गुरु दत्त  हिन्दी देवनागरी में पढ़ें।

guru datt
Guru-Dutt.jpg
poora nam vasnth kumar shivashnkar padukon
prasiddh nam guru datt
janm 9 julaee, 1925
janm bhoomi bngalor, karnatak
mrityu 10 aktoobar, 1964 (atmahatya)
mrityu sthan bnbee, maharashtr
abhibhavak shivashnkar rav padukon aur vasnthi padukon
pati/patni gita datt
karm bhoomi munbee
karm-kshetr nirmata-nirdeshak evn abhineta
mukhy filmen 'pyasa' (1957), 'kagaz ke phool' (1959), 'sahab, bibi aur gulam' (1962) aur 'chaudahavin ka chand'.
prasiddhi guru datt apani filmon men kaimara aur prakash vyavastha ke lie prasiddh the.
vishesh yogadan dakshin eshiya men jo ek saf-suthara, lokapriy aur manornjan sinema 1950 ke dashak men ubhara usamen guru datt ka kendriy yogadan hai.
nagarikata bharatiy
any janakari prakash aur chhaya ke kalpanashil upayog, bhavapoorn drishyabinb, katha men kee vishay-vastuon ki paraten goonthane ki adbhut kshamata aur giton ke mntramugdhakari chhayankan ne unhen bharatiy sinema ke sabase nipun shailikaron men la khada kiya.

guru datt (angrezi: Guru Dutt, janm- 9 julaee, 1925 bngalor; mrityu- 10 aktoobar, 1964 bnbee) bharatiy sinema men film nirmata-nirdeshak aur abhineta the. 'guru datt' ka vastavik nam "vasnth kumar shivashnkar padukon" tha. guru datt apane ap men ek snpoorn kalakar banane ki poori patrata rakhate the. ve vishv stariy film nirmata aur nirdeshak the. sath hi men unaki sahityik ruchi aur sngit ki samajh ki jhalak hamen unaki sabhi filmon men dikhati hi hai. ve ek achchhe nartak bhi the, kyonki unhonne apane filmi jivan ka agaz kiya tha prabhat films men ek koriyografar ki haisiyat se. abhinay kabhi unaki pahali pasnd nahin rahi, magar unake saral, snvedanashil aur naisargik abhinay ka loha sabhi manate the. unhonne pyasa ke liye pahale dilip kumar ka chayan kiya tha. ve ek rachanatmak lekhak bhi the aur unhonne pahale pahale 'illastreted vikali aaauf indiya' men kahaniyan bhi likhi thin.[1]

jivan parichay

guru datt ka janm 9 julaee, 1925 ko baingalor men hua tha. unaki man vasnti padukon ke anusar 'bachapan se guru datt bahut natakhat aur jiddi tha. prashn poochhana usaka svabhav tha. kabhi kabhi usake prashnon ka uttar dete hue ve pagal ho jati thin, kisi ki bat nahin manata tha. apane dil men agar thik laga to hi vo manata tha. gusse vala bahut tha. man men aya to karega hi...zaroor.'[2]
guru datt

parivar

guru datt ke pita ka nam 'shri shivashnkar rav padukon' aur mata ka nam 'shrimati vasnti padukon' hai. guru datt ne gayika gita datt se sanh 1953 men vivah kiya. guru datt ke bete arun datt ke anusar ‘pyasa’ aur ‘kagaz ke phool’ jaisi klasik filmon ke sarjak gurudatt chup aur gnbhir rahate the. lekin unake bhitar ek masti karane vala bachcha bhi tha. ve patng udate, machhali pakadate aur photographi bhi karate the. guru datt ko kheti karana bhi kafi suhata tha. lonavala men pharm haus tha jahan vo har sal jakar kheti karate the. unhen phishing men bhi dilachaspi thi. pavee jhil men jaauni vaaukar aur guru datt khoob machhali pakada karate the. ek bar unhen ek skootar pasnd a gaya. ve use chalate hue stoodiyo ja rahe the tabhi signal ke pas gadi ruki to logon ne unhen pahachan liya. ve kisi tarah se gadi se vahan se nikale. ek dilachasp kissa hai ki kashmir men unhonne ek shikara dekha to ve us shikara ko kashmir se khulavakar pavee jhil le ae.

