निष्फल प्रेम -रांगेय राघव
nishphal prem -raangey raghav
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| lekhak | sheksapiyar |
| anuvadak | raangey raghav |
| prakashak | rajapal eand sans |
| ISBN | 81-7028-359-0 |
| desh | bharat |
| prishth: | 136 |
| bhasha | hindi |
| prakar | natak |
nishphal prem hindi ke prasiddh sahityakar raangey raghav dvara ek anuvadit natak hai. yah natak sheksapiyar ke ek prasiddh natak ka hindi anuvad hai. 'nishphal prem' namak rachana ko sheksapiyar ne sukhant natak ke roop mean likha tha. isaka karan tha ki isamean vyangy aur hasy ki pradhanata hai, kintu vaise yah sukhant natak nahian hai. raangey raghav ne sheksapiyar ke das natakoan ka hindi anuvad kiya tha, jo siriz mean pathakoan ko upalabdh karaye gaye haian. is natak ka prakashan 'rajapal eand sans' dvara kiya gaya tha.
sheksapiyar ne lagabhag 36 natak likhe haian, jinamean kavitaean alag se haian. usake kuchh prasiddh natak haian- jooliyas sizar, aauthelo, maikabeth, haimalet, samrath liyar, romiyo jooliyat, venis ka saudagar, barahavian rat, til ka ta d[1] aur toofan adi. inake atirikt aitihasik natak tatha prahasan bhi haian. prayah usake sabhi natak prasiddh haian. sheksapiyar ne manav-jivan ki shashvat bhavanaoan ko b de hi kushal kalakar ki bhaanti chitrit kiya hai. usake patr aj bhi jivit dikhaee dete haian. jis bhasha mean sheksapiyar ke natakoan ka anuvad nahian hai, vah unnat bhashaoan mean kabhi nahian gini ja sakatian.[2]
bhoomika
'nishphal prem' namak rachana ko sheksapiyar ne k aaumedi (sukhant) natak ke roop mean likha tha. isaka karan tha ki isamean vyangy aur hasy ki pradhanata hai, kintu vaise yah sukhant natak nahian hai. yah to gitatmak phantasiya mana gaya hai. is natak ka rachanakal sandeh se poorn hai. 1588 se 1596 ke bich yah kisi samay likha gaya tha, kintu apani shaili ke drishtikon ke adhar par yah sheksapiyar ki ek prarambhik rachana hai. isamean ritikavy ki bhaanti shabd chamatkar itana adhik hai ki bhavapaksh ke drishtikon se yah ek bahut hi sadharan natak hai. isamean maja़k se adhik vyangy hai aur ant mean hamean ek prakar ka nitiparak parinam prapt hota hai, kintu patr koee bhi hath nahian ata. jis udatt bhavagarima ka nam sheksapiyar hai, vah to yahaan nahian hai, kintu ek bat avashy yahaan bhi hai ki stri aur purush ke parasparik sambandhoan ki samanata par yahaan lekhak ne zor diya hai. isalie yah natak apana mahattv rakhata hai. sheksapiyar ne kalpanalok ko vyapak prayas dene ki cheshta ki hai, kintu vah usamean saphal nahian ho saka hai, kyoanki usane jis shaili ko pakada hai, vah bahut paini nahian hai aur n hi gahari. ‘ek svapn’ mean usane jo saundary diya hai, vah yahaan nahian hai aur n vah saphal prakriti-chitran hi hai.[2]
raangey raghav ke anusar
raangey raghav ke anusar kuchh aisi batean haian, jinaka arth hamare samaj mean apana koee mahatv nahian rakhata, jaise hamare yahaan to bharatiy parampara mean ‘siang’ ka mahattv nahian, parantu yoorop mean vyabhicharini stri ke sir par siang hona ek prachalit mazak mana jata tha. aur is natak mean is bat ka avashyakata se adhik ullekh hai. pashchaty sangit ke kshetr se bhi bharatiy pathak ka parichay nahian hai. isalie hi jahaan tak varnan ka vishay hai, vah bahut utkrisht koti ka nahian hua hai. phir bhi madhy kal ko dekhate hue kavi ne samaj ke un logoan par gahari chot ki hai, jo vilas mean doobe rahakar bhi vidvatta ka dhoang karate hue darshanik banate the. pandity par to sheksapiyar ne bahut hi k da hamala kiya hai, aur unaki shastriyata ka khokhalapan dikhaya hai. nari ke prati sheksapiyar ki drishti yahaan kafi santulit hai, aur usane stri ke atm-samman ki raksha ki hai. ham kah sakate haian ki sheksapiyar ne apani rachanaoan mean apane ko apane patroan ke madhyam se hi vyakt kiya hai.
yah sheksapiyar ki ek maulik rachana hai, kyoanki isaka koee srot nahian mila hai. is natak ka anuvad karana kisi hindi ke ritikalin kavi ki rachana ka anuvad karane se bhi adhik kathin kary pramanit hua. isamean manaviy sarvabhaum bhavapaksh to kam hai, laitin aur aangrezi ka shabd-chatury hi nahian, sthaniy riti-rivaj aur sandarbh bhi itane sanshlisht haian ki anuvad mean hindi ke pathak ko ras ana kathin hai. hamane phir bhi b de hi shram se usaka nirvah karane ki cheshta ki hai, aur jahaan asambhav-sa laga hai, bhavarth karake niche mool ko samajhaya hai. kabhi-kabhi mujhe laga hai ki maianne anuvad to kar diya hai, kintu yadi yah natak khela jaega to us samay phutanot ke abhav mean bharatiy darshak ise kaise samajh sakega? kintu aise sthal bahut tho de haian aur yadi abhinay ke samay hata die jaean to hani nahian hogi, kyoanki un uktichatury pradarshan ke bhagoan mean kathatmakata nahian hai. uktichatury mean kavi ne ashlilata ko bhi nahian chho da hai. jahaan tak ban saka hai maianne use bujha dene ki hi cheshta ki hai. sheksapiyar ka vastavik parichay pane ke lie any natakoan ke sath is rachana ka bhi adhyayan karana sahity ke vidyarthi ke lie atyant hi avashyak hai.[2]
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tika tippani aur sandarbh
- ↑ (mach edoo abaut nathiang)
- ↑ 2.0 2.1 2.2 nishphal prem (hindi). . abhigaman tithi: 31 janavari, 2013.
bahari k diyaan
sanbandhit lekh