हज़ारी प्रसाद द्विवेदी की कृतियाँ
hazari prasad dvivedi ki kritiyaan
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| poora nam | d aau. hazari prasad dvivedi |
| janm | 19 agast, 1907 ee. |
| janm bhoomi | gaanv 'arat dube ka chhapara', baliya zila, uttar pradesh |
| mrityu | 19 mee, 1979 |
| karm bhoomi | varanasi |
| karm-kshetr | nibandhakar, upanyasakar, adhyapak, sampadak |
| mukhy rachanaean | soor sahity, banabhatt, kabir, ashok ke phool, hindi sahity ki bhoomika, hindi sahity ka adikal, nath sampraday, prithviraj raso |
| vishay | nibandh, kahani, upanyas, alochana |
| bhasha | hindi |
| vidyalay | kashi hindoo vishvavidyalay |
| shiksha | barahavian |
| puraskar-upadhi | padm bhooshan |
| nagarikata | bharatiy |
| any janakari | dvivedi ji kee varshoan tak kashi nagari pracharini sabha ke upasabhapati, 'khoj vibhag' ke nirdeshak tatha 'nagari pracharini patrika' ke sampadak rahe haian. |
| inhean bhi dekhean | kavi soochi, sahityakar soochi |
hazari prasad dvivedi un viral rachanakaroan mean se the, jinaki kritiyaan unake jivan-kal mean hi klasik ban jati haian. apani janmajat pratibha ke sath unhoanne shastroan ka anushilan aur jivan ko sampoorn bhav se jine ki sadhana karake vah paradarshi drishti prapt ki thi, jo kisi katha ko arshavani ki pratishtha dene mean samarth hoti hai. jis manishi ne hazaroan sal se kayarata ka path doharati huee jati ko lalakar kar kaha tha- "saty ke lie kisi se bhi n darana, guru se bhi nahian, mantr se bhi nahian, lok se bhi nahian, ved se bhi nahian." vah koee samany kathakar nahian hai. aisa udghosh koee arshavakta hi kar sakata hai.
kritiyaan
hazari prasad dvivedi ki kuchh kritiyaan nimnalikhit haian-
hindi sahity ki bhoomika
'hindi sahity ki bhoomika' unake siddhantoan ki buniyadi pustak hai. jisamean sahity ko ek avichchhinn parampara tatha usamean pratiphalit kriya-pratikriyaoan ke roop mean dekha gaya hai. navin disha-nirdesh ki drishti se is pustak ka aitihasik mahatv hai.
kabir
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apane phakk d vyaktitv, ghar phooank masti aur aur krantikari vicharadhara ke karan kabir ne unhean vishesh akrisht kiya. 'kabir' pustak mean unhoanne jis saanskritik parampara, samasamayik vatavaran aur navin chintan ka udghatan kiya hai, vah unaki uparilikhit alochanatmak drishti ke sarvatha mel mean hai. bhasha bhavoan ki sanvahak hoti hai. kabir ki bhasha vahi hai. ve apani bat ko saph evan do took shabdoan mean kahane ke himayati the. isilie hazari prasad dvivedi ne unhean "vani ka ditektar" kaha hai.
hindi sahity ka adikal
'hindi sahity ka adikal' mean dvivedi ji ne navin upalabdh samagri ke adhar par jo shodhaparak vishleshan prastut kiya hai, usase hindi sahity ke itihas ke pun: parikshan ki avashyakata mahasoos ki ja rahi hai.
nath sampraday
'nath sampraday' mean siddhoan aur nathoan ki upalabdhiyoan par gambhir vichar vyakt kiye ge haian.
soor-sahity
'soor-sahity' unaki prarambhik alochanatmak kriti hai, jo alochanatmak utani nahian hai, jitani ki bhavanatmak. inake atirikt unake anek marmik samikshatmak nibandh vibhinn nibandh-sangrahoan mean sangrahit haian, jo sahity ke vibhinn pakshoan ka gambhir udghatan karate haian.
