विश्व फ़ोटोग्राफ़ी दिवस
vishv fotografi divas
| |
| vivaran | 'vishv fotografi divas' 19 agast ko manaya jata hai. fotografi ke madhyam se koee bhi vyakti apane ghar, parivar, rishtedar aur kabhi n bhool sakane vale paloan ki tasvirean lekar unhean sahej sakata hai. |
| tithi | 19 agast |
| yogadan | upabhoktavad aj ke samay mean apani charam sima par hai, aise mean grahak ko utpadan ki or khianchane mean fotografi ka bhi bahut b da yogadan hai. |
| any janakari | san 1834 mean tel b aaut ne lait seansetiv kagaz ka avishkar kiya, jisase khianche chitr ko sthayi roop mean rakhane ki suvidha prapt huee. |
| adyatan | 15:51, 19 agast 2017 (IST)
|
vishv fotografi divas (aangrezi: World Photography Day) pratyek varsh 19 agast ko manaya jata hai. sansar mean prakriti ne pratyek prani ko janm ke sath ek kaimara diya hai, jisase vah sansar ki pratyek vastu ki chhavi apane dimag mean aankit karata hai. vah kaimara hai usaki 'aankh'. is drishti se dekha jae to pratyek prani ek fotografar hai. vaijnanik tarakki ke sath-sath manushy ne apane sadhan badhana praranbh kiye aur anek avishkaroan ke sath hi sath kritrim laians ka bhi avishkar hua. samay ke sath age badhate hue usane is laians se prapt chhavi ko sthayi roop se sahejane ka prayas kiya. isi prayas ki saphalata vale din ko ab "vishv fotografi divas" ke roop mean manaya jata hai.
shuruat
sarvapratham 1839 mean fraans ke vaijnanik luees jekas tatha meande dagyure ne foto tatv ko khojane ka dava kiya tha. british vaijnanik viliyam henari ph aauksatel bot ne negetiv-p aaujitiv proses dhooandh liya tha. san 1834 mean tel b aaut ne lait seansetiv kagaz ka avishkar kiya, jisase khianche chitr ko sthayi roop mean rakhane ki suvidha prapt huee. fraansisi vaijnanik argo ne 7 janavari, 1839 ko phreanch akadami aauf saians ke lie ek riport taiyar ki. fraans sarakar ne yah proses riport kharidakar use am logoan ke lie 19 agast, 1939 ko muft ghoshit kiya. yahi karan hai ki 19 agast ko vishv fotografi divas manaya jata hai.[1] fotografi ke madhyam se koee bhi vyakti apane ghar, parivar, rishtedar aur kabhi n bhool sakane vale paloan ki tasvirean lekar unhean sahej sakata hai.
fotografi ka yogadan
fotografi ka avishkar jahaan sansar ko ek-doosare ke qarib laya, vahian ek-doosare ko janane, unaki sanskriti ko samajhane tatha itihas ko samriddh banane mean bhi usane bahut b di madad ki hai. aj sansar ke kisi doorasth kone mean sthit dvip ke janajivan ki sachitr janakari b di asani se prapt hoti hai, to isamean fotografi ke yogadan ko kam nahian kiya ja sakata. vaijnanik tatha takaniki saphalata ke sath-sath fotografi ne bhi aj bahut tarakki ki hai. aj vyakti ke pas aise sadhan maujood haian, jisamean sirph batan dabane ki der hai aur minatoan mean achchhi se achchhi tasvir usake hathoan mean hoti hai. kiantu sirph achchhe sadhan hi achchhi tasvir prapt karane ki gyaranti de sakate, to phir manav dimag ka upayog kyoan karata? takanik chahe jaisi tarakki kare, usake pichhe kahian n kahian dimag hi kam karata hai. yahi farq manav ko any praniyoan mean shreshth banata hai. fotografi mean bhi achchha dimag hi achchhi tasvir prapt karane ke lie zaroori hai.
achchha foto
hamean aankhoan se dikhaee dene vale drishy ko kaimare ki madad se ek phrem mean baandhana, prakash v chhaya, kaimare ki sthiti, thik eksapojar tatha uchit vishay ka chunav hi ek achchhe foto ko prapt karane ki pahali shart hoti hai. yahi karan hai ki aj sabhi ke gharoan mean ek kaimara hone ke bad bhi achchhe fotografar ginati ke hi haian. achchha foto achchha kyoan hota hai, isi sootr ka jnan kisi bhi fotografar ko samany se vishisht banane ke lie paryapt hota hai. prakhyat chitrakar prabhu joshi ka kahana hai ki "hamean phrem mean kya lena hai, isase jyada is bat ka jnan zaroori hai ki hamean kya-kya chho dana hai." bharat ke sanbhavatah sarvashreshth fotografar raghuray ke shabdoan mean- "chitr khianchane ke lie pahale se koee taiyari nahian karata. maian use usake vastavik roop mean achanak kaiandid roop mean hi lena pasand karata hooan. par asal chitr takaniki roop mean kitana hi achchha kyoan n ho, vah tab tak sarvamany nahian ho sakata, jab tak usamean vichar nahian hai. ek achchhi peantiang ya achchha chitr vahi hai, jo manaviy sanvedana ko jhakajhor de. kaha bhi jata hai ki ek chitr hajar shabdoan ke barabar hai."[1]
ajivika ka sadhan
upabhoktavad aj ke samay mean apani charam sima par hai, aise mean grahak ko utpadan ki or khianchane mean fotografi ka bhi bahut b da yogadan hai. vijnapan ko akarshak banane ke lie fotografar jo sarthak prayatn kar raha hai, use apane dainik jivan mean achchhi tarah anubhav kar sakate haian. isi prayas mean fotografi ko ajivika ke roop apanane vale bahut b de logoan ki sankhya kh di ho chuki hai. ye log n sirph fotografi se lakhoan kama rahe haian, balki is kam mean kalatmak tatha gunatmak uttamata ka samavesh kar 'j aaub setisphekshan' ki anubhooti bhi prapt kar rahe haian. apane avishkar ke lagabhag 100 varsh lanbe saphar mean fotografi ne kee ayam dekhe haian.[1]
|
|
|
|
|
|
tika tippani aur sandarbh
- ↑ 1.0 1.1 1.2 vishv fotografi divas (hindi). . abhigaman tithi: 19 agast, 2013.
sanbandhit lekh