गुरु दत्त
guru datt
| |
| poora nam | vasanth kumar shivashankar padukon |
| prasiddh nam | guru datt |
| janm | 9 julaee, 1925 |
| janm bhoomi | bangalor, karnatak |
| mrityu | 10 aktoobar, 1964 (atmahatya) |
| mrityu sthan | banbee, maharashtr |
| abhibhavak | shivashankar rav padukon aur vasanthi padukon |
| pati/patni | gita datt |
| karm bhoomi | muanbee |
| karm-kshetr | nirmata-nirdeshak evan abhineta |
| mukhy filmean | 'pyasa' (1957), 'kagaz ke phool' (1959), 'sahab, bibi aur gulam' (1962) aur 'chaudahavian ka chaand'. |
| prasiddhi | guru datt apani filmoan mean kaimara aur prakash vyavastha ke lie prasiddh the. |
| vishesh yogadan | dakshin eshiya mean jo ek saf-suthara, lokapriy aur manoranjan sinema 1950 ke dashak mean ubhara usamean guru datt ka kendriy yogadan hai. |
| nagarikata | bharatiy |
| any janakari | prakash aur chhaya ke kalpanashil upayog, bhavapoorn drishyabianb, katha mean kee vishay-vastuoan ki paratean gooanthane ki adbhut kshamata aur gitoan ke mantramugdhakari chhayaankan ne unhean bharatiy sinema ke sabase nipun shailikaroan mean la kh da kiya. |
guru datt (aangrezi: Guru Dutt, janm- 9 julaee, 1925 bangalor; mrityu- 10 aktoobar, 1964 banbee) bharatiy sinema mean film nirmata-nirdeshak aur abhineta the. 'guru datt' ka vastavik nam "vasanth kumar shivashankar padukon" tha. guru datt apane ap mean ek sanpoorn kalakar banane ki poori patrata rakhate the. ve vishv stariy film nirmata aur nirdeshak the. sath hi mean unaki sahityik ruchi aur sangit ki samajh ki jhalak hamean unaki sabhi filmoan mean dikhati hi hai. ve ek achchhe nartak bhi the, kyoanki unhoanne apane filmi jivan ka agaz kiya tha prabhat films mean ek koriyografar ki haisiyat se. abhinay kabhi unaki pahali pasand nahian rahi, magar unake saral, sanvedanashil aur naisargik abhinay ka loha sabhi manate the. unhoanne pyasa ke liye pahale dilip kumar ka chayan kiya tha. ve ek rachanatmak lekhak bhi the aur unhoanne pahale pahale 'illastreted vikali a aauf iandiya' mean kahaniyaan bhi likhi thian.[1]
jivan parichay
guru datt ka janm 9 julaee, 1925 ko baiangalor mean hua tha. unaki maan vasanti padukon ke anusar 'bachapan se guru datt bahut natakhat aur jiddi tha. prashn poochhana usaka svabhav tha. kabhi kabhi usake prashnoan ka uttar dete hue ve pagal ho jati thian, kisi ki bat nahian manata tha. apane dil mean agar thik laga to hi vo manata tha. gusse vala bahut tha. man mean aya to karega hi...zaroor.'[2]thumb|left|guru datt
parivar
guru datt ke pita ka nam 'shri shivashankar rav padukon' aur mata ka nam 'shrimati vasanti padukon' hai. guru datt ne gayika gita datt se sanh 1953 mean vivah kiya. guru datt ke bete arun datt ke anusar ‘pyasa’ aur ‘kagaz ke phool’ jaisi klasik filmoan ke sarjak gurudatt chup aur ganbhir rahate the. lekin unake bhitar ek masti karane vala bachcha bhi tha. ve patang u date, machhali pak date aur photographi bhi karate the. guru datt ko kheti karana bhi kafi suhata tha. lonavala mean pharm haus tha jahaan vo har sal jakar kheti karate the. unhean phishiang mean bhi dilachaspi thi. pavee jhil mean j aauni v aaukar aur guru datt khoob machhali pak da karate the. ek bar unhean ek skootar pasand a gaya. ve use chalate hue stoodiyo ja rahe the tabhi signal ke pas ga di ruki to logoan ne unhean pahachan liya. ve kisi tarah se ga di se vahaan se nikale. ek dilachasp kissa hai ki kashmir mean unhoanne ek shikara dekha to ve us shikara ko kashmir se khulavakar pavee jhil le ae.
