ग़ालिब का व्यक्तित्व

galib vishay soochi

galib parichay bachapan evan shiksha nikah prarambhik kavy arthik kathinaiyaan peanshan muqadama agamir se mulaqat giraftari aantim samay mrityu vyaktitv daur rachanaean

thumb|250px|right|galib galib urdoo-farasi ke prakhyat kavi tatha mahanh shayar the. galib ka vyaktitv b da hi akarshak tha. eerani chehara, gora-lamba qad, sudaul ekahara badan, ooanchi nak, kapol ki haddi ubhari huee, chau da matha, ghani uthi palakoan ke bich jhaankate dirgh nayan, sansar ki kahani sunane ko utsuk lambe kan, apani sunane ko utsuk, manoan bol hi padeange. aise oth apani chuppi mean bhi bol p dane vale, budhape mean bhi phootati deh ki kanti jo ishara karati hai ki javani ke sauandary mean n jane kya nasha raha hoga. sundar gaur varn, samast zindadili ke sath jivit, isi duniya ke adami, iansan aur iansan ke gun-doshoan se lagaye-yah the mirza va miraza galib.

vastr vinyas aur bhojan

reesazada the aur janm bhar apane ko vaisa hi samajhate rahe. isilie vastr vinyas ka b da dhyan rakhate the. jab ghar par hote, pray: pajama aur aangarakha pahinate the. sir par kamadani ki huee malamal ki gol topi lagate the. ja doan mean garm kap de ka kalidar pajama aur mirzee. bahar jate to aksar choo didar ya tang moh di ka pajama, kurta, sadari ya chapakan aur oopar qimati labada hota tha. paanv mean jooti aur hath mean moothadar, lambi chh di. zyada thand hoti to ek chhota shal bhi kandhe aur pith par dal lete the. sir par lambi topi. kabhi-kabhi topi par mugalee pag di ya pataka. reshami luangi ke shauqin the. rangoan ka b da dhyan rakhate the.

khane-khilane ke shauqin

khane-khilane ke shauqin, svadisht bhojanoan ke premi the. garmi-sardi har mausam mean uthate hi sabase pahale thandaee pite the, jo badam ko pisakar mishri ke sharbat mean gholi jati thi. phir pahar din chadhe nashta karate the. budhape mean ek hi bar, dopahar ko khana khate; rat ko kabhi n khate. khane mean gosht zaroor rahata tha, shayad hi kabhi naga hua ho. gosht ke taza, beresha, pakane par mulayam aur svadisht rahane ki shart; phir meve bhi usamean zaroor p de hoan shoraba adha ser ke lagabhag. bakari evan dumbe ka gosht adhik pasand tha, bhean d ka achchha nahian lagata tha. pakshiyoan mean murg, kabootar aur bater pasand tha. gosht aur tarakari mean apana bas chalate chane ki dal zaroor dalavate the.

chane ki dal, besan ki kadhi aur phulakiyaan bahut khate the. budhape evan bimari mean jab meda kharab ho gaya, to roti-chaval donoan chho d die aur ser bhar gosht ki gadhi yakhani aur kabhi-kabhi 3-4 tale shamami kabab lete the. phaloan mean aangoor aur am bahut pasand the. amoan ko to bahut hi zyada chahate the. mitroan se unake lie faramaish karate rahate the, aur isake bare mean anek latife inaki zindagi se sambaddh haian. huqqa pite the, pechavan ko zyada pasand karate the. pan nahian khate the. sharab janm bhar pite rahe. par budhape mean tandurusti kharab hone par nam ko chand tole sham ko pite. bina piye niand n ati thi. sada vilayati sharab pite the. old tam aur kasatelan zyada pasand thi. sharab ki tezi kam karane ko adhe se zyada gulabajal milate the. patr ko kap de se lapetate aur garmi ke dinoan mean kap de ko barf se tar kar dete. khud hi kaha hai-

asooda bad khatire galib ki khooe aust
amekhtan b bade saqi gulab ra.

