sthan: hamare hi desh jaise kisi desh ki koee jel...
"naye qaidi ki kya khabar hai havaladar ? usako t aaurchar kiya ki nahian ?"
"ji sar ! atankavadiyoan ko t aaurchar karane ke lie rool-buk mean tin tariqe die ge haian. hamane tinoan kar lie. aaudar ki kanplaians ho gayi sar, lekin us par koee asar nahian hua sar !..."
"kya-kya kiya tumane ?"
"sar ! pahale to hamane 'laftar as aault' yane 'hasyastr' yooz kiya; isamean mulzim ko gudagudi ki jati hai, jisase zyada hansega to zyada pareshan hoga... lekin vo hansa hi nahian... bat ye hai sar ki usako gudagudi hoti hi nahian hai."
"phir !"
"phir hamane usapar 'myoozik atॅk' yane 'sangit prahar' ko yooz kiya; isamean mulzim ko myoozik sunavaya jata hai, jisase vo nache aur thak kar pareshan ho jaye... b de-b de aitam nambar sunae... dhol-tase se lekar sab sunavaya lekin vo nahian nacha..."
"aur ?"
"aur to sar 'phood kort p aaulisi' bachati hai, vo bhi hamane de di... ek se ek badhiya khane ki chizean usake samane rakh di ki shayad zyada khane se pareshan ho jae... par aisa hua nahian."
"aur bhi kuchh kiya ?"
"isase zyada t aaurchar ham kisi atankavadi ko nahian kar sakate, sar !... ech. ar. si. yane hyooman raits kamishan ki paramishan nahian hai."
"isaki fॅmali ka pata chala ?"
"isaki fॅmali mean koee nahian hai sar. maan pahale hi mar gayi, bap ko isane 13 sal ki umar mean mar diya tha... rah gaye the bhaee aur isaki bivi... un donoan ko bhi isane mar diya."
"are haan isaka nam 'ukasav' bhi to isi chakkar mean p da tha ?"
"bat ye thi sar ki isaka bap isaki pitaee kar raha tha... isane apane bap se bahutera mana kiya ki mujhe mat ukasao... mat ukasao... lekin isaka bap ise pitata hi raha aur phir isane apane bap ko goli mar di... isi chakkar mean isaka nam 'ukasao' aur bad mean 'ukasav' popoolar ho gaya"
"aur bivi ko kyoan mara ?"
"imoshanal ho ke mar diya sar... bahut jyada seantimeantal adami hai bechara."
"hooanaaa..."
"vaise ek bat ye bhi hai sar ki agar ham jel ka phatak khol bhi dean, tab bhi ye bhagega nahian."
"kyoan ! isaka itana man lag gaya hai hamari jel mean ?"
"neean sar, man lagane ki bat bhi apani jagah thik hai lekin asal mean isake pair bahut kamazor haian, bhag hi nahian sakata !"
"tumako kaise maloom ?"
"isake pairoan mean bahut dard rahata hai sar, bina mujhase pair dabavaye rat ko niand nahian ati isako aur b di ajib-ajib dimand karata hai sar"
"jaise ?"
"mujhase bola ki mere lie 'mujara' karavao."
"achchhaaaa ! phir ?"
"phir kya... maianne saf mana kar diya ki bhaiya ! ye jel hai. yahaan bahut sakhti hoti hai... aur apake bare mean bhi maianne bata diya sar ki hamare jelar sab kitane sakht haian... isake mamale mean maianne b di hoshiyari se kam liya sar ! dividi pleyar par 'pakiza' aur 'umarav jan' dikhava di."
"phir to man gaya hoga ?"
"kahaan mana sar ! vo to mere gharavaloan ko bam se u davane ki dhamaki dene lag gaya."
"phir tumane kya kiya ?"
"akhir maian bhi mard ka bachcha hooan sar !... mere zianda rahate koee hath to laga jay mere gharavaloan ko... maianne dayarekt usaki aankhoan mean aankhean dalian...aur phir jo maianne use 'tॅkil' kiya hai to sar !... donoan aankhoan mean aansoo bhar laya aur ro bhi gaya..."
"shabas ! age batao kaise tॅkil kiya ?"
"maianne dairekt usake pair pak d liye... aur tab tak nahian chho de jab tak ki usane apane muanh se ye nahian kah diya ki vo mere bal-bachchoan se kuchh nahian kahega..."
