आदित्य चौधरी -फ़ेसबुक पोस्ट  हिन्दी देवनागरी में पढ़ें।

adity chaudhari fesabuk post
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dinank- 12 disnbar, 2017

|| manahoosiyat ke mare ||

prakriti kahie ya eeshvar kahie, usane prithvi par jo kuchh bhi paida kiya usamen ek ullas poorn gati avashy di. manahoos udasi ya adambari gnbhirata kisi bhi jiv men nahin di. yahan tak ki vanaspati men bhi ek ullas se bhari huee vikas ki gati hoti hai. soorajamukhi ka phool soory ko hi takata rahata hai aur soory jis disha men jata hai usi disha men vah mud jata hai. phoolon ki bel, sahare talash karati rahati hain aur jaise apani bahen phailakar sahare ko pakad oopar badhati jati hain.

ap sadak se ek pilla utha laiye. sara din ghar men dhama-chaukadi machae rahega. kahane ka sidha arth yah hai jise ham sabhi janate hi hain ki jivan ka arth hi utsav aur ullas hai. pratyek manushy ka pratyek bachcha janm se hi nrity, gayan, vadan, chitrakari, moortikari, khel jaisi adi pratibhaon se paripoorn hota hai. jigyasa se bhara khoji svabhav pratyek bachche ka svabhavik gun hota hai. yah sthiti manasik roop se divyang bachchon men bhi hoti hai. mainne bade qarib se dekha hai aise bachchon ko jinaki manasik kshamata hatakar hoti hain aur jinhen ham manasik roop se avikasit ya vishisht roop se vikasit manate hain. in bachchon men bhi prasannata aur ullas ka bhav bharapoor hota hai.

samasya tab shuru hoti hai jab dhire-dhire bachcha bada hone lagata hai to adhikatar mata-pita (ya any abhibhavak) usaki in pratibhaon ko bade garv ke sath samapt karane men lag jate hain. isamen skool bhi apani bhoomika bakhoobi nibahata hai. adhikatar skoolon men shiksha jis tariqe se di ja rahi hai vah behad shochaniy avastha hai. padhaee men srijanatmakata jaisa kuchh bhi nahin hota. unhen vah nahin sikhaya jata joki unake vyaktitv ke sarvangin vikas men sahayak hoga aur ve svayn apani saphalata ka rasta chun sakenge balki unako ek parnparik tariqe ki padhaee di jati hai jisase ve kuchh naya karane ki bajay khud ko kisi n kisi jaaub ke layaq banane men lag jate hain.

mahan vicharak je. krishnamoorti ne kaha bhi hai ki skoolon men bachchon ko ‘kya socha jay sikhane ki bajay kaise socha jay’ yah sikhana chahie. is autadeted ubaoo shiksha paddhiti ke karan bachchon ke bhitar ki umng aur ullas khatm hone lagata hai. odhi huee gnbhirata manahoosiyat bhari udasi unaka sthaee svabhav ban jata hai. bachchon ko yah mauqa hi nahin diya jata ve jan saken ki unamen kaun si vishesh pratibha hai. bachchon ki markashit hi unaki yogyata ki pahachan ban jati hai.

zara bataiye ki mainne kalakulas, triganomatri, vektar, praaubebiliti adi ki padhaee ki… vah mere kis kam a rahi hai… kisi kam nahin. isamen koee do ray nahin ki ganit mera pasndida vishay tha lekin mujhe un vishayon ya kshetron ko chhedane ka mauqa hi nahin mila jo mere priy ho sakate the ya unamen se koee ek mera pashan ban sakata tha.

vyavasay men pita apane varis ko sikhata hai ki beta-beti jitani zyada manahoosiyat bhari gnbhirata tum odhe rahoge tumako utana hi bada bijanesaman samajha jaega. sarakari karyalay men chale jaen to aisa lagata hai ki yahan agar zor se hns pade to shayad chhat hi gir padegi kyonki us chhat ne kabhi hnsi ki avaz suni hi nahin (subah-subah safaee karmachari hi shayad hnsate hon). alam ye hai ki odhi huee gnbhirata ek snskriti ban chuki hai. ab n to is manahoos snskriti ko kya nam diya jay yah samajh men ata aur isako khatm karane ka upay hi.

ek samany shishtachar hai ki kisi ajanabi se apaki nazar mil jay to halka sa muskura den. yah shishtachar yooropiy deshon men bahut am hai. hamare desh men yadi ap kisi ajanabi ko dekhakar muskura ge aur yadi vo ladaki huee to sochegi ki ap use chhed rahe hain aur yadi koee ladaki kisi ajanabi ladake ko dekhakar muskura gee to ladaka samajhega ki yah prem ka nimntran hai.

kya apako nahin lagata ki ye sab baten skool men sikhaee jani chahie? meri aj tak yah samajh men nahin aya ki skool men bachchon ko ghar ka kam karana kyon nahin sikhaya jata. jaise; chay-biskit-nashta banana, kapade tah karana, kapade istari karana, sharirik safaee, mata-pita se vyavahar, kil-chobe lagana, kapadon men batan lagana, chhote bachche ki dekh-bhal karana, bagavani, adi-adi. isake alava ‘doo it yoraself’ ki bahut si chizen sikhaee jani chahie, zarooratamnd logon ki madad kyon, kab aur kaise karen yah unake svabhav men ana chahie. yah sab ladaki-ladakon ko saman roop se sikhana chahie. khana banana ladakon ko bhi ana chahie. kamakaji pati-patni ke ghar men donon hi lagabhag sabhi kam karate hain. ye sab bachchon ko skool men sikhaya jana chahie. kuchh vyavaharik prayogon dvara aur kuchh vidiyo dikhakar.

