आदित्य चौधरी -फ़ेसबुक पोस्ट जनवरी 2014

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dinaank- 30 janavari, 2014

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pikaso ki mashahoor peantiang 'gvernika', frॅnz kafka ki kahani 'mॅta m aaurfosis', muktibodh ki kavita 'aandhere mean', vॅn g aauf ke sॅlf potret aur 'sanaflavar', aaulveyar kamoo ka upanyas 'la pest', hemiangve ka upanyas 'd old main eand d si', akira kurosava ki film 'rashoman' adi kala ke charam ko chhoone ke bad ki prayogatmak adbhut kritiyaan haian.
in adbhut kritiyoan ko samajhane ke lie hamean bahut se aise sahity ko padhana zaroori hai jisamean- kuantha ki vedana, yuddh ki vibhishika, ekaant ki anubhooti, napuansak krodh, pratibha ka daman, santripti ki vivashata, sikandariya aur nalanda jaise pustakalayoan ka jalana adi ka varnan ho ya kuchh anubhav svayan bhi kiya ho. ye klisht rachanaean tabhi samajh mean ati haian.
kala ko matr manoranjan samajhana, kala ka apaman karana to hai hi, apani ajnanata ka pradarshan bhi hai.
manoranjan to kala ki shreniyoan ke athah samandar ki ek chulabuli si shreni matr hai.

dinaank- 17 janavari, 2014

makar sankraanti nikal gayi, sardi kam hone ke asar the, lekin huee nahian, hoti bhi kaise 'chilla ja de' jo chal rahe haian. upanyas samrat muanshi premachand likhate haian-
"hava ka aisa thanda, chubhane vala, bichchhoo ke dank ka-sa jhoanka laga"
amar kahanikar mopasaan ne likha hai-
"thand aisi p d rahi thi ki patthar bhi chatak jay"
ja da is bar zyada p d raha hai. zabardast ja da yane ki 'kitakiti' vali thand ke lie meri maan kahati haian-"chilla ja da chal raha hai"
maian socha karata tha ki jis thand mean chillane lagean to vahi 'chilla ja da!' lekin man mean ye bat to rahati thi ki shayad maian galat hooan. babaranama (tuzaki babari) mean babar ne likha hai ki itani thand p d rahi hai ki 'kaman ka chilla' bhi nahian chadhata yane dhanush ki pratyancha (dori) jo cham de ki hoti thi, vah thand se siku d kar chhoti ho jati thi aur asani se dhanush par nahian chadh pati thi, tab maianne socha ki shayad kaman ke chille ki vajah se chilla ja de kahate haian lekin bad mean mere is hasyaspad shodh ko tab b da dhakka laga jab pata chala ki 'chilla' shabd farasi bhasha mean chalis din ke aantaral ke lie kaha jata hai, phir dhyan aya ki are haan... kaha bhi to 'chalis din ka chilla' hi jata hai.

dinaank- 16 janavari, 2014
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nirbhay damini ko ek varsh hone par...
 
kaise kah dooan ki maian bhi zinda hooan
kaise kah dooan ki maian bhi iansa hooan

usane dekhe the yahaan khab kee
usake chhaante hue kuchh lamhe the
sard futapath par p di thi jahaan besudh vo
vahian chhitare hue the ahasas kee
lekin ab vo khab nahian sadame the

ik taraf kuchala hua vo ghooanghat tha
jise uthana tha kisi khas rat
magar vo rat ab n aegi kabhi
n shahanaee, n sehara, n babul gaegi kabhi

lekin mujhe to kam the bahut
jinase jana tha
use uthane ke lie to sara zamana tha
yooan hi giri p di rahi besudh vo
magar maian ruk n saka pal bhar ko

kaise kah dooan ki maian bhi zinda hooan
kaise kah dooan ki maian bhi iansa hooan

dinaank- 16 janavari, 2014

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unaki khvahish, ki ik jashn manaya jay
chho dakar mujhako har ik dost bulaya jay

raunaq-e-bazm ke layaq meri hasti hi nahian[1]
yahi har bar mujhe yad dilaya jay

kabhi jo sham se bechain unaki tabiyat ho
kisi mere hi khat ko padh ke sunaya jay

kahian jo bhool se bhi zikr mera ata ho
yahi takid ki maqta hi n gaya jay[2][3]