"gud ! to isaka matalab hai ki atankavadi ke pair pak d kar, usase apani batean manavaee ja sakati haian !"
"ji sar ! is tariqe se doosare atankavadi man jate hoange par ye to phir bhi nahian mana tha sar !... bad mean, mere mobail se n jane kitane iantaraneshanal k aaul kie, tab kahian jakar b di mushkil se razinama hua"
"tumhara to bil bahut ban gaya hoga... usake lie iantaranet ki vyavastha karava do na, iantaranet k aaul bahut sasta p data hai."
"ab kuchh suvidhaean to deni hi p deangi na isako... usaki vajah ye hai sar ki bahut si batoan mean isaki adat bhaeechare vali hai."
"jaise ?"
"jaise nashte ke char andoan mean se do mujhe zabardasti khila deta hai..."
"bat to thik kah rahe ho havaladar... lekin pata nahian ye bechara masoom kab tak hamari jel mean hai... kahian hamari sarakar ise phaansi n de de"
"shubh-shubh bolie sar !... aisa soch kar hi dil mean hauladali hone lagati hai..."
chalie havaladar ki is 'hauladali' ko yahian chho dakar jel se vapas chalate haian...
mere ek parichit ne kaha ki kuchh atankavad ke vishay par bhi likh dijie. maianne kaha thik hai, likh deta hooan...phir kuchh sochakar vo bole "likh kar rakh lijie, jab koee bam phate tab lekh ko bharatakosh par laga dena kyoanki karant t aaupiks par likhana zyada achchha rahata hai."
maian unaki bat sunakar stabdh rah gaya, man mean socha ki isaka sidha matalab to yah hai ki maian apane sanpadakiy ko bharatakosh par prakashit karane ke lie bam phatane ki ummid karooan ki kab bam phate aur maian apana sampadakiy bharatakosh par prakashit karooan?
aisa lagane laga hai ki jis tarah bhrashtachar ki khabarean ab chauankane vali nahian rahi, usi tarah atank phailane vali ghatanaoan ke lie bhi log sahaj hote ja rahe haian. chin ke mahanh darshanik aur 'tao-te-chiang' ke rachiyata 'laotse' ke anusar- lagatar bhale ki noank ki chubhan bhi chubhan nahian rahati yadi use bar-bar dhire-dhire chubhate rahean. isi tarah sangitakaroan ke bahara ho jane, chitrakaroan ke aandha ho jane aur har samay tivr gandh yukt vatavaran mean rahane valoan ki gandh pahachanane ki kshamata khatm ho jane ke udaharan bhi haian. nirantar lambe samay tak doharane se us prakriya ki or dhyan svat: hi kam ho jata hai.
bhrashtachar ki yah sthiti bharat mean bahut pahale hi ho gayi thi. isako sabase pahale bahaduri ke sath rajiv gaandhi ne svikar kiya tha ki sarakari paise ki khep ka das pratishat paisa hi janata ko vastav mean mil pata hai. is sandarbh mean atal bihari vajapeyi ka vaktavy ki bhrashtachar ab koee mudda nahian raha, is daur ki rajanitik sthiti ko bakhoobi spasht karata hai.
vishv mean atankavad jis tarah se badh raha hai aur lagabhag pratidin kisi sampraday ya mazahab, bhasha ya kshetr, nasl ya jati adi ke muddoan ke avaran odhakar hamare samane ata hai. yah rozana ka kram ek gambhir sthiti ki poorv soochana hi hai ki shayad ham atankavad ki ghatanaoan ko bhi akhabaroan mean ane vali samany chori, rahajani, loot ki ghatanaean manakar zyada vajan n dete hue anadekha kar dean.
kuchh ghatanakram nishchay hi kisi doosari disha ki or hamean le jate haian jisase in atankavadi samasyaoan ke pichhe koee aur karan bhi nepathy mean kh da spasht dikhaee deta hai. 'itali' mean sanh 1969 ke asapas arthik, samajik, rajanitik asthirata rahi, natije ke roop mean charoan taraf arajakata, lootapat, apaharan, hatya jaisi atanki ghatanaoan ka bolabala hua, karan tha desh mean badhati berozagari evan arthik vishamataean. varsh 1978 mean desh mean arthik sampannata evan rajanitik sthirata ka daur shuroo hua. natija raha, itali ke atankavadi sangathanoan ki gatividhiyaan samapt pray: ho geean.