gita ray se vivah
darasal, jin dinoan guru datt filmoan mean apani zamin talash rahe the, unhian dinoan gita ray nam ki ek nee gayika parshv gayika banane ki koshish mean vyast thian. tho de hi dinoan mean guru datt kee nirdeshakoan ke sahayak bane, to udhar film 'bhakt prahlad' mean gita ray ko bhajan gane ka avasar mila. sanh 1948 mean pradarshit film 'do bhaee' mean gaye git mera suandar sapana bit gaya.. ne gita ray ko poore desh mean charchit kar diya. darasal, yahi vah git tha, jisane guru datt ke dil ke taroan ko jhankrit kar diya. aur yahian se guru datt ne man hi man yah phaisala bhi kar liya ki ve jab bhi film banaeange, gita ray se git avashy gavaeange. mitr devanand ne film 'bazi' ka nirdeshan guru datt ko sauanp kar us vade ko poora kiya, jo unhoanne kabhi prabhat stoodiyo mean kiya tha. bazi shuroo huee, to guru ne gita ray se ek git gavaya. bazi mean gita ray ka gita bali par filmaya gaya yah git 'suno gazar kya gaye...' apane samay ka supar hit git sabit hua. bazi ki shootiang ke dauran se hi guru datt aur gita ray ek-doosare ke nikat ae. jahaan ek or guru gita ki avaz ke divane ho ge the, vahian doosari or gita bhi guru ke prabhavashali vyaktitv par mugdh thian. darasal, donoan aantarmukhi pravritti ke the. kam bolane vale, ganbhir, lekin aankhoan hi aankhoan mean bahut kuchh kah jane vale. ek din jab riharsal aur rik aaurdiang se phursat mili, to guru datt ne gita ko shadi ke lie prastav rakh diya. gita guru datt ko chahane lagi thian, lekin bina mata-pita ki marji ke ve shadi nahian kar sakati thian. bazi abhi rilij nahian huee thi. gita ne kaha, parivar valoan se kahana hoga. phir bad mean gita ray ke mata pita ki raji se donoan ka vivah sanh 1953 mean hua.[3] [[chitr:Geeta-dutt.jpg|thumb|left|gita ray]]
filmi jivan
kalakatta (vartaman kolakata) mean shiksha prapt karane ke bad guru datt ne almo da sthit uday shankar ki nrity akadami mean prashikshan prapt kiya aur usake bad kalakatta mean telifon aauparetar ka kam karane lage. bad mean vah pune (bhootapoorv poona) chale ge aur prabhat stoodiyo se ju d ge, jahaan unhoanne pahale abhineta aur phir nrity-nirdeshak ke roop mean kam kiya. unaki pahali fichar film 'bazi' (1951) devanand ki 'navaketan films' ke bainar tale bani thi. isake bad unaki doosari saphal film 'jal' (1952) bani, jisamean vahi sitare (devanand aur gita bali) shamil the. isake bad guru datt ne 'baz' (1953) film ke nirman ke lie apani prodakshan kanpani shuroo ki. halaanki unhoanne apane sankshipt, kiantu pratibha sanpann peshevar jivan mean kee shailiyoan mean prayog kiya, lekin unaki pratibha ka sarvashreshth roop utkat bhavukatapoorn filmoan mean pradarshit hua.