gita ray se vivah

darasal, jin dinon guru datt filmon men apani zamin talash rahe the, unhin dinon gita ray nam ki ek nee gayika parshv gayika banane ki koshish men vyast thin. thode hi dinon men guru datt kee nirdeshakon ke sahayak bane, to udhar film 'bhakt prahlad' men gita ray ko bhajan gane ka avasar mila. sanh 1948 men pradarshit film 'do bhaee' men gaye git mera sundar sapana bit gaya.. ne gita ray ko poore desh men charchit kar diya. darasal, yahi vah git tha, jisane guru datt ke dil ke taron ko jhnkrit kar diya. aur yahin se guru datt ne man hi man yah phaisala bhi kar liya ki ve jab bhi film banaenge, gita ray se git avashy gavaenge. mitr devannd ne film 'bazi' ka nirdeshan guru datt ko saunp kar us vade ko poora kiya, jo unhonne kabhi prabhat stoodiyo men kiya tha. bazi shuroo huee, to guru ne gita ray se ek git gavaya. bazi men gita ray ka gita bali par filmaya gaya yah git 'suno gazar kya gaye...' apane samay ka supar hit git sabit hua.

bazi ki shooting ke dauran se hi guru datt aur gita ray ek-doosare ke nikat ae. jahan ek or guru gita ki avaz ke divane ho ge the, vahin doosari or gita bhi guru ke prabhavashali vyaktitv par mugdh thin. darasal, donon antarmukhi pravritti ke the. kam bolane vale, gnbhir, lekin ankhon hi ankhon men bahut kuchh kah jane vale. ek din jab riharsal aur rikaaurding se phursat mili, to guru datt ne gita ko shadi ke lie prastav rakh diya. gita guru datt ko chahane lagi thin, lekin bina mata-pita ki marji ke ve shadi nahin kar sakati thin. bazi abhi rilij nahin huee thi. gita ne kaha, parivar valon se kahana hoga. phir bad men gita ray ke mata pita ki raji se donon ka vivah sanh 1953 men hua.[3]

filmi jivan

kalakatta (vartaman kolakata) men shiksha prapt karane ke bad guru datt ne almoda sthit uday shnkar ki nrity akadami men prashikshan prapt kiya aur usake bad kalakatta men telifon aauparetar ka kam karane lage. bad men vah pune (bhootapoorv poona) chale ge aur prabhat stoodiyo se jud ge, jahan unhonne pahale abhineta aur phir nrity-nirdeshak ke roop men kam kiya. unaki pahali fichar film 'bazi' (1951) devannd ki 'navaketan films' ke bainar tale bani thi. isake bad unaki doosari saphal film 'jal' (1952) bani, jisamen vahi sitare (devannd aur gita bali) shamil the. isake bad guru datt ne 'baz' (1953) film ke nirman ke lie apani prodakshan knpani shuroo ki. halanki unhonne apane snkshipt, kintu pratibha snpann peshevar jivan men kee shailiyon men prayog kiya, lekin unaki pratibha ka sarvashreshth roop utkat bhavukatapoorn filmon men pradarshit hua.

prasiddhi ka srot

mukhy roop se guru datt ki prasiddhi ka srot bariki se gadhi gee, udas v chintan bhari unaki tin behatarin filmen hain- 'pyasa' (1957), 'kagaz ke phool' (1959) aur 'sahab, bibi aur gulam' (1962). halanki 'sahab, bibi aur gulam' ka shrey unake sah patakatha lekhak abarar alvi ko diya jata hai, lekin yah spasht roop se guru datt ki kriti thi. guru datt ne si.aee.di. se vahida rahaman ka film jagath se parichay karaya aur phir 'pyasa' tatha 'kagaz ke phool' jaisi filmon se unhen kirtistnbh ki tarah sthapit kar diya. prakash aur chhaya ke kalpanashil upayog, bhavapoorn drishyabinb, katha men kee vishay-vastuon ki paraten goonthane ki adbhut kshamata aur giton ke mntramugdhakari chhayankan ne unhen bharatiy sinema ke sabase nipun shailikaron men la khada kiya.