yah to thik hai ki ham bachchon ko mahan vyaktiyon ke bare men batakar unhen achchha insan banane ke lie prerit karate hain lekin bachchon ko yah bhi batana chahie ki chhote bachche ghar ke kamon men apani mata-pita ki madad karake bhi mahan banate hain. unako pata hona chahie ki yadi ve kam par jane se pahale apane pita ki saikil-baik-kar ko ponchh denge to yah kitana bada kam hoga. rasoee men man ka hath bataenge to unake dvara kiya kam kitana mahatvapoorn hoga.

zaroorat to is bat ki hai ki pratyek skool, kaaulej men kuchh vishay alag se padhae jane chahie. jinase chhatraon aur chhatron ko achchha insan banane men madad mile. ‘snskriti’ ek alag vishay hona chahie aur is vishay ke adhin sab-kuchh sikhana chahie.
© adity chaudhari

dinank- 5 disnbar, 2017

“koee aj bhi hai jo sunata hai…”

yah bat un dinon ki hai jab bharat par angrezon ka shasan tha aur deshabhakt krantikari angrezon ka virodh kar rahe the.
ek angrez adhikari gandhiji se milane aya. usase kafi der mahatma gandhi se bat-chit ki, kee vishayon par charcha huee. isake bad vah vida lekar chala gaya. usake jane ke bad gandhi ji ko bataya gaya ki jis relagadi se vah angrez adhikari a raha tha, us relagadi par krantikariyon ne bam phenka aur jis rel ke dibbe men vah angrez baitha tha us dibbe ka adha hissa bam ke karan kshatigrast ho gaya. jis vyakti ne gandhi ji ko yah soochana di usane poochha ki us angrez adhikari ne apase yah charcha avashy ki hogi. gandhiji ne bataya ki usane is tarah ki koee charcha nahin ki.

zara sochie ki us angrez ne bam fenkane ki charcha kyon nahin ki? isaka karan hai ki vah angrez nahin chahata tha ki gandhi se varta karate samay kisi aisi bat ka zikr kiya jae jisase ki vartalap ka mahaul asahaj ho jae. nishchit roop se is vartalap men donon hi sahaj nahin rah pate yadi bam fenkane ki ghatana ka zikr vah angrez adhikari kar deta.

yadi ap chahate hain ki log apaki upasthiti ko pasnd karen to apako apane 'subhita star' (Comfort level) ki taraf dhyan dena chahie. yane apaki maujoodagi men log kitana sahaj mahasoos karate hain. jo log apake sahakarmi, mitr, parivarijan adi hain unhen apaki upasthiti men kitani sahajata mahasoos hoti hai. sada smaran rakhane yogy bat yah hai ki ap yogy kitane hain yah bat to mahatvapoorn hai hi balki apaka subhita star kitana hai, yah adhik mahatvapoorn hai. ek saphal vyaktitv ka rahasy buddhi, pratibha ya yogyata men hi chhupa nahin hai balki 'subhita star' (Comfort level) isamen sabase mahatvapoorn bhoomika nibhata hai.

ajakal log (ऍnd aaufakors lediz aaulaso) sunate nahin hain. bolane se zyada zaroori hai sunana. sunane ke tariqe hain tin… tin kya balki char.
pahala tariqa: sabase ghatiya tariqa hai. isamen sunane vala kahane vale ki bat kat kar apani bat kahane lagata hai. yah vyakti sabako apriy hota hai.
doosara tariqa: kahane vale ko yah lagata rahata hai ki sunane vala kuchh kahana chahata hai. sunane vale ke hav-bhav-bhngima aur ankhen, kahane vale ko, aisa sndesh deti hain. jisase kahane vala chup ho jata hai ya phir kahata hai ”kahie ! ap kuchh kahana chahate hain kya?” sunane ka yah tariqa bhi ghatiya hi hai.
tisara tariqa: yah tarika bahut sahi hai. isamen sunane vala kahane vale ki bat dhyan se sunata hai. apane kisi hav-bhav se yah mahasoos nahin hone deta ki vo dhyan se nahin sun raha.
chautha tariqa: isamen ham kahane vale ko kuchh kahane ke lie kahate hain, koee prashn karate hain aur uttar dhyan se sunate hain. is tariqe men ham logon ke maun ko bhi sunane ki koshish karate hain aur un logon ko kuchh kahane ke lie protsahit karate hain jo bahut kam hi bolate hain.

is chauthe tariqe se bahut kuchh sikhane ko milata hai. main aksar un logon ko bolane ke lie protsahit karata hoon jo bahut kam bolate hain.
ek snsmaran: mere yahan ek ghareloo karmi tha. jisaka kam mere sath rahakar mere chhote-mote kam karana tha. use sab kamaql manate the. main usase koee n koee saval karake usi pratikriya sun leta tha. ek din ghar ke samane se hathi ja raha tha. mainne kaha ki kamal ki bat hai dharati ka sabase bada jiv hai aur kitana shant hai? ghareloo karmi bola ki sabase bada hai isilie to shant hai. main usake javab se dng rah gaya. kitana satik uttar tha usaka.

