- dinaank- 12 disanbar, 2017
|| manahoosiyat ke mare ||
prakriti kahie ya eeshvar kahie, usane prithvi par jo kuchh bhi paida kiya usamean ek ullas poorn gati avashy di. manahoos udasi ya adambari ganbhirata kisi bhi jiv mean nahian di. yahaan tak ki vanaspati mean bhi ek ullas se bhari huee vikas ki gati hoti hai. soorajamukhi ka phool soory ko hi takata rahata hai aur soory jis disha mean jata hai usi disha mean vah mu d jata hai. phooloan ki bel, sahare talash karati rahati haian aur jaise apani bahean phailakar sahare ko pak d oopar badhati jati haian.
ap s dak se ek pilla utha laiye. sara din ghar mean dhama-chauk di machae rahega. kahane ka sidha arth yah hai jise ham sabhi janate hi haian ki jivan ka arth hi utsav aur ullas hai. pratyek manushy ka pratyek bachcha janm se hi nrity, gayan, vadan, chitrakari, moortikari, khel jaisi adi pratibhaoan se paripoorn hota hai. jijnasa se bhara khoji svabhav pratyek bachche ka svabhavik gun hota hai. yah sthiti manasik roop se divyaang bachchoan mean bhi hoti hai. maianne b de qarib se dekha hai aise bachchoan ko jinaki manasik kshamata hatakar hoti haian aur jinhean ham manasik roop se avikasit ya vishisht roop se vikasit manate haian. in bachchoan mean bhi prasannata aur ullas ka bhav bharapoor hota hai.
samasya tab shuru hoti hai jab dhire-dhire bachcha b da hone lagata hai to adhikatar mata-pita (ya any abhibhavak) usaki in pratibhaoan ko b de garv ke sath samapt karane mean lag jate haian. isamean skool bhi apani bhoomika bakhoobi nibahata hai. adhikatar skooloan mean shiksha jis tariqe se di ja rahi hai vah behad shochaniy avastha hai. padhaee mean srijanatmakata jaisa kuchh bhi nahian hota. unhean vah nahian sikhaya jata joki unake vyaktitv ke sarvaangin vikas mean sahayak hoga aur ve svayan apani saphalata ka rasta chun sakeange balki unako ek paranparik tariqe ki padhaee di jati hai jisase ve kuchh naya karane ki bajay khud ko kisi n kisi j aaub ke layaq banane mean lag jate haian.
mahan vicharak je. krishnamoorti ne kaha bhi hai ki skooloan mean bachchoan ko ‘kya socha jay sikhane ki bajay kaise socha jay’ yah sikhana chahie. is autadeted ubaoo shiksha paddhiti ke karan bachchoan ke bhitar ki umang aur ullas khatm hone lagata hai. odhi huee ganbhirata manahoosiyat bhari udasi unaka sthaee svabhav ban jata hai. bachchoan ko yah mauqa hi nahian diya jata ve jan sakean ki unamean kaun si vishesh pratibha hai. bachchoan ki markashit hi unaki yogyata ki pahachan ban jati hai.
zara bataiye ki maianne kॅlakulas, triganomॅtri, vektar, pr aaubebiliti adi ki padhaee ki… vah mere kis kam a rahi hai… kisi kam nahian. isamean koee do ray nahian ki ganit mera pasandida vishay tha lekin mujhe un vishayoan ya kshetroan ko chhe dane ka mauqa hi nahian mila jo mere priy ho sakate the ya unamean se koee ek mera pॅshan ban sakata tha.
vyavasay mean pita apane varis ko sikhata hai ki beta-beti jitani zyada manahoosiyat bhari ganbhirata tum odhe rahoge tumako utana hi b da bijanesamॅn samajha jaega. sarakari karyalay mean chale jaean to aisa lagata hai ki yahaan agar zor se hans p de to shayad chhat hi gir p degi kyoanki us chhat ne kabhi hansi ki avaz suni hi nahian (subah-subah safaee karmachari hi shayad hansate hoan). alam ye hai ki odhi huee ganbhirata ek sanskriti ban chuki hai. ab n to is manahoos sanskriti ko kya nam diya jay yah samajh mean ata aur isako khatm karane ka upay hi.
ek samany shishtachar hai ki kisi ajanabi se apaki nazar mil jay to halka sa muskura dean. yah shishtachar yooropiy deshoan mean bahut am hai. hamare desh mean yadi ap kisi ajanabi ko dekhakar muskura ge aur yadi vo l daki huee to sochegi ki ap use chhe d rahe haian aur yadi koee l daki kisi ajanabi l dake ko dekhakar muskura gee to l daka samajhega ki yah prem ka nimantran hai.
kya apako nahian lagata ki ye sab batean skool mean sikhaee jani chahie? meri aj tak yah samajh mean nahian aya ki skool mean bachchoan ko ghar ka kam karana kyoan nahian sikhaya jata. jaise; chay-biskit-nashta banana, kap de tah karana, kap de istari karana, sharirik safaee, mata-pita se vyavahar, kil-chobe lagana, kap doan mean batan lagana, chhote bachche ki dekh-bhal karana, bagavani, adi-adi. isake alava ‘doo it yoraself’ ki bahut si chizean sikhaee jani chahie, zarooratamand logoan ki madad kyoan, kab aur kaise karean yah unake svabhav mean ana chahie. yah sab l daki-l dakoan ko saman roop se sikhana chahie. khana banana l dakoan ko bhi ana chahie. kamakaji pati-patni ke ghar mean donoan hi lagabhag sabhi kam karate haian. ye sab bachchoan ko skool mean sikhaya jana chahie. kuchh vyavaharik prayogoan dvara aur kuchh vidiyo dikhakar.
