गुरु दत्त
guru datt
| |
| poora nam | vasanth kumar shivashankar padukon |
| prasiddh nam | guru datt |
| janm | 9 julaee 1925 |
| janm bhoomi | bangalor, karnatak |
| mrityu | 10 aktoobar 1964 (atmahatya) |
| mrityu sthan | banbee, maharashtr |
| pati/patni | gita datt |
| karm bhoomi | muanbee |
| karm-kshetr | nirmata-nirdeshak evan abhineta |
| mukhy filmean | pyasa (1957), kagaz ke phool (1959), sahab, bibi aur gulam (1962) aur chaudahavian ka chaand |
| prasiddhi | gurudatt apani filmoan mean kaimara aur prakash vyavastha ke lie prasiddh the. |
| vishesh yogadan | dakshin eshiya mean jo ek saf-suthara, lokapriy aur manoranjan sinema 1950 ke dashak mean ubhara usamean gurudatt ka kendriy yogadan hai. |
| nagarikata | bharatiy |
| any janakari | prakash aur chhaya ke kalpanashil upayog, bhavapoorn drishyabianb, katha mean kee vishay-vastuoan ki paratean gooanthane ki adbhut kshamata aur gitoan ke mantramugdhakari chhayaankan ne unhean bharatiy sinema ke sabase nipun shailikaroan mean la kh da kiya. |
guru datt (janm-9 julaee, 1925 bangalor - mrityu- 10 aktoobar, 1964 banbee) bharatiy sinema mean film nirmata-nirdeshak aur abhineta the. 'guru datt' ka vastavik nam "vasanth kumar shivashankar padukon" tha. gurudatt apane apamean ek sanpoorn kalakar banane ki poori patrata rakhate the. ve vishv stariy film nirmata aur nirdeshak the. sath hi mean unaki sahityik roochi aur sangit ki samajh ki jhalak hamean unaki sabhi filmoan mean dikhati hi hai. ve ek achchhe nartak bhi the, kyoanki unhoanne apane filmi jivan ka agaz kiya tha prabhat films mean ek koriographar ki haisiyat se. abhinay kabhi unaki pahali pasand nahi rahi, magar unake saral, sanvedanashil aur naisargik abhinay ka loha sabhi manate the. unhoanne pyasa ke liye pahale dilip kumar ka chayan kiya tha. ve ek rachanatmak lekhak bhi the aur unhoanne pahale pahale 'ilastretid vikali aauph iandiya' mean kahaniyaan bhi likhi thi.[1]
jivan parichay
gurudatt ka janm 9 julaee, 1925 ko baiangalor mean hua tha. unaki maan vasanti padukon ke anusar 'bachapan se gurudatt bahut natakhat aur jiddi tha. prashn poochhana usaka svabhav tha. kabhi kabhi usake prashnoan ka uttar dete hue ve pagal ho jati thian, kisi ki bat nahian manata tha. apane dil mean agar thik laga to hi vo manata tha. gusse vala bahut tha. man mean aya to karega hi...jaroor.'[2]thumb|left|guru datt
parivar
guru datt ke pita ka nam 'shri shivashankar rav padukon' aur mata ka nam 'shrimati vasanthi padukon' hai. guru datt ne gayika gita datt se san 1953 mean vivah kiya. gurudatt ke bete arun datt ke anusar ‘pyasa’ aur ‘kagaz ke phool’ jaisi klasik filmoan ke srijak gurudatt chup aur ganbhir rahate the. lekin unake bhitar ek masti karane vala bachcha bhi tha. ve patang u date, machhali pak date aur photographi bhi karate the. guru datt ko kheti karana bhi kafi suhata tha. lonavala mean pharm haus tha jahaan vo har sal jakar kheti karate the. unhean phishiang mean bhi dilachaspi thi. pavee jhil mean j aauni v aaukar aur guru datt khoob machhali pak da karate the. ek bar unhean ek skootar pasand a gaya. ve use chalate hue stoodiyo ja rahe the tabhi signal ke pas ga di ruki to logoan ne unhean pahachan liya. ve kisi tarah se ga di se vahaan se nikale. ek dilachasp kissa hai ki kashmir mean unhoanne ek shikara dekha to ve us shikara ko kashmir se khulavakar pavee jhil le ae.