zindagi men agar sunana sikh lengen to bahut kuchh sikhane ko milega. logon ne sunana to lagabhag bnd hi kar diya hai. kisi se milane jate hain to nazar mobail fon par hi bani rahati hai. mujhe buzurgon se bat karane men zyada annd hota hai kyonki unamen se zyadatar smart fon istemal nahin karate. vyastata bahut badh gee hai. vaise bhi vyastata ek faishan ban gaya hai. jinhen koee bhi zaroori kam nahin hai unaki vyastata dekhakar to aur annd hota hai. is vyastata ka dikhava bhi apake subhita star ke lie nuqasanadayak hai.

© adity chaudhari

dinank- 7 navnbar, 2017

“After Japan, China will rise and gain prosperity and strength. After China, the sun of prosperity and learning will again smile at India.”

ye shabd kisi angrez arthashastri ke nahin hain balki sanh 1902 men japan aur amarika ki yatra ke dauran prasiddh vedanti svami ramatirth ke hain. do varsh amarika men bitane par svami ji amarikiyon ke lie achambha ban ge the. barf girati rahati thi aur ramatirth nichale sharir par keval dhoti pahane usamen chal dete the. nnge kandhon par barf girati to use jhad dete the. log ashchary se aise vyakti ko dekhate rah jate the.

svami ji ne jab snnyas liya tab ve ganit ke profesar the. bharat ke lie unake vaktavy atynt utsah se bhare hote the. ve kahate the-

“bharat kya hai? main bharat hoon. mera sharir mano usaki bhoomi hai. mere do pair malabar aur cholamandal hain. mere charan kanyakumari hain. mera mastak himalay hai. gnga aur brahmaputr jaisi prachand nadiyan mere kesh hain. rajasthan aur gujarat me marusthal mera hriday hai. poorv aur pashchim dishaon men meri bhujaen phaili hain.” svami vivekanand ke prabhamndal ke karan unake hi samakalin svami ramatirth ko log zyada nahin jan pae. ramatirth ne nayi pidhi ko jagane ka kam vivekanand ki tarah hi kiya.

bharat ko ek vyakti ke roop men dekhana aur bharat ke pratyek nagarik ko bharat ke roop men dekhana svami ramatirth ki adbhut dharana vastav men hi saty hai. zara sochie ki yah bat kitani mahatvapoorn hai ki bharat ne kisi padosi par kabhi akraman nahin kiya. jo videshi bharat men akar shasan kar ge unako bhi bahut had tak bharat ki parnparaon men dhalana pada.

aaj jise ham hindoo dharm kahate hain usaki asnkhy shakhaon ki astha, mat, dharmik vishvas, pooja-archana, anushthan, karmakand adi men ashcharyajanak vividhataen hain. bharatiy darshan parnpara men eeshvar ke astitv aur svaroop ko lekar vibhinn mat hain. koee sakar eeshvar men astha rakhata hai to koee nirakar men aur koee-koee to eeshvar ke astitv ko hi nahin manate. kamal yah hai ki yah sab hindoo dharm men shamil hain.

prachin grnthon men bahut si janakariyan aisi hain jo bahut mahatvapoorn hain. pauranik kal men raja apane putron men se rajy ke uttaradhikari ko chunane ke lie anek prakar ki shikshaon ki vyavastha karata tha. ayodhya ke raja dasharath ne apane putron se anek snpradayon ke rishi-muniyon aur acharyon ki charcha karavane ki vyavastha ki thi. raja dasharath ram ke pas lokayaton (charvak) ke acharyon ko bheja jinhonne ram ko charvak darshan ka gyan dene ki cheshta ki jisamen nastik hone ke labh batae ge lekin kishoravay ram ki astha vaidik parnparaon men thi. isalie ram ne unhen nakar diya aur kshama mang li. isake alava bhi any vicharadharaen thin jinake anuyayi paryapt matra men the aur aj bhi hain. isi kram men, ajivak ek atynt prachin snpraday hai. jisake sadhu aur bhikshu maskari vesh men raha karate the. ravan jab sita haran ke lie aya tha us samay vah isi ajivak snpraday ke maskari vesh men aya tha.

bharat ka yah rng-rngila svaroop aj bhi badala nahin hai. vibhinn dharmon aur snpradayon ko manane vale bharat men shan se rah rahe hain aur unhen snvidhan men saman adhikar prapt hain.

kuchh hi samay pahale ki bat hai jab ek sikh, bharat ka pradhanamntri (manamohan sinh), ek musalaman, rashtrapati (abdul kalam), ek hindoo, sadan men vipaksh ke neta (atal bihari vajapeyi) aur ek janm se eesaee, shasak parti ki adhyaksh (soniya gandhi) hone ka vilakshan snyog hua. yah bhi bharat men hi snbhav hai.

not: (pathakagan kshama karen, oopar ke anuchchhed men mainne shrimati soniya gandhi ko ‘janm se eesaee’ isalie likha hai kyonki mujhe unaki vartaman dharmik sthiti pata nahin hai.)

kuchh baten man par chhap chhod jati hain aur apane bharatavasi hone par aur bhi adhik garv hone lagata hai.
abhi pichhale dinon muhammad ali jinha ki beti ka dehavasan hua. logon ko janakar bada ashchary hua ki pakistan banane vale pakistan ke qayad-e-azam ki beti bharat men rahati thi! pakistan men n to jinha ko aur n hi unaki bahan fatima ko samuchit samman diya gaya. jinha ke ilaj men laparavahi huee aur
unaki bahan fatima to chunav hi har gayin. jinha ki beti sammanapoorvak bharat men rahin aur unhonne pakistan ko kabhi pasnd nahin kiya.