mere vo khab mean na aean bas isi ke lie
taumr mujhako ab n sulaya jay

kabhi sukoon se guzara tha jahaan vaqt mera
usi jagah mujhe har roz rulaya jay

qabr meri ho, jis pe unaka likha patthar ho
unhian ka zikr ho jab mera janaza jay

unaki khvahish, ki ik jashn manaya jay
chho dakar mujhako har ik dost bulaya jay

dinaank- 15 janavari, 2014

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he krishna !
uttara ke garbh mean
banakar gadadhari
raksha ki parikshit ki, brahmastr se
kyoanki vo vansh hai

aur beti ?
beti kya shap hai, dansh hai ?
beti bhi to, putr ki tarah hi
tumhara hi aansh hai

n jane kitani betiyaan
mari geean, garbh mean
aur tumhara bhi maun hai
is sandarbh mean

in betiyoan ko bachane bhi
to kabhi ate
in kansoan ka sanhar bhi kar jate

he ram !
pita ke vachan ke lie
chho d di rajagaddi
sita ko sath le, bane vanavasi
kyoanki vo maryada hai

aur sita ?
sita kya dasi hai, dharamada hai ?
tumhara jo kuchh bhi hai
usamean sita ka bhi to adha hai

kaise gee sita
tumhare bina dobara van ko
kyoan nahian chho da
tumane rajabhavan ko

aise mean tum bhi to sath nibhate
tabhi to
'bharya purushottam' bhi ban jate

he buddh !
chho da yashodhara-rahul ko
sannyas liya
naya path sikhalaya duniya ko
kyoanki vo 'dharm' hai

aur yashodhara ?
yashodhara kya vastu hai, matr vaivahik karm hai ?
use, sote chho d jana
bhi to adharm hai

yadi tumhare pita ne
tumako is tarah chho da hota
to phir, buddh kya
siddharth bhi nahian hota

pahale grihasth ko nibhate
to tumhari pravajya ko
rahul aur usaki maan bhi samajh pate

dinaank- 15 janavari, 2014

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vo 'subah' jo kabhi ani thi
kab aegi ?
jis subah ko,
sakina bhi skool jaegi ?

nahian tapakegi sukkho ki chhat
aur santo dadi bhi peanshan paegi

kallo nahian dhoegi reesoan ke pot de
aur chandar ki sharab bhi chhoot jaegi

parasadi chho d dega tin patti khelana
aur sunahari bhi mayake se laut aegi

baijanti chhu da legi choo diyaan sunar se
aur dobara 'rakhane' bhi nahian jaegi

havalat se chhootega bekasoor ghoorelal
aur pulis bhi bar-bar nahian aegi

is bar sonadeee janamegi bitiya ko
aur usaki sas bhi ghi ke die jalaegi

aisi subah mere gaanv mean kab aegi ?
aisi subah tere gaanv mean kab aegi ?

dinaank- 15 janavari, 2014

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manziloan ki qaid se ab chhoot bhage raste
hai baqaya zindagi avaragi ke vaste

chho d kar rasmo-rivajoan ki gali ko a ge
ab hua har shakhs hazir dosti ke vaste

usaki mahafil aur usake rang se kya sabika[4]
ab hazaroan mastiyaan har bazm mere vaste[5]

ye safar tabir hai un hasaratoan ke khab ki[6]
jo kabhi hoti thian teri suhh‌batoan ke vaste[7]

ab koee aqa niyam qanoon kya batalaega
aandhiyaan bhi ruk geean haian is saba ke vaste[8]

majara ye dekhakar ab dasht bhi hairan hai
marahale chalane lage haian qafiloan ke vaste[9]

maut ke ane se pahale ek lamha ji liya
kaun rag de e diyaan ab zindagi ke vaste

dinaank- 15 janavari, 2014

hamako maloom hai in sab ki haqiqat lekin
dil-e-khushafahami ko kuchh din ye 'ap' achchha hai