yah to thik hai ki ham bachchoan ko mahan vyaktiyoan ke bare mean batakar unhean achchha iansan banane ke lie prerit karate haian lekin bachchoan ko yah bhi batana chahie ki chhote bachche ghar ke kamoan mean apani mata-pita ki madad karake bhi mahan banate haian. unako pata hona chahie ki yadi ve kam par jane se pahale apane pita ki saikil-baik-kar ko poanchh deange to yah kitana b da kam hoga. rasoee mean maan ka hath bataeange to unake dvara kiya kam kitana mahatvapoorn hoga.
zaroorat to is bat ki hai ki pratyek skool, k aaulej mean kuchh vishay alag se padhae jane chahie. jinase chhatraoan aur chhatroan ko achchha iansan banane mean madad mile. ‘sanskriti’ ek alag vishay hona chahie aur is vishay ke adhin sab-kuchh sikhana chahie.
© adity chaudhari
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- dinaank- 5 disanbar, 2017
“koee aj bhi hai jo sunata hai…”
yah bat un dinoan ki hai jab bharat par aangrezoan ka shasan tha aur deshabhakt kraantikari aangrezoan ka virodh kar rahe the.
ek aangrez adhikari gaandhiji se milane aya. usase kafi der mahatma gaandhi se bat-chit ki, kee vishayoan par charcha huee. isake bad vah vida lekar chala gaya. usake jane ke bad gaandhi ji ko bataya gaya ki jis relaga di se vah aangrez adhikari a raha tha, us relaga di par krantikariyoan ne bam pheanka aur jis rel ke dibbe mean vah aangrez baitha tha us dibbe ka adha hissa bam ke karan kshatigrast ho gaya. jis vyakti ne gaandhi ji ko yah soochana di usane poochha ki us aangrez adhikari ne apase yah charcha avashy ki hogi. gaandhiji ne bataya ki usane is tarah ki koee charcha nahian ki.
zara sochie ki us aangrez ne bam feankane ki charcha kyoan nahian ki? isaka karan hai ki vah aangrez nahian chahata tha ki gaandhi se varta karate samay kisi aisi bat ka zikr kiya jae jisase ki vartalap ka mahaul asahaj ho jae. nishchit roop se is vartalap mean donoan hi sahaj nahian rah pate yadi bam feankane ki ghatana ka zikr vah aangrez adhikari kar deta.
yadi ap chahate haian ki log apaki upasthiti ko pasand karean to apako apane 'subhita star' (Comfort level) ki taraf dhyan dena chahie. yane apaki maujoodagi mean log kitana sahaj mahasoos karate haian. jo log apake sahakarmi, mitr, parivarijan adi haian unhean apaki upasthiti mean kitani sahajata mahasoos hoti hai. sada smaran rakhane yogy bat yah hai ki ap yogy kitane haian yah bat to mahatvapoorn hai hi balki apaka subhita star kitana hai, yah adhik mahatvapoorn hai. ek saphal vyaktitv ka rahasy buddhi, pratibha ya yogyata mean hi chhupa nahian hai balki 'subhita star' (Comfort level) isamean sabase mahatvapoorn bhoomika nibhata hai.
ajakal log (ऍnd aaufakors lediz aaulaso) sunate nahian haian. bolane se zyada zaroori hai sunana. sunane ke tariqe haian tin… tin kya balki char.
pahala tariqa: sabase ghatiya tariqa hai. isamean sunane vala kahane vale ki bat kat kar apani bat kahane lagata hai. yah vyakti sabako apriy hota hai.
doosara tariqa: kahane vale ko yah lagata rahata hai ki sunane vala kuchh kahana chahata hai. sunane vale ke hav-bhav-bhangima aur aankhean, kahane vale ko, aisa sandesh deti haian. jisase kahane vala chup ho jata hai ya phir kahata hai ”kahie ! ap kuchh kahana chahate haian kya?” sunane ka yah tariqa bhi ghatiya hi hai.
tisara tariqa: yah tarika bahut sahi hai. isamean sunane vala kahane vale ki bat dhyan se sunata hai. apane kisi hav-bhav se yah mahasoos nahian hone deta ki vo dhyan se nahian sun raha.
chautha tariqa: isamean ham kahane vale ko kuchh kahane ke lie kahate haian, koee prashn karate haian aur uttar dhyan se sunate haian. is tariqe mean ham logoan ke maun ko bhi sunane ki koshish karate haian aur un logoan ko kuchh kahane ke lie protsahit karate haian jo bahut kam hi bolate haian.
is chauthe tariqe se bahut kuchh sikhane ko milata hai. maian aksar un logoan ko bolane ke lie protsahit karata hooan jo bahut kam bolate haian.
ek sansmaran: mere yahaan ek ghareloo karmi tha. jisaka kam mere sath rahakar mere chhote-mote kam karana tha. use sab kamaql manate the. maian usase koee n koee saval karake usi pratikriya sun leta tha. ek din ghar ke samane se hathi ja raha tha. maianne kaha ki kamal ki bat hai dharati ka sabase b da jiv hai aur kitana shaant hai? ghareloo karmi bola ki sabase b da hai isilie to shaant hai. maian usake javab se dang rah gaya. kitana satik uttar tha usaka.
zindagi mean agar sunana sikh leangean to bahut kuchh sikhane ko milega. logoan ne sunana to lagabhag band hi kar diya hai. kisi se milane jate haian to nazar mobail fon par hi bani rahati hai. mujhe buzurgoan se bat karane mean zyada anand hota hai kyoanki unamean se zyadatar smart fon istemal nahian karate. vyastata bahut badh gee hai. vaise bhi vyastata ek faishan ban gaya hai. jinhean koee bhi zaroori kam nahian hai unaki vyastata dekhakar to aur anand hota hai. is vyastata ka dikhava bhi apake subhita star ke lie nuqasanadayak hai.