gita ray se vivah
darasal, jin dinoan gurudatt filmoan mean apani zamin talash rahe the, unhian dinoan gita ray nam ki ek nee gayika parshv gayika banane ki koshish mean vyast thian. tho de hi dinoan mean gurudatt kee nirdeshakoan ke sahayak bane, to udhar film 'bhakt prahlad' mean gita ray ko bhajan gane ka avasar mila. sanh 1948 mean pradarshit film 'do bhaee' mean gaye git mera suandar sapana bit gaya.. ne gita ray ko poore desh mean charchit kar diya. darasal, yahi vah git tha, jisane gurudatt ke dil ke taroan ko jhankrit kar diya. aur yahian se gurudatt ne man hi man yah phaisala bhi kar liya ki ve jab bhi film banaeange, gita ray se git avashy gavaeange. mitr devanand ne film 'bazi' ka nirdeshan gurudatt ko sauanp kar us vade ko poora kiya, jo unhoanne kabhi prabhat stoodiyo mean kiya tha. bazi shuroo huee, to guru ne gita ray se ek git gavaya. bazi mean gita ray ka gita bali par filmaya gaya yah git 'suno gajar kya gaye...' apane samay ka supar hit git sabit hua. bazi ki shootiang ke dauran se hi gurudatt aur gita ray ek-doosare ke nikat ae. jahaan ek or guru gita ki avaz ke divane ho ge the, vahian doosari or gita bhi guru ke prabhavashali vyaktitv par mugdh thian. darasal, donoan aantarmukhi pravriti ke the. kam bolane vale, ganbhir, lekin aankhoan hi aankhoan mean bahut kuchh kah jane vale. ek din jab riharsal aur rik aaurdig se phursat mili, to gurudatt ne gita ko shadi ke lie prastav rakh diya. gita gurudatt ko chahane lagi thian, lekin bina mata-pita ki marji ke ve shadi nahian kar sakati thian. bazi abhi rilij nahian huee thi. gita ne kaha, parivar valoan se kahana hoga. fir bad mean gita ray ke mata pita ki raji se donoan ka vivah san 1953 mean hua.[3] [[chitr:Vaheeda-and-gurudatt-pyaasa.jpg|thumb|left| guru datt aur vahida rahaman (film- pyasa ke ek drishy mean)]]
filmi jivan
kalakatta (vartaman kolakata) mean shiksha prapt karane ke bad guru datt ne almo da sthit uday shankar ki nrity akadami mean prashikshan prapt kiya aur usake bad kalakatta mean telifon aauparetar ka kam karane lage. bad mean vah pune (bhootapoorv poona) chale ge aur prabhat stoodiyo se ju d ge, jahaan unhoanne pahale abhineta aur phir nrity-nirdeshak ke roop mean kam kiya. unaki pahali fichar film 'bazi' (1951) devanand ki 'navaketan films' ke bainar tale bani thi. isake bad unaki doosari saphal film 'jal' (1952) bani, jisamean vahi sitare (devanand aur gita bali) shamil the. isake bad gurudatt ne 'baz' (1953) film ke nirman ke lie apani prodakshan kanpani shuroo ki. halaanki unhoanne apane sankshipt, kiantu pratibha sanpann peshevar jivan mean kee shailiyoan mean prayog kiya, lekin unaki pratibha ka sarvashreshth roop utkat bhavukatapoorn filmoan mean pradarshit hua.
- prasiddhi ka srot
mukhy roop se guru datt ki prasiddhi ka srot bariki se gadhi gee, udas v chiantan bhari unaki tin behatarin filmean haian- 'pyasa' (1957), 'kagaz ke phool' (1959) aur 'sahab, bibi aur gulam' (1962). halaanki 'sahab, bibi aur gulam' ka shrey unake sah patakatha lekhak abarar alvi ko diya jata hai, lekin yah spasht roop se gurudatt ki kriti thi. gurudatt ne si.aee.di. se vahida rahaman ka film jagat se parichay karaya aur phir 'pyasa' tatha 'kagaz ke phool' jaisi filmoan se unhean kirtistanbh ki tarah sthapit kar diya. prakash aur chhaya ke kalpanashil upayog, bhavapoorn drishyabianb, katha mean kee vishay-vastuoan ki paratean gooanthane ki adbhut kshamata aur gitoan ke mantramugdhakari chhayaankan ne unhean bharatiy sinema ke sabase nipun shailikaroan mean la kh da kiya.
