के. एन. सिंह का फ़िल्मी सफ़र
ke. en. sianh ka filmi safar
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| poora nam | krishna niranjan sianh |
| prasiddh nam | ke. en. sianh |
| janm | 1 sitanbar, 1908 |
| janm bhoomi | deharadoon |
| mrityu | 31 janavari, 2000 |
| mrityu sthan | deharadoon |
| abhibhavak | pita- chandi das |
| karm bhoomi | mumbee |
| karm-kshetr | abhineta |
| mukhy filmean | humayooan (1944), barasat (1949), saza v avara (1951), jal v aandhiyaan (1952) adi. |
| nagarikata | bharatiy |
| any janakari | ke.en. sianh apani is khasiyat ke liye bhi pahachane jate the ki vo kiradar mean ghus kar ektiang to karate haian lekin ovar ektiang nahian. unaka kiradar parade par chikhane-chillane se sakht parahez rakhata tha. unhean yakin tha ki har kiradar mean ek kriyetiviti hai, skop hai. |
| adyatan | 04:58, 1 julaee 2017 (IST) |
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filmoan mean kam karane ka avasar
ke. en. sianh ko apane pita dvara apani jagir ka british sarakar se samajhauta pasand nahian aya. tabhi ve vakalat se muanh mo dakar khel ke maidan mean utar gaye. 1936 ke barlin olanpiks ke liye vah jevalin thro v sh aaut put spardhaoan ke liye bharatiy tim ke liye chun liye gaye the. tabhi en mauke par unhean bahin ki aankh ke aaupareshan ke liye kalakatta jana p da. kyoanki unake jija landan gaye hue the. kalakatta mean unaki mulakat phemili phreand prithviraj kapoor se huee. kinhian ne ke. en. sianh ko devaki b aaus se milaya. devaki ne apani film sunahara sansar (1936) mean sahayak ki bhoomika di. yahaan se ke. en. sianh filmoan mean aise ramean ki khel ka maidan v sena mean bharti ka vichar u dan chhoo ho gaya. ke. en. sianh akasar charitr ka adhyayan kar use apane abhinay mean late the. ianspektar (1956) ki film ke liye unhoanne gho da-ga di chalana sikha tatha hav-bhav ko bariki se samajha. ve usool v samay ke bahut pakke the. rajakapoor se ek bar unake matabhed hue to phir kabhi unaki filmoan mean kam nahian kiya. unhoanne unnati ke liye kee nirmata-nirdeshakoan ke sath kam kiya aur kee stoodiyo se sanbaddh rahe.
ek din ek bar mean unaki ek shakhs se mulakat huee. unaki nam tha ijara mir. vo un dino iandrapuri stoodiyoan ke dayarektar the. mir ne ke. en. sianh ko stoodiyo mean ane nimantran diya. vahaan ke. en ki mulakat us samay ki kee film hastiyoan se huee. ek din ke. en sianh kuandan lal ko dhooandhate hue ek stoodiyo pahuanche. vo kuandan lal se milane mean jhijhak rahe the, lekin kuandan lal ne unhean dekhate hi dau d kar gale laga liya. isake bad ke. en. sianh ki prithvi raj kapoor se mulakat huee. unhoanne ke. en. ko filmi duniya mean rozagar dhooandhane ka sujhav diya.
prithvi raj ke sujhav par ke. en. nirdeshak devaki bos ke asisteant ban ge. unhean filmi duniya aur vahaan ka kam bahut dilachasp laga. devaki bos us samay ek film bana rahe the 'sunahara sansar' jisake hiro the gul hamid. ke. en. sianh ka hiandi, urdoo aur aangrezi ka shuddh uchcharan dekhate huhe is film mean unhean ek daktar ka rol diya gaya. isake badale unhean mile 300 roope. yah filmoan se unaki pahali kamaee thi. ke en sianh ke kam ko devaki bos ke alava poori yoonit ke logoan ne pasand kiya.