asadharan kalakar

guru datt film tukade tukade men banate the. film samay ki liniyar gati se nahin chalati thi. jahan jo pasnd aya us sin ko filma liya gaya. guru datt anaginat ritek dete the aur sin ko tab tak shoot karate the jab tak vo khud aur film ke baki kalakar sntusht n ho jaen. abarar alvi kitab men kahate hain ki vo jitani phutej men ek film banate the utane men tin filmen ban sakati thin. guru datt ki filmon ki shooting zindagi ki tarah chalati thi. jaise jaise age badhati thi kiradar vikasit hote jate the. guru datt ki film yoonit men lagabhag sthayi sadasy hote the. abarar alvi aur raj khosala ke sath roj film ki shooting ke bad brenastorming seshan hote the jisamen rashes dekhe jate the aur age ki film ka khaka tay kiya jata tha.[2]

ek vakaya

ek majedar vakaya hai. vahida rahaman sunati hain...'vo ek din dadhi bana rahe the aur moorti sahab ke sath shaaut ki bat kar rahe the. to ham log sab haaul men baithe hue the to achanak avaz aee. unhonne itti jor se apana rezar phenka aur bole are kya karate ho yar moorti...tumane barbad kar diya mujhe...to moorti sahab ekadam pareshan...mainne kya kiya...ham to shaaut ke bare men bat kar rahe the...nahin yar tumase shaaut ki bat karate karate mainne apani ek taraph ki moonchh uda di...to ham men kisi se raha nahin gaya to ham hns pade jor jor se...ki tum log hns rahe ho... aj rat ko shooting hai main kya karoon... to phir moorti sahab ne kaha... galati apaki thi, meri to thi nahin. phir bhi ap mujhe kyoon dant rahe hain. ap is tarah kijiye, doosari taraph ki bhi moonchh shev kar daliye phir nayi nakali moonchh lagani padegi apako. to is vakaya se spasht hai ki jab vo shaaut ke bare men soch rahe hon ya baten kar rahe hon to sab kuchh bhool jate the.[2]

nee takanik ka prayog

sahab bibi aur gulam

guru datt ne apane filmi kairiyar men kee ne takaniki prayog bhi kie jaise, film bazi men do ne prayog kie-

  1. 100 emem ke lens ka kloz ap ke lie istemal pahali bar kiya- qarib 14 bar. isase pahale kaimara itane pas kabhi nahin aya, ki un dinon kalakaron ko badi asahajata ke anubhav se guzarana pada. tab se us staeel ka nam hi guru datt shaaut pad gaya.
  2. kisi bhi film men pahali bar ganon ka upayog kahani ko age badhane ke lie kiya gaya.

vaise hi film 'kagaz ke phool' hindustan men sinema skop men bani pahali film thi. darasal, is film ke lie guru datt kuchh anokha, kuchh hatake karana chahate the, jo aj tak bharatiy film ke itihas men kabhi nahin hua. snyog se tabhi ek halivud ki film knpani '20th Century Fox' ne un dinon bharat men kisi sinemaskop men banane vali film ki shooting khatm ki thi aur usake speshal lens bnbee men unake aauphis men chhoot ge the. jab guru datt ko isaka pata chala to ve apane sinemaitographar vi. ke. moorti ko lekar tunrat vahan ge, lens lekar kuchh prayog kiye, rashes dekhe aur phir film ke lie is pharmet ka upayog kiya. chalie ab ham is film ke ek gane ka zikr bhi kar lete hain-

vakt ne kiya kya hasin sitam... tum rahe na tum, ham rahe na ham...

gita datt ki hasin avaz men gaye, aur film men stoodiyo ke prishthabhoomi men filmae ge is git men bhi ek aisa prayog kiya gaya, jo bad men vishvavikhyat hua apane behatarin laiting ki khoobasoorat snyojan ki vajah se. guru datt is klaeemeks ke sin men kuchh alag natakiyata aur ril laeef aur riyal laeef ka virodhabhas prakash vyavastha ki madhyam se vyakt karana chahate the. blaik end vhaeet rngon se nayak aur nayika ki man ki monotoni, riktata, yash aur vaibhav ki kshanabhngurata ke ahasas ko bade juda andaz men filmana chahate the. jis din unhonne nataraj stoodiyo men shooting shuroo ki, to unake photographar vi. ke. moorti ne unhen ventiletar se chhan kar ati dhoop ki ek tez kiran dikhaee, to guru datt behad romanchit ho uthe aur unhonne is iphekt ko hi upayog karane ka man bana liya. ve moorti ko bole,' main shooting ke lie bhi sanh laeet hi chahata hoon kyonki jis prabhav ki main kalpana kar raha hoon vah badi ark laeet se athava kaimare ki aparchar ko set karake nahin ayega.' to phir do bade bade aine stoodiyo ke bahar rakhe gaye, jinako badi mehanat se set karake vah prasiddh sin shoot kiya gaya jisamen guru datt aur vahida ke bich men vah tej roshani ka bim ata hai. sath men chehare ke kloz ap men anokhe phentam iphekt se utpann hue embiyens se ham darshak thage se rah jate hain evn us kal men, us vatavaran nirmiti se utpann karuna ke ehasas men vilin ho jate hain, ekakar ho jate hain.[4]