nibandh
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dvivedi ji jahaan vidvattaparak anusandhanatmak nibandh likh sakate haian, vahaan shreshth nirbandh nibandhoan ki srishti bhi kar sakate haian. unake nirbandh nibandh hindi nibandh sahity ki moolyavanh upalabdhi hai. dvivedi ji ke vyaktitv mean vidvatta aur sarasata ka, pandity aur vidagdhata ka, gambhirata aur vinodamayata ka, prachinata aur navinata ka jo adabhut sanyog milata hai, vah anyatr durlabh hai. in virodhabhasi tatvoan se nirmit unaka vyaktitv hi unake nirbandh nibandhoan mean pratiphalit hua hai. apane nibandhoan mean ve bahut hi sahaj dhang se, anaupacharik roop mean, 'nakhoon kyoan badhate haian', 'am phir baura ge', 'ashok ke phool', 'ek kutta aur ek maina', 'kutaj' adi ki charcha karate haian, jisase pathakoan ka anukooly prapt karane mean unhean koee kathinaee nahian hoti. par unake nibandhoan ka poorn rasasvadan karane ke lie jagah-jagah bikhare hue saanskritik-sahityik sandarbhoan ko janana bahut avashyak hai. in sandarbhoan mean unaki aitihasik chetana ko dekha ja sakata hai, kintu sampoorn nibandh padhane ke bad pathak naye manavatavadi moolyoan ki upalabdhi bhi karata chalata hai. unamean atit ke moolyoan ke prati sahaj mamatv hai, kintu navin ke prati kam utsah nahian hai.
banabhatt
'banabhatt' ki atmakatha' dvivedi ji ka apane dhang ka asamantar upanyas hai, jo apane kathy tatha shaili ke karan sahridayoan dvara vishesh roop se samadrit hua hai. yah hindi upanyas sahity ki vishisht upalabdhi hai. is upanyas mean unake vistrit aur gambhir adhyayan tatha pratibha ka adabhut mishran hua hai. isake madhyam se apane jivan-darshan ke vividh pakshoan ko udghatit karate hue unhoanne ise vaicharik drishti se bhi vishisht ooanchaee pradan ki hai. harshakalin jis vishal phalak par banabhatt ko chitrit kiya gaya hai, vah gahan adhyayan tatha gatyatmak aitihasik chetana ki apeksha rakhata hai. kahana n hoga ki dvivedi ji ke vyaktitv ke nirman mean is aitihasik chetana ka bahut mahattvapoorn yog raha hai. yahi karan hai ki ve samaj aur sanskriti ke vividh ayamoan ko, usake sampoorn parivesh ko, ek ikaee mean saphalata poorvak baandhane mean samarth ho sake haian. thumb|left|hazari prasad dvivedi is upanyas mean kuchh patr, ghatanaean aur prasang itihasashrit haian aur kuchh kalpanik. ban, harsh, kumar krishna, ban ka ghumakk d ke roop mean bhatakate phirana, harsh dvara tiraskrit aur sammanit hona adi itihas dvara anumodit haian. nipunika, bhattini, sucharita, mahamaya, avadhoot pad tatha inase sambaddh ghatanaean kalpana prasoot haian. itihas aur kalpana ke samuchit viniyog dvara lekhak ne upanyas ko jo roop-rang diya hai, vah bahut hi akarshak ban p da hai. is aitihasik upanyas mean manav-mooly ki naye manavatavadi mooly ki pratishtha karana bhi lekhak ka pramukh uddeshy raha hai. jinako lok 'band' ya kul bhrasht samajhata hai, ve bhitar se kitane mahanh haian, ise banabhatt aur nipunika (niuniya) mean dekha ja sakata hai. lok chetana ya lok shakti ko atyant vishvasamayi vani mean mahamaya dvara jagaya gaya hai. yah lekhak ka apana vishvas bhi hai. dvivedi ji prem ko seks se samprikt n karate hue bhi use jis ooanchaee par pratishthit karate haian, vah sarvatha manovaijnanik hai. prem ke uchchatar sopan par pahuanchane ke lie apana sab kuchh utsarg karana p data hai. nipunika ko naritv prapt hua tapasya ki agni mean jalane par. banabhatt ki pratibha ko char-chaand laga prem ka unnayanatmak svaroop samajhane par. sucharita ko abhipsit ki upalabdhi huee prem ke vasanatmak svaroop ki nishkriti par. shaili ki drishti se yah paramparik svachchhandatavadi (klaisikal romantik) rachana hai. banabhatt ki shaili ko adhar manane ke karan lekhak ko varnan ki vistrit aur sanshlisht paddhati apanani p di hai, par bich-bich mean usaki apani svachchhand pravritti bhi jagarook rahi hai, jisase lambi alankrit shaili ki duroohata ka bahut kuchh parishkar ho jata hai. unaka doosara upanyas 'charuchandralekh' bhi prakashit ho chuka hai.
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tika tippani aur sandarbh
bahari k diyaan
- achary hajari prasad dvivedi ka jivan parichay
- achary hazari prasad dvivedi ki jivani
- hazari prasad dvivedi parichay
sanbandhit lekh
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