नलिनी जयवंत
nalini jayavant
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| poora nam | nalini jayavant |
| janm | 18 faravari, 1926 |
| janm bhoomi | bambee, british bharat |
| mrityu | 20 disambar, 2010 |
| mrityu sthan | mumbee, bharat |
| pati/patni | virendr desaee, prabhu dayal |
| karm bhoomi | bharat |
| karm-kshetr | mumbee |
| mukhy filmean | 'nastik', 'milan', 'durgesh nandini', 'rahi', 'samadhi', 'sangram', 'do rah', 'aankhean', 'kala pani', 'kafila', 'naujavan', 'anokha pyar' adi. |
| puraskar-upadhi | film 'kali pani' ke lie sarvashreshth sah-abhinetri ka puraskar. |
| prasiddhi | hindi filmoan ki abhinetri |
| nagarikata | bharatiy |
| sanbandhit lekh | dilip kumar, dev anand, ashok kumar |
| any janakari | ramesh sahagal ki do filmoan 'shikast' aur 'relave pletaph aaurm' ki bhoomikaoan ke lie nalini jayavant ko yad kiya jata hai. 'kala pani' ke bad unhoanne filmoan mean kam lagabhag band kar diya. do filmean 'b aaumbe resakors' aur 'nastik' isaka apavad haian. |
nalini jayavant (aangrezi: Nalini Jaywant; janm- 18 faravari, 1926, bambee, british bharat; mrityu- 20 disambar, 2010, mumbee, bharat) bharatiy sinema ki un sundar abhinetriyoan mean se ek thian, jinhoanne pachas aur sath ke dashak mean sine premiyoan ke diloan par raj kiya. film 'kala pani' ka yah git 'nazar lagi raja tore bangale par', is git par nalini jayavant dvara kiye ge abhinay ko bhala kaun bhula sakata hai. nalini jayavant ne apane filmi saphar ki shuruat varsh 1941 mean pradarshit film 'radhika' se ki thi. apane samay ke mashahoor abhineta ashok kumar ke sath unake prem ki aphavahean bhi u di thian. abhineta dilip kumar, dev anand aur ashok kumar ke sath nalini jayavant ne kee saphal filmean di thian.
parichay
nalini jayavant ka janm 18 faravari, 1926 mean british bharat ke bambee shahar (vartaman mumbee) mean hua tha. nalini ke pita aur abhinetri shobhana samarth (nootan aur tanuja ki maan) ki maan ratan baee rishte mean bhaee-bahan the, isi nate nalini, shobhana samarth ki mameri bahan lagati thian. varsh 1940 mean nalini jayavant ne nirdeshak virendr desaee se vivah kiya. is dauran prasiddh abhineta ashok kumar ke sath nalini ke pyar ki aphavahean bhi u dian. bad ke samay mean nalini jayavant ne abhineta prabhu dayal ke sath doosara vivah kar liya. prabhu dayal ke sath unhoanne kee filmoan mean bhi kam kiya.
filmi shuruat
nalini jayavant ke hindi sinema mean pravesh ki kahani bhi kafi rochak hai. kissa yooan hai ki hindi sinema ke shuruati daur ke nirmata-nideshakoan mean se ek the- chamanalal desaee. virendr desaee inhian chamanalal desaee ke putr the. unaki ek kanpani thi 'neshanal stoodiyoz'. ek din donoan pita-putr film dekhane sinemaghar pahuanche. sho ke dauran donoan ki nazar ek l daki par p di, jo tamam bhi d mean bhi apani damak bikher rahi thi. yah nalini jayavant thian, jinaki ayu us samay bamushkil 13-14 baras ki hi thi. donoan pita-putr ki jo di ne dil hi dil mean is l daki ko apani agali film ki hiroin chun liya aur khyaloan mean kho ge. film kab khatm ho gee aur kab vah l daki apane parivar ke sath gayab ho gee, isaki khabar tak donoan ko n huee.[1] thumb|150px|left|nalini jayavant ek din virendr desaee abhinetri shobhana samarth se milane unake ghar pahuanche to dekha ki nalini vahaan maujood thian. nalini ko dekhate hi unaki aankhoan mean chamak a gee aur bachhean khil geean. asal mean shobhana samarth, jinhean bad mean abhinetri nootan aur tanooja ki maan aur kajol ki nani ke roop mean adhik jana gaya, nalini jayavant ke mama ki beti thian. is bar virendr desaee ne bina der kie nalini ke samane film ka prastav rakh diya. nalini ke lie to yah man maangi murad poori hone jaisa tha. dar tha to sirph pita ka, jo filmoan ke sakht virodhi the. lekin virendr desaee ne unhean mana liya. is manane ke pichhe ek b da karan tha paisa. us samay jayavant parivar ki arthik sthiti kuchh thik nahian thi. rahane ke lie bhi unhean apane ek rishtedar ke chhote-se makan mean ashray mila hua tha. is prakar nalini jayavant ki pahali film thi 'radhika', jo 1941 mean pradarshit huee. virendr desaee ke nirdeshan mean bani is film ke any kalakar the- harish, jyoti, kanhaiyalal, bhu do adavani adi. film mean sangit ashok ghosh ka tha. is film ke das mean se sat gitoan mean nalini jayavant ki avaz thi.