- prasiddhi ka srot
mukhy roop se guru datt ki prasiddhi ka srot bariki se gadhi gee, udas v chiantan bhari unaki tin behatarin filmean haian- 'pyasa' (1957), 'kagaz ke phool' (1959) aur 'sahab, bibi aur gulam' (1962). halaanki 'sahab, bibi aur gulam' ka shrey unake sah patakatha lekhak abarar alvi ko diya jata hai, lekin yah spasht roop se guru datt ki kriti thi. guru datt ne si.aee.di. se vahida rahaman ka film jagath se parichay karaya aur phir 'pyasa' tatha 'kagaz ke phool' jaisi filmoan se unhean kirtistanbh ki tarah sthapit kar diya. prakash aur chhaya ke kalpanashil upayog, bhavapoorn drishyabianb, katha mean kee vishay-vastuoan ki paratean gooanthane ki adbhut kshamata aur gitoan ke mantramugdhakari chhayaankan ne unhean bharatiy sinema ke sabase nipun shailikaroan mean la kh da kiya.
asadharan kalakar
[[chitr:Pyaasa poster.jpg|thumb|pyasa]] guru datt film tuk de tuk de mean banate the. film samay ki liniyar gati se nahian chalati thi. jahaan jo pasand aya us sin ko filma liya gaya. guru datt anaginat ritek dete the aur sin ko tab tak shoot karate the jab tak vo khud aur film ke baki kalakar santusht n ho jaean. abarar alvi kitab mean kahate haian ki vo jitani phutej mean ek film banate the utane mean tin filmean ban sakati thian. guru datt ki filmoan ki shootiang ziandagi ki tarah chalati thi. jaise jaise age badhati thi kiradar vikasit hote jate the. guru datt ki film yoonit mean lagabhag sthayi sadasy hote the. abarar alvi aur raj khosala ke sath roj film ki shootiang ke bad brenastormiang seshan hote the jisamean rashes dekhe jate the aur age ki film ka khaka tay kiya jata tha.[2]
ek vakaya
ek majedar vakaya hai. vahida rahaman sunati haian...'vo ek din dadhi bana rahe the aur moorti sahab ke sath sh aaut ki bat kar rahe the. to ham log sab h aaul mean baithe hue the to achanak avaz aee. unhoanne itti jor se apana rezar pheanka aur bole are kya karate ho yar moorti...tumane barbad kar diya mujhe...to moorti sahab ekadam pareshan...maianne kya kiya...ham to sh aaut ke bare mean bat kar rahe the...nahian yar tumase sh aaut ki bat karate karate maianne apani ek taraph ki mooanchh u da di...to ham mean kisi se raha nahian gaya to ham hans p de jor jor se...ki tum log hans rahe ho... aj rat ko shootiang hai maian kya karooan... to phir moorti sahab ne kaha... galati apaki thi, meri to thi nahian. phir bhi ap mujhe kyooan daant rahe haian. ap is tarah kijiye, doosari taraph ki bhi mooanchh shev kar daliye phir nayi nakali mooanchh lagani p degi apako. to is vakaya se spasht hai ki jab vo sh aaut ke bare mean soch rahe hoan ya batean kar rahe hoan to sab kuchh bhool jate the.[2]
nee takanik ka prayog
thumb|sahab bibi aur gulam guru datt ne apane filmi kairiyar mean kee ne takaniki prayog bhi kie jaise, film bazi mean do ne prayog kie-
- 100 emem ke leans ka kloz ap ke lie istemal pahali bar kiya- qarib 14 bar. isase pahale kaimara itane pas kabhi nahian aya, ki un dinoan kalakaroan ko b di asahajata ke anubhav se guzarana p da. tab se us staeel ka nam hi guru datt sh aaut p d gaya.