© adity chaudhari

dinank- 2 navnbar, 2017

ajakal rani padmavati (padmini) ko lekar kafi hngamaee bahas chhidi huee hai. kuchh kahate hain ki padmavati koee aitihasik charitr ‘nahin hai’ aur kuchh kahate hain ki ‘hai’. alauddin khalaji ke chittaud akraman ke lagabhag 237 varsh bad, ee.sanh 1540 ke qarib malik muhammad jayasi ne padmavat nam se ek mahakavy racha.

is mahakavy ke kuchh pramukh charitr; rani padmini, rana ratanasen, alauddin khalaji, raghav chetan, gora-badal aur ek insanon ki tarah bolane vala tota hiraman hain.
ab choonki is vishay par film ban rahi hai aur kafi charcha men hai to isaka kathanak unako bhi yad ho gaya hai jinako nahin tha, ye fesabuk aur vaauts ऍp ki karamat hai. isalie kathanak par charcha vyarth hi hai.

malik muhammad jayasi ke jivan ki ghatanaen kahin kisi itihas men darj nahin hain. katha-kahaniyon se hi jayasi ke jivan ka kuchh pata chalata hai. chechak se jayasi ke chehare par dag ho ge aur ek ankh chali gee. ‘jayasi’ upanam jayas (pahale ray bareli aur ab amethi ka ek nagar) men rahane ke karan pada. bad men jayasi ne ek chamatkari soofi snt ke roop men prasiddhi payi.

jayasi ko afim ke nashe ki lat thi. afim ka nasha adami ko kalpanalok men le jata hai. us samay mazoon (bhang se banati hai) aur afim ka kafi prachalan tha. sharab men afim mila kar pine ka bhi chalan tha. jisaka zikr babar ne babaranama men kiya hai. akabar bhi sharab men afim milakar piya karata tha.

jayasi ki mrityu ke snbndh men ek kalpanik katha prachalit hai. kahate hain ki jayasi apane jadoo se sher banakar jngal men ghooma karata tha. ek shikari ne is sher ke roop men jayasi ko mar dala.

kuchh itihasakaron ne padmini ke jauhar ko kalpanik katha bataya hai. is par charcha bad men pahale sikndar ke bharat akraman ke samay ghati ek ghatana ka zikr-
panini ne agrashrenay: namak ek chhote se nagar-rashtr (ya aj ki bhasha men kahen to qabile ka) zikr kiya hai. jo itihas men yoonani bhasha men parivartit hokar agalassoee ho gaya. in agalassoee nagarikon ne yoonani akranta sinkndar ka jam kar muqabala kiya. bharatakosh par isaka vivaran is tarah hai:-

  • agalassoee sikndar ke akraman ke samay sindhu nadi ki ghati ke nichale bhag men shivigan ke pados men rahane vala ek gan tha.
  • shivi gan jngali janavaron ki khal ke vastr pahanate the aur vibhinn prakar ke ‘gada’ aur ‘mugadar’ jaise hathiyaron ka prayog karate the.
  • sikandar jab sindhu nadi ke marg se bharat se vapas laut raha tha, to is gan ke logon se usaka muqabala hua.
  • agalassoee gan ki sena men 40 hazar paidal aur tin hazar ghudasavar sainik the. unhonne sikandar ke chhakke chhuda die, lekin ant men ve parajit ho ge.

• yoonani itihasakaron ke anusar agalassoee gan ke 20 hazar abadi vale ek nagar ke logon ne svayn apane nagar men ag laga di aur apani striyon aur bachchon ke sath jalakar mar ge, taki unhen yoonaniyon ki dasata n bhogani pade. yah krity rajapooton men prachalit jauhar pratha se milata pratit hota hai.

agalassoee ki pahachan paninike vyakaran men ullikhit agrashrenay: se ki jati hai.

bharat men anek kathaen hain jo jan-jan men lokapriy hueen aur inamen se kee kathaon ke patr bharat ki janata ke lie shraddhey ho gaye.
jaise aalha oodal, nal damaynti, kach devayani adi.
alha-oodal kavy men likha hai:-

bade-bade chamacha gadh mahobe men
nau-nau man jamen dar samay
bade khabaiya gadh mahobe ke
nau-nau sai chamacha kha jaen

ab isamen kahan sachaee talashi jay? nau man dal vale chamache aur nau sau chamache dal khane vale adami?
nal-damaynti ki katha men nal ki katha damaynti aur raja nal ko ek insanon ki tarah bolane vala hns sunata hai. kach-devayani ki katha men kach ko pakakar shukrachary ko khila diya jata hai aur vah pet men jivit ho jata hai. yadi koee in kathaon ka aitihasik mahatv poochhe ya phir vaigyanik mahatv poochhe to?