vinodapriy v madira premi

mirza galib jivan sangharsh se bhagate nahian aur n inaki kavita mean kahian nirasha ka nam hai. vah is sangharsh ko jivan ka ek aansh tatha avashyak aang samajhate the. manav ki uchchata tatha manushyatv ko sab kuchh manakar usake bhavoan tatha vicharoan ka varnan karane mean vah atyant nipun the aur yah varnanashaili aise ne dhang ki hai ki, ise padhakar pathak mugdh ho jata hai. galib mean jis prakar sharirik sauandary tha, usi prakar unaki prakriti mean vinodapriyata tatha vakrata bhi thi aur ye sab visheshataean unaki kavita mean yatr-tatr jhalakati rahati haian. vah madira premi bhi the, isaliye madira ke sanbandh mean inhoanne jahaan bhav prakat kie haian, ve sher aise chutile tatha vinodapoorn haian ki, unaka jo d urdoo kavita mean anyatr nahian milata.

sharab ki chuski lete aur sath-sath dhime tale namakin badam khate. jab durbal hue to inhean khud sharab pine par anutap hota tha. par adat chhootati n thi. phir bhi matra kam karane ke lie ek samay, ekant mean do ya ek khas dostoan ki upasthiti mean pite the. kahian zyada n pi lean, isilie sandooq mean botalean rakhate the usaki chabi inake vafadar sevak kalloo daroga ke pas rahati thi aur use taqid kar rakha tha ki rat ko kabhi nashe ya suroor mean maian zyada pina chahooan aur maangooan to mera kahana n manana aur

talab karane par bhi kuanji (chabi) n dena. logoan ke poochhane par bhi ki yoan nam karane se kya fayada, chho d hi n dean, ‘jauanq’ ka sher padhate the-

chhootati nahian hai muanh se yah kafir lagi huee.

shishtata evan udarata

mirza ke vishay mean pahali bat to yah hai ki vah atyant shisht evan mitraparan the. jo koee unase milane ata, usase khule dil se milate the. isilie jo adami ek bar inase milata tha, use sada inase milane ki ichchha bani rahati thi. mitroan ke prati atyant vafadar the. unaki khushi mean khushi, unake du:kh mean du:kh. mitroan ko dekhakar bag-bag ho jate the. unake mitroan ka bahut b da dayara tha. usamean har jati, dharm aur prant ke log the. mitr ko kasht mean dekhate to inaka hriday ro p data tha. usaka du:kh door karane ke lie jo kuchh bhi sambhav hota tha karate the. svayan n kar pate to doosaroan se sifarish karate. inake patroan mean mitroan ke prati sahanubhooti evan chinta ke jharane bahut hue dikhaee dete haian. mitroan ko kasht mean dekh hi nahian sakate the. unaka dil kachotane lagata tha. hriday mean ras tha, isilie prem chhalak p data tha. mitroan kya shagirdoan se bhi bahut prem karate the. inako islah hi nahian dete the; sansadhanoan ka karan bhi likhate the. bachchoan par jan dete the. amadani kam thi. khud kasht mean rahate the, phir bhi pi ditoan ke prati b de udar the. koee bhikhari inake daravaze se khali hath nahian lautata tha. unake makan ke age andhe, lang de-loole aksar p de rahate the. mirza unaki madad karate rahate the. ek bar khilat mili. chaparasi inam lene ae. ghar mean paise nahian the. chupake se ge, khilat bech ae aur chaparasiyoan ko uchit inam diya.

atm-svabhiman

is udar drishti ke bavajood atmabhimani the- ‘mir’ jaise to nahian, jinhoanne duniya ki har namat apane samman ke lie thukaraee, phir bhi apani izzat-abaroo ka b da khyal rakhate the. shahar ke anek sambhrant logoan se parichay tha. lekin jo inake ghar par n ata tha, usake yahaan kabhi nahian jate the. kaisi garibi ho bazar mean bina palaki ya havadar ke nahian nikalate the. kalakatta jate hue jab lakhanoo thahare the, to agamir se isilie nahian mile ki usane uthakar inaka svagat karane ki shart manzoor nahian ki thi. galib ke atm-samman ki halat yah thi ki jab unhean dilli k aaulej mean farasi bhasha ke mukhy adhyapak ka pad pesh kiya gaya to apani duravastha sudharane ke vichar se ve tamasan sahab (sekretari, gavarnameant aauf indiya) ke bulave par unake yahaan pahuanche, to yah dekhakar ki tamasan sahab unake svagat ke lie bahar nahian ae, unhoanne kaharoan ko palaki vapas le chalane ko kah diya^[1]. [[chitr:Gali-Qasim-Jan.jpg|thumb|left|gali qasim jan, dilli|right|250px]]

