सत्यकाम (फ़िल्म)
satyakam (film)
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| nirdeshak | rrishikesh mukharji |
| nirmata | dharmendr |
| lekhak | narayan sanyal |
| kahani | narayan sanyal |
| patakatha | bimal datta |
| sanvad | rajendr sianh bedi |
| kalakar | dharmendr, sharmila taigor, ashok kumar, sanjiv kumar, robi ghosh, devid, taroon bos, rajan haksar, manamohan, bal kalakar- sarika |
| prasiddh charitr | satyapriy achary |
| sangit | lakshmikant pyarelal |
| gitakar | kaifi azami |
| gayak | lata mangeshakar, muhammad rafi |
| prasiddh git | "do din ki zindagi. kaisi hai zindagi", "abhi kya sunoge suna to hansoge ki hai git adhoora tarana adhoora" |
| pradarshan tithi | 1969 |
| bhasha | hindi |
| desh | bharat |
| adyatan | 14:37, 29 sitambar 2011 (IST)
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satyakam, rrishikesh mukharji ki sabase achchhi filmoan mean se hai. unhoanne bahut hi achchhe vishay ko lekar ek bahut hi prabhavashali film banayi hai. is vishay par itani achchhi aur rochak film hindi sinema mean bahut hi kam haian aur nissandeh satyakam is shreni ki filmoan mean sarvochch sthan rakhati hai. yah film apane ap mean jivan moolyoan ka ek aisa anootha aur adarsh darshan hai jisaki misal aj bhi sanjida filmakar aur kalakar dete haian.
pradarshan ka samay
satyakam ka pradarshan kal 1969 ka hai. prakhyat filmakar rrishikesh mukharji ne is film ka nirdeshan kiya tha. bharatiy sinema ke sadabahar supar sitare dharmendr is film ke nayak the. nayika ki bhoomika nibhaee thi prasiddh abhinetri sharmila taigor ne. dharmendr vastut: rrishikesh mukharji ke priy nayak the. vah unase us din se prabhavit the, jab dharmendr ko unhoanne bimal ray ki film bandini mean d aauktar ki bhoomika mean dekha tha. rrishikesh mukharji ke sath satyakam ko yad karate hue dharmendr bhavuk ho jate haian. vah batate hai ki hrishi da apane apamean ek institayoot the. unake sath kam karana apane pita apane abhibhavak ke sath kam karane ki tarah tha. yah meri khushakismati hi kahi jaegi ki unake sath mujhe anupama, majhali didi, guddi, satyakam, chupake-chupake aur chaitali mean kam karane ka avasar mila. ve mere kairiyar ki utkrisht filmean haian. rrishikesh mukharji ne film satyakam ko jis gunavatta aur sanjidagi se banaya tha vah apane ap mean misal hai. ullekhaniy hai ki rrishikesh mukharji mahanh filmakar bimal ray ke sath unaki filmoan ka sampadan karate the. unhian bimal ray ka yah janmashatabdi varsh bhi hai. bimal ray ne hi rrishikesh mukharji ko sampadan ke sath-sath sahayak nirdeshak, mukhy sahayak nirdeshak aur esosiet dayarektar tak ki zimmedari sauanpi. rrishikesh mukharji ne apane kairiyar ki pahali film musaphir 1957 mean nirdeshit ki thi. satyakam tak ate-ate vah ana di, anuradha, chhaya, mem didi, anupama, majhali didi aur ashirvad jaise kee shreshth filmean bana chuke the.
kathanak
satyakam film ko dekhane kisi bhi sanvedanashil aur gambhir darshak ke lie atyant kathin hota hai. yah ek aisi film hai jo dil ko chhoo jati hai. is film ka nayak satyapriy achary apane sanskaroan aur poorvajoan ke punyoan ko jivan mean adarsh ki tarah sthapit karana chahata hai. vah azad hindustan ke svarnim bhavishy ka svapn dekhata hai aur ek eemanadar, naitik aur pratibaddh manaviy moolyoan ko jite hue, un moolyoan ki vakalat karata hai. vah apane nishchayoan mean dridh hai aur ianjiniyar jaise peshe mean rahakar apane asapas ki un tamam buraiyoan, bhrashtachar, kamachori, beeemani sabake viruddh sina tan kar kh da hota hai. vah balatkar ki shikar garbhavati nayika se vivah karake use tatha usake hone vale bachche ki samajik pratishtha ki bhi raksha karata hai.
lekin yahi satyapriy achary naitikata aur moolyoan ki l daee lambi nahian l d pata aur kaiansar jaisi bhayanak bimari ka shikar ho jata hai. jivan ke aantim kshan mean usaki patni bhi usake samane kuchh prashnoan ke sath hoti hai. akhiri saans ke bich vah dabav mean bhugatan ke pharji dastavej par patni aur usake bachche ke bhavishy ke lie vo dastakhat karata hai lekin usaki patni ka bodh jagrat hota hai aur vah us kagaz ke tukade-tukade karake satyapriy achary ke siddhantoan aur jivan moolyoan ko pratishthapit karane ka kam karati hai.
kalakar
is film mean ashok kumar, sanjiv kumar, robi ghosh, devid, taroon bos, rajan haksar aur manamohan ke sath bal kalakar ke roop mean sarika ne bhi aham bhoomika nibhayi thi. narayan sanyal ki yah kahani thi jisaki patakatha bimal datta ne likhi thi aur sanvad rajendr sianh bedi ne likhe the. do din ki zindagi, kaisi hai zindagi; abhi kya sunoge suna to hansoge, ki hai git adhoora tarana adhoora jaise gahare aur marmaspashi gitoan ki rachana kaiphi ajami ne ki thi. sangitakar lakshmikant pyarelal the.
aj bhi yah film apani sarthakata vishay ke sath apane asadharan nirvah or gahare marmabhedi prabhav ke sath ullekhaniy hai. desh aur samaj mean bhrashtachar chori, beeemani aur tamam buraiyoan ki sthitiyoan mean satyakam ki prasangita balki behad zyada hai. yah samay dekha jaye to apane samay ki is adarsh film ke rashtravyapi punaravalokan ka samay hai.
kalakar parichay
| kramaank | kalakar | patr ka nam |
|---|---|---|
| 1. | ashok kumar | satyasharan achary, dada ji |
| 2. | dharmeandr | satyapriy achary, saty |
| 3. | sharmila taigor | ranjana |
| 4. | robi ghosh | anantho chaitarji |
| 5. | sanjiv kumar | nareandr sharma, naren |
| 6. | devid abraham | rustam, devid |
| 7. | di.ke.saproo | divan bajaridhar |
| 8. | taroon bos | shriman ladiya |
| 9. | rajan haksar | shyam suandar |
| 10. | manamohan | kuanvar vikram sianh |
| 11. | bebi sarika | kabul es. achary |
| 12. | dina pathak | harabhajan ki maan |
| 13. | uma datt | chiph ianjiniyar |
| 14. | asarani | pitar |
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