is prashnon ka koee arth nahin hai. ye to kathaen hain. inake nayak-nayika jan sadharan men kab aur kitana mahatvapoorn ban jaen koee nahin kah sakata. anek vyakti aise hue hain jinako avatar aur bhagavan ki manyata mili hai.

rani padmini ke jauhar ki ghatana ka pn. javahar lal neharoo ne zikr kiya hai. rajasthan ka itihas likhane vale karnal taaud ne bhi is ghatana ka zikr kiya hai. ajakal karnal taaud ke itihas ko koee khas manyata nahin di jati sath hi pn. javahar lal neharoo ko bhi itihasakaron ki shreni men nahin mana jata. mashahoor farasi itihasakar farishta ne jayasi ke padmavat ko itihas mana hai.

aj ke itihasakar jayasi ke padmavat ki anek ghatanaon men virodhabhas aur itihas virodhi tarikhon ka ullekh karate hue ise itihas se alag karate hain. itana avashy hai ki adhunik itihasakaron ke mat se tin tathy aitihasik hain; ratanasen ka chittaud men rajatilak, khalaji ka chittaud par akraman aur chittaud men striyon dvara jauhar.

ab prashn yah uthata hai ki hamare desh men ek aisi hriday vidarak ghatana ghati aur is ghatana ko jan-jan men kabhi n bhoolane vali ek yad ke roop men kavi malik muhammad jayasi ne lokapriy kar diya to kya koee gunah kar diya? ham sabhi bharatavasiyon ko apani snskriti aur gauravashali itihas par garv tabhi to hoga jab isako hamen bar-bar yad dilaya jaega.

ek nazar film ke kathanak par bhi dali jay- ek kalpana to jayasi ne ki jisake karan padmini ki katha aj itani mahatvapoorn ho gee ki bharatavasi use apani asmita aur gaurav se jodane lage. doosari kalpana film ke lekhak ne ki jisamen allauddin khalaji ko svapn men padmini ke sath vihar karate soch liya jo ki manovaigyanik dhng se snbhav ho sakati hai lekin samaj ke lie poornat: nakaratmak soch hai. kalpana asim hoti hai lekin kalpana ki abhivyakti sadaiv simit aur snyamit hoti hai.

aj khalaji ke svapn men padmini ko dikhane ka prayas hai to kal ravan ke svapn men sita ko dikhane ka prayas kiya jaega aur bahana manovigyan aur kala ka liya jaega. mera nazariya is snbndh men spasht hai lekin film ke nirmata lila bhnsali ke sath hathapaee ya film ke set ko kshati pahunchana bhi galat hai. adalat men jan hit yachika ek sahi aur qanooni rasta hai.

© adity chaudhari

dinank- 22 mee, 2017

mujhase ek prashn poochha gaya: atmabodh, svajagaran, antarachetana, prabodhan (enlaitenament) adi shabdon se kya tatpary hai ?

mera uttar: apaka vyaktitv doosaron ka anusaran aur naqal karake bana hai. jane-anajane hi n jane kitane vyaktiyon ke vyaktitv ki visheshataen, adaten, hav-bhav adi apake bhitar a jati hain. apako jab bhi jahan bhi koee bat prabhavit karati hai to vah apake vyaktitv ka hissa ban jati hai. kisi ke; paidal chalane ka dhng, bolane ka dhng, gane ka dhng adi se ap is qadar prabhavit rahate hain ki use apana lete hain.

isi tarah apake sochane ki prakriya aur sochane ka dhng svayn ka n hokar kisi n kisi ke dvara nirdeshit hota hai. apako bachapan se hi yah sikhaya jata hai ki ap kya sochen jabaki sikhaya yah jana chahie ki ap kaise sochen. anek shikshaon, anushasanon, upadeshon, nasihaton adi ke chalate ap ek nishchit ghere men sochane ka kary karate hain. apaka dimag, soochanaon aur gyan ka godam ban jata hai jisamen kisi ne vichar ka ankur phootana namumakin ho jata hai.

halat yahan tak ho jati hai ki kis bat par karuna karani hai aur kis par krodh, yah bhi dimag men koot-koot kar bhar diya jata hai. koee dharm aur koee jati de di jati hai jisako apako manana hota hai. apako bataya jata hai ki kya sahi hai aur kya galat. is sab se banata hai apaka vyaktitv. yah vyaktitv apaka apana nahin hai. apake dimag men ne vichar nahin hain. eeshvar, allah ya jisas ka anusaran, apane apane man se nahin chuna hai. ap ek jivit robaaut bhar hain.

ap jagrat tab hote hain jab ap apane drishtikon se sab kuchh dekhate hain. apane jivan ke nirnayak aur nirmata ap svayn hote hain. apake vichar svayn apake vichar hote hain. ap svatntrata ke mukt akash ke niche apani dharati par mukt vicharan karate hain. doosare ke kahe ya likhe ko bina vichare manate nahin hain. jab apako pata hota hai ki ap kitane svatntr hain aur kitane paratntr. ap eeshvar ko svayn hi samajhane ka prayas karate hain, n ki doosaron se poochhate phirate hain. ap apane se chhoton aur sntan par apane vichar ladate nahin hai balki unhen bhi svayn nirnay lene men saksham banate hain.

isi ko kahate hain enalaitenamennt aur isake lie dhyan dharana bahut labhadayak hai.