saphalata
film 'radhika' ke bad isi varsh mahaboob khan ke nirdeshan mean ek film riliz huee 'bahan'. is film mean nalini ke sath pramukh bhoomika mean the shekh mukhtar. sath mean thian nanhian-si mina kumari, jo 'bebi mina' ke nam se is film mean ek bal kalakar thian. is film mean sangitakar anil bisvas ne nalini jayavant se char git gavae the. in char gitoan mean se vajahat mirza ka likha hua ek git tha- 'nahian khate haian bhaiya mere pan', jo bahut lokapriy hua. 1941 mean hi phir se virendr desaee ke hi nirdeshan mean bani film 'nirdosh' aee, jisamean mukesh nayak ki bhoomika mean the. film mean mukesh ki avaz mean kul tin git the, jinamean ek solo git 'dil hi bujha hua ho to phasle bahar kya' tha aur baki do nalini jayavant ke sath yugal git the, jabaki nalini ke tin solo git the.
- apane ek sansmaran mean nalini jayavant ne kaha tha ki- "maian jab bamushkil chhah-sat sal ki thi, tabhi aaul iandiya rediyo par ne-ne shuroo hue bachchoan ke program mean bhag lene lagi thi. isi karyakram mean huee sangit pratiyogita mean maianne gayan ke lie pratham puraskar jita tha."[1]
vivah tatha talak
nalini jayavant apani pahali hi film se sitara ghoshit kar di gee thian. us samay nalini phr aauk aur do choti ke sath skool mean padh rahi thian. umr thi pandrah sal. film 'aankh michauli' (1942) ki saphalata ne unhean asaman par bitha diya. nalini ko filmoan mean saphalata to mil gee, lekin usi ke sath nalini par phida virendr desaee ko unase pyar bhi ho gaya. shadi bhi ho gee. is mamale ko us daur ke lekhak ne is tarah bayan kiya hai- "jab ye hansati haian to maloom hota hai ki jangal ki tazagi mean jan p d gee aur nau-shaguphta kaliyaan phool banakar rukhasaroan ki soorat mean tabdil ho gee haian. nalini jayavant ne 'aankh michauli' khelate-khelate mistar virendr desaee se 'dil michauli' khelana shuroo kar diya aur yah khel ab bakayada shadi ki kanpani se filmaya jakar ziandagi ke parde par dikhalaya ja raha hai."[1] lekin nalini jayavant ka yah vaivahik jivan adhik din tak nahian chal saka aur virendr desaee se unaka talak ho gaya. nalini ne doosara vivah apane ek sathi kalakar prabhoo dayal se kiya. thumb|200px|film 'munimaji' ke ek drishy mean nalini jayavant
dhamakedar vapasi
1950 ke dashak mean nalini jayavant ne ek bar phir dhamake ke sath ashok kumar ke sath film 'samadhi' aur 'sangram' se nee ooanchaee hasil ki. halaanki 1948 ki film 'anokha pyar' mean dilip kumar aur nargis ke mukabale jis aandaz mean unhoanne kam kiya, usaki zabardast tariph ho chuki thi, lekin in do filmoan ne unake staradam mean char chaand laga die. film 'samadhi' mean "gore-gore o baanke chhore, kabhi meri gali aya karo" git par kuladip kaur ke sath unaka nach ab tak yad kiya jata hai.