sarv dharmapriy vyakti

vaise vah shiya musalaman the, par mazahab ki bhavanaoan mean bahut udar aur svatantr cheta the. inaki mrityu ke bad hi agara se prakashit hone vale patr ‘zakhira balagovind’ ke march, 1869 ke aank mean inaki mrityu par jo sampadakiy lekh chhapa tha aur jo shayad inake sambandh mean likha sabase purana aur pahala lekh hai, usase to ek nee bat maloom hoti hai ki yah bahut pahale chupachap ‘frimaisan’ ho ge the aur logoan ke bahut poochhane par bhi usaki gopaniyata ki ant tak raksha karate rahe. baharahal vah jo bhi rahe hoan, 'itana to tay hai ki mazahab ki dasata unhoanne kabhi svikar nahian ki. inake mitroan mean har jati, dharm aur shreni ke log the.

khud ka ghar n hona

galib sada kiraye ke makanoan mean rahe, apana makan n banava sake. aisa makan zyada pasand karate the, jisamean baithakakhana aur ant:pur alag-alag hoan aur unake daravaze bhi alag hoan, jisase yar-dost bejhijhak a-ja sakean. naukar 4-4, 5-5 rakhate the. bure se bure dinoan mean bhi tin se kam n rahe. yatra mean bhi 2-3 naukar sath rahate the. inake purane naukaroan mean madari ya madar khaan, kallu aur kalyan b de vafadar rahe. kallu to ant tak sath hi raha. vah chaudah varsh ki ayu mean mirza ke pas aya tha aur unake parivar ka hi ho gaya tha. vah paanv ki ahat se pahichan leta tha ki l dakiyaan haian, bahuean haian ya budhiya haian.

profesari se inkar

in nirasha ki gh diyoan mean bhi mirza 'galib' ke sapane poore taur par toote n the. rassi jal gee par usamean aianthan baqi thi. 1842 ee. mean sarakar ne dilli k aaulej ka nootan sangathan prabandhan kiya. us samay mistar tamasan bharat sarakar ke sekretari the. yahi bad mean pashchimottar pradesh ke leftinent gavarnar ho ge the aur mirza galib ke hitaishiyoan mean the. vah k aaulej ke profesaroan ke chunav ke lie dilli ae. us samay tak vahaan arabi bhasha ki shiksha ka achchha prabandh tha aur mistar mamalookali arabi ke pradhan shikshak the, jo apane vishay ke advitiy vidvanh mane jate the. par farasi bhasha ki shiksha ka koee santoshajanak prabandh n tha. tamasan ne ichchha prakat ki ki jaise arabi ki shiksha ke lie yogy adhyapak haian, vaise hi farasi ki shiksha dene ke lie bhi ek vidvanh adhyapak rakha jae. is muaine ke samay sadarussadoor mufti sadaruddin khaan ‘azurda’ bhi maujood the. unhoanne kaha, ‘dilli mean tin sahab farasi ke ustad mane jate haian. mirza asadulla khaan ‘galib’, ‘hakim momin khaan ‘momin’, aur ‘shekh imamabakhsh ‘sahabaee’. tamasan sahab ne profesari ke lie sabase pahale mirza galib ko bulavaya. agale din yah palaki par savar hokar unake dere par pahuanche aur palaki se utarakar daravaze ke pas is pratiksha mean ruk ge ki abhi koee sahab svagat evan abhyarthana ke lie ate haian. jab der ho gee, sahab ne jamadar se der se ane ka karan poochha. jamadar ne akar mirza se dariyaft kiya. mirza ne kah diya ki chooanki sahab paramparanusar mera svagat karane bahar nahian ae isilie maian andar nahian aya. is par tamasan sahab svayan bahar nikal aye aur bole, ‘jab ap darabar mean bahaisiyat ek rees ya kavi ke tasharif layeange tab apaka svagat satkar kiya jayega, lekin is samay ap naukari ke lie aye haian, isilie apaka svagat karane koee nahian aya.’ mirza ne kaha, ‘maian to sarakari naukari isilie karana chahata tha ki khanadani pratishtha mean vriddhi ho, n ki pahale se jo hai, usamean bhi kami a jae aur buzurgoan ki pratishtha bhi kho baithooan.’ tamasan sahab ne niyamoan ke karan vivashata prakat ki. tab galib ne kaha, ‘aisi mulazimat ko mera door se hi salam hai, aur unhoanne kaharoan se kaha ki vapas chalo.’