asadharan kalakar
gurudatt film tuk de tuk de mean banate the. film samay ki liniyar gati se nahian chalati thi. jahaan jo pasand aya us sin ko filma liya gaya. gurudatt anaginat ritek dete the aur sin ko tab tak shoot karate the jab tak vo khud aur film ke baki kalakar santusht n ho jaean. abarar alvi kitab mean kahate haian ki vo jitani phutej mean ek film banate the utane mean tin filmean ban sakati thian. gurudatt ki filmoan ki shootiang ziandagi ki tarah chalati thi. jaise jaise age badhati thi kiradar vikasit hote jate the. gurudatt ki film yoonit mean lagabhag sthayi sadasy hote the. abarar alvi aur raj khosala ke sath roj film ki shootiang ke bad brenastormiang seshan hote the jisamean rashes dekhe jate the aur age ki film ka khaka tay kiya jata tha.[2]
ek vakaya
ek majedar vakaya hai. vahida rahaman sunati haian...'vo ek din dadhi bana rahe the aur moorti sahab ke sath sh aaut ki bat kar rahe the. to ham log sab h aaul mean baithe hue the to achanak avaz aee. unhoanne itti jor se apana rezar pheanka aur bole are kya karate ho yar moorti...tumane barbad kar diya mujhe...to moorti sahab ekadam pareshan...maianne kya kiya...ham to sh aaut ke bare mean bat kar rahe the...nahian yar tumase sh aaut ki bat karate karate maianne apani ek taraph ki mooanchh u da di...to ham mean kisi se raha nahian gaya to ham hans p de jor jor se...ki tum log hans rahe ho... aj rat ko shootiang hai maian kya karooan... to phir moorti sahab ne kaha... galati apaki thi, meri to thi nahian. phir bhi ap mujhe kyooan daant rahe haian. ap is tarah kijiye, doosari taraph ki bhi mooanchh shev kar daliye phir nayi nakali mooanchh lagani p degi apako. to is vakaya se spasht hai ki jab vo sh aaut ke bare mean soch rahe hoan ya batean kar rahe hoan to sab kuchh bhool jate the.[2]
nee takanik ka prayog
gurudatt ne apane filmi kairiyar mean kee ne takaniki prayog bhi kie jaise, film bazi mean do ne prayog kie-
- 100 emem ke leans ka kloz ap ke lie istemal pahali bar kiya- qarib 14 bar. isase pahale kaimara itane pas kabhi nahian aya, ki un dinoan kalakaroan ko b di asahajata ke anubhav se guzarana pada. tab se us staeel ka nam hi gurudatt sh aaut p d gaya.
- kisi bhi film mean pahali bar ganoan ka upayog kahani ko age badhane ke lie kiya gaya.
vaise hi film 'kagaz ke phool' hindustan mean sinema skop mean bani pahali film thi. darasal, is film ke lie gurudatt kuchh anokha, kuchh hatake karana chahate the, jo aj tak bharatiy film ke itihas mean kabhi nahi hua. [[chitr:Guru Dutt-postal-stamp.jpg|thumb|guru datt ke samman mean jari dak tikat|250px]] sanyog se tabhi ek halivud ki film kanpani '20th Century Fox' ne un dinoan bharat mean kisi sinemaskop mean banane vali film ki shootiang khatm ki thi aur usake speshal leans banbee mean unake aauphis mean chhoot ge the. jab gurudatt ko isaka pata chala to ve apane sinemaitographar vi. ke. moorti ko lekar tuanrat vahaan ge, leans lekar kuchh prayog kiye, rashes dekhe aur fir film ke lie is pharmet ka upayog kiya. chalie ab ham is film ke ek gane ka zikr bhi kar lete haian-
- vakt ne kiya kya hasian sitam... tum rahe na tum, ham rahe na ham...
gita datt ki hasian avaz mean gaye, aur film mean stoodiyo ke prishthabhoomi mean filmae ge is git mean bhi ek aisa prayog kiya gaya, jo bad mean vishvavikhyat hua apane behatarin laitiang ki khoobasoorat sanyojan ki vajah se. gurudatt is klaeemeks ke sin mean kuchh alag natakiyata aur ril laeef aur riyal laeef ka virodhabhas prakash vyavastha ki madhyam se vyakt karana chahate the. blaik eand vhaeet rangoan se nayak aur nayika ki man ki monotoni, riktata, yash aur vaibhav ki kshanabhangurata ke ahasas ko b de juda aandaz mean filmana chahate the. jis din unhoanne nataraj stoodiyo mean shootiang shuroo ki, to unake photographar vi. ke. moorti ne unhean veantiletar se chhan kar ati dhoop ki ek tez kiran dikhaee, to gurudatt behad romaanchit ho uthe aur unane is iphekt ko hi upayog karane ka man bana liya. ve moorti ko bole,' maian shootiang ke lie bhi san laeet hi chahata hooan kyoanki jis prabhav ki maian kalpana kar raha hooan vah b di ark laeet se athava kaimare ki aparchar ko set karake nahian ayega.' to fir do b de b de aeene stoodiyo ke bahar rakhe gaye, jinako badi़ mehanat se set karake vah prasiddh sin shoot kiya gaya jisamean guru datt aur vahida ke bich mean vah tej roshani ka bim ata hai. sath mean chehare ke kloz ap mean anokhe pheantam iphekt se utpann hue embiyens se ham darshak thage se rah jate hai evan us kal mean, us vatavaran nirmiti se utpann karuna ke ehasas mean vilin ho jate hai, ekakar ho jate hai.[4]