© adity chaudhari
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- dinaank- 7 navanbar, 2017
“After Japan, China will rise and gain prosperity and strength. After China, the sun of prosperity and learning will again smile at India.”
ye shabd kisi aangrez arthashastri ke nahian haian balki sanh 1902 mean japan aur amarika ki yatra ke dauran prasiddh vedanti svami ramatirth ke haian. do varsh amarika mean bitane par svami ji amarikiyoan ke lie achambha ban ge the. barf girati rahati thi aur ramatirth nichale sharir par keval dhoti pahane usamean chal dete the. nange kandhoan par barf girati to use jha d dete the. log ashchary se aise vyakti ko dekhate rah jate the.
svami ji ne jab sannyas liya tab ve ganit ke profesar the. bharat ke lie unake vaktavy atyant utsah se bhare hote the. ve kahate the-
“bharat kya hai? maian bharat hooan. mera sharir mano usaki bhoomi hai. mere do pair malabar aur cholamandal haian. mere charan kanyakumari haian. mera mastak himalay hai. ganga aur brahmaputr jaisi prachand nadiyaan mere kesh haian. rajasthan aur gujarat me marusthal mera hriday hai. poorv aur pashchim dishaoan mean meri bhujaean phaili haian.” svami vivekanand ke prabhamandal ke karan unake hi samakalin svami ramatirth ko log zyada nahian jan pae. ramatirth ne nayi pidhi ko jagane ka kam vivekanand ki tarah hi kiya.
bharat ko ek vyakti ke roop mean dekhana aur bharat ke pratyek nagarik ko bharat ke roop mean dekhana svami ramatirth ki adbhut dharana vastav mean hi saty hai. zara sochie ki yah bat kitani mahatvapoorn hai ki bharat ne kisi p dosi par kabhi akraman nahian kiya. jo videshi bharat mean akar shasan kar ge unako bhi bahut had tak bharat ki paranparaoan mean dhalana p da.
aaj jise ham hindoo dharm kahate haian usaki asankhy shakhaoan ki astha, mat, dharmik vishvas, pooja-archana, anushthan, karmakand adi mean ashcharyajanak vividhataean haian. bharatiy darshan paranpara mean eeshvar ke astitv aur svaroop ko lekar vibhinn mat haian. koee sakar eeshvar mean astha rakhata hai to koee nirakar mean aur koee-koee to eeshvar ke astitv ko hi nahian manate. kamal yah hai ki yah sab hindoo dharm mean shamil haian.
prachin granthoan mean bahut si janakariyaan aisi haian jo bahut mahatvapoorn haian. pauranik kal mean raja apane putroan mean se rajy ke uttaradhikari ko chunane ke lie anek prakar ki shikshaoan ki vyavastha karata tha. ayodhya ke raja dasharath ne apane putroan se anek sanpradayoan ke rrishi-muniyoan aur acharyoan ki charcha karavane ki vyavastha ki thi. raja dasharath ram ke pas lokayatoan (charvak) ke acharyoan ko bheja jinhoanne ram ko charvak darshan ka jnan dene ki cheshta ki jisamean nastik hone ke labh batae ge lekin kishoravay ram ki astha vaidik paranparaoan mean thi. isalie ram ne unhean nakar diya aur kshama maang li. isake alava bhi any vicharadharaean thian jinake anuyayi paryapt matra mean the aur aj bhi haian. isi kram mean, ajivak ek atyant prachin sanpraday hai. jisake sadhu aur bhikshu maskari vesh mean raha karate the. ravan jab sita haran ke lie aya tha us samay vah isi ajivak sanpraday ke maskari vesh mean aya tha.
bharat ka yah rang-rangila svaroop aj bhi badala nahian hai. vibhinn dharmoan aur sanpradayoan ko manane vale bharat mean shan se rah rahe haian aur unhean sanvidhan mean saman adhikar prapt haian.
kuchh hi samay pahale ki bat hai jab ek sikh, bharat ka pradhanamantri (manamohan sianh), ek musalaman, rashtrapati (abdul kalam), ek hindoo, sadan mean vipaksh ke neta (atal bihari vajapeyi) aur ek janm se eesaee, shasak parti ki adhyaksh (soniya gaandhi) hone ka vilakshan sanyog hua. yah bhi bharat mean hi sanbhav hai.
not: (pathakagan kshama karean, oopar ke anuchchhed mean maianne shrimati soniya gaandhi ko ‘janm se eesaee’ isalie likha hai kyoanki mujhe unaki vartaman dharmik sthiti pata nahian hai.)
kuchh batean man par chhap chho d jati haian aur apane bharatavasi hone par aur bhi adhik garv hone lagata hai.
abhi pichhale dinoan muhammad ali jinha ki beti ka dehavasan hua. logoan ko janakar b da ashchary hua ki pakistan banane vale pakistan ke qayad-e-azam ki beti bharat mean rahati thi! pakistan mean n to jinha ko aur n hi unaki bahan fatima ko samuchit samman diya gaya. jinha ke ilaj mean laparavahi huee aur
unaki bahan fatima to chunav hi har gayian. jinha ki beti sammanapoorvak bharat mean rahian aur unhoanne pakistan ko kabhi pasand nahian kiya.
