उदय प्रकाश  हिन्दी देवनागरी में पढ़ें।

Disamb2.jpg uday ek bahuvikalpi shabd hai any arthon ke lie dekhen:- uday (bahuvikalpi)
uday prakash
uday prakash
poora nam uday prakash
janm 1 janavari, 1952
janm bhoomi ganv- sitapur, anoopapur zila, madhy pradesh
karm-kshetr kavi, kathakar, patrakar aur filmakar
mukhy rachanaen mohanadas (kahani), suno qarigar, abootar kabootar (dono kavita)
bhasha hindi
shiksha em.e.
puraskar-upadhi sahity akadami puraskar, bharatabhooshan agraval puraskar, om prakash samman, shrikant varma puraskar, muktibodh samman, dvijadev samman, vanamali samman, pahal samman adi
vishesh yogadan 'bharatiy krishi ka itihas' par mahattvapoorn pndrah kadiyon ka siriyal 'krishi-katha' ke nam se 'rashtriy chainal' ke lie nirdeshit kar chuke hain.
nagarikata bharatiy
any janakari uday prakash svayn bhi kee ti.vi.dharavahikon ke nirdeshak-patakatha lekhak rahe hain. uday prakash ne suprasiddh rajasthani kathakar 'vijayadan detha' ki kahaniyon par charchit laghu filmen 'prasar bharati' ke lie nirmit aur nirdeshit ki hain.
adyatan‎
inhen bhi dekhen kavi soochi, sahityakar soochi

uday prakash (janm :1 janavari, 1952) charchit kavi, kathakar, patrakar aur filmakar hain. uday prakash hindi sahity aur snsar ke pratishthit aur charchit kathakar hain. inaki rachanaen n keval bharatiy bhashaon, balki kee videshi bhashaon men anudit hokar lokapriy huee. uday prakash ki kahaniyon men jahan kavitaon jaisi ravanagi aur sarasata hai, vahin ve samay ki visngatiyon ki or bahat gaharaee se dhyan akarshit karati hain.

  • roosi, angreji, japani, dach aur jarman bhasha men unaki kavitaon ka anuvad ho chuka hai aur lagabhag sabhi rashtriy-antararashtriy kavita snkalanon men unaki kavitaen sngrahit hain . 2004 men haaulaind ke prakhyat 'antararashtriy kavita utsav' men ve bharatiy kavi ke roop men bhag le chuke hain.
  • inaki kee kahaniyon ke natyaroopntar aur saphal mnchan hue hain. 'uparant' aur 'mohan das' ke nam se inaki kahaniyon par phichar filmen bhi ban chuki hain, jinhen antararashtriy samman mil chuke hain. uday prakash svayn bhi kee ti.vi.dharavahikon ke nirdeshak-patakathakar rahe hain.
  • uday prakash ne suprasiddh rajasthani kathakar 'vijayadan detha' ki kahaniyon par charchit laghu filmen 'prasar bharati' ke lie nirmit aur nirdeshit ki hain. 'bharatiy krishi ka itihas' par mahattvapoorn pndrah kadiyon ka siriyal 'krishi-katha' ke nam se 'rashtriy chainal' ke lie nirdeshit kar chuke hain.

janm sthan

bharat ke prakhyat kavi, kathakar, patrakar aur filmakar uday prakash ka janm ganv sitapur zila anoopapur, madhy pradesh men 1 janavari, 1952 men hua tha. "main madhyapradesh ke anoopapur zile ke ek chhote se ganv sitapur men paida hua. aj bhi vahan mitti ke 18 ghar hain. hamara ghar pakka aur purana hai. ganv ke pichhe ek bahut badi son nadi bahati hai. jahan se son ka udgam hai usi se kuchh door narmada ka udgam hai. amarakntak mere ganv se paidal jaen, to 23 kilomitar door hai. mera janm 1952 men hua tab vahan bijali nahin thi. ham log lalaten aur dhibari ki roshani men padhate the. pul nahin tha, isalie ganv ke sabhi log tairana janate hain. panchavin kaksha ke bad nadi ko tair kar skool jana hota tha. kalam, phaunten pen yah sab bad men aya. ham shuroo men lakadi ki pati par likhate the chhathe darje se angrezi padhaee jati thi. main jahan par tha, vahan chhattisagadh tha aur madhy pradesh ka simant hai. mera ganv chhattisagadh sima men hai. meri man bhojapur ki aur pita ji baghel ke the. [1] uday prakash shuruati kee naukariyon ke bad lnbe arase se lekhan ki svayattashasi duniya se jude hain.