- kisi bhi film mean pahali bar ganoan ka upayog kahani ko age badhane ke lie kiya gaya.
vaise hi film 'kagaz ke phool' hindustan mean sinema skop mean bani pahali film thi. darasal, is film ke lie guru datt kuchh anokha, kuchh hatake karana chahate the, jo aj tak bharatiy film ke itihas mean kabhi nahian hua. sanyog se tabhi ek halivud ki film kanpani '20th Century Fox' ne un dinoan bharat mean kisi sinemaskop mean banane vali film ki shootiang khatm ki thi aur usake speshal leans banbee mean unake aauphis mean chhoot ge the. jab guru datt ko isaka pata chala to ve apane sinemaitographar vi. ke. moorti ko lekar tuanrat vahaan ge, leans lekar kuchh prayog kiye, rashes dekhe aur phir film ke lie is pharmet ka upayog kiya. chalie ab ham is film ke ek gane ka zikr bhi kar lete haian-
- vakt ne kiya kya hasian sitam... tum rahe na tum, ham rahe na ham...
gita datt ki hasian avaz mean gaye, aur film mean stoodiyo ke prishthabhoomi mean filmae ge is git mean bhi ek aisa prayog kiya gaya, jo bad mean vishvavikhyat hua apane behatarin laitiang ki khoobasoorat sanyojan ki vajah se. guru datt is klaeemeks ke sin mean kuchh alag natakiyata aur ril laeef aur riyal laeef ka virodhabhas prakash vyavastha ki madhyam se vyakt karana chahate the. blaik eand vhaeet rangoan se nayak aur nayika ki man ki monotoni, riktata, yash aur vaibhav ki kshanabhangurata ke ahasas ko b de juda aandaz mean filmana chahate the. jis din unhoanne nataraj stoodiyo mean shootiang shuroo ki, to unake photographar vi. ke. moorti ne unhean veantiletar se chhan kar ati dhoop ki ek tez kiran dikhaee, to guru datt behad romaanchit ho uthe aur unhoanne is iphekt ko hi upayog karane ka man bana liya. ve moorti ko bole,' maian shootiang ke lie bhi sanh laeet hi chahata hooan kyoanki jis prabhav ki maian kalpana kar raha hooan vah b di ark laeet se athava kaimare ki aparchar ko set karake nahian ayega.' to phir do b de b de aine stoodiyo ke bahar rakhe gaye, jinako b di mehanat se set karake vah prasiddh sin shoot kiya gaya jisamean guru datt aur vahida ke bich mean vah tej roshani ka bim ata hai. sath mean chehare ke kloz ap mean anokhe pheantam iphekt se utpann hue embiyens se ham darshak thage se rah jate haian evan us kal mean, us vatavaran nirmiti se utpann karuna ke ehasas mean vilin ho jate haian, ekakar ho jate haian.[4]
guru datt ki filmean
| varsh | film | nayika | nirdeshak |
|---|---|---|---|
| 1945 | lakha rani | monika desaee | vishram be dekar |
| 1953 | baz | gita bali | guru datt |
| 1954 | ar par | shyama, shakila | guru datt |
| 1955 | mi.eand mises 55 | madhubala | guru datt |
| 1957 | pyasa | mala sinha, vahida rahaman | guru datt |
| 1958 | barah baje | vahida rahaman | pramod chakravati |
| 1959 | kagaz ke phool | vahida rahaman | guru datt |
| 1960 | chaudahavi ka chaand | vahida rahaman | em. sadik |
| 1962 | sahib bivi aur gulam | mina kumari, vahida rahaman | abarar alvi |
| 1963 | sautela bhaee | mahesh kaul | |
| 1963 | bahurani | mala sinha | ti. prakash rav |
| 1963 | bharosa | asha parekh | ke.shankar |
| 1964 | saanjh aur savera | mina kumari | rrishikesh mukharji |
| 1964 | suhagan | vahida rahaman | ke. es. gopalkrishnan |
| nirdeshak ke taur par guru datt | |||
| varsh | film | nayak | nayika |
| 1951 | bazi | devanand | gita bali, kalpana kartik |
| 1951 | jal | devanand | gita bali, poornima |
| 1956 | sailab | abhi bhattachary | gita bali |
| nirmata ke taur par guru datt | |||
| varsh | film | nayak / nayika | nirdeshak |
| 1956 | siaeedi | devanand, shakila, vahida rahaman | raj khosala |
ek amar pratibha