© adity chaudhari

dinank- 19 mee, 2017

priy mitro! jaisa ki apane chaha... mainne ek kahani aur likhi hai. zara dekhie kaisi hai!

'ek rat achanak'

navambar ka mahina tha. pradip ek sunasan raste par akela paidal chala ja raha tha. dimag men lagatar ek ke bad ek chintaen ghumad rahin thin. halaki thnd hone par bhi pata nahin use kyon pasina aa raha tha ? tez chalane ki vajah se ya tanav ke karan.

‘main itani tez kyon chal raha hoon , kya chakkar hai ?… kahin jaldi to pahunchana hai nahin mujhe… dhire chalata hoon.’

usane chal dhimi kar di.
‘kahe ka krishi pradhan desh hai bharat… dahez pradhan hai… dahez pradhan… shadi tay ho gee aur paisa pas men ek bhi nahin…’
vo dhimi avaz men badabadaya.
‘ritika ko achchhi se achchhi padhaee karavaee aur ab shadi men kam se kam das lakh rupe kharch honge. are bhaiya! char lakh to us mngal ke bachche ne laga die, apani beti ki shadi men aur vo to bas tampo chalata hai tampo.’

‘kahan se laoon itana paisa ?… kaise banenge zevar ?… kaise hogi davat ?… meri sasural valon ke pas bhi kuchh nahin hai. ab kya hoga… he eeshvar kuchh karo.’

tabhi sadak ke kinare ped ke niche, hanuman ji ka chhota sa mndir dikha. usane ruk kar sir jhukakar hath jod die. sar uthaya to aisa laga ki kuchh doori par koee halachal hai. thoda chalane par dekha ki do ladake ek ladaki ko ghasitate hue. sadak se ek taraf ki galinuma raste ki taraf le ja rahe hain.

pradip ek ped ke pichhe chhup gaya aur sadak par se jhankakar unako dekhane laga. ek ladake ke hath men deshi tamncha jaisa kuchh tha. ped ko pichhe chhod vo thoda aur age gaya to andaza hua ki ladaki ka munh, safi-gamachha jaise kapade se bndha tha. ladaki ghisatate samay pair patak-patak kar bahut virodh kar rahi thi aur isilie ladakon ki laton ki thokar se pit bhi rahi thi.

pradip ka man bechain ho raha tha. munh sookhane laga, dil zoron se dhadak raha tha.
‘kya karoon-kya karoon-kya karoon ?… agar main inase lada aur mar gaya…? to phir meri beti ka kya hoga. kaun karavaega shadi?… das lakh rupe?… ho sakata hai ye ladaki hi galat ho?… bhad men jane do… ghar pahunchoon… nahin-nahin mujhe zaroor ladana chahie… bachana chahie ladaki ho.’

bamushkil bis-pachchis qadam ki doori par hi sab kuchh ghatane vala tha. tarah-tarah ki halki avazen a rahi thin jinamen galiyan zyada thin.

‘shayad ladaki se balatkar aur phir use mar hi denge. saboot thode hi chhodenge.’
tabhi pradip ki nazar pas hi pade saikil ke toote kariyar par padi. usane kariyar utha liya.

‘ladake zyada tagade to hain nahin… lekin main bhi to pachas ka ho gaya… pata nahin jhagade ka kya natija nikale…’

phir vahi soch… ‘ritika ki shadi… bivi ka kya hoga… balatkar… khoon… ritika…shadi… balatkar…dhak-dhak, dhak-dhak, dhak-dhak, dhak-dhak…

pradip ki pakad saikil ke toote kariyar par kasati ja rahi thi. vo age badha to dekha ki ek ladaka to ladaki ko zamin par gira kar qaboo karane ki koshish kar raha hai aur doosara tamncha lekar khada rakhavali jaisi kar raha hai.

pradip us gali men mudakar age ki or gaya aur jaise hi tamnche vala pradip ki or ghooma usane tamnche vale hath par saikil ka kariyar de mara. tamncha gir gaya. kariyar ka doosara var usi ladake ke munh par hua, usake munh se khoon nikal aya aur vo gali men andar bhag gaya. ab tak ladaki doosare ladake ki pakad se chhoot chuki thi aur usane pichhe se us ladake ke lambe balon ko pakad liya ab pradip ke lie us ladake ki pitaee karana bahut asan ho gaya.

ladaki ne bal chhode to tamncha utha liya. ladake men ek ghoonsa aisa laga ki vah behosh hi ho gaya. ladaki laton se us ladake ko mare ja rahi thi. pradip buri tarah hanf raha tha lekin vijeta ki tarah.

us ladaki ki jaket thodi si phat gee thi aur othon ke kinare se khoon bah raha tha. ladaki kisi achchhe ghar ki lag rahi thi. pradip ne us ladaki ko usake ghar pahunchaya to pata chala ki vo to shahar ke bade rees ghanashyam chaddha ki ikalauti beti hai. chaddha sahab bahut sajjan vyakti the. shahar men unaki nekanami ke qisse mashahoor the. jab chaddha sahab ko pata chala ki pradip, beti ki shadi ke lie paison ke intazam ke lie pareshan hai to unhonne pradip ke bahut mana karane ke bavajood usaki beti ki shadi ki poori zammedari apane oopar leli.

shadi ke din ritika ke pas ek sundar ladaki aee aur usase boli.
“hay ritika! ay em saloni… mujhase dosti karogi, main tumhare papa ki fan hoon. hi ez vairi brev man.”
pas khade pradip ne kaha “lekin saloni se zyada brev nahin… hahaha”
sab sath-sath hns pade.