ab ke. en. ke samane ye saph ho gaya tha ki unhean filmi duniya mean hi apana bhavishy mazaboot karana hai. ke. en. sianh ke is faisale ki madad unaki qismat ne bhi ki. 'sunahara sansar' ke bad devaki bos ne 'havaee dakoo' nam ki film par kam shuroo kiya. isake hiro bhi gul hamid chune ge. lekin shootiang ke vakt gul hamid buri tarah bimar ho ge. devaki bos ne ke. en. sianh se gul hamid ka rol karavaya. khalanayak the mazahar khaan. film fl aaup ho gee, lekin ke. en. hiro ban ge. unake filmoan mean kam karane ko lekar unake pita khush nahian hue us samay shariph gharoan ke logoan ka philmoan mean kam karana hi kya philm dekhana tak buri bat samajha jata tha lekin phir bhi unhean is bat ka santosh tha ki ke. en. sianh koee kam to kar raha hai.
unhean is bat ki bhi chianta thi ki kahian ke. en. sianh filmoan mean kam karane vali kisi mahila se shadi n kar lean. isalie gharavaloan ne ke. en. ki shadi tay kar di aur unhean kolakata se bulava kar shadi kar di gee. inaka sikka filmoan mean chal nikala. shadi se pahale ve devaki bos ki ek film vidyapati mean nayak bane aur shadi ke bad jab film riliz huee to hit sabit huee. kee aur filmoan mean kam karate karate inako film 'milap' mean kam karane ka mauqa mila.
prasiddh film
is film ka nirdeshan e. ar. karadar kar rahe the. yah karadar ki pahali film thi. 'milap' hit hi nahian supar hit huee. tab tak muanbee film nirman ke b de keandr ke roop mean ubhar rahi thi. kolakata mean kee film kanpaniyaan arthik sankat se joojh rahi thian. karadar ne ke. en. ke samane muanbee chalane ka prastav rakha. ke . en. ne dostoan se salah ki aur deharadoon ho kar muanbee pahuanche. karadar ko muanbee jate hi bagaban film ke nirdeshan ki zimmedari mil gee, unhoanne ke. en. ko film mean ek rol aaufar kiya, lekin ye rol khalanayak ka tha.
karadar ka manana tha ki dil daul ke mutabiq bhi ke. en. sianh khalanayak ke rel ke lie fit raheange. ab ke. en. sianh ko faisala karana tha ki vo khalanayak bane ya nahian. us samay ke sabase charchit khalanayak mazahar khaan inake dost the, unhoanne ke. en. sianh ko ray di ki unhean khalanayak ya charitr abhineta ka bhi rol karana chahie kyoanki kisi hiro ki do filmean phl aaup hone ke bad usaki maang ghat jati hai. lekin khalanayak ya charitr abhineta par film phl aaup hone ka sidha asar nahian p data.
khud mazahar khaan bhi hiro the aur apani marzi se khalanayak ke kiradar karane lage. ke. en. sianh ne 'bagaban' mean khalanayak ka rol kiya. film supar hit rahi aur isi ke sath filmi duniya ko 6 phut do ianch uancha ek aisa khalanayak mila jisaki rahasyamayi muskan usaka achook hathiyar tha jo sirf aankhoan ko khas aandaz mean harakat de kar siharan paida kar deta tha. ke. en. ke khalanayak roop se us samay ke prasiddh khalanayak yakoob itane prabhavit hue ki unhoanne khalanayak ke rol lene band kar die aur ve hasy abhineta ban ge. inaka khalanayaki ka safar shuroo ho chuka tha ek ke bad ek filmean vo karate ge. us daur mean pauranik filmean b di sankhya mean banati thian. apane dil daul aur sadhe hue aandaz mean sanvad adayagi ki vajah se ve prodyoosar dayarektar ke manapasand duryodhan sabit hue.
