अभिमान (फ़िल्म)
abhiman (film)
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| nirdeshak | rrishikesh mukharji |
| nirmata | pavan kumar, sushila kamat |
| lekhak | rajeandar sianh bedi, rrishikesh mukharji |
| kalakar | amitabh bachchan, jaya bachchan, asarani, e. ke. hangal aur bindoo adi. |
| sangit | sachin dev barman |
| gayak | kishor kumar, lata mangeshakar, mohammad rafi |
| prasiddh git | 'teri bindiya re', 'mit n mila re man ka', 'tere mere milan ki ye raina' |
| pradarshan tithi | 27 julaee, 1973 |
| bhasha | hindi |
| any janakari | is film mean jaya bachchan ko unake shreshth aur damadar abhinay ke lie pratishthit 'film feyar puraskar' mila tha. |
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abhiman film san 1973 mean bani huee film hai. yah film rrishikesh mukharji ki sarvashreshth filmoan mean se ek hai. film mean mukhy bhoomika amitabh bachchan, jaya bachchan aur asarani ne nibhaee thi. is film ka sangit prasiddh sangitakar sachin dev barman ne taiyar kiya tha. 'abhiman' film ke sabhi gitoan ne bharatiy darshakoan par apani gahari chhap aankit ki thi. film ke git aj bhi logoan ki juban par ate rahate haian.
patakatha
rajoo bhartan ki kahani par adharit rajiandar bedi, naveandu ghosh evan brajesh chatarji dvara likhi is patakatha par rrishikesh mukharji ke kushal nirdeshan mean bani yah film atyadhik lokapriy huee thi. purush ka aham, usaka prem, parivar, bhavanaoan se bhi oopar hota hai. patni-pati se kisi bhi kshetr mean pragati kar rahi ho, yah bat purush ka aham svikar nahian kar pata. jivan ki isi vastavikata ko keandr bindu banakar rrishikesh mukharji ne is sanvedanashil film ka nirdeshan kiya tha.[1]
sangit
majarooh sultanapuri ke likhe git, sachin dev barman ke siddhahast sangit se saje tatha kishor kumar, lata mangeshakar aur mohammad rafi dvara gaye ge sumadhur gitoan ne film ki lokapriyata mean char chaand laga die the.
kathanak
film ki kahani shuroo hoti hai ek stej se, jahaan ek ubharata hua gayak 'subir kumar' (amitabh bachchan) gana gata hai to logoan mean ek alag umang si chha jati hai. usaki tamam mahilaean prashansak haian jo us par mar mitane ko taiyar hai. lekin vah to apane mit ka iantazar kar raha hai. 'chandoo' (asarani) subir ka mainejar hone ke sath-sath ek achchha dost bhi hai jo use sahi salah dekar usake kariyar graf ko age badhane mean madad karata hai. subir ki ek aur dost hai 'chitra' (biandoo) jo use man hi man prem karati hai. sangit ka jnan to subir ko zaroor hai, lekin kahian n kahian usake aandar ye abhiman bhi hai ki vah ek bahut achchha gayak hai aur usake gayan star tak pahuanchane vala aur koee nahian hai.[1]
ek din subir ke pas usaki muanh boli mausi (durga khote) ka tar ata hai, jise padhate hi vah turant gaanv pahuanchata hai. yahaan usaki mulakat 'uma' (jaya bachchan) se hoti hai. uma ke sangit ko sunakar subir usase prem karane lagata hai aur usake pita (e. ke. hangal) aur apani mausi ki razamandi hone ke bad subir uma se vivah ke bandhan mean bandh jata hai. donoan shahar vapas ate haian aur apani shadi ki parti ke dauran subir uma se gane ke lie kahata hai. vahian parti mean mashahoor shastriy sangit ke jnata brajeshavar lal (devid) ko uma ki pratibha par kafi garv mahasoos hota hai aur ve use badhaee dete haian. isake bad subir uma se kahata hai ki vah aur uma donoan sath mean gana gaya kareangean. bas yahian se donoan ka gana gane ka silasila shuroo ho jata hai.