guru datt ki filmen

guru datt ki pramukh filmen[5]
varsh film nayika nirdeshak
1945 lakha rani monika desaee vishram bedekar
1953 baz gita bali guru datt
1954 ar par shyama, shakila guru datt
1955 mi.end mises 55 madhubala guru datt
1957 pyasa mala sinha, vahida rahaman guru datt
1958 barah baje vahida rahaman pramod chakravati
1959 kagaz ke phool vahida rahaman guru datt
1960 chaudahavi ka chand vahida rahaman em. sadik
1962 sahib bivi aur gulam mina kumari, vahida rahaman abarar alvi
1963 sautela bhaee mahesh kaul
1963 bahurani mala sinha ti. prakash rav
1963 bharosa asha parekh ke.shnkar
1964 sanjh aur savera mina kumari rishikesh mukharji
1964 suhagan vahida rahaman ke. es. gopalakrishnan
nirdeshak ke taur par guru datt
varsh film nayak nayika
1951 bazi devannd gita bali, kalpana kartik
1951 jal devannd gita bali, poornima
1956 sailab abhi bhattachary gita bali
nirmata ke taur par guru datt
varsh film nayak / nayika nirdeshak
1956 siaeedi devannd, shakila, vahida rahaman raj khosala

ek amar pratibha

chaudahavin ka chand

koee bada sarjak jab yuvavastha men hi atmahatya kar leta hai to usake sath kee roomani kahaniyan jud jati hain aur usake prashnsakon ka ek bada snpraday sa ban jata hai. lekin yah roomaniyat ki astha havaee nahin hoti. sirph 39 baras ki umr men khudakushi kar lene vale guru datt ki vaisi maut ab sirf ek dardanak byaura banakar rah gee hai, lekin unaki 'pyasa', 'kagaz ke phool' aur 'sahab, bibi aur gulam' sarikhi filmen dakshin eshiyaee sinema ke itihas men amar hain. beshaq ye tinon badi filmen hain lekin guru datt ki prarnbhik filmon ko bhula dena unake aur bharatiy sine-darshakon ke jatil snbndhon ko nakarana hoga. dakshin eshiya men jo ek saf-suthara, lokapriy aur manornjan sinema 1950 ke dashak men ubhara usamen guru datt ka kendriy yogadan hai.[6]

guru datt aur vahida rahaman

guru datt aur vahida rahaman (film- pyasa ke ek drishy men)
baaulivud men jab bhi prem kahaniyon ka jikr hota hai to vahida rahaman aur guru datt ka nam sabase pahale ata hai. in donon ki jodi baaulivud ki shuruati premi jode ki thi. donon ka pyar agar sabaki nigahon men sabase behatarin pyar tha to donon ka juda hona bhi kisi drame se kam nahin. judaee men ek sachche ashik ka kya hal hota hai yah guru datt ne dikhaya tha. sharab ki botal men doobe ashik ki chhavi akasar hamen filmon men hi dekhane ko milati hai lekin asal jindagi men us kiradar ko guru datt ne hi jiya tha. baaulivud ki utkrisht aur yadagar jodi vahida rahaman aur guru datt ki prem kahani bhi aisi thi jo apane mukam par nahin pahunch paee. yah vah daur tha jab guru datt ne nirdeshak ke taur par apane kairiyar ki shuruat film bazi (1951) se ki. yah kraim thrilar thi jise darshakon ne kafi pasnd kiya. baji ki kamayabi ke bad guru datt ek saphal nirdeshak ke roop men pahachane jane lage. guru datt ko hindi filmon men ne prayogon ke lie jana jata tha. isi ko dhyan men rakhate hue unhen agali film ‘siaeedi’ ke lie ek ne chehare ki talash thi jo khoobasoorat to ho hi sath hi urdoo bhi bolane men saksham ho. unaki talash tab poori huee jab unaki mulakat bhavukata aur vyavaharikata ka adabhut saundary ka mel lie vahida rahaman se huee. film siaeedi men vahida rahaman ka jyada rol nahin tha lekin unake shanadar dans ke abhinay ne sabake dilon ko chhoo liya, jisaki badaulat unhen guru datt ki agali filmon lid bhoomika men kam karane ka mauka mila. siaeedi ki saphalata ke bad film pyasa men vahida rahaman ko lid hiroin ka rol mila. yah vah film thi jisake bad vahida rahaman aur guru datt sahab ka prem prasng ka arambh hua tha.
kagaz ke phool