- khalanayak ka abhinay
1951 mean bani rajakapoor ki film 'avara' mean ke. en. ne ek dakoo ki bhoomika nibhaee film riliz hone ke bad ke. en. ke rol ki jamakar prashansa huee. barasoan tak unake prashansak unhean jagga dakoo ke nam se yad karate rahe. magar yah ke. en. sianh ka b dappan tha ki unhoanne apani is upalabdhi ka shrey akele hi nahian liya. unhoanne hamesha kaha ki khvaja ahamad abbas ne jagga dakoo ka rol itana asaradar likha tha ki vah yadagar ban gaya.
shakti samant ko lagata tha ki ke. en. ke bina unaki film adhoori rahegi isalie unhoanne apani filmoan ianspektar, hav da brij, ivaniang in peris mean ke. en. ko doharaya. dhire-dhire parde par pran, kanhaiyalal aur jivan jaise khalanayak ubhare, lekin ke. en. ne khalanayaki mean apana jo aandaz aur sthan banaya tha vah hamesha bana raha. yahaan tak ki prem chop da, ranjit, ajit, amajad khan, daini aur amarishapuri jaise khalanayakoan ke daur mean bhi ke. en. ki maang bana rahi.
lekin sattar ke dashak mean ke. en. mahasoos karane lage the ki ab pahale vala zamana nahian raha. hiro aur hiroin ka itana dabadaba badh chuka tha ki nirdeshak aur prodyoosar bhi unake samane hath jo d kar kh de rahane lage. inhoanne jab filmoan mean qadam rakha tha tab sabhi log kisi kanpani ya stoodiyo ke vetan bhogi karmachari hote the vahaan nirdeshak ka hukm aantim hota tha. phir age ke daur mean stoodiyo paranpara tooti aur kalakar phri laans ke taur par kisi bhi bainar mean kam karane lage tab bhi film mean nirdeshak ka sthan sarvopari hota tha. us samay set par ek parivar jaisa mahaul hota tha. sathi kalakar ek doosare ke sath samay bitaya karate the, lekin star sistam ke uday ye bad sab kuchh dhvast hone lage. usool aur adar ke arth badalane lage. ke. en ne kabhi rol ko pasand ya napasand karana nahian sikha khalanayaki ke sath sath unhoanne yadagar charitr abhinay bhi kiya. isalie unhean kam to milata raha phir bhi unhean lagane laga ki ab unaki ya unake daur ke logoan ko vah adar samman nahian mil paega jisake ve haqadar the.
naye yuvaoan ko sahayog
apane sathi kalakaroan prithvi raj, kuandanalal sahagal, majahar khan, jayaraj, moti lal adi ke sath parivar ki tarah rahane vale ke. en. ne abhineta pi jayaraj aur lekhak nirdeshak pi. el. santoshi ki shadi khud karavayi. kee sathiyoan ke bachche jab film nirman mean utare to ke. en. ne unhean har tarah ka sahayog diya, lekin phir ke. en. ko mahasoos hua ki yah yuva nasl aankal kah kar unase kam to karava leti thi, lekin paise dene ke nam par chuppi sadh lete the. ke. en. ko kee filmoan mean kam karane ke evaz mean kabhi kuchh nahian mila.
filmoan mean kee pidhiyaan unake samane javan hueean. unhoanne prithvi raj kapoor ke sath kam kiya phir rajakapoor ke sath aur 1975 mean rajakapoor ke bete rrishi kapoor ki film 'raphphookkar' mean bhi ke. en. sianh ne kam kiya. sahagal aur moti lal se lekar dilip, rajakapoor, devanand trayi sahit guroodatt, sunil datt, manoj kumar, dharmeandr aur rajesh khanna se lekar amitabh bachchan tak filmoan ke har daur ke nayakoan ke muqabale mean ke. en. sianh akele kh de najar ate haian.
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tika tippani aur sandarbh
sanbandhit lekh
varnamala kramanusar lekh khoj
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