जसपाल सिंह
thumb|200px|jasapal sianh jasapal sianh (aangrezi: Jaspal Singh) bharatiy hindi sinema ke behatarin parshvagayakoan mean se ek haian. unhoanne hiandi philmoan mean bahut-se gane gaye, jinamean bahut-se hit hue aur kee to aj bhi utane hi madhur aur tajagi bhare lagate haian, jitane kal the. jasapal sianh ne gitoan ke rimiks hi nahian balki gazal, bhajan aur paramparik shastriy sangit adi bhi gaye haian. desh-videsh mean stej sho ke dvara prasiddhi bhi payi hai. apane daur ki lokapriy parshvagayikaoan hemalata, arati mukharji adi gayikaoan ke sath bahut hi sundar gane gaye. jasapal sianh ji bhale hi ek sikkh the, lekin unaki avaz mean bharat ke poorvi kshetr ki mithas thi. koee bhi unaki avaz ko sunakar yah nahian kah sakata ki ye avaz ek panjabi vyakti ki hai. gayak jasapal sianh ke gaye anekoan git avismarniy haian. jin philmoan mean jasapal ji ne sadabahar gane gaye the, unamean pramukh haian- ‘nadiya ke par’, ‘aankhiyoan ke jharokhoan se’, ‘git gata chal’, ‘savan ko ane do’, ‘shyam tere kitane nam’, ‘payal ki jhankar’, ‘jid’, ‘do yaroan ki yari’ ityadi.
mumbee agaman
san 1975 mean rilij huee thi philm 'git gata chal'. philm supar hit sabit huee. philm ki kamiyabi mean raviandr jain ke sangit ke sath-sath tazagi bhari avaz ke malik jasapal sianh ka b da hath tha. lanbe samay se gayan ke maidan mean apani pahachan banane ko bhatak rahe jasapal sianh ki barasoan ki tamanna poori ho gayi thi. apana shahar amritasar, pita ka vyapar aur maan ki mamata chho dakar vah sirph gayak banane ki jaddo-jehad mean lage hue the. darasal bachapan mean mohammad rafi ki avaz kya suni jasapal sianh to us avaj ke divane ho ge.
paanch sal ki umr se lekar k aaulej pahuanchane tak jasapal ji ne sirph mohammad rafi ke git hi gae. haanlaki unhoanne l aau ka padhaee poori ki aur ghar vale unhean ek saphal vakil ke roop mean dekhana chahate the, lekin logoan ki tariphoan se utsahit hokar jasapal sianh gayak banane ka sapana lie muanbee ja pahuanche. us samay purush gayakoan ke maidan mean mohammad rafi, kishor kumar aur mukesh ka sikka chal raha tha. isake alava manna de aur maheandr kapoor jaise diggajoan ka apana alag sthan tha. aise mahaul mean ne logoan ke liye mauqe kam the.
saphalata
jasapal sianh ko koee mauka dene ko raji nahian hua. gayaki ke liye jasapal ji ki bechaini aur t dap dekhakar unake bahanoee jasavir sianh khurana ne 'bandish' nam ki philm hi bana di taki jasapal sianh ko gane ka mauka mil sake, lekin ye philm aur isaka sangit donoan nakam rahe. isase jasapal sianh ko bhari dhakka pahuancha. phir bhi dil mean ek ummid ki kiran bachi huee thi ki ek din koee b da mauka zaroor milega aur 'git gata chal' ne jasapal sianh ko aisa mauka diya jisaki tamanna kisi bhi gayak ko hoti hai.
shoharat aur taripho ne jasapal sianh ki ummidoan ko pankh laga die. unake samane tha u dan bharane ko khula asaman. jasapal sianh ki gayaki ke safar ne raftar pak di to kee khoobasoorat nagme unake hamasafar banate ge. abhineta sachin se jasapal sianh ki avaz mel khati thi, isiliye unhean unaki filmoan mean gane ke mauqe mile. philm 'nadiya ke par' mean unake gae git saanchi kahe tore avan se hamare, aangana mean ayi bahar bhuji ne saphalata ke ne rik aaurd bana dale. is philm ke sare git behad lokapriy hue.
gumanami
apani kamayabi mean magan hue jasapal sianh ko ye ehasas hi nahian hua ki un par keval sachin ke liye hi behatarin git gane vale ka thappa lag chuka hai. doosare yuva abhinetaoan ke lie gite gane ke prastav unake pas ane hi band ho ge. tab tak kishor kumar ke bete amit, mukesh ke bete nil nitin mukesh ke sath-sath dakshin ke bala subrahmaniyam aur yesudas maidan mean utar chuke the. mohammad rafi ki k aaupi karane vale anavar, shabbir kumar aur mohammad ajij ko bhi mauke milane lage the. udhar sidhe aur saral jasapal ji koee g aaud ph aaudar bhi nahian bana pae. filmi duniya ke apane usool aur qanoon haian, isaka ehasas jasapal sianh ko nahian tha.
suparahit git dene vale jasapal sianh ke sath kismat ne bhi khasa majak kiya. 'nadiya ke par' ki betahasha saphalata ke bad hona to ye chahiye tha ki unake pas gite gane ke prastavoan ki lain lag jati, lekin jin filmoan mean unhean gane ka mauqa mila, unamean se jyadatar riliz hi nahian huee. isake alava behatarin git gane ke bavajood jasapal ji ko us samay ke kisi b de bainar ki philm bhi nahian mil payi. unhoanne adhikatar bi gred kahi jane vali philmoan ke liye hi gaya. assi ke dashak mean philmi sangit ke patan ka daur shuroo hua. philmoan mean badhati hiansa ne sangit ke lie mauke bahut kam kar die. aise mean jasapal sianh ke liye kam dhooandhana behad kathin ho gaya aur kaun soch sakata tha ki itani shanadar avaz ke malik ko dhire-dhire gumanami ke aandhere nigal leange. phir bhi jasapal sianh ko kisi se shikava nahian hai. stej sho mean aksar unhean unake chahane vale sun lete haian.
git
| kr.san. | git | film |
|---|---|---|
| 1. | dharati meri mata, pita asaman | git gata chal |
| 2. | git gata chal o sathi gunagunata chal | gita gata chal |
| 3. | mangal bhavan amangal hari, dravahu sudasharath ajar bihari | gita gata chal |
| 4. | chaupaeeyaan ramayan | gita gata chal |
| 5. | shyam teri banshi pukare radha nam | gita gata chal |
| 6. | sachi kanhe tore avan se hamare, aangana mean aee bahara bhauji | nadiya ke par |
| 7. | badhe b daee n karean, b de n bole bol | aankhiyoan ke jharokhoan se |
| 8. | gagan ye samajhe chaand sukhi hai | savan ko ane do |
| 9. | jab-jab too mere samane aye | shyam tere kitane nam |
| 10. | kaun disha mean leke chala re batuhia | nadiya ke par |
| 11. | o sathi du:kh mean hi sukh hai chhipa re | savan ko ane do |
| 12. | savan ko ane do (shirshak git) | savan ko ane do |
| 13. | jogi ji dhire-dhire | nadiya ke par |
|
|
|
|
|
|