© adity chaudhari
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- dinaank- 2 navanbar, 2017
ajakal rani padmavati (padmini) ko lekar kafi hangamaee bahas chhi di huee hai. kuchh kahate haian ki padmavati koee aitihasik charitr ‘nahian hai’ aur kuchh kahate haian ki ‘hai’. alauddin khalaji ke chittau d akraman ke lagabhag 237 varsh bad, ee.sanh 1540 ke qarib malik muhammad jayasi ne padmavat nam se ek mahakavy racha.
is mahakavy ke kuchh pramukh charitr; rani padmini, rana ratanasen, alauddin khalaji, raghav chetan, gora-badal aur ek iansanoan ki tarah bolane vala tota hiraman haian.
ab chooanki is vishay par film ban rahi hai aur kafi charcha mean hai to isaka kathanak unako bhi yad ho gaya hai jinako nahian tha, ye fesabuk aur v aauts ऍp ki karamat hai. isalie kathanak par charcha vyarth hi hai.
malik muhammad jayasi ke jivan ki ghatanaean kahian kisi itihas mean darj nahian haian. katha-kahaniyoan se hi jayasi ke jivan ka kuchh pata chalata hai. chechak se jayasi ke chehare par dag ho ge aur ek aankh chali gee. ‘jayasi’ upanam jayas (pahale ray bareli aur ab amethi ka ek nagar) mean rahane ke karan p da. bad mean jayasi ne ek chamatkari soofi sant ke roop mean prasiddhi payi.
jayasi ko afim ke nashe ki lat thi. afim ka nasha adami ko kalpanalok mean le jata hai. us samay mazoon (bhaang se banati hai) aur afim ka kafi prachalan tha. sharab mean afim mila kar pine ka bhi chalan tha. jisaka zikr babar ne babaranama mean kiya hai. akabar bhi sharab mean afim milakar piya karata tha.
jayasi ki mrityu ke sanbandh mean ek kalpanik katha prachalit hai. kahate haian ki jayasi apane jadoo se sher banakar jangal mean ghooma karata tha. ek shikari ne is sher ke roop mean jayasi ko mar dala.
kuchh itihasakaroan ne padmini ke jauhar ko kalpanik katha bataya hai. is par charcha bad mean pahale sikandar ke bharat akraman ke samay ghati ek ghatana ka zikr-
panini ne agrashrenay: namak ek chhote se nagar-rashtr (ya aj ki bhasha mean kahean to qabile ka) zikr kiya hai. jo itihas mean yoonani bhasha mean parivartit hokar agalassoee ho gaya. in agalassoee nagarikoan ne yoonani akraanta siankandar ka jam kar muqabala kiya. bharatakosh par isaka vivaran is tarah hai:-
- agalassoee sikandar ke akraman ke samay sindhu nadi ki ghati ke nichale bhag mean shivigan ke p dos mean rahane vala ek gan tha.
- shivi gan jangali janavaroan ki khal ke vastr pahanate the aur vibhinn prakar ke ‘gada’ aur ‘mugadar’ jaise hathiyaroan ka prayog karate the.
- sikandar jab sindhu nadi ke marg se bharat se vapas laut raha tha, to is gan ke logoan se usaka muqabala hua.
- agalassoee gan ki sena mean 40 hazar paidal aur tin hazar ghu dasavar sainik the. unhoanne sikandar ke chhakke chhu da die, lekin ant mean ve parajit ho ge.
• yoonani itihasakaroan ke anusar agalassoee gan ke 20 hazar abadi vale ek nagar ke logoan ne svayan apane nagar mean ag laga di aur apani striyoan aur bachchoan ke sath jalakar mar ge, taki unhean yoonaniyoan ki dasata n bhogani p de. yah krity rajapootoan mean prachalit jauhar pratha se milata pratit hota hai.
agalassoee ki pahachan paninike vyakaran mean ullikhit agrashrenay: se ki jati hai.
bharat mean anek kathaean haian jo jan-jan mean lokapriy hueean aur inamean se kee kathaoan ke patr bharat ki janata ke lie shraddhey ho gaye.
jaise aalha oodal, nal damayanti, kach devayani adi.
alha-oodal kavy mean likha hai:-
b de-b de chamacha gadh mahobe mean
nau-nau man jamean dar samay
b de khabaiya gadh mahobe ke
nau-nau sai chamacha kha jaean
ab isamean kahaan sachaee talashi jay? nau man dal vale chamache aur nau sau chamache dal khane vale adami?
nal-damayanti ki katha mean nal ki katha damayanti aur raja nal ko ek iansanoan ki tarah bolane vala hans sunata hai. kach-devayani ki katha mean kach ko pakakar shukrachary ko khila diya jata hai aur vah pet mean jivit ho jata hai. yadi koee in kathaoan ka aitihasik mahatv poochhe ya phir vaijnanik mahatv poochhe to?