© adity chaudhari

dinank- 18 mee, 2017

priy mitro! jaisa ki ap chahate hain, mainne ek kahani aur likhi hai. zara dekhie kaisi hai!

‘dana-pani’

vo hamare kiraedar the. unaka apana koee nahin tha. bas hamen hi apana manate the. pandrah sal se hamare sath the. ghar ke bazurg jaise ho ge the. ham unhen kaka kahate the. subah sham ka doodh sabzi lane ka kam khud hi karate rahate. hamare mana karane par bhi nahin manate the. shuroo-shuroo men to apana khana khud hi banate the lekin bad men man ne unaka khana bhi banana shuroo kar diya tha. bad men papa ne unase kiraya lena bnd kar diya to khud hi kirae ke barabar paise ghar ke kisi n kisi saman par kharch kar dete the.

panch sal pahale apani penshan bhi ghar men dene ki zid ki to papa razi nahin hue. kaka bhi nahin mane aur apani penshan vale akaunt men mujhe naaumini bana diya. main das sal ka tha jab kaka hamare yahan kiraedar ki haisiyat se rahane aae the. hamesha kahate ki teri shadi dekhakar hi maroonga aur teri shadi men zindagi men pahali bar daroo pikar nachoonga bhi. jis din meri naukari lagi us din kaka khoob khush hue aur khoob roe. main doosare shahar jo ja raha tha.

kaka ki tabiyat kharab hai yah sunakar main chhutti lekar ghar aya tha. agale hi din vo chal base. unaka antim snskar bhi mainne hi kiya. rat der tak unake bare men bat hoti rahin. subah jaldi uthakar chhat par gaya to dekha ki kabootar, fakhta aur any chidiyon ka jhund chhat ki munder par baitha tha. main samajh gaya aur pas ke tin shed men se dana nikal kar chhat par bakher diya to sabhi pnchhi dane par toot pade aur maze se dana khane lage. han itana zaroor tha ki jis tarah se kaka ke sath pnchhi ghul-mil ge the vaise mere pas nahin a rahe the. ek doori banakar dana kha rahe the.

main sochane laga ki main to kal chala jaoonga. man apane ghutanon ki vajah se chhat par nahin a sakatin, papa kabhi bhi ath baje se pahale nahin uthate to phir kal se dana kaun khilaega? tabhi mera fon bajane laga. fon se pata chala ki meri chhutti do din aur badha di gee hai. mainne socha ki chalo do din aur… lekin phir do din bad dana kaun dalega?

agale din subah mujhe uthane men der ho gee. jaldi-jaldi main chhat par pahuncha to dekha ki pnchhi nahin the. main soch men pad gaya ki akhir majara kya hai! chhat par dhyan se dekha to kahin-kahin dane pade the. dane vala dibba dekha to aisa laga ki dana kam hua hai. bade ashchary ki bat thi. agale din main jaldi jagakar chhat par chhup kar baith gaya. dhire-dhire pnchhi ikattha hone lage. tabhi hamare padosiyon ke yahan kam karane vali baee ki chhoti beti munder se koodi aur bhagakar dane ke dibbe se dane nikal kar pnchhiyon ko dalane lagi. pnchhi usase itane zyada ghule-mile lage ki main ashchary se dekhata hi rah gaya.

isaka matalab ye tha ki ye ladaki rozana kaka ke sath dana dalane ati thi aur ab kaka nahin rahe to apana farz nibah rahi hai. mere ankhen pani se dhundhala geen. sath hi mujhe kaka ki penshan ke rupayon ka sadupayog bhi samajh men a gaya.

© adity chaudhari

dinank- 11 mee, 2017

mitro! meri ek aur kahani padhen-

‘indira gandhi ka halikaauptar’

“ham kab tak pahunchenge ? abhi kitani der aur…?”
“bas ek ghnte men pahunch jaenge.” pati ne kar chalate hue javab diya.
“kya umr hogi papa ki?” pati ne phir poochha
“etti for… tin din bad hi to unaka bardade hai aur aj hi vo hamen chhod ge.” itana kahakar, kar ki khidaki ki taraf sham ke lal sooraj ko dekhane lagati hai.
“hanaaa voee main soch raha tha.” pati ne kaha

sooraj sath-sath chal raha tha. bachapan ke dinon men jab ganv se tren men papa ke sath jati thi to sooraj sath-sath chalata tha.

“papa ! sooraj sath-sath kyon chalata hai?”
“are baba vo to sath roshani karata chalata hai n!”
papa aksar manon vale javab dete papaon vale nahin. bade sidhe-sade bachchon jaise javab, koee kathin bat nahin kahate the jo mere bal-man ko samajh men n ae.”
“to phir… to phir… to phir sooraj rat ko kyon nahin sath chalata?” mainne bhi miliyan daaular koshchan thok diya.
“sara din bhagega to thakega bhi n… so jata hai bechara… chalo ab tum bhi so jao. tren men sab sone ki taiyari kar rahe hain.”

