ओ. पी. नैय्यर
o. pi. naiyyar
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| poora nam | oankar prasad naiyyar |
| prasiddh nam | o.pi. naiyyar |
| any nam | opi |
| janm | 16 janavari, 1926 |
| janm bhoomi | lahaur (pakistan) |
| mrityu | 28 janavari, 2007 |
| mrityu sthan | mumbee, maharashtr |
| karm bhoomi | mumbee |
| karm-kshetr | sangitakar |
| mukhy filmean | 'ar-par', 'naya daur', 'tumasa nahian dekha', 'kashmir ki kali', 'si. aee. di' adi. |
| nagarikata | bharatiy |
| prasiddh git | 'leke pahala pahala pyar', 'ye chaand-sa roshan chehara', 'ye hai reshami zulfoan ka', 'chal akela', 'ye desh hai vir javanoan ka' adi. |
| any janakari | sine jagath ke logoan ne asha bhoansale ko o. pi. naiyyar ki hi khoj bataya. o. pi. naiyyar ne lata mangeshakar jaisi sur samrajni ke sath kabhi kam nahian kiya. |
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oankar prasad naiyyar (aangrezi: Omkar Prasad Nayyar, janm: 16 janavari, 1926; mrityu: 28 janavari, 2007) hindi filmoan ke ek prasiddh sangitakar the. apane suroan ke jadoo se asha bhoansale aur mohammad rafi jaise kee parshvagayak aur parshvagayikaoan ko kamayabi ke shikhar par pahuanchane vale mahanh sangitakar o. pi. naiyyar ke sangitabaddh git aj bhi lokapriy hai.
jivan parichay
16 janavari 1926 ko lahaur (pakistan) ke ek madhyam vargiy parivar mean janme oankar prasad naiyyar urph o.pi. naiyyar ka rujhan bachapan se hi sangit ki or tha. vah parshvagayak banana chahate the. bharat vibhajan ke pashchath unaka poora parivar lahaur chho dakar amritasar chala aya. oankar prasad ne sangit ki seva karane ke lie apani padhaee bich mean chho d di. apane sangit ke safar ki shurooat inhoanne al iandiya rediyo se ki.
filmi saphar
bataur sangitakar film iandastri mean pahachan banane ke liye o. pi. naiyyar varsh 1949 mean muanbee a gaye. muanbee me unaki mulakat jane mane nirmata nirdeshak krishna keval se huee jo un dinoan film 'kaniz' ka nirman kar rahe the. krishna keval unake sangit banane ke aandazase kafi prabhavit huye aur unhoanne film ke baik grauand sangit dene ki peshakash ki. is film ke asaphal hone se o. pi. naiyyar bataur sangitakar apani pahachan banane me bhale hi saphal n ho sake lekin film iandastri me unaka kairiyar avashy hi shuroo ho gaya.[1]
pahala git
varsh 1951 mean apane ek mitr ke kahane par vah muanbee se dilli chale gaye aur bad mean usi mitr ke kahane par unhoanne nirmata pancholi se mulakat ki jo un dinoan film nagina ka nirman kar rahe the. bataur sangitakar unhoanne film 'asaman' se apane sine kairiyar ki shurooat ki. is film ke liye unhoanne si. ech. atma ki avaj mean apana pahala gana rikard karavaya. gane ke bol kuchh is prakar the 'is bevapha jahaan mean vapha dhooandhate haian' . is bich unaki chhama chham chham aur baj jaisi filmean bhi pradarshit huee lekin in filmoan ke asaphal hone se unhean gahara sadama pahuancha aur unhoanne film iandastri chho d vapas amritasar jane ka nirnay kar liya.[1]
gurudatt se mulakat
varsh 1953 parshvagayika gita datt ne o.pi. naiyyar ko gurudatt se milane ki salah di. varsh 1954 mean gurudatt ne apani nirman sanstha shuroo ki aur apani film arapar ke sangit nirdeshan ki jimmedari o. pi. naiyyar ko sauanp di. film arapar ke o .pi.naiyyar ke nirdeshan mean sangitabaddh git suparahit hue aur is saphalata ke bad o. pi. naiyyar apani pahachan banane mean saphal ho gaye. unhoanne vapas apane ghar jane ka irada chhod diya. isake bad gurudatt ki hi film 'mistar eand misej 55' ke liye bhi o.pi. naiyyar ne sangit diya. film mean unake sangit nirdeshan mean bane gane 'jane kahaan mera jigar gaya ji' aur 'thandi hava kali ghata' kafi lokapriy hue.[1]
sabase mahange sangitakar