is prashnoan ka koee arth nahian hai. ye to kathaean haian. inake nayak-nayika jan sadharan mean kab aur kitana mahatvapoorn ban jaean koee nahian kah sakata. anek vyakti aise hue haian jinako avatar aur bhagavan ki manyata mili hai.
rani padmini ke jauhar ki ghatana ka pan. javahar lal neharoo ne zikr kiya hai. rajasthan ka itihas likhane vale karnal t aaud ne bhi is ghatana ka zikr kiya hai. ajakal karnal t aaud ke itihas ko koee khas manyata nahian di jati sath hi pan. javahar lal neharoo ko bhi itihasakaroan ki shreni mean nahian mana jata. mashahoor farasi itihasakar farishta ne jayasi ke padmavat ko itihas mana hai.
aj ke itihasakar jayasi ke padmavat ki anek ghatanaoan mean virodhabhas aur itihas virodhi tarikhoan ka ullekh karate hue ise itihas se alag karate haian. itana avashy hai ki adhunik itihasakaroan ke mat se tin tathy aitihasik haian; ratanasen ka chittau d mean rajatilak, khalaji ka chittau d par akraman aur chittau d mean striyoan dvara jauhar.
ab prashn yah uthata hai ki hamare desh mean ek aisi hriday vidarak ghatana ghati aur is ghatana ko jan-jan mean kabhi n bhoolane vali ek yad ke roop mean kavi malik muhammad jayasi ne lokapriy kar diya to kya koee gunah kar diya? ham sabhi bharatavasiyoan ko apani sanskriti aur gauravashali itihas par garv tabhi to hoga jab isako hamean bar-bar yad dilaya jaega.
ek nazar film ke kathanak par bhi dali jay- ek kalpana to jayasi ne ki jisake karan padmini ki katha aj itani mahatvapoorn ho gee ki bharatavasi use apani asmita aur gaurav se jo dane lage. doosari kalpana film ke lekhak ne ki jisamean allauddin khalaji ko svapn mean padmini ke sath vihar karate soch liya jo ki manovaijnanik dhang se sanbhav ho sakati hai lekin samaj ke lie poornat: nakaratmak soch hai. kalpana asim hoti hai lekin kalpana ki abhivyakti sadaiv simit aur sanyamit hoti hai.
aj khalaji ke svapn mean padmini ko dikhane ka prayas hai to kal ravan ke svapn mean sita ko dikhane ka prayas kiya jaega aur bahana manovijnan aur kala ka liya jaega. mera nazariya is sanbandh mean spasht hai lekin film ke nirmata lila bhansali ke sath hathapaee ya film ke set ko kshati pahuanchana bhi galat hai. adalat mean jan hit yachika ek sahi aur qanooni rasta hai.
© adity chaudhari
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- dinaank- 22 mee, 2017
mujhase ek prashn poochha gaya: atmabodh, svajagaran, antarachetana, prabodhan (enlaitenament) adi shabdoan se kya tatpary hai ?
mera uttar: apaka vyaktitv doosaroan ka anusaran aur naqal karake bana hai. jane-anajane hi n jane kitane vyaktiyoan ke vyaktitv ki visheshataean, adatean, hav-bhav adi apake bhitar a jati haian. apako jab bhi jahaan bhi koee bat prabhavit karati hai to vah apake vyaktitv ka hissa ban jati hai. kisi ke; paidal chalane ka dhang, bolane ka dhang, gane ka dhang adi se ap is qadar prabhavit rahate haian ki use apana lete haian.
isi tarah apake sochane ki prakriya aur sochane ka dhang svayan ka n hokar kisi n kisi ke dvara nirdeshit hota hai. apako bachapan se hi yah sikhaya jata hai ki ap kya sochean jabaki sikhaya yah jana chahie ki ap kaise sochean. anek shikshaoan, anushasanoan, upadeshoan, nasihatoan adi ke chalate ap ek nishchit ghere mean sochane ka kary karate haian. apaka dimag, soochanaoan aur jnan ka godam ban jata hai jisamean kisi ne vichar ka aankur phootana namumakin ho jata hai.
halat yahaan tak ho jati hai ki kis bat par karuna karani hai aur kis par krodh, yah bhi dimag mean koot-koot kar bhar diya jata hai. koee dharm aur koee jati de di jati hai jisako apako manana hota hai. apako bataya jata hai ki kya sahi hai aur kya galat. is sab se banata hai apaka vyaktitv. yah vyaktitv apaka apana nahian hai. apake dimag mean ne vichar nahian haian. eeshvar, allah ya jisas ka anusaran, apane apane man se nahian chuna hai. ap ek jivit rob aaut bhar haian.
ap jagrat tab hote haian jab ap apane drishtikon se sab kuchh dekhate haian. apane jivan ke nirnayak aur nirmata ap svayan hote haian. apake vichar svayan apake vichar hote haian. ap svatantrata ke mukt akash ke niche apani dharati par mukt vicharan karate haian. doosare ke kahe ya likhe ko bina vichare manate nahian haian. jab apako pata hota hai ki ap kitane svatantr haian aur kitane paratantr. ap eeshvar ko svayan hi samajhane ka prayas karate haian, n ki doosaroan se poochhate phirate haian. ap apane se chhotoan aur santan par apane vichar ladate nahian hai balki unhean bhi svayan nirnay lene mean saksham banate haian.
isi ko kahate haian enalaitenameannt aur isake lie dhyan dharana bahut labhadayak hai.