thumb|chaudahavian ka chaand koee b da sarjak jab yuvavastha mean hi atmahatya kar leta hai to usake sath kee roomani kahaniyaan ju d jati haian aur usake prashansakoan ka ek b da sanpraday sa ban jata hai. lekin yah roomaniyat ki astha havaee nahian hoti. sirph 39 baras ki umr mean khudakushi kar lene vale guru datt ki vaisi maut ab sirf ek dardanak byaura banakar rah gee hai, lekin unaki 'pyasa', 'kagaz ke phool' aur 'sahab, bibi aur gulam' sarikhi filmean dakshin eshiyaee sinema ke itihas mean amar haian. beshaq ye tinoan b di filmean haian lekin guru datt ki praranbhik filmoan ko bhula dena unake aur bharatiy sine-darshakoan ke jatil sanbandhoan ko nakarana hoga. dakshin eshiya mean jo ek saf-suthara, lokapriy aur manoranjan sinema 1950 ke dashak mean ubhara usamean guru datt ka kendriy yogadan hai.[6]
guru datt aur vahida rahaman
[[chitr:Vaheeda-and-gurudatt-pyaasa.jpg|thumb|left|guru datt aur vahida rahaman (film- pyasa ke ek drishy mean)]]
b aaulivud mean jab bhi prem kahaniyoan ka jikr hota hai to vahida rahaman aur guru datt ka nam sabase pahale ata hai. in donoan ki jo di b aaulivud ki shuruati premi jo de ki thi. donoan ka pyar agar sabaki nigahoan mean sabase behatarin pyar tha to donoan ka juda hona bhi kisi drame se kam nahian. judaee mean ek sachche ashik ka kya hal hota hai yah guru datt ne dikhaya tha. sharab ki botal mean doobe ashik ki chhavi akasar hamean filmoan mean hi dekhane ko milati hai lekin asal jiandagi mean us kiradar ko guru datt ne hi jiya tha. b aaulivud ki utkrisht aur yadagar jo di vahida rahaman aur guru datt ki prem kahani bhi aisi thi jo apane mukam par nahian pahuanch paee. yah vah daur tha jab guru datt ne nirdeshak ke taur par apane kairiyar ki shuruat film bazi (1951) se ki. yah kraim thrilar thi jise darshakoan ne kafi pasand kiya. baji ki kamayabi ke bad guru datt ek saphal nirdeshak ke roop mean pahachane jane lage. guru datt ko hiandi filmoan mean ne prayogoan ke lie jana jata tha. isi ko dhyan mean rakhate hue unhean agali film ‘siaeedi’ ke lie ek ne chehare ki talash thi jo khoobasoorat to ho hi sath hi urdoo bhi bolane mean saksham ho. unaki talash tab poori huee jab unaki mulakat bhavukata aur vyavaharikata ka adabhut sauandary ka mel lie vahida rahaman se huee. film siaeedi mean vahida rahaman ka jyada rol nahian tha lekin unake shanadar daans ke abhinay ne sabake diloan ko chhoo liya, jisaki badaulat unhean guru datt ki agali filmoan lid bhoomika mean kam karane ka mauka mila. siaeedi ki saphalata ke bad film pyasa mean vahida rahaman ko lid hiroin ka rol mila. yah vah film thi jisake bad vahida rahaman aur guru datt sahab ka prem prasang ka arambh hua tha.
thumb|kagaz ke phool
guru datt aur vahida rahaman abhinit film ‘kagaj ke phool’ ki asaphal prem katha un donoan ke svayan ke jivan par adharit thi. donoan kalakaroan ne film ‘chaudahavian ka chaand’ aur ‘sahib bibi aur gulam' mean sath-sath kam kiya, jo bahut hi saphal huee. kam mean atyadhik vyast rahane ke karan guru datt daanpaty jivan ke lie bahut adhik vakt nahian de pate the, jisake karan unake vaivahik jivan mean toofan kh da ho gaya. is samay tak guru datt ke jivan mean do striyoan ne pravesh kar liya tha ek unaki patni gita datt aur doosari vahida rahaman. guru datt donoan se behad prem karate the aur donoan ko apani zindagi ka hissa banana chahate the lekin aisa ho nahian saka. akhirakar apani filmoan ki hi tarah unaka bhi duahkhad aant hua.[7]
guru datt ke bare mean rochak tathy
- guru datt ka poora nam vasant kumar shivashankar padukon tha. unake pita shuruat mean to adhyapak the lekin bad mean unhoanne baiank ki naukari ki.