chitr:Blockquote-open.gif mirza galib ne farasi bhasha mean kavita karana praranbh kiya tha aur isi farasi kavita par hi inhean sada abhiman raha. parantu yah dev ki kripa hai ki, inaki prasiddhi, samman tatha sarvapriyata ka adhar inaka chhota-sa urdoo ka ‘divan-e-galib’ hi hai. chitr:Blockquote-close.gif

jue ki lat

idhar chintaean badhati geean, jivan ki dashvariyaan badhati geean, udhar bekari, sherosakhun ke siva koee doosara kam nahian. svabhavat: nithallepan ki gh diyaan doobhar hone lagian. chintaoan se palayan mean inaki sahayak ek to thi sharab, ab jue ki lat bhi lag gee. unhean shuroo se shataranj aur chausar khelane ki adat thi. aksar mitr-mandali jama hoti aur khel-tamashoan mean vaqt katata tha. kabhi-kabhi bazi badakar khelate the. gadar ke pahale unhean b da arthakasht tha. sirf sarakari vritti aur qile ke pachas rupaye the. par adatean reesoan jaisi thian. yahi karan tha ki ye sada rrinabhar se dabe rahate the. is zamane ki dilli ke reesazadoan aur chaandani chauk ke jauhariyoan ke bachchoan ne manoranjan ke jo sadhan grahan kar rakhe the, unamean se jua bhi ek tha. ganjifa amataur par khela jata tha. unake sath uthate-baithate hue mirza ko bhi yah lat lag gee. dhire-dhire niyamit juabazi shuroo ho gee. jue ke addevale ko sada kuchh n kuchh milata hai phir chahe koee jite ya hare. isase dil bahalata tha, vaqt katata tha aur kuchh n kuchh amadani bhi ho jati thi. azad likhate haian, ‘yah khud bhi khelate the aur chooanki achchhe khila di the, isilie isamean bhi kuchh n kuchh mar hi lete the.’ aangrezi qanoon ke anusar jua zurm tha, par reesoan ke divanakhanoan par pulis utana dhyan nahian deti thi, jaise klaboan mean hone vale brij par aj bhi dhyan nahian diya jata hai. kotaval evan b de afasar reesoan se milate-julate rahate the aur parichay ke karan bhi sakhti nahian karate the. galib ki jan pahachan bhi kotaval tatha doosare adhikariyoan se thi. isilie inake khilaf n to kisi tarah ka shubaha kiya jata tha aur n qanooni karravahiyoan ka aandesha tha.

left|30px|link=galib ki mrityu|pichhe jaean

galib ki mrityu

galib ka vyaktitv

galib ka daur

right|30px|link=galib ka daur|age jaean

panne ki pragati avastha

adhar

prarambhik

madhyamik

poornata

shodh

tika tippani aur sandarbh

↑ galib jahaan par bhi jate the, char kaharoan ki palaki mean baithakar jate the

bahari k diyaan

hindi path k diyaan	aangrezi path k diyaan	vidiyo k diyaan
mirza galib galib ke khat mahanh shayar mirza galib mirza galib hazir ho mirza galib ustadoan ke ustad shayar mirja galib divan e galib mirza galib ki shayari	Mirza Ghalib Official Website Ghalib Institute Mirza Ghalib Mirza Galib Shayari Mirza Ghalib Mirza Ghalib’s Haveli Mirza Ghalib (1796-1869) Mirza Ghalib, b. Agra, 1797-1869	mirza galib ki gazalean daunalod karean bazicha e aftal hai duniya mere age koee ummid bhar nahian ati unake dekhe se jo hazaroan khvahishean aisi... ah ko chahie nuqtachi hai gamean dil dil-e-nadan tujhe

link=#top|center|oopar jayean

sanbandhit lekh

varnamala kramanusar lekh khoj

a a i ee u oo e ai o au aan k kh g gh n ch chh j jh n t th d dh n t th d dh n p ph b bh m y r l v sh sh s h ksh tr jn rri rri aau shr aah

[1] r bhi jate the, char kaharoan ki palaki mean baithakar jate the

[1]