guru datt aur vahida rahaman abhinit film ‘kagaj ke phool’ ki asaphal prem katha un donon ke svayn ke jivan par adharit thi. donon kalakaron ne film ‘chaudahavin ka chand’ aur ‘sahib bibi aur gulam' men sath-sath kam kiya, jo bahut hi saphal huee. kam men atyadhik vyast rahane ke karan guru datt danpaty jivan ke lie bahut adhik vakt nahin de pate the, jisake karan unake vaivahik jivan men toofan khada ho gaya. is samay tak guru datt ke jivan men do striyon ne pravesh kar liya tha ek unaki patni gita datt aur doosari vahida rahaman. guru datt donon se behad prem karate the aur donon ko apani zindagi ka hissa banana chahate the lekin aisa ho nahin saka. akhirakar apani filmon ki hi tarah unaka bhi duahkhad ant hua.[7]

guru datt ke bare men rochak tathy

  • guru datt ka poora nam vasnt kumar shivashnkar padukon tha. unake pita shuruat men to adhyapak the lekin bad men unhonne baink ki naukari ki.
  • bachapan men arthik dikkaton aur parivarik pareshaniyon ke karan guru datt mushkil se talim hasil kar pae. vah achchhe vidyarthi to the lekin kabhi kaaulej nahin ja pae.
  • guru datt tin bhaiyon aur ek bahan ke sath bngal men akar bas ge. bngal men rahane ke bad unhonne bngali nam bhi grahan kar liya aur log unhen guru datt ke nam se janane lage.
  • guru datt ne kolakata akar apane mama balakrishn benegal ke sath kafi vaqt bitaya tha. balakrishn benegal mashahoor film nirdeshak shyam benegal ke chacha the, jo ki ek pentar the aur filmon ke postars dijain kiya karate the. bad men vah apane mata-pita ke pas munbee laut ae.
  • kaha jata hai ki jab vah kolakata men the to unhonne ek karyakram ke dauran sarp nrity (snek dans) kiya tha jisake lie unhen panch rupe ka inam bhi mila tha. guru datt ne uday shnkar ke nrity snsthan men kuchh varsh shastriy nrity sikha aur prashikshan ke dauran ek sarp nrity bhi prastut kiya tha.
  • unhonne 1953 men prasiddh gayika gita ray se shadi ki. gita aur guru datt tin salon se ek-doosare ko janate the. donon se tin bachche hue tarun, arun aur nina.
  • vivahit hone ke bavajood bhi guru datt vahida rahaman ke sath rahate the aur unake sath filmon men kam bhi kiya. maut ke samay n to unake sath unaki patni gita thi aur n hi vahida.
  • guru datt bahut hi jyada sharab pite the jisaki vajah se unaka livar kharab ho gaya. kaha jata hai ki jis rat guru datt ki maut huee thi, us rat unhonne jamakar sharab pi thi.
  • 1946 men guru datt ne prabhat stoodiyo ki nirmit film "ham ek hain" se bataur koriyographar apane kairiyar ki shuruat ki thi.
  • guru datt kalatmak film banane ki vajah se kafi prasiddh hue. inhonne apani kalatmak filmon ke madhyam se hindi sinema ko ek nee oonchaee di. unaki lokapriy filmon men kagaj ke phool, pyasa, sahab bibi aur gulam adi shamil hain.
  • inake dvara banaee gee filmen jarmani, phrans aur japan men sabase jyada chalati thin. taim patrika ne varsh 2005 men bhi ‘pyasa’ ko sarvashreshth 100 filmon men shamil kiya tha. 2011 men ‘pyasa’ ko taim patrika ne vailentain de ke mauqe par sarvakalin romantik filmon men shamil kiya tha.
  • guru datt par ek pustak bhi aee hai jisaka nam hai 'ten iyars vid guru datt : abarar alvij jarni'. abarar alvi das salon tak guru datt ke sahayak, lekhak aur salahakar rahe.
  • baaulivud men guru datt aur dev sahab ki dosti bahut hi gahari mani jati thi. yah bat us samay ki hai, jab guru datt filmon men apani jagah banane ke lie sngharsh kar rahe the. us samay dev sahab ko filmon men jaldi brek mil gaya tha. unhonne apane dost guru datt se vada kiya tha ki jab vah nirmata banenge to apani film men zaroor lenge. dev sahab ne apana vada poora kiya. 1949 men devannd ne navaketan films ki ninv rakhi aur 1951 men apane dost guru datt ko lekar bazi film ka nirman kiya.[8]