© adity chaudhari
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- dinaank- 19 mee, 2017
priy mitro! jaisa ki apane chaha... maianne ek kahani aur likhi hai. zara dekhie kaisi hai!
'ek rat achanak'
navambar ka mahina tha. pradip ek sunasan raste par akela paidal chala ja raha tha. dimag mean lagatar ek ke bad ek chiantaean ghum d rahian thian. halaki thand hone par bhi pata nahian use kyoan pasina aa raha tha ? tez chalane ki vajah se ya tanav ke karan.
‘maian itani tez kyoan chal raha hooan , kya chakkar hai ?… kahian jaldi to pahuanchana hai nahian mujhe… dhire chalata hooan.’
usane chal dhimi kar di.
‘kahe ka krishi pradhan desh hai bharat… dahez pradhan hai… dahez pradhan… shadi tay ho gee aur paisa pas mean ek bhi nahian…’
vo dhimi avaz mean b dab daya.
‘ritika ko achchhi se achchhi padhaee karavaee aur ab shadi mean kam se kam das lakh rupe kharch hoange. are bhaiya! char lakh to us mangal ke bachche ne laga die, apani beti ki shadi mean aur vo to bas tॅmpo chalata hai tॅmpo.’
‘kahaan se laooan itana paisa ?… kaise baneange zevar ?… kaise hogi davat ?… meri sasural valoan ke pas bhi kuchh nahian hai. ab kya hoga… he eeshvar kuchh karo.’
tabhi s dak ke kinare pe d ke niche, hanuman ji ka chhota sa mandir dikha. usane ruk kar sir jhukakar hath jo d die. sar uthaya to aisa laga ki kuchh doori par koee halachal hai. tho da chalane par dekha ki do l dake ek l daki ko ghasitate hue. s dak se ek taraf ki galinuma raste ki taraf le ja rahe haian.
pradip ek pe d ke pichhe chhup gaya aur s dak par se jhaankakar unako dekhane laga. ek l dake ke hath mean deshi tamancha jaisa kuchh tha. pe d ko pichhe chho d vo tho da aur age gaya to aandaza hua ki l daki ka muanh, safi-gamachha jaise kap de se bandha tha. l daki ghisatate samay pair patak-patak kar bahut virodh kar rahi thi aur isilie l dakoan ki latoan ki thokar se pit bhi rahi thi.
pradip ka man bechain ho raha tha. muanh sookhane laga, dil zoroan se dh dak raha tha.
‘kya karooan-kya karooan-kya karooan ?… agar maian inase l da aur mar gaya…? to phir meri beti ka kya hoga. kaun karavaega shadi?… das lakh rupe?… ho sakata hai ye l daki hi galat ho?… bha d mean jane do… ghar pahuanchooan… nahian-nahian mujhe zaroor l dana chahie… bachana chahie l daki ho.’
bamushkil bis-pachchis qadam ki doori par hi sab kuchh ghatane vala tha. tarah-tarah ki halki avazean a rahi thian jinamean galiyaan zyada thian.
‘shayad l daki se balatkar aur phir use mar hi deange. saboot tho de hi chho deange.’
tabhi pradip ki nazar pas hi p de saikil ke toote kariyar par p di. usane kariyar utha liya.
‘l dake zyada tag de to haian nahian… lekin maian bhi to pachas ka ho gaya… pata nahian jhag de ka kya natija nikale…’
phir vahi soch… ‘ritika ki shadi… bivi ka kya hoga… balatkar… khoon… ritika…shadi… balatkar…dhak-dhak, dhak-dhak, dhak-dhak, dhak-dhak…
pradip ki pak d saikil ke toote kariyar par kasati ja rahi thi. vo age badha to dekha ki ek l daka to l daki ko zamin par gira kar qaboo karane ki koshish kar raha hai aur doosara tamancha lekar kh da rakhavali jaisi kar raha hai.
pradip us gali mean mu dakar age ki or gaya aur jaise hi tamanche vala pradip ki or ghooma usane tamanche vale hath par saikil ka kariyar de mara. tamancha gir gaya. kariyar ka doosara var usi l dake ke muanh par hua, usake muanh se khoon nikal aya aur vo gali mean andar bhag gaya. ab tak l daki doosare l dake ki pak d se chhoot chuki thi aur usane pichhe se us l dake ke lambe baloan ko pak d liya ab pradip ke lie us l dake ki pitaee karana bahut asan ho gaya.
l daki ne bal chho de to tamancha utha liya. l dake mean ek ghooansa aisa laga ki vah behosh hi ho gaya. l daki latoan se us l dake ko mare ja rahi thi. pradip buri tarah haanf raha tha lekin vijeta ki tarah.
us l daki ki jॅket tho di si phat gee thi aur othoan ke kinare se khoon bah raha tha. l daki kisi achchhe ghar ki lag rahi thi. pradip ne us l daki ko usake ghar pahuanchaya to pata chala ki vo to shahar ke b de rees ghanashyam chaddha ki ikalauti beti hai. chaddha sahab bahut sajjan vyakti the. shahar mean unaki nekanami ke qisse mashahoor the. jab chaddha sahab ko pata chala ki pradip, beti ki shadi ke lie paisoan ke intazam ke lie pareshan hai to unhoanne pradip ke bahut mana karane ke bavajood usaki beti ki shadi ki poori zammedari apane oopar leli.
shadi ke din ritika ke pas ek sundar l daki aee aur usase boli.