sabase b di adakara ka darja
ashok kumar ke sath nalini jayavant ki jo di kamayab to huee, vahian donoan ke romaans ki charcha bhi shuroo ho gee. ashok kumar ne apane parivar se alag chaimboor ke yooniyan park ilake mean nalini jayavant ke samane ek bangala bhi le liya, jahaan ve ziandagi ke akhi़ri dinoan mean bhi bane rahe aur vahian pran tyage. is jo di ne 1952 mean 'kaphila', 'naubahar' aur 'saloni' phir 1957 mean 'mistar eks' aur 'sheroo' jaisi filmean kian. dilip kumar ke sath, jinhoanne nalini jayavant ko 'sabase b di adakara' ka darja diya, unhoanne 'anokha pyar' ke alava 'shikast' (1953) aur dev anand ke sath 'rahi' (1952), 'munimaji' (1955) aur 'kala pani' (1958) jaisi kamayab filmean kian.
puraskar
film 'kala pani' mean kishori baee vali bhoomika ke lie to nalini jayavant ko sarvashreshth sah-abhinetri ka puraskar bhi mila. nideshak ramesh sahagal ki do filmoan 'shikast' aur 'relave pletaph aaurm' (1955) ki bhoomikaoan ke lie bhi nalini jayavant ko yad kiya jata hai. 'kala pani' ke bad unhoanne filmoan mean kam lagabhag band kar diya. do filmean 'b aaumbe resakors' (1965) aur 'nastik' (1983) isaka apavad haian. ye donoan filmean bhi rishtoan ke dabav mean hi kian. 'nastik' mean unhoanne amitabh bachchan ki maan ki bhoomika nibhaee thi.[1]
pramukh filmean
| film | varsh | film | varsh | film | varsh |
|---|---|---|---|---|---|
| nastik | 1983 | bombe resakors | 1965 | garls h aaustal | 1963 |
| toofan mean pyar kahaan | 1963 | jindagi aur ham | 1962 | amar rahe ye pyar | 1961 |
| mukti | 1960 | maan ke aansu | 1959 | kala pani | 1958 |
| milan | 1958 | sheroo | 1957 | nilamani | 1957 |
| mis b aaumbe | 1957 | kitana badal gaya iansan | 1957 | ham sab chor haian | 1956 |
| dergesh nandini | 1956 | avaz | 1956 | iansaf | 1956 |
| an ban | 1956 | relave pletafarm | 1955 | munimaji | 1955 |
| rajakanya | 1955 | bap beti | 1954 | naz | 1954 |
| lakirean | 1954 | mahaboob | 1954 | shikast | 1953 |
| rahi | 1953 | saloni | 1952 | kafila | 1952 |
| naubahar | 1952 | do rah | 1952 | naujavan | 1951 |
| ek nazar | 1951 | nandakishori | 1951 | sangram | 1950 |
| samadhi | 1950 | aankhean | 1950 | anokha pyar | 1948 |
| guanjan | 1948 | aankh micholi | 1942 | radhika | 1941 |
| nirdosh | 1941 | bahan | 1941 |
nidhan
nalini jayavant kabhi-kabhi ghar ki zaroorat ki chizean kharidane bazar jati thian. ashok kumar se bhi ek arase tak jivant sanpark bana raha, lekin bad mean kuchh aisa hua, jisake bare mean kisi ko koee khabar nahian. nalini jayavant ne khud ko ghar mean hi kaid kar liya. ghar ke samane hi rah rahe ashok kumar tak se akhi़r mean milana chho d diya. 20 disambar, 2010 ko nalini jayavant ka dehaant ho gaya. mohalle ke logoan ko unake dehaant ki khabar tab huee, jab ek chaukidar ne ek vyakti ko us ghar se shav ko ga di mean le jate dekha. bad mean sandip jayavant namak vyakti ka bayan aya ki vah nalini ji ka bhatija hai aur usane nalini ji ki hi ichchha ke anusar chupachap unaka dah-sanskar kar diya hai.[1]
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tika tippani aur sandarbh
sanbandhit lekh
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