karyakshetr

pichhale do dashakon men prakashit uday prakash ki kahaniyon ne katha sahity ke parnparagat path ko apane akhyan aur kalpanatmak vinyas se poori tarah badal diya hai. ne yug ke yatharth ke nirman men uday ki kahaniyon ki zabardast bhoomika hai. vaividhyapoorn jivananubhavon se lais uday ki kahaniyon par kadachit jitani asahamatiyan aur vivad darj kie ge utani kisi aur ki kahaniyon par nahin. kintu sabhi asahamatiyon aur vivadon ko pichhe chhodate hue uday prakash ne pashchimi mapadnd par tiki hindi alochana ki kasautiyon ke samane sadaiv ek chunauti khadi ki hai. 'suno karigar', 'abootar kabootar', 'rat men haramoniyam' v 'ek bhasha hua karati hai'- kavita sngrahon aur 'tirichh', 'dariyaee ghoda' aur 'ant men prarthana', 'palagomara ka skootar', 'dattatrey ke dukh', 'pili chhatari vali ladaki', 'maingosil' v 'mohanadas' jaise kahani sngrahon ke lekhak uday prakash ne kee lekhakon par filmen banaee hain aur bijji ki kahaniyon par dharavahik bhi.[2]

atmakathatmak kriti

“mohanadas” uday prakash ki atmakathatmak kriti hai. bahut kam log janate hain ki lagabhag sabhi bharatiy bhashaon aur vishv ki adhi darjan bhashaon men anoodit ho chuki “mohanadas” kahani uday prakash ne tab likhi thi, jab dilli vishvavidyalay ke hindi vibhag men prophesar ke pad ke lie unhonne intaravyoo diya tha aur unhen vah naukari nahin di gayi thi. tab uday prakash ko naukari isalie nahin di gayi thi kyonki chayan samiti ke ek sadasy ko is bat par gahara etaraj tha ki uday prakash ke pas pi.ech.di. ki digri nahin hai. halanki tab tak uday prakash ki kahaniyon aur kavitaon par desh bhar ke vishvavidyalayon men adhe darjan se zyada pi.ech.di. aur ek darjan se zyada em.phil. ki upadhiyan banti ja chuki thin. isake alava kee videshi vishvavidyalayon ke silebas men unaki kahaniyan jagah pa chuki thin aur vahan padhayi ja rahi thin.

blaaug

shabh‍don ke anoothe shilh‍p men buni kavitaon aur usase bhi jh‍yada anoothe gady shilh‍p ke lie jane jane vale uday prakash ka bh‍laaug ki duniya men padarpan ek sukhad ghatana hai.

saphar ki shuruat 

sanh 2005 men jab hindi men koee thik se bh‍laaug ka nam bhi nahin janata tha, uday prakash ne apane bh‍laaug ki shuruat ki, lekin yah silasila jh‍yada lnba nahin chala. lnbe antaral ke bad ab phir us saphar ki shuruat huee hai. jinh‍honne 'palagomara ka sh‍kootar', 'vaauren hestingh‍j ka sand' aur ‘tirichh’ sarikhi kahaniyan padhi hain aur jo unake lekhan se vakiph hain, unh‍hen bh‍laaug par uday ji ke likhe ka zaroor intazar hoga. unake bh‍laaug par aee pratikriyaen bhi yah batati hain.

khula mnch

is bh‍laaug ki shuruat ke pichhe uday prakash ka makasad ek aise mnch ki talash thi, jahan kinh‍hin niyamon aur pratibndhon ke bagair unh‍mukh‍t hokar apani kalam ko abhivh‍yakh‍t kiya ja sake, jahan koee sensaraship n ho, jo ki print ya ilekh‍traaunik midiya men snbhav nahin hai. uday prakash ka manana hai ki ek sachh‍cha rachanakar nirbndh hokar apane samay ka sach likhana chahata hai. pahale lekhak dayariyan likha karate the. muktibodh ki push‍tak 'ek sahityik ki dayari' bahut prasiddh hai. ab tekh‍nolaauji ne hamen ek naya madhh‍yam diya hai. hindi men bh‍laaug ki duniya ka dhire-dhire vish‍tar ho raha hai. hamen apani bat vh‍yapak paimane par logon tak pahunchane ke lie is madhh‍yam ka ish‍temal karana chahie.