“hay ritika! ay em saloni… mujhase dosti karogi, maian tumhare papa ki fॅn hooan. hi ez vairi brev mॅn.”
pas kh de pradip ne kaha “lekin saloni se zyada brev nahian… hahaha”
sab sath-sath hans p de.
© adity chaudhari
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- dinaank- 18 mee, 2017
priy mitro! jaisa ki ap chahate haian, maianne ek kahani aur likhi hai. zara dekhie kaisi hai!
‘dana-pani’
vo hamare kiraedar the. unaka apana koee nahian tha. bas hamean hi apana manate the. pandrah sal se hamare sath the. ghar ke bazurg jaise ho ge the. ham unhean kaka kahate the. subah sham ka doodh sabzi lane ka kam khud hi karate rahate. hamare mana karane par bhi nahian manate the. shuroo-shuroo mean to apana khana khud hi banate the lekin bad mean maan ne unaka khana bhi banana shuroo kar diya tha. bad mean papa ne unase kiraya lena band kar diya to khud hi kirae ke barabar paise ghar ke kisi n kisi saman par kharch kar dete the.
paanch sal pahale apani peanshan bhi ghar mean dene ki zid ki to papa razi nahian hue. kaka bhi nahian mane aur apani peanshan vale akauant mean mujhe n aaumini bana diya. maian das sal ka tha jab kaka hamare yahaan kiraedar ki haisiyat se rahane aae the. hamesha kahate ki teri shadi dekhakar hi marooanga aur teri shadi mean zindagi mean pahali bar daroo pikar nachooanga bhi. jis din meri naukari lagi us din kaka khoob khush hue aur khoob roe. maian doosare shahar jo ja raha tha.
kaka ki tabiyat kharab hai yah sunakar maian chhutti lekar ghar aya tha. agale hi din vo chal base. unaka aantim sanskar bhi maianne hi kiya. rat der tak unake bare mean bat hoti rahian. subah jaldi uthakar chhat par gaya to dekha ki kabootar, fakhta aur any chi diyoan ka jhund chhat ki muander par baitha tha. maian samajh gaya aur pas ke tin shed mean se dana nikal kar chhat par bakher diya to sabhi panchhi dane par toot p de aur maze se dana khane lage. haan itana zaroor tha ki jis tarah se kaka ke sath panchhi ghul-mil ge the vaise mere pas nahian a rahe the. ek doori banakar dana kha rahe the.
maian sochane laga ki maian to kal chala jaooanga. maan apane ghutanoan ki vajah se chhat par nahian a sakatian, papa kabhi bhi ath baje se pahale nahian uthate to phir kal se dana kaun khilaega? tabhi mera fon bajane laga. fon se pata chala ki meri chhutti do din aur badha di gee hai. maianne socha ki chalo do din aur… lekin phir do din bad dana kaun dalega?
agale din subah mujhe uthane mean der ho gee. jaldi-jaldi maian chhat par pahuancha to dekha ki panchhi nahian the. maian soch mean p d gaya ki akhir majara kya hai! chhat par dhyan se dekha to kahian-kahian dane p de the. dane vala dibba dekha to aisa laga ki dana kam hua hai. b de ashchary ki bat thi. agale din maian jaldi jagakar chhat par chhup kar baith gaya. dhire-dhire panchhi ikattha hone lage. tabhi hamare p dosiyoan ke yahaan kam karane vali baee ki chhoti beti muander se koodi aur bhagakar dane ke dibbe se dane nikal kar panchhiyoan ko dalane lagi. panchhi usase itane zyada ghule-mile lage ki maian ashchary se dekhata hi rah gaya.
isaka matalab ye tha ki ye l daki rozana kaka ke sath dana dalane ati thi aur ab kaka nahian rahe to apana farz nibah rahi hai. mere aankhean pani se dhuandhala geean. sath hi mujhe kaka ki peanshan ke rupayoan ka sadupayog bhi samajh mean a gaya.
© adity chaudhari
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- dinaank- 11 mee, 2017
mitro! meri ek aur kahani padhean-
‘iandira gaandhi ka hॅlik aauptar’
“ham kab tak pahuancheange ? abhi kitani der aur…?”
“bas ek ghante mean pahuanch jaeange.” pati ne kar chalate hue javab diya.
“kya umr hogi papa ki?” pati ne phir poochha
“etti for… tin din bad hi to unaka bardade hai aur aj hi vo hamean chho d ge.” itana kahakar, kar ki khi daki ki taraf sham ke lal sooraj ko dekhane lagati hai.
“haanaaa voee maian soch raha tha.” pati ne kaha
sooraj sath-sath chal raha tha. bachapan ke dinoan mean jab gaanv se tren mean papa ke sath jati thi to sooraj sath-sath chalata tha.
“papa ! sooraj sath-sath kyoan chalata hai?”
“are baba vo to sath roshani karata chalata hai n!”
papa aksar maanoan vale javab dete papaoan vale nahian. b de sidhe-sade bachchoan jaise javab, koee kathin bat nahian kahate the jo mere bal-man ko samajh mean n ae.”
“to phir… to phir… to phir sooraj rat ko kyoan nahian sath chalata?” maianne bhi miliyan d aaular koshchan thok diya.
“sara din bhagega to thakega bhi n… so jata hai bechara… chalo ab tum bhi so jao. tren mean sab sone ki taiyari kar rahe haian.”
“lo… gaanv vala tarn a gaya… kya soch rahi ho…?” pati ne kaha.