“lo… ganv vala tarn a gaya… kya soch rahi ho…?” pati ne kaha.
“kuchh nahin bas aise hi… a…asal men ansoo ruk nahin rahe…”

tin din guzar ge. papa ki rahasyamayi ‘femas’ nili dayari unaki alamari men mere foto ke niche rakhi mili. bachapan men is dayari ke panne kitane safed, chamakile lagate the… aj kitani ujadi huee apane pile pannon ko chhupati si lag rahi hai.

ye dayari mujhe kabhi padhane ko nahin mili. mainne jaldi-jaldi pannon ko kholana shuroo kiya. ek ke bad ek panna, mere bachapan ke ek-ek din ki tasvir banata gaya. dhundhali yadon ke phike rng gaharane lage jaise kisi blak en vait moovi ko kalar kiya ja raha ho. zindagi men pahali bar aansoo kam pad ge. rone ke sath muskurana aur hnsana ruk hi nahi raha tha. ganv men charon or shanti thi. ganvon men, vaise bhi sab jaldi so jate hain. kahin door kisi ke yahan shayad akhnd ramayan ka path ho raha tha. main jag rahi thi aur dayari ke pannon ko bar-bar padh rahi thi.

dayari men likha tha-
ek chhota tala munamun ke lie, tin pahie ki saikil chhuttan ke lie, bhagavanaji ka mndir (sita dadi ke ghar men jaisa hai vaisa hi). rngin chaauk, blakabord, havaee jahaz, indira gandhi vala halikaauptar, shakuntala jiji ke lie dhoop ka chashma… aur bhi n jane kya-kya soochi bani huee thi. achanak ankh se ek ansoo tapaka to indira gandhi ke halikaauptar par gira. shahar men us samay ki pradhanamntri, indira gandhi aeen thin. halikaauptar dekhakar, main machal gee thi ki papa ham halikaauptar kab lenge?

papa jab bhi ganv se shahar jate the to ham sab bachche apani-apani dimand unhen batate the. ek din bad jab ve lautate to rat ho chuki hoti thi. ham bachche so jate the. agale din dhyan hi nahin rahata tha ki papa se poochhana hai ki kya-kya lae.

papa un sab chizon ki soochi nili dayari men banate the. papa ki amadani itani kam thi ki ve kabhi bhi shahar se hamare lie mnhagi chiz nahin la pae. aisa nahin hai ki kuchh late hi nahin the. am to ganv men hi mil jate the lekin kele aur sntare nahin milate the isalie taaufiyan aur kele ya sntare zaroor late the. hamari padhaee aur svasthy ke lie papa apani sari kamaee kharch karate the jisaka natija ye hua ki ham sab padh-likh kar achchhi naukari kar rahe hain.

nili dayari aj padhi to ahasas hua ki papa ne kitana sahej kar hamari sari mangon ko likha tha. kya farq padata hai agar ve kabhi poori nahin ho paeen. aj samajh men aya ki papa ke jivan ki dayari ka matalab, sirf hamari mangen aur unako poora n kar pane ki mayoosi thi.

tabhi chhote ne avaz di aur kamare men a gaya.
“dekh didi papa ki ataichi se ye chhota sa halikaauptar mila hai. isape likha hai ‘indira gandhi ka halikaauptar’.

© adity chaudhari

dinank- 8 mee, 2017

dooaaar-dooaaar kisi galeksi ke kisi grah ke kisi desh ke mntralay men vartalap:

“sar! ashvasan to khatm ho ge… nahin de sakate”
“kya?… aisa kaise ho sakata hai? bahar to siniyar sitizans ka ek deligeshan baitha hai, ab kya karen.”
mntri ne apane sachiv par chinta zahir ki.
“sar inaki mange man lijie…”
“vo to paausibil hi nahin hai, mange bahut zyada hain. ashvasan hi dena hoga. vaise ek bat batao ki ashvasan khatm kaise hue ?”
“sar! ap jab satta men ae to apako sarakari staauk men do hazar ath sau baees ashvasan mile the, jinako apane yooz kar liya. ashvasanon ki tinon kategiri yane; poorn ashvasan, thos ashvasan aur ashvasan,… ye sab ap rozana de rahe hain….” sachiv ne bataya.
“achchha… thik hai-thik hai… to phir ham vayada bhi to kar sakate hain…?”
“saauri sar vayadon ka staauk to apozishan ke pas rahata hai. aapako ye staauk chunav ke dauran milega. sarakar vayada nahin karati, sarakar to ashvasan deti hai.”
“apozishan ke pas bhi to ashvasan honge…? kharid lo… munh mangi qimat par…?”
“sar apozishan jab satta se hati to niyamanusar usane sare ashvasan satta paksh yane apako handovar kar die. jis tarah apane chunav ke dauran bache hue vayade vipaksh ko de die the.”
“kahin n kahin to ashvasan bikate honge? chahe daaular dene paden lekin kharid lo” mntri ne mntriyana anndaz men kaha.
“sar daaular to kya bit kaauin ke badale bhi ashvasan nahin mil sakate.”
“koee n koee tariqa to hoga ashvasan arenj karane ka?”
“sar imarajensi laga dijie… tab koee kuchh poochhane ya mangane nahin aega. ashvasan ka jhnjhat khatm.”
“hanaaa ye thik rahega… laga do imarajensi”

© adity chaudhari


shabdarth

snbndhit lekh

varnamala kramanusar lekh khoj

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