राजेन्द्र कृष्ण  हिन्दी देवनागरी में पढ़ें।

rajendr krishn
rajendr krishn
poora nam rajendr krishn duggal
janm 6 joon , 1919
janm bhoomi jalalapur jattan, zila gujarat, pakistan
mrityu 23 sitambar, 1987
mrityu sthan mumbee, maharashtr
karm bhoomi mumbee
karm-kshetr gitakar
mukhy filmen jnjir, pyar ki jit, alabela, anarakali, azad, bhaee bhaee, dekh kabira roya, chhaya, patng adi
puraskar-upadhi rajendr krishn ne film khanadan (1965) men "tumhi mere mndir, tumhi meri pooja" ke lie sarvashreshth gitakar ke lie filmapheyar puraskar jita tha.
nagarikata bharatiy
any janakari rajendr krishn tamil bhasha par bhi hindi jaisa hi adhikar rakhate the aur tamil filmon ke lie bhi utane hi mashahoor the.
adyatan‎

rajendr krishn (angrezi: Rajendra Krishan janm: 6 joon , 1919 mrityu: 23 sitambar, 1987) hindi sinema ke ek prasiddh gitakar the.

jivan parichay

rajendr krishn ka janm 6 joon, 1919 ko pakistan ke zila gujarat ke jalalapur jattan namak ganv men ek duggal parivar men hua tha. jab vah athavin kaksha men padh rahe the tab unhen kavita ki or akarshit kiya gaya tha. unhonne shimala men nagarapalika ke karyalay men 1942 tak klark ke roop men kam kiya tha. us avadhi ke dauran, unhonne poorvi aur pashchimi lekhakon ko bade paimane par padha aur kavita likhi unhonne firaq gorakhapuri aur ahasan dainij ke urdoo kavita, pent aur nirala ki hindi kavitaon ke lie apani rini vyakt ki. un dinon dilli-pnjab ke samachar patron ne vishesh poorak karyakramon ko janm diya aur krishn janmashtami ko chihnit karane ke lie kavita pratiyogita ayojit ki, jisamen unhonne niyamit roop se bhag liya.

filmi kariyar ki shuruat

1940 ke dashak ke madhy men, krishnan ek patakatha lekhak banane ke lie munbee ge. 1947 men pahali bar janata namak film ki patakatha likhi aur usi varsh ek aur film jnjir men git likhane ka mauka mil gaya. jnjir ka koee git net (antarjal) par upalabdh nahin hai. usake sngit nirdeshak krishn dayal the aur git pndit phani, pndit gaphil, lalachnd bismil aur rajendr krishn ne likhe. 1948 ke shuroo hote hi mahatma gandhi ki hatya ke bad ‘suno suno ai duniya valo bapoo ki ye amar kahani’ se unaka nam ghar-angan men goonjane laga. yah git mohammad rafi ne gaya tha aur isaki dhun us jamane ke prakhyat sngit nirdeshak husnalal bhagataram ne banaee thi. usi varsh aj ki rat ke giton se mashahoor hue. aj ki rat men unhonne samajik yatharth ko apane git ka vishay banate hue likha ‘kya jane amiri jo garibi ka maja hai daulat unhen di hai to hamen sabr diya hai’. svar mina kapoor ka hai aur isaki dhun husnalal bhagataram ne banaee hai. yah kisi gajal ka matala bhi ho sakata hai aur kisi git ka mukhada bhi lekin apane garbh men yah kabir ke is dohe ka raushan bij chhupae hue hai ‘godhan gajadhan bajidhan aur ratanadhan khan jab ae sntoshadhan sab dhan dhoori saman’. isi film men suraiya ki avaj men rajendr krishn ka ek aur git mashahoor hua ‘kyoon le chala hai ai dil mujhako pyar ki gali men ho’. ji. em. durrani ki puradard avaj men rajendr ka yah git bhi makabool hua. [1]

giton ka safar

‘pyar ki shama ko takadir bujhati kyoon hai kisi barbade-mohabbat ko satati kyoon hai’. aur 1948 men bani film pyar ki jit men qamar jalalabadi aur rajendr krishn ke git the. rajendr ka yah git bahut makabool hua ‘tere nainon ne chori kiya mera chhota sa jiya paradesiya’. 1948 men ‘bapoo ki yah amar kahani’ is kadar mashahoor aur makabool ho gaya tha ki 1949 ki ek film ka nam hi amar kahani rakh diya gaya aur usamen git likhane ki davat rajendr krishn ko hi di gee. suraiya ki avaj men is film ka yah git bahut makabool hua ‘divali ki rat piya ghar ane vale hain sajan ghar ane vale hain’. isaki dhun husnalal bhagataram ne banaee thi. is film ke aur bhi kee git makabool hue; unamen gita datt ki gaee ek gajal bhi thi jisaka matala is tarah tha ‘ye kaisi dillagi hai kahan ka ye pyar hai kuchh aitabar bhi nahin kuchh aitabar hai’. suraiya ki avaj men rajendr ka yah git bhi bahut pasnd kiya gaya ‘umngon par javani chha gee ab to chale ao tumhari yad phir tadapa gee ab to chale a’’. 1949 men lahaur aur badi bahan ke 'chup chup khade ho zaroor koee bat hai , 'chale jana nahin' jaise suparahit ganon ke sath rajendr ji agrim pnkti ke gitakar ban ge. lahaur men sngit diya tha prakhyat nirdeshak shyamasundar ne aur rajendr krishn ka yah git behad makabool hua ‘baharen phir bhi aengi magar ham tum juda honge ghataen phir bhi chhaengi magar ham tum juda honge’. ek gitakar ke roop men vah dinanath madhok aur qamar jalalabadi ke najadik padate hain jo man ki bhavanaon ko sidhe-sachche shabdon men aur sada andaj men kahane men yakin rakhate hain aur kori bhavanaon ko kavita ka saj-singar pahanane ki chinta nahin karate. shrota tak unaki kavita sunate-sunate hi snvedit ho jati hai, use samajhane aur sarahane ke lie use koshish nahin karani padati, kasarat ka to saval hi nahin paida hota. badi bahan ke giton ki lokapriyata ka praman yah hai ki badi bahan ke nirmata ne khush hokar gitakar rajendr krishn ko ek aaustin kar bhent ki aur git likhane ke lie ek hajar ru. mahavar par naukar rakh liya.[1] 1949 men asoodahal log hi aaustin kar ka sapana dekhate the aur ek hajar prati mah ki tanakhvah achchhi-khasi rakam hua karati thi. phir to rajendr ji ki gadi chal padi alabela, anarakali, azad, bhaee bhaee, dekh kabira roya, chhaya, patng, blaph mastar, bharosa, pooja ke phool, khanadan adi filmon ke lie gane likhe aur mashahoor hue, isake alava rajendr ji tamil bahut achchhe tarah se janate the so 18 tamil filmo ke lie patakatha aur gane bhi likhe.[2]