“kuchh nahian bas aise hi… a…asal mean aansoo ruk nahian rahe…”
tin din guzar ge. papa ki rahasyamayi ‘femas’ nili dayari unaki alamari mean mere foto ke niche rakhi mili. bachapan mean is dayari ke panne kitane safed, chamakile lagate the… aj kitani uj di huee apane pile pannoan ko chhupati si lag rahi hai.
ye dayari mujhe kabhi padhane ko nahian mili. maianne jaldi-jaldi pannoan ko kholana shuroo kiya. ek ke bad ek panna, mere bachapan ke ek-ek din ki tasvir banata gaya. dhuandhali yadoan ke phike rang gaharane lage jaise kisi blॅk en vait moovi ko kalar kiya ja raha ho. zindagi mean pahali bar aaansoo kam p d ge. rone ke sath muskurana aur hansana ruk hi nahi raha tha. gaanv mean charoan or shaanti thi. gaanvoan mean, vaise bhi sab jaldi so jate haian. kahian door kisi ke yahaan shayad akhand ramayan ka path ho raha tha. maian jag rahi thi aur dayari ke pannoan ko bar-bar padh rahi thi.
dayari mean likha tha-
ek chhota tala munamun ke lie, tin pahie ki saikil chhuttan ke lie, bhagavanaji ka mandir (sita dadi ke ghar mean jaisa hai vaisa hi). rangin ch aauk, blॅkabord, havaee jahaz, iandira gaandhi vala hॅlik aauptar, shakuntala jiji ke lie dhoop ka chashma… aur bhi n jane kya-kya soochi bani huee thi. achanak aankh se ek aansoo tapaka to iandira gaandhi ke hॅlik aauptar par gira. shahar mean us samay ki pradhanamantri, iandira gaandhi aeean thian. hॅlik aauptar dekhakar, maian machal gee thi ki papa ham hॅlik aauptar kab leange?
papa jab bhi gaanv se shahar jate the to ham sab bachche apani-apani dimaand unhean batate the. ek din bad jab ve lautate to rat ho chuki hoti thi. ham bachche so jate the. agale din dhyan hi nahian rahata tha ki papa se poochhana hai ki kya-kya lae.
papa un sab chizoan ki soochi nili dayari mean banate the. papa ki amadani itani kam thi ki ve kabhi bhi shahar se hamare lie manhagi chiz nahian la pae. aisa nahian hai ki kuchh late hi nahian the. am to gaanv mean hi mil jate the lekin kele aur santare nahian milate the isalie t aaufiyaan aur kele ya santare zaroor late the. hamari padhaee aur svasthy ke lie papa apani sari kamaee kharch karate the jisaka natija ye hua ki ham sab padh-likh kar achchhi naukari kar rahe haian.
nili dayari aj padhi to ahasas hua ki papa ne kitana sahej kar hamari sari maangoan ko likha tha. kya farq p data hai agar ve kabhi poori nahian ho paeean. aj samajh mean aya ki papa ke jivan ki dayari ka matalab, sirf hamari maangean aur unako poora n kar pane ki mayoosi thi.
tabhi chhote ne avaz di aur kamare mean a gaya.
“dekh didi papa ki ataichi se ye chhota sa hॅlik aauptar mila hai. isape likha hai ‘iandira gaandhi ka hॅlik aauptar’.
© adity chaudhari
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- dinaank- 8 mee, 2017
dooaaar-dooaaar kisi gॅleksi ke kisi grah ke kisi desh ke mantralay mean vartalap:
“sar! ashvasan to khatm ho ge… nahian de sakate”
“kya?… aisa kaise ho sakata hai? bahar to siniyar sitizans ka ek deligeshan baitha hai, ab kya karean.”
mantri ne apane sachiv par chianta zahir ki.
“sar inaki maange man lijie…”
“vo to p aausibil hi nahian hai, maange bahut zyada haian. ashvasan hi dena hoga. vaise ek bat batao ki ashvasan khatm kaise hue ?”
“sar! ap jab satta mean ae to apako sarakari st aauk mean do hazar ath sau baees ashvasan mile the, jinako apane yooz kar liya. ashvasanoan ki tinoan kॅtegiri yane; poorn ashvasan, thos ashvasan aur ashvasan,… ye sab ap rozana de rahe haian….” sachiv ne bataya.
“achchha… thik hai-thik hai… to phir ham vayada bhi to kar sakate haian…?”
“s aauri sar vayadoan ka st aauk to apozishan ke pas rahata hai. aapako ye st aauk chunav ke dauran milega. sarakar vayada nahian karati, sarakar to ashvasan deti hai.”
“apozishan ke pas bhi to ashvasan hoange…? kharid lo… muanh maangi qimat par…?”
“sar apozishan jab satta se hati to niyamanusar usane sare ashvasan satta paksh yane apako hॅndovar kar die. jis tarah apane chunav ke dauran bache hue vayade vipaksh ko de die the.”
“kahian n kahian to ashvasan bikate hoange? chahe d aaular dene p dean lekin kharid lo” mantri ne mantriyana aanndaz mean kaha.
“sar d aaular to kya bit k aauin ke badale bhi ashvasan nahian mil sakate.”
“koee n koee tariqa to hoga ashvasan arenj karane ka?”
“sar imarajensi laga dijie… tab koee kuchh poochhane ya maangane nahian aega. ashvasan ka jhanjhat khatm.”
“haanaaa ye thik rahega… laga do imarajensi”
© adity chaudhari
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