolane vale gitoan ko kalyanaji-anandaji ne sangit diya.[3]
sadabahar git
varsh 1970 mean vijay anand nirdeshit film 'j aauni mera nam' mean "nafarat karane valoan ke sine mean...", "pal bhar ke liye koee hamean..." jaise roomani git likhakar indivar ne shrotaoan ka dil jit liya. manamohan desaee ke nirdeshan me film 'sachcha-jhootha' ke liye indivar ka likha ek git "meri pyari bahaniya banegi dulhaniyaan..." ko aj bhi vivah adi ke avasar par suna ja sakata hai. isake alava rajesh khanna abhinit film 'safar' ke liye indivar ne "jivan se bhari teri aankhean..." aur "jo tumako ho pasand..." jaise git likhakar shrotaoan ko bhav vibhor kar diya.
rakesh roshan ke sath kary
jane mane nirmata-nirdeshak rakesh roshan ki filmoan ke liye indivar ne sadabahar git likhakar unaki filmoan ko saphal banane mean mahatvapoorn bhoomika nibhayi. unake sadabahar gitoan ke karan hi rakesh roshan ki zyadatar filmean aj bhi yad ki jati haian. in filmoan mean khasakar 'kamachor', 'khudagarj', 'khoon bhari maang', 'kala bazar', 'kishan kanhaiya', 'kiang aankal', 'karan arjun' aur 'koyala' jaisi filmean shamil haian. rakesh roshan ke alava unake pasandida nirmata-nirdeshakoan mean manoj kumar, firoz khan adi pramukh rahe. indivar ke pasandida sangitakar ke taur par kalyanaji-anandaji ka nam sabase oopar ata hai. kalyanaji-anandaji ke sangit nirdeshan mean indivar ke gitoan ko nee pahachan mili aur shayad sangitakar kalyanaji-anandaji indivar ke dil ke kafi qarib the. sabase pahale is jo di ka git sangit varsh 1965 mean pradarshit film 'himalay ki god' mean pasand kiya gaya. isake bad indivar dvara rachit filmi gitoan mean kalyanaji- anandaji ka hi sangit hua karata tha. aisi filmoan mean 'upakar', 'dil ne pukara', 'sarasvati chandr', 'yadagar', 'safar', 'sachcha jhootha', 'poorab aur pashchim', 'j aauni mera nam', 'paras', 'upasana', 'kasauti', 'dharmatma', 'herapheri', 'd aaun', 'kurbani', 'kalakar' adi filmean shamil haian.[3]
pasandida sangitakar
kalyanaji-anandaji ke alava indivar ke pasandida sangitakaroan mean bappi lahiri aur lakshmikaant-pyarelal jaise sangitakar shamil haian. unake gitoan ko kishor kumar, asha bhoansale, mohammad rafi, lata mangeshakar jaise choti ke gayak kalakaroan ne apane svar se sajaya. indivar ke sine kairiyar par yadi nazar dali jaye to abhineta jitendr par filmaye ge unake dvara rachit git kafi lokapriy hua karate the. in filmoan mean 'didare yar', 'mavali', 'himmatavala', 'jastis chaudhari', 'tohafa', 'kaidi', 'patal bhairavi', 'khudagarj', 'asaman se ooancha', 'thanedar' jaisi filmean shamil haian.
- puraskar
1975 me pradarshit film 'amanush' ke liye indivar ko sarvashreshth gitakar ka 'film pheyar puraskar' diya gaya.
prasiddh git
indivar ne apane sine kairiyar mean lagabhag 300 filmoan ke liye git likhe. indivar ke prasiddh gitoan mean shamil haian-
| kr. san. | git | film | varsh |
|---|---|---|---|
| 1. | b de araman se rakha hai balam teri kasam | malhar | (1949) |
| 2. | qasamean vade pyar vafa sab | upakar | (1967) |
| 3. | mere desh ki dharati sona ugale | upakar | (1967) |
| 4. | chandan sa badan, chanchal chitavan | sarasvatichandr | (1968) |
| 5. | maian to bhool chali babul ka desh | sarasvatichandr | (1968) |
| 6. | chho d de sari duniya kisi ke lie | sarasvatichandr | (1968) |
| 7. | dulhan chali, o pahan chali | poorab aur pashchim | (1970) |
| 8. | koee jab tumhar hriday to d de | poorab aur pashchim | (1970) |
| 9. | pal bhar ke lie koee hamean pyar kar le | j aauni mera nam | (1970) |
| 10. | jindagi ka safar | safar | (1970) |
| 11. | jivan se bhari teri aankhean | safar | (1970) |
| 12. | jindagi ka safar, hai ye kaisa safar | safar | (1970) |
| 13. | dil aisa kisi ne mera to da | amanush | (1975) |
| 14. | ye mera dil pyar ka divana | d aaun | (1978) |
| 15. | madhuban khushaboo deta hai | sajan bina suhagan | (1978) |
| 16. | dekha tujhe to ho gee divani | koyala | (1997) |
| 17. | hothoan se chhoo lo tum, mera git amar kar do | premagit | - |
nidhan
bharatiy sinema mean mahattvapoorn yogadan dene vale aur ek gitakar ke roop mean khyati arjit karane vale indivar ne apane sine-kairiyar mean lagabhag 300 filmoan ke lie git likhe. lagabhag tin dashak tak apane gitoan se shrotaoan ko bhavavibhor karane vale indivar ne 27 faravari, 1997 ko is duniya se vida li.
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tika tippani aur sandarbh
- ↑ kanhde ki ag mean seanki jane vali moti roti
- ↑ 2.0 2.1 gitakar indivar (hindi). . abhigaman tithi: 04 janavari, 2014.
- ↑ 3.0 3.1 indivar parichay (hindi). . abhigaman tithi: 04 janavari, 2014.