जागते रहो
jagate raho
| |
| nirdeshak | amit maitra aur shambhoo mitra |
| nirmata | raj kapoor |
| patakatha | ke.e. abbas, amit maitra aur shambhoo mitra |
| kalakar | raj kapoor, motilal aur nargis |
| sangit | salil chaudhari |
| chhayaankan | radhu karmakar |
| vitarak | ar. ke. stoodiyo |
| pradarshan tithi | 1956 |
| avadhi | 149 minat |
| bhasha | hiandi, baangla |
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jagate raho varsh 1956 mean bani hindi bhasha ki ek film hai jisamean raj kapoor ne abhinay kiya tha. apane samay mean jagate raho ne aantarrashtriy star ke film samaroh mean puraskar jita bhi tha. jagate raho, ek samajik vyangy hai. isane samaj ke samane ek chetavani prastut ki samaj ko poori tarah bhrasht hone se bachane ke liye. yah ek prayas tha samaj mean maujood masoomiyat ko bachaye rakhane ke liye. samajik rup se film apane uddeshyoan mean kitani saphal rahi is par vad-vivad aur bahas ki poori guanjaish hai kyoanki pichhali sadi ke pachas ke dashak se ab tak pichhale sath saloan mean bhrashtachar to betahasha badha hai.
kathavastu
jagate raho samajik vyangy ki nadi par hasy ki laharean bahati huee lati hai aur bhrashtachar ki kham thok kar jam chuki chatatanoan ko parat dar parat khurachane aur ret banane ka kam karati jati haian. jagate raho sirph vahi nahian hai jo saph saph parade par dikh raha hai balki yah rupak ki bhasha mean kam karati hai. shayad bilkul aisa n hota ho ya n ho sakata ho par phantasi ke star par vicharati huee drishtantoan ki prakriti lekar bhi yah ghanaghor yatharthavadi svabhav ki film ke rup mean samane ati hai.
kalakar
- raj kapoor
- nargis (atithi bhoomika)
- motilal
- pradip kumar
- sumitra devi
- sulochana chatarji
kahani
bhrashtachar se grasit bharat hai ek b de shahar mean basi vah imarat, jahaan gaanv se aya bhookha pyasa ek garib anam adami (raj kapoor) pulis ke dar se ghus jata hai aur is ooanchi imarat mean rahane vale logoan ke kale karaname apani aankhoan se dekh pane ka mauka anayas hi pa jata hai. yah saphedaposhoan ke shan se rahane ki imarat hai kyoanki unhoanne is imarat mean rahane ke liye paise dekar makan kharide haian. yahaan avaidh sharab banane vale rahate haian, yahaan nakali notoan ko chhapane vale seth rahate haian, yahaan kala bazariye bhi rahate haian aur nakali davaiyaan banane vale bhi. anam ghusapaithiya n chahate huye bhi is imarat mean bhinn bhinn logoan ki karagujariyoan ka gavah banata hai.
vah dekhata hai ek yuvati ko usake hi ghar mean usake premi ke sath premalap karate huye jabaki yuvati ka pita ghar mean hi doosare hi kamare mean maujood hai. pita apani putri ke premi ko bilkul bhi pasand nahian karata hai. film b di dilachasp sthitiyaan dikhati hai jab imarat ke log aanjan ghusapaithiye ko dhooandhate huye is yuvati ke ghar ke bahar jama ho jate haian. yuvati aur usaka premi is aanjan aur tathakathit chor ko logoan ke havale nahian kar sakate kyoanki aisa karane se unaka raj bhi khul jayega. aisi hi paristhitiyoan se anam vyaktti rubaru hota rahata hai aur logoan ki kamazoriyaan hi usaka bachav bhi d se karati rahati haian. anam vyaktti ki lukachhipi vali yatra ke dauran b de dilachasp charitr usase takarate rahate haian. in charitroan ke dvara film logoan ki vyavaharagat kamiyoan aur buraiyoan par kataksh karati chalati hai. jaise ki ek mahashay apane p dosi ko chatakhare lekar batate haian ki imarat mean rahane vale phalane vyakti ki putri ka ishk imarat mean hi rahane vale ek yuva se chal raha hai. kuchh samay bad paristhitiyaan kuchh aisi ban jati haian ki unaka p dosi samajhata hai ki in mahashay ki patni ka bhi koee any ashik hai. logoan ki doosaroan ke jivan mean bina matalab dakhal dene jaisi samany buraee par bhi film khoob keandrit rahati hai.[1]
abhinay
motilalto khair abhinay jagath ke ek aise paras haian jo kisi bhi film ko sone jaisi bana dalate haian. ziandagi khvab hai gate huye ve nashe mean l dakh date huye parade par ate haian aur apana jadoo phailana shuru kar dete haian. motilal dvara sharabe ke nashe mean dhut vyaktti ka abhinay aur nashe mean hi dram ko adami samajh kar batean karane vale drishy aur nashe mean hi raj kapoor ko apani patni samajh kar losha losha gana gane aur nachane ke drishy dekh aise drishy karane ke maharathi dilip kumar aur amitabh bachchan ko bhi rashk hua hoga ki motilal ne kitani sahajata se in drishyoan ko apani anoothi abhinay pratibha se jivant kar diya hai. raj kapoor mean bhoomika aur kathanak ki gaharaee samajhane ki buddhimatta koot koot kar bhari thi tabhi unhoanne n sirph is anoothi film mean kam kiya balki ise apane bainar ar ke bainar tale nirmit bhi kiya aur nirdeshan ki bhoomika sauanpi ipta ke shambhoo aur amit mitra ko. kuchh der bad hi ise yad rakh pana mushkil ho jata hai ki parade par raj kapoor kahian maujood bhi haian. mushkil se do sanvad pane vali yah bhoomika unake abhinay jivan ki avismaraniy bhoomika hai. aur yah unake abhinay ke lihaj se avismaraniy nahian kahi jayegi par unake parade par upasthit rahane ki vajah se. kuchh drishyoan mean lagega ki ve natakiy ho rahe haian aur aisa to ve aur filmoan mean kam karate samay nahian karate haian par jaise jaise film age badhati hai raj kapoor kho jate haian aur musibat ka mara vah anam garib charitr parade par rah jata hai jisake samane pareshaniyaan ati rahati haian aur jo aanjane mean hi us imarat mean rah rahe logoan aur aparadhiyoan ke bhed kholata chala jata hai. nargis ko ek vishesh bhoomika mean rakha gaya hai. ve aant mean raj kapoor ko pani pilati haian. ek rat mean biti ghatanaoan par adharit film ki katha ek adhunik kahani lagati hai aur radhoo karmakar ke kaimare ne stailish aandazamean imarat mean chal rahi uthal puthal ko pak da hai.[1]
sangit
salil chaudhari ka is film mean diya gaya sangit to barasoan se sinema aur sangit premiyoan ko lubhata a hi raha hai.
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tika tippani aur sandarbh
- ↑ 1.0 1.1 jagate raho(1956) : jago bharat pyare jago (hiandi) cine manthan. abhigaman tithi: 25 march, 2013.
bahari k diyaan
sanbandhit lekh
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