- bachapan mean arthik dikkatoan aur parivarik pareshaniyoan ke karan guru datt mushkil se talim hasil kar pae. vah achchhe vidyarthi to the lekin kabhi k aaulej nahian ja pae.
- guru datt tin bhaiyoan aur ek bahan ke sath bangal mean akar bas ge. bangal mean rahane ke bad unhoanne bangali nam bhi grahan kar liya aur log unhean guru datt ke nam se janane lage.
- guru datt ne kolakata akar apane mama balkrishna benegal ke sath kafi vaqt bitaya tha. balkrishna benegal mashahoor film nirdeshak shyam benegal ke chacha the, jo ki ek peantar the aur filmoan ke postars dijain kiya karate the. bad mean vah apane mata-pita ke pas muanbee laut ae.
- kaha jata hai ki jab vah kolakata mean the to unhoanne ek karyakram ke dauran sarp nrity (snek daans) kiya tha jisake lie unhean paanch rupe ka inam bhi mila tha. guru datt ne uday shankar ke nrity sansthan mean kuchh varsh shastriy nrity sikha aur prashikshan ke dauran ek sarp nrity bhi prastut kiya tha.
- unhoanne 1953 mean prasiddh gayika gita ray se shadi ki. gita aur guru datt tin saloan se ek-doosare ko janate the. donoan se tin bachche hue tarun, arun aur nina.
- vivahit hone ke bavajood bhi guru datt vahida rahaman ke sath rahate the aur unake sath filmoan mean kam bhi kiya. maut ke samay n to unake sath unaki patni gita thi aur n hi vahida.
- guru datt bahut hi jyada sharab pite the jisaki vajah se unaka livar kharab ho gaya. kaha jata hai ki jis rat guru datt ki maut huee thi, us rat unhoanne jamakar sharab pi thi.
- 1946 mean guru datt ne prabhat stoodiyo ki nirmit film "ham ek haian" se bataur koriyographar apane kairiyar ki shuruat ki thi.
- guru datt kalatmak film banane ki vajah se kafi prasiddh hue. inhoanne apani kalatmak filmoan ke madhyam se hiandi sinema ko ek nee ooanchaee di. unaki lokapriy filmoan mean kagaj ke phool, pyasa, sahab bibi aur gulam adi shamil haian.
- inake dvara banaee gee filmean jarmani, phraans aur japan mean sabase jyada chalati thian. taim patrika ne varsh 2005 mean bhi ‘pyasa’ ko sarvashreshth 100 filmoan mean shamil kiya tha. 2011 mean ‘pyasa’ ko taim patrika ne vaileantain de ke mauqe par sarvakalin romaantik filmoan mean shamil kiya tha.
- guru datt par ek pustak bhi aee hai jisaka nam hai 'ten iyars vid guru datt : abarar alvij jarni'. abarar alvi das saloan tak guru datt ke sahayak, lekhak aur salahakar rahe.