ar−par, si. aee. di., tumasa nahian dekha adi ek ke bad ek lagatar hit filmean dete hue ye sine jagath mean sabase mahange sangitakar bane. 1950 mean ek film mean sangit dene ke 1 lakh rupaye lene vale pahale sangitakar the. “naya daur” inaki sabase lokapriy film rahi. is film ke lie unhean 1957 mean film pheyar av aaurd bhi mila. sirf kuchh hi filmoan mean apani kala ka loha manava dene vale ye sangitakar ziddi aur ekaantapriy svabhav ke karan bhi charcha mean rahe. kuchh log inhean ghamandi, dabang aur nirankush svabhav ke bhi kahate the, halaanki naye evan joojhate hue gayakoan ke sath ye bahut udar rahe. patrakar hamesha se hi inake khilaf rahe aur inako hamesha hi bagi sangitakar ke roop mean pesh kiya gaya. pachas ke dashak ke dauran al iandiya rediyo ne inake sangit ko adhunik kahate hue us par pratibandh laga diya aur inake gane rediyo par kafi lanbe samay tak nahian bajae gaye. is bat se unhean koee ashchary nahian hua balki ve apani dhun banate rahe aur ve sabhi desh mean b di hit rahi. us samay sirf shrilanka ke rediyo par hi inake naye gane sune ja sakate the. bahut jaldi hi aangrezi akhabaroan mean inaki tariph ke charche shuroo ho gaye aur inhean hindi sangit mean ustad kaha jane laga, tab ye bahut javan the.[2]
pasandida gayak-gayika
gita datt, asha bhoansale aur mohammad rafi ke sath inhoanne sabase zyada kam kiya. mohammad rafi se alag hone ke bad opi maheandr kapoor ke sath kam karane lage. maheandr kapoor ji opi ke lie dil se gate the. unaki avaz aur ehasas ki gaharaee ne opi ke ganoan mean bhavanaoan ko ubhara aur logoan ke diloan tak opi ke vicharoan ki gaharaee pahuanchaee. asha bhoansale ke sath opi ne lagabhag sattar filmoan mean kam kiya. sine jagath ke logoan ne asha bhoansale ko unaki hi khoj bataya. aisa lagata tha ki naiyyar sahab asha ji ke lie vishesh dhun banate hoan, jinhean asha bina kisi mehanat ke ga leti. opi ne lata mangeshakar jaisi sur samrajni ke sath kabhi kam nahian kiya. ye sine jagath mean hamesha hi charcha ka vishay raha. opi kahate the ki unake gane lata ki avaz se mel nahian khate. ve zyadatar panjabi dhun ke sath masti bhare gane banate the. lekin mukesh ke dvara gaya hua bahut ganbhir gana ‘chal akela, chal akela, chal akela’ o. pi naiyyar ki chahuanmukhi pratibha ko darshata hai.[2]
prasiddh filmean
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- ar-par
- naya daur
- tumasa nahian dekha
- kashmir ki kali
- mere sanam
- ek musaphir ek hasina
- phir vo hi dil laya hooan
- si. aee. di
- savan ki ghata
- ragini
- kismat
- phagun
- hav da brij
- pran jae par vachan na jae
- baharean phir bhi ayeangi
- sanbandh
- sone ki chi diya
- kahian din kahian rat
- ye rat phir na ayegi
- mi. & misej 55
- naya andaz
lokapriyata
kitani ajib bat hai ki al iandiya rediyo ne unake kuchh git brodakast karane par pratibandh laga diya tha yah kahakar ki inake bol aur dhun yuva pidhi ko pathabhramit karane vale haian. bad mean rediyo silon par unake gitoan ko sunane ki badhati chahat se har kar khud mantri mahoday ko is aankushata ko hatane ke lie age ana p da. matr 30 sal ki umr mean unhean “ridam kiang” ki upadhi mil gee thi. unhoanne sangitakar ke darje ko hamesha ooancha mana aur ek lakh rupaye pane vale pahale sangit nirdeshak bane. 1957 mean aee "naya daur" sangit ke ayam se dekhean to unake saphar ka "mil ka patthar" thi. shammi kapoor ke ane ke bad to o pi naiyyar ke sath sath hindi film sangit bhi jaise phir se javan ho utha. madhubala ne to yahaan tak kah diya tha ki vo apana parishramik un nirmataoan ke lie kam kar deangian jo o pi ko sangitakar leangean. madhubala ki 6 filmoan ke lie o pi ne sangit diya. vo un dinoan ke sabase manhage sangitakar hone ke bavajood unaki maang sabase adhik thi. film ke sho ril mean unaka nam abhinetaoan ke nam se pahale ata tha. aisa pahale kisi aur sangitakar ke lie nahian hua tha, o pi ne treand shuroo kiya jise bad mean bahut se saphal sangitakaroan ne apanaya.[3]
rochak tathy
- kahate haian ki pratibha ke apane said iphekt hote haian. opi naiyyar ne keval ek hi film mean gitakar pradip se git likhavae. ye thi es. mukharji prodakshan ki 1969 mean aee film ‘sanbandh’. naiyyar sahab ko pradip ki shakl pasand nahian thi. isalie vo sitiang mean pradip ko nahian bulate the. kavi pradip ekadam saral hriday sajjan vyakti. naiyyar ekadam muanhaphat akkh d. ‘sanbandh’ ke gane pradip kisi harakare ke hathoan bhijava diya karate the aur unaki dhun bana li jati thian.