gurudatt ki filmean
| varsh | film | nayika | nirdeshak |
|---|---|---|---|
| 1945 | lakha rani | monika desaee | vishram be dekar |
| 1953 | baz | gita bali | gurudatt |
| 1954 | ar par | shyama, shakila | gurudatt |
| 1955 | mi.eand mises 55 | madhubala | gurudatt |
| 1957 | pyasa | mala sinha, vahida rahaman | gurudatt |
| 1958 | barah baje | vahida rahaman | pramod chakravati |
| 1959 | kagaz ke phool | vahida rahaman | gurudatt |
| 1960 | chaudahavi ka chaand | vahida rahaman | em. sadik |
| 1962 | sahib bivi aur gulam | mina kumari, vahida rahaman | abarar alvi |
| 1963 | sautela bhaee | mahesh kaul | |
| 1963 | bahurani | mala sinha | ti. prakash rav |
| 1963 | bharosa | asha parekh | ke.shankar |
| 1964 | saanjh aur savera | mina kumari | rrishikesh mukharji |
| 1964 | suhagan | vahida rahaman | ke. es. gopalkrishnan |
| nirdeshak ke taur par gurudatt | |||
| varsh | film | nayak | nayika |
| 1951 | bazi | dev anand | gita bali, kalpana kartik |
| 1951 | jal | dev anand | gita bali, poornima |
| 1956 | sailab | abhi bhattachary | gita bali |
| nirmata ke taur par gurudatt | |||
| varsh | film | nayak / nayika | nirdeshak |
| 1956 | siaeedi | dev anand, shakila, vahida rahaman | raj khosala |
ek amar pratibha
koee b da sarjak jab yuvavastha mean hi atmahatya kar leta hai to usake sath kee roomani kahaniyaan ju d jati haian aur usake prashansakoan ka ek b da sanpraday sa ban jata hai. lekin yah roomaniyat ki astha havaee nahian hoti. sirph 39 baras ki umr mean khudakushi kar lene vale gurudatt ki vaisi maut ab sirf ek dardanak byaura banakar rah gee hai, lekin unaki 'pyasa', 'kagaz ke phool' aur 'sahab, bibi aur gulam' sarikhi filmean dakshin eshiyaee sinema ke itihas mean amar haian. beshaq ye tinoan b di filmean haian lekin gurudatt ki praranbhik filmoan ko bhula dena unake aur bharatiy sine-darshakoan ke jatil sanbandhoan ko nakarana hoga. dakshin eshiya mean jo ek saf-suthara, lokapriy aur manoranjan sinema 1950 ke dashak mean ubhara usamean gurudatt ka kendriy yogadan hai.[6]
nidhan
10 aktoobar, 1964 mean muanbee mean apane bistar mean rahasyamay sthiti mean mrit pae ge gurudatt ne ek bar kaha tha, dekho n, mujhe nirdeshak banana tha, ban gaya. abhineta banana tha, ban gaya. pikchar achchhi banani thi, banaee. paisa hai sab kuchh hai, par kuchh bhi nahian raha. sharab ki lat se lanbe samay tak joojhane ke bad 1964 mean unhoanne atmahatya kar li aur is prakar ek pratibhashali jivan ka asamay aant ho gaya.
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tika tippani aur sandarbh
- ↑ guru datt , ek ashaant adhoora kalakar ! (hiandi) avaj. abhigaman tithi: 4julaee, 2012.
- ↑ 2.0 2.1 2.2 upadhyay, pooja. gurudatt ko janana ek adamy, atript pyas se poora bhar jana hai (hindi) (ech.ti.em.el) laharean (bl aaug). abhigaman tithi: 9 julaee, 2012.
- ↑ shrivastav, bachchan. mere jivanasathi/guru datt-gita ray (hindi) (ech.ti.em.el) jagaran yahoo indiya. abhigaman tithi: 9 julaee, 2012.
- ↑ kavathekar, dilip. guru datt , ek ashaant adhoora kalakar ! (hindi) (ech.ti.em.el) avaz (bl aaug). abhigaman tithi: 9 julaee, 2012.
- ↑ abhar- panjab kesari 1 disanbar, 2011
- ↑ khare, vishnu. ek amar atmahanta pratibha (hindi) (ech.ti.em.el) bibisi hindi d aaut k aaum. abhigaman tithi: 9 julaee, 2012.
bahari k diyaan
- guru datt ki adhikarik vebasait
- guru datt ke sath ek dashak
- vakt ne kiya kya hasian sitam... (yoo-tyoob vidiyo)
- kraim thrilar moovi banane mean gurudatt ka sani nahian
- natakiy thi gurudatt ki akhiri rat
- gurudatt par ek kitab
sanbandhit lekh
varnamala kramanusar lekh khoj
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