subir khud hi uma ko unaki ichchha ke khilaf vyavasayik gayan mean utarata hai aur bad mean uma dvara lagatar saphalata pane ke karan man hi man kuantha se bhar jata hai. shuroo mean vah apani kuantha aur uma se jalan ko dabakar rakhata haian aur chupachap uma ko saphalata ki sidhi chadhate hue dekhata rahata hai. stri sookshm manobhavoan ko bhi samajh leti hai aur uma subir ke aandar chal rahi uthal-puthal ko bhaanp kar kam se kam do bar apane dvara vyavasayik rup se gana n gane aur kahian bhi logoan ke samane apani gayan pratibha ka pradarshan n karane ki mansha ka ailan kar deti hai. parantu usaka aisa karana bhi subir ko apani har lagata hai. subir ko lagata hai ki agar yah logoan par jahir ho gaya ki vah apani hi patni ki saphalata se jalan rakhata hai to usaki chhavi par bahut bura asar p dega. isi bhay ke karan vah jor dekar kahata hai ki uma ko gana gana band nahian karana chahie. un logoan ka kya hoga jinhoanne uma ke sath karar kie hue haian? subir ki bat manakar uma ve sare gane gati hai, jinake lie usane haan kahi thi. lekin usaka man use kachotata rahata hai ki usake pati ka najariya usake prati badal gaya hai aur ek din donoan mean is bat ko lekar kahasuni ho jati hai. uma ghar chho dakar apane gaanv vapas ati hai.[1]
gaanv vapas akar use pata chalata hai ki vah maan banane vali hai. is bat ka pata chalate hi vah chandoo ko tar likhati hai ki vah mama banane vala hai aur ye bat vah sharm ki vajah se subir se nahian kah pati. isalie vah chandoo se subir tak yah bat pahuanchane ki bat karati hai aur kahati hai ki subir use yahaan se le jaean. lekin subir ka aanhakar to asaman ko chhoo raha tha. vah chandoo ki bat nahian manata. isase uma ko bhari thes pahuanchati hai aur usaka garbhapat ho jata hai. uma buri tarah se toot jati hai, usake sapane bikhar kar choor-choor ho jate haian. bad mean subir ko apani galati ka ehasas hota hai. brajeshavar lal subir ko samajhate haian aur kahate haian ki jis sangit ki vajah se tum alag hue ho, ab vahi sangit tumhean qarib laega. ve ek git ka program rakhate haian jisamean subir aur uma donoan apane sukhad bhavishy ka git "tere mere milan ki ye raina" aansuoan mean doob kar gate haian aur kahani ka aant ho jata hai.[1]
abhinay
film mean jaya bachchan ka abhinay to sanvedanashil bholi l daki, samarpit v virahagrast grihani ke roop mean prashansaniy hai hi, amitabh bachchan ne bhi apane kiradar ko jivant banaya hai. asarani ka hasy, durga khote, e. ke. hangal, devid sabhi ne apani bhoomika se nyay kiya hai. bindu ne apani poorv bhoomikaoan se alag bhoomika nibhayi hai. manohar kamat, lalita kumari v mastar rajoo ki sankshipt bhoomikayean yathayogy haian.
film ke git
| git | gayak | samay |
|---|---|---|
| mit na mila re man ka | kishor kumar | 4:56 |
| nadiya kinare | lata mangeshakar | 4:05 |
| teri biandiya re | lata mangeshakar, mohammad rafi | 4:32 |
| loote koee man ka nagar | lata mangeshakar, manahar udhas | 3:04 |
| ab to hai tumase har khushi apani | lata mangeshakar | 4:25 |
| piya bina piya bina | lata mangeshakar | 4:12 |
| tere mere milan ki ye raina | kishor kumar, lata mangeshakar | 5:49 |
halke-phulke hasy se yukt yah film rrishikesh mukharji ki sarvakalik film kahi ja sakati hai.
mukhy kalakar
- amitabh bachchan - subir
- jaya bachchan - uma
- asarani - chandoo
- chitra - biandoo
- e. ke. hangal - sadanand
- durga khote - mausi
rochak tathy
- 'abhiman' film mean jaya bachchan ko apane shreshth abhinay ke lie pratishthit 'film feyar puraskar' mila tha.
- abhinetri bindoo ne bhi apani poorv chhavi se alag hatakar apani bhoomika kushalata se nibhaee, jis karan any bhoomikaoan mean is film ke bad ayian.
- amitabh bachchan v jaya bachchan is film ke dauran hi pati-patni ke rishte mean bandhe the.
- jaya bachchan ne is film ke bad bahut lambe samay tak kisi aur film mean kam nahian kiya.[1]
prerana
film 'abhiman' manav rishtoan mean adarsh ki bhavana jagakar aur rishtoan ko samajh-boojh aur sabhyata se nibhane ki sikh dekar apana ek gahara asar darshakoan par chho dati hai. film yah bhi prerana de jati hai ki pati-patni jaise rishte se vyaktigat ahankar ko jahaan tak ho sake door hi rakhana chahiye, anyatha jivan mean b di hani uthani p d sakati hai.
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tika tippani aur sandarbh
- ↑ 1.0 1.1 1.2 1.3 1.4
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bahari k diyaan
sanbandhit lekh
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varnamala kramanusar lekh khoj
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