- b aaulivud mean guru datt aur dev sahab ki dosti bahut hi gahari mani jati thi. yah bat us samay ki hai, jab guru datt filmoan mean apani jagah banane ke lie sangharsh kar rahe the. us samay dev sahab ko filmoan mean jaldi brek mil gaya tha. unhoanne apane dost guru datt se vada kiya tha ki jab vah nirmata baneange to apani film mean zaroor leange. dev sahab ne apana vada poora kiya. 1949 mean devanand ne navaketan films ki nianv rakhi aur 1951 mean apane dost guru datt ko lekar bazi film ka nirman kiya.[8]
nidhan
[[chitr:Guru Dutt-postal-stamp.jpg|thumb|guru datt ke samman mean jari dak tikat|250px]] 10 aktoobar, 1964 mean muanbee mean apane bistar mean rahasyamay sthiti mean mrit pae ge guru datt ne ek bar kaha tha- "dekho n, mujhe nirdeshak banana tha, ban gaya. abhineta banana tha, ban gaya. pikchar achchhi banani thi, banaee. paisa hai sab kuchh hai, par kuchh bhi nahian raha." sharab ki lat se lanbe samay tak joojhane ke bad 1964 mean unhoanne atmahatya kar li aur is prakar ek pratibhashali jivan ka asamay aant ho gaya.
ziandagi ki akhiri rat
guru datt sahab ki khud ki ziandagi itani filmi thi ki un par hi kee filmean ban jaean aur jab vah kisi film ko banate the to lagata tha manoan film ka harek kiradar asal jiandagi ji raha ho. guru datt ki jiandagi agar kahani hai to unaki maut bhi ek aphasana. guru datt sahab ki maut ko koee atmahatya batata hai to koee hatya to koee samany maut. par us sach ko koee nahian janata jo unaki akhiri rat ka tha. jis rat ke kale aandheroan ke agosh mean guru datt maut ki niand so ge the, us rat unhoanne jamakar sharab pi thi, itani unhoanne pahale kabhi nahian pi thi. gita (unaki pathni, jinake sath vah unake alagav ka daur tha) ke sath unaki noankajhoank ho gee thi. gita ne unaki bitiya ko unake sath kuchh vaqt bitane ke lie bhejane se iankar kar diya tha. guru datt apani patni ko bar-bar phon kar rahe the ki vah unhean apani beti se milane de, lekin gita phon nahian utha rahi thian. har phon ke sath guru datt ka gussa badhata hi ja raha tha. aant mean unhoanne yah sanket dete hue kaha, “bachchi ko bhej do ya phir tum mera mara muanh dekho” isake bad unhoanne qarib ek baje khana khaya aur aise soe ki dubara nahian uthe. unaki maut unake kamare mean huee.[9]
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tika tippani aur sandarbh
- ↑ guru datt , ek ashaant adhoora kalakar ! (hiandi) avaj. abhigaman tithi: 4julaee, 2012.
- ↑ 2.0 2.1 2.2 upadhyay, pooja. guru datt ko janana ek adamy, atript pyas se poora bhar jana hai (hindi) (ech.ti.em.el) laharean (bl aaug). abhigaman tithi: 9 julaee, 2012.
- ↑ shrivastav, bachchan. mere jivanasathi/guru datt-gita ray (hindi) (ech.ti.em.el) jagaran yahoo indiya. abhigaman tithi: 9 julaee, 2012.
- ↑ kavathekar, dilip. guru datt , ek ashaant adhoora kalakar ! (hindi) (ech.ti.em.el) avaz (bl aaug). abhigaman tithi: 9 julaee, 2012.
- ↑ abhar- panjab kesari 1 disanbar, 2011
- ↑ khare, vishnu. ek amar atmahanta pratibha (hindi) (ech.ti.em.el) bibisi hindi d aaut k aaum. abhigaman tithi: 9 julaee, 2012.
- ↑ guru datt aur vahida rahaman ki lav stori (hindi) jagaran jankshan. abhigaman tithi: 16 disambar, 2014.
- ↑ abhineta guru datt se sanbandhit rochak batean (hindi) jagaran jankshan. abhigaman tithi: 16 disambar, 2014.
- ↑ guru datt: kahani us akhiri rat ki (hindi) jagaran jankshan. abhigaman tithi: 16 disambar, 2014.
bahari k diyaan
- guru datt ki adhikarik vebasait
- guru datt ke sath ek dashak
- vakt ne kiya kya hasian sitam... (yoo-tyoob vidiyo)
- guru datt par ek kitab
sanbandhit lekh
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