-janab asad ulla khaan galib ki yad mean

dinaank- 14 janavari, 2014

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vishv ke mahanatam nirdeshakoan mean alfred hichak aauk ka nam ata hai. ve mere behad pasandida sinema nirdeshakoan mean se ek rahe haian. pichhale varsh unake jivan par bani film 'Hichcock' dekhi. isamean ऍnthani h aaupakin (Anthony Hopkins) ne hichak aauk ki bhoomika ki hai. ve bhi mahanh kalakar haian aur mere pasandida ऍktar haian. yah film meri pasandida aur hichak aauk ki mashahoor film saiko (Psycho) ke nirman par adharit hai. hamesha ki tarah is film mean bhi ऍnthani h aaupakin ka abhinay dekhane layaq hai.
hichak aauk ki filmoan ki naqalean sari duniya mean hoti rahi hai. unaki film vartigo (Vertigo) mujhe bahut pasand hai. ye ek zabardast thrilar hai. isamean hiro ऍkrofobiya (Acrophobia) ka mariz hota hai. ऍkrofobiya ek aisi fobiya hai jisamean bahut ooanchaee se niche dekhane par chakkar ate haian. raz ki bat ye hai ki maian mujhe bhi ऍkrofobiya hai. ha ha ha

dinaank- 14 janavari, 2014

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jo simaoan mean bandhakar jite haian
unaka jivan
unaki mrityu ke sath hi samapt ho jata hai simaoan ke pare, khule akash mean
vicharan karane valoan ka jivan
anant kal tak chalata hai.

dinaank- 14 janavari, 2014

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bharat jaise vishal ganatantr ke samagr vikas ke lie
60-70 varsh ka samay samanyat: bahut kam hai
bharat ki azadi ko abhi itana samay nahian hua
ki bharat ke sanvidhan ka sahi moolyaankan ho sake
bharat ka ganatantr aur sanvidhan abhi shaishavavastha mean hi haian
phir bhi yah kahane mean mujhe koee sankoch nahian hai ki is shatabdi mean bharat vishv ka sabase shaktishali desh hoga.

dinaank- 14 janavari, 2014

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apasi rishtoan mean ya samaj mean
shikayatoan aur ulahanoan ke prati
yadi hamara drishtikon
unhean ganbhirata se lekar
svayan ka vishleshan karane ka rahata hai
to nishchit hi ham khud ko
ek sakaratmak vyakti ke roop mean
dekh sakate haian
yah mahanh vyaktiyoan ka ek aisa gun bhi jo unako mahanh banata hai

dinaank- 14 janavari, 2014

kabhi-kabhi aisa lagata hai ki vishvas vah bhram hai jo ab tak toota nahian...

dinaank- 14 janavari, 2014

umre daraz maang ke lae the char roz
do FB pe kat ge do big bazar mean

(aj 'zafar' hote shayad to yahi likhate)

dinaank- 7 janavari, 2014

prachin kal ke dakshin bharat mean gram prashasan, panchayat aur prajataantrik vyavastha ke behatarin namoone haian.
uttirameroor ki rajanaitik vyavasthaean choankane vali haian . yah dakshin bharat mean tamilanadu rajy ke kaanchipuram zile ka ek panchayati gram hai. chol rajy ke aantargat brahmanoan (agrahar) ke ek b de gram mean dasavian shatabdi ke pashchath anek shilalekh sthaniy rajaniti par prakash par prakash dalate haian.

dinaank- 7 janavari, 2014

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am adami ko paribhashit karane aur am adami ki samasyaoan ko prastut karane ke kam jitane badhiya tarah se mahanh kartoonist ar॰ ke॰ lakshman ne kiya hai utana kisi ne nahian.
isake badale mean unako lagabhag harek sarakar dvara aisa n karane ki chetavani di gee aur muqadame chale.
ab dilli sadan mean am adami ki ek nee paribhasha ki gee hai jo meri samajh ke pare hai. kaha gaya hai ki 'vah harek adami, am adami hai jo ki eemanadar sarakar chahata hai chahe vah gretarakailash aur difens k aauloni ka hi rahane vala kyoan n ho.'
eemanadar sarakar to sabhi chahate haian. maianne kisi karo dapati ya arabapati ko kabhi yah kahate nahian suna ki ve beeeman sarakar chahate haian.
to kya ab 5-10 karo d ke bangale mean rahane vala bhi am adami hai? bi॰ऍm॰dablyoo aur marsadiz ka svami bhi am adami hai?
maianne pahale likha tha ki satta ki ek apani bhasha aur sanskriti hoti hai. jo satta mean ane ke bad apanani hoti hai. yadi aisa n karean to byooro kret aisa karava dete haian kyoanki janata ko galatafahami chahe kuchh bhi ho lekin desh to byooro kret hi chala rahe haian.
-aur zyada vistar se padhana chahean to bharatakosh par mera ek lekh padhean-

dinaank- 6 janavari, 2014

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eemanadari aur sadagi ki sarthakata
vinamrata ke sath hi hai
yadi hamean apani eemanadari aur sadagi
ka ahankar hai to ye bhauande adambaroan
ke alava aur kuchh nahian hai.