nidhan

guru datt ke samman men jari dak tikat

10 aktoobar, 1964 men munbee men apane bistar men rahasyamay sthiti men mrit pae ge guru datt ne ek bar kaha tha- "dekho n, mujhe nirdeshak banana tha, ban gaya. abhineta banana tha, ban gaya. pikchar achchhi banani thi, banaee. paisa hai sab kuchh hai, par kuchh bhi nahin raha." sharab ki lat se lnbe samay tak joojhane ke bad 1964 men unhonne atmahatya kar li aur is prakar ek pratibhashali jivan ka asamay ant ho gaya.

zindagi ki akhiri rat

guru datt sahab ki khud ki zindagi itani filmi thi ki un par hi kee filmen ban jaen aur jab vah kisi film ko banate the to lagata tha manon film ka harek kiradar asal jindagi ji raha ho. guru datt ki jindagi agar kahani hai to unaki maut bhi ek aphasana. guru datt sahab ki maut ko koee atmahatya batata hai to koee hatya to koee samany maut. par us sach ko koee nahin janata jo unaki akhiri rat ka tha. jis rat ke kale andheron ke agosh men guru datt maut ki nind so ge the, us rat unhonne jamakar sharab pi thi, itani unhonne pahale kabhi nahin pi thi. gita (unaki path‍‌ni, jinake sath vah unake alagav ka daur tha) ke sath unaki nonkajhonk ho gee thi. gita ne unaki bitiya ko unake sath kuchh vaqt bitane ke lie bhejane se inkar kar diya tha. guru datt apani patni ko bar-bar phon kar rahe the ki vah unhen apani beti se milane de, lekin gita phon nahin utha rahi thin. har phon ke sath guru datt ka gussa badhata hi ja raha tha. ant men unhonne yah snket dete hue kaha, “bachchi ko bhej do ya phir tum mera mara munh dekho” isake bad unhonne qarib ek baje khana khaya aur aise soe ki dubara nahin uthe. unaki maut unake kamare men huee.[9]


panne ki pragati avastha
adhar
prarambhik
madhyamik
poornata
shodh

tika tippani aur sndarbh

  1. guru datt , ek ashant adhoora kalakar ! (hindi) avaj. abhigaman tithi: 4julaee, 2012.
  2. 2.0 2.1 2.2 upadhyay, pooja. guru datt ko janana ek adamy, atript pyas se poora bhar jana hai (hindi) (ech.ti.em.el) laharen (blaaug). abhigaman tithi: 9 julaee, 2012.
  3. shrivastav, bachchan. mere jivanasathi/guru datt-gita ray (hindi) (ech.ti.em.el) jagaran yahoo indiya. abhigaman tithi: 9 julaee, 2012.
  4. kavathekar, dilip. guru datt , ek ashant adhoora kalakar ! (hindi) (ech.ti.em.el) avaz (blaaug). abhigaman tithi: 9 julaee, 2012.
  5. abhar- pnjab kesari 1 disnbar, 2011
  6. khare, vishnu. ek amar atmahnta pratibha (hindi) (ech.ti.em.el) bibisi hindi daaut kaaum. abhigaman tithi: 9 julaee, 2012.
  7. guru datt aur vahida rahaman ki lav stori (hindi) jagaran jnkshan. abhigaman tithi: 16 disambar, 2014.
  8. abhineta guru datt se snbndhit rochak baten (hindi) jagaran jnkshan. abhigaman tithi: 16 disambar, 2014.
  9. guru datt: kahani us akhiri rat ki (hindi) jagaran jnkshan. abhigaman tithi: 16 disambar, 2014.

snbndhit lekh

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