lata-ramachndr-rajendr

darasal lata, si. ramachandr aur rajendr krishn ki ek tikadi banati hai aur ye tinon jab bhi ek jagah jama hote hain to ek se badhakar ek rasavnti rachanaen astitv men ati hain. lata-ramachndr aur rajendr ki tikadi ne anarakali men bahut achchha sngit diya hai. is film ke git ‘mohabbat aisi dhadakan hai jo samajhaee nahin jati', mohabbat men dil ka dhadakana to am hai, hindi-urdoo shayari aisi dhadakanon se bhari padi hai; lekin yahan to use dhadakan hi bana diya gaya hai. yah roopak alnkar ka chamatkar hai jo is sidhe-sade bayan ko kavita ke rupahale roomal men lapetakar ek nee abha de raha hai.[1]

prasiddh git

  1. jadoogar saiyan chhod de baiyan
  2. chup chup khade ho zaroor koee bat hai
  3. vo bhooli dastan lo phir yad a gayi
  4. mere mahaboob qayamat hogi
  5. chhoop gaya koee re, door se pukar ke
  6. kaun aya mere man ke dvare
  7. ye jindagi usi ki hai
  8. zaroorat hai zaroorat hai ek shrimati ki
  9. mai chali mai chali dekho pyar ki gali
  10. mere samane vali khidaki men
  11. dekha n hay re socha n hay re
  12. koee koee rat aisi hoti hai
  13. pal pal dil ke pas tum rahati ho[2]

puraskar

rajendr krishn ne film khanadan (1965) men "tumhi mere mndir, tumhi meri pooja" ke lie sarvashreshth gitakar ke lie filmapheyar puraskar jita tha.

yogadan

1966 ki film nind hamari khvab tumhare men asha bhonsale ki avaz men rajendr ka yah git behad lokapriy hua ‘koee shikava bhi nahin koee shikayat bhi nahin aur tumhen hamase vo pahali si mohabbat bhi nahin’. ab rajendr ko filmon ka milana kam ho gaya tha lekin jab bhi mauka milata tha vah koee n koee makabool git rach dete the aur surkhiyon men a jate the. 1970 ki film gopi men unaka likha yah git dekhie: ‘sukh ke sab sathi du:kh ka n koy mere ram mere ram tera na hai sancha dooja n koy’. gopi men mahendr kapoor ka bhi ek sadabahar git hai jo aj bhi sunane ko mil jata hai, ‘ramachndr kah ge siya se aisa kalajug aega hns chugega dana-dunaka kauva moti khaega’. ab rajendr pachas ke lapete men the lekin umr ne unake tevaron par jara bhi asar nahin chhoda tha. par ab gitakaron ki nee khep a gee thi aur unhen milane vale kam men kami a gee thi. vah isaki parava bhi kahan karate the? ghudadaud men 46 lakh ka karamukt jaikapaaut jitakar vah pahale hi film udyog ke sabase dhani lekhak kahalane lage the. apane param mitr sntoshi ki tarah vah aiyashi se kharch karane vale shakhs n the balki paise ka vivekashil upayog karane men vishvas karate the. lekin vah antim dinon tak sakriy rahane men bhi vishvas karate the isalie jab bhi mauka milata tha, kam se inakar nahin karate the. kuchh n kuchh kam unhen akhiri dam tak milata raha. isake alava vo tamil bhasha par bhi hindi jaisa hi adhikar rakhate the aur tamil filmon ke lie bhi utane hi mashahoor the.[1]

nidhan

hindi ke kam pathak janate hain ki rajendr krishn ne eviem stoodiyo ke lie 18 filmen tamil men likhi thin. unaki antim film alla rakkha 1986 men aee jabaki do hi sal bad 23 sitambar, 1987 ko bnbee men unaki mrityu ho gee. mrityu se pahale vah ag ka dariya ke lie git likh rahe the. yah film unaki mrityu ke do sal bad 1990 men pradarshit ki gee. anuradha paudaval ka git ‘rishte men mohabbat ka snsar hamara tha’ am taur par unaka akhiri git mana jata hai.[1]



panne ki pragati avastha
adhar
prarambhik
madhyamik
poornata
shodh

tika tippani aur sndarbh

  1. 1.0 1.1 1.2 1.3 1.4 gitakar rajendr krishn ka hindi filmi git ko yogadan (hindi) kavy ka janatantrikaran. abhigaman tithi: 20 mee, 2017.
  2. 2.0 2.1 kaun aya mere man ke dvare... (hindi) kavy ka janatantrikaran. abhigaman tithi: 20 mee, 2017.

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