वाद्य कला
[[chitr:Pandit-Ravi-Shankar.jpg|thumb|200px|sitar vadak pandit ravi shankar]] jayamangal ke matanusar chauansath kalaoan mean se yah ek kala hai. anek prakar ke vadyoan ka nirman karane aur unake bajane ka jnan 'kala' hai. vadyoan ke mukhyataya char bhed haian-
- tat-tar athava taant ka jisamean upayog hota hai, ve vady 'tat' kahe jate haian- jaise vina, tamboora, sarangi, bela, sarod adi.
- sushir- jisaka bhitari bhag sachchhidr (pola) ho aur jisamean vayu ka upayog hota ho, usako 'sushir' kahate haian- jaise baansuri, alagoja, shahanaee, baind, haramoniyam, shankh adi.
- avanaddh -cham de se madha hua vady 'anaddh' kaha jata hai- jaise dhol, naga da, tabala, mridang, daph, khanj di adi.
- ghan- paraspar aghat se bajane yogy vady 'ghan' kahalata hai- jaise jhaanjh, manjhira, karatal adi. yah kala gane se sambandh rakhati hai bina vady ke gan mean madhurata nahian ati. prachin kal mean bharat ke vadyoan mean vina mukhy thi. isaka ullekh prachin sanskrit granthoan mean bhi upalabdh hota hai. sarasvati aur narad ka vina vadan, shrikrishna ki vanshi, mahadev ka damaroo to prasiddh hi hai. vady adi vishayoan ke sanskrit mean anek granth haian. unamean anek vadyoan ke pariman, unake banane aur marammat karane ki vidhiyaan milati haian. rajyabhishek, yatra, utsav, vivah, upanayan adi maangalik karyoan ke avasaroan par bhinn-bhinn vadyoan ka upayog hota tha. yuddh mean sainikoan ke utsah, shaury ko badhane ke liye anek tarah ke vady bajaye jate the.
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