'kolambiya' mean sanh 1974 mean desh ki satta aur audyogik pratishthanoan ki am janata ke sath asamanata ki khaee chau di ho gayi- koee bahut zyada amir ho gaya to koee bahut zyada garib, natija- desh ke shramikoan, yuvaoan adi ne pratibandhit nashile padarthoan ke vyavasayiyoan se hath milakar kam karana shuroo kar diya, berozagaroan ke sashastr gutoan ne kolambiya ke sarvajanik nirman aur audyogik nivesh ko apane hath mean le liya.
'jarmani', jahaan ke vidvanh maiksamoolar ne vedoan ka anuvad kiya, vahian jarmani anek atankavadi ghatanaoan aur sangathanoan ka karak bhi bana, sanh 1968 mean jarmani ki rajanitik arthik satta ka daanvadol hona. karan- arthik vishamataoan ki parakashtha, aandrean badar aur ularik minahaf dvara red armi namak sangathan ki shuruat. natija- desh mean baiank dakaiti, apaharan evan phirauti aur b di atanki ghatanaoan ka bolabala. varsh 1992 mean donoan jarmani ek hue, rajanitik sthirata evan arthik sampannata ka daur shuroo hua to atanki ghatanaean lagabhag samapt pray: ho geean.
is tarah se anek udaharanoan se ham atankavad ke mool mean arth ki bhoomika ko spasht roop se dekh sakate haian. suniyojit atanki hamaloan mean sheyar bazar ki soojhaboojh bhi samanantar chalati hai jo ki usake atankavad ke arthik pahaloo ko ujagar karati hai. ek pahaloo aisa hai jis par hamean mukhy roop se gaur karana chahie- kishoravastha aur yuvavastha mean yuvakoan aur yuvatiyoan mean bhari sharirik oorja ka upayog sahi roop mean nahian ho pa raha hai jo ki pichhale samay mean vibhinn kheloan, dau d bhag, kasarat adi prayog mean hota rahata tha. ab navayuva ke pas samay bitane ke lie tivi aur kanpyootar jaise manoranjan ke sadhan haian. zaroorat is bat ki hai ki yuva pidhi ko sharirik shramayukt shiksha, khel, manoranjan adi mean zyada se zyada bhag lena chahie jo ki ab kam hi ho pata hai.
kul milakar jo sthiti samane ati hai, vah yah spasht karati hai ki atankavad ek vyavasay ke roop mean sthapit ho chuka hai. jo log atankavadiyoan ke prati kisi dharm ya jati athava kshetr ya bhasha ke karan nyoonadhik astha rakhate haian ya man mean kisi prakar ki koee sahanubhooti rakhate haian to ve sirf ek nirmam vyavasayi ki yojana ke bhagidar hi haian. hamean 'j aaun stooart mil' ki ukti ko bhi nahian bhoolana chahie ki vyaiktikata ko jo bhi kuchale, vah tanashahi hai, chahe use kisi bhi nam se pukara jaye.
atankavadi yuva hi hote haian. yuva pidhi, atankavad ke chakravyooh mean jin karanoan se phansati hai unake bare mean do soch haian. ek to ve karan jo samany roop se pracharit kie jate haian jaise ki sampraday ya mazahab, bhasha ya kshetr, nasl ya jati adi ke muddoan se ju de karan. doosare karan, jaise ki ashiksha, berozagari aur duniya ko turant chamatkrit karane ki lalasa adi, jo ki 'asali' karan haian. shiksha ki kami ko maian atankavad ke lie sabase adhik zimmedar manata hooan kyoanki khoobasoorat aur kaddavar pathanoan ka desh afaganistan aj duniya ke un das deshoan mean se ek hai jinamean saksharata ka pratishat vishv mean sabase kam hai. afaganistan rediyo se prasarit hone vale 'pashto' gane ham bachapan mean suna karate the aur afaganistan se ek dor si bandhi huee thi lekin aj, us dor ke doosare chhor par koee maujood nahian hai...
is saptah itana hi... agale saptah kuchh aur...
-adity chaudhari
sansthapak evan pradhan sampadak