dinaank- 6 janavari, 2014

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hindoo, musalaman, eesaee adi use kahate haian jo ki apane dharm ke dharmik aur adhyatmik roop-svaroop mean astha rakhata hai.
kattar hindoo, kattar musalaman, kattar eesaee use kahate haian jo apane dharm ke vyavasayik aur rajanaitik roop-svaroop mean astha rakhata hai.
yadi eemanadari aur ganbhirata se vichar kareange to yah samajh mean a jaega ki dharmik ya sampradayik kattarata hamean adhyatm aur dharm door le jati hai.

dinaank- 6 janavari, 2014

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sheksapiyar to apane mashahoor natak hॅmalet mean "Frailty, thy name is woman." likh kar jannat nashian ho ge. meri to hamesha ki tarah shamat aee huee hai, ki vyakhya karo isaki. saval is vaky ka arth karane ka nahian hai balki poochha gaya hai ki kya yah sahi hai?
jaise ramacharitamanas ki ek-ek chaupaee ke 24-24 arth ajakal hote haian vaise hi sheksapiyar ke natakoan ke mashahoor sanvadoan ke bhi kee-kee arth hote haian. hॅmalet ke hi ek aur sanvad "To be or not to be" ke anuvad ka bhi ek zamane mean b da halla raha. isaka anuvad raangey raghav ji ne bhi kiya, amritaray ji ne bhi kiya. kul mila kar ye tay hua ki mamala atmahatya karane ka hai ki 'karean ya nahian'.
...khair...
"Frailty, thy name is woman." ka arth to ye nikalata hai ki 'kamazori' tera hi nam aurat hai lekin natak hॅmalet mean isaka sandarbh hai ki aurat kamazor hone ke karan hi bevafa ho jati hai, to isaka arth kiya gaya "bevafaee, tera hi doosara nam aurat hai."
asal mean yah bat adami par bhi lagoo hoti hai. adami ka bhi doosara nam bevafaee hi hai. purush ke lie stri ko aur stri ke lie purush ko vafadar banane ka kam prakriti ne to kiya nahian hai. nar aur mada ek doosare ke lie vafadar hoan aisa niyam prakriti ka nahian hai, to phir ye nishtha aur vafa kahaan se ayi?
asal mean bat yah hai ki jo purush, iansan pahale aur bad mean purush hoga vahi kisi stri ke prati nishtha ya vafa nibhaega. jo stri iansan pahale aur bad mean stri hogi vahi kisi purush ke prati nishtha ya vafa nibhaegi.
jab ham apane ap ko adami ya aurat pahale samajhate haian aur iansan bad mean, to ham iansaniyat ke niyamoan se door hat jate haian. jab ham iansaniyat se hi door hat ge to phir vafa ka kya kam? isi tarah kisi adami ya aurat ke kamazor hone anek sanbhavanaean ho sakati hai lekin iansan kabhi kamazor nahian hota. aisa lagata hai ki stri-purush ke bich sachchi vafadari ki vajah keval iansaniyat hi hoti hai. baqi aur vajahean to samaj ka dar ya kisi svarth adi se prabhavit hone ki sanbhavana rakhati haian.

shabdarth

  1. bazm= sabha, goshthi, mahafil
  2. takid = koee bat zor dekar kahana
  3. gazal ke akhari sher ko jisamean shayar ka nam athava upanam ho use ‘maqta’kahate haian.
  4. sabika ya sabaka = sanbandh, vasta
  5. bazm = mahafil
  6. tabir = natija
  7. suhh‌bat ya sohabat = sangat, sath
  8. saba = purava hava, mand shital hava
  9. marahale= manzilean

sanbandhit lekh

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