- isi tarah gitakar anajan se naiyyar ne film ‘baharean phir bhi aeangi’ ke git likhavae the. anajan ke bete samir ne khud bataya ki naiyyar sahab ne anajan se nivedan kiya tha ki anajan naiyyar ke pas n aya karean. anajan ne karan poochha. naiyyar ne kaha- ‘yar, tum bahut sharif adami ho aur maian galiyaan-shaliyaan dekar bat karata hooan. mujhe achchha nahian lagata.’
- ‘shararat’ aur ‘ragini’- ye do aisi filmean thian, jisamean kishor kumar ke lie mohammad rafi ne gaya tha. 1958 mean aee film ‘ragini’ ke nirmata svayan ashok kumar the. aur kishor ke sath vah bhi is film mean abhinay kar rahe the. is film ka gana ‘man mora bavara’ shastriy-sangit par adharit tha. isalie naiyyar ne tay kiya ki ye gana vah rafi se gavaeange. kishor kumar ko manzoor nahian tha ki parde par vah rafi ki avaz lean. vah b de bhaiya ke pas ge. par dadamuni ne dakhalaandazi se saf iankar kar diya.[4]
aantim samay
ek sal aisa bhi aya jab o pi ki ek bhi film nahian aee. varsh 1961 ko yad kar o pi kahate the -"mohabbat mean sara jahaan lut gaya tha..". darasal o pi apani sabase pasandida parshv gayika (asha bhoansale) ke sath apane sanbandhoan ki bat kar rahe the. 1962 mean unhoanne shanadar vapasi ki film 'ek musaphir ek hasina" se. isi dashak mean unhoanne "fir vahi dil laya hooan" (1963), kashmir ki kali (1964), aur 'mere sanam' (1965) jaisi filmoan ke sangit se shirsh par sthan barakarar rakha. ek bar vo sharmila taigor par filmae apane kisi git par unake abhinay se khush nahian the, unhoanne badh kar sharmila ko salah de dali ki mere gitoan mean ap bas kh de rahakar lab nahian hila sakate ye gane harakatoan ke haian, apako apane sharir ke hav bhavoan ka bhi istemal karana p dega. sharmila ne unaki is salah ko gaanth baandh li aur apani har film mean is bat ka khas dhyan rakha. dashak khatm hote hote achchhe sangit ke bavajood unaki filmean phl aaup hone lagi. raphi sahab se bhi unake sambandh big d chuke the. guru datt ki maut ke bad gita ne khud ko sharab mean dubo diya tha aur 1972 mean unaki bhi dukhad maut ho gee, udhar asha ke sath o pi ke sambandh ek nazuk daur se gujar raha tha. ye unake lie behad mushkil samay tha. film "pran jae par vachan n jae" mean asha bhoansale ne unake lie gaya "chain se hamako kabhi....". agast 1972 mean akhirakar o pi aur asha bhoansale ne kabhi bhi sath n kam karane ka phaisala kiya aur usake bad unhean kabhi bhi ek chhat ke niche ek sath nahian dekha gaya. 28 janavari 2007 ko bharatiy hindi sinema sangitakar o pi naiyyar kho diya.[3]
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tika tippani aur sandanrbh
- ↑ 1.0 1.1 1.2 o.pi.naiyyar ke sangit ka jadoo aj bhi hai qayam (hindi) (pi.ech.pi.) panjab kesari. abhigaman tithi: 5 aktoobar, 2012.
- ↑ 2.0 2.1 mahan sangitakar o pi naiyyar (hindi) (ech.ti.em.el.) sahity shilpi. abhigaman tithi: 5 aktoobar, 2012.
- ↑ 3.0 3.1 barakarar hai aj bhi o pi naiyyar ke sangit ka madabhara jadoo (hindi) (ech.ti.em.el.) avaz. abhigaman tithi: 5 aktoobar, 2012.
- ↑ surile git, alabele qisse (hindi) (pi.ech.pi.) presanot. abhigaman tithi: 5 aktoobar, 2012.
bahari k diyaan
sanbandhit lekh
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varnamala kramanusar lekh khoj
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