Blockquote-open.gif 'niji sh‍vatntrata ke adhunik vichar ke lie bhi bh‍laaug ki duniya men jagah hai. bh‍laaug ke madhh‍yam se kitane sarthak kam aur bahasen ho rahi hain, yah ek alag mudda hai, lekin bh‍laaug lekhak ko ek niji kish‍m ki sh‍vatntrata deta hai. us sh‍pes ka ish‍temal lekhak apane tarike se nirbndh hokar kar sakata hai.' Blockquote-close.gif

- uday prakash

hindi men bh‍laauging ke bhavishh‍y ke bare men uday prakash ka kahana hai ki yadi yah madhh‍yam aur sash‍ta hokar bade paimane par logon tak pahunchata hai to ane vale kuchh varshon men bh‍laauging ke kuchh bade natije bhi samane a sakate hain. yah jh‍yada sarthak roop men gnbhir samajik aur vaicharik bahason ka mnch ban sakata hai. jis teji ke sath intaranet aur bh‍laaug ka hindi men prasar ho raha hai, is bat ki poori snbhavana ho sakati hai.

philahal ap muktibodh se lekar 'asad jaidi' aur 'kunvar narayan' tak ki kavitaen uday prakash ke bh‍laaug par padh sakate hain. muktibodh ki ek shanadar aprakashit kavita 'agar tumh‍hen sachh‍chaee ka shauq hai' ka annd uday prakash ke bh‍laaug par uthaya ja sakata hai.[3]

mohanadas

mohanadas kahani azadi ke lagabhag sath sal bad ke halat ka akalan karati hai. yah us antim vyakti ki kahani hai jo bar-bar yad dilati hai ki satta kendrik vyavastha men ek nirbal, sattahin aur garib manushy ki asmita tak usase chhini ja sakati hai. par yah kahani pratikar ki, pratirodh ki kahani nahin hai. is kahani ko uttar adhunik kahani ke roop men bhi dekha aur saraha gaya hai. 'vartika films' ke lie 'mazahar kamaran' ne is par film banaee hai, jisaki patakatha, snvad adi om nishchal ne likhe hain. halanki film us snvedana ko to nahin chhoo pati, jise lakshy kar kahani likhi gayi thi, lekin kahani aj ke halat men ek manushy ki niyati ka akhyan to rachati hi hai.

kahani

kahani ek kathin vidha hai, bhale hi upanyas se akar men yah chhoti hoti hai aur kavita ki tulana men yah gady ka ashray leti hai. phir bhi kavita aur upanyas ke bich ki yah vidha bahut asan nahin hai. kahani ko samman kabhi mila hi nahin. shayad yah ek punarvichar hai hamare samay ke vidvanon ka jinhonne kahani ko vah pratishtha di hai jisaki vah hakadar rahi hai. chekhav ne to kahaniyan hi likhin, upanyas nahin likhe. premachnd apani kahaniyon se hi lokamany men jane ge, godan adi upanyason se nahin. nirmal varma ki pahachan bhi prathamik taur par kahani se hi bani. to is samay ke paridrishy ken kendr men kahani hai.

alochana

hindi ka abhijan yani ilit varg kahani ke nihitarth men nahin jata, vah yuktiyon ke bare men bat karata hai. chndrakanta sntati ki lokapriyata ki kya vajah hai. koee alochana ap us par dikha sakate hain jisase prerit hokar pathakon ne use padha ho. is akhyan ki bhi akhir apani kalayuktiyan hain jinaka jadoo pathak par asar karata hai. ham deshi videshi alochakon par najar dalen to pate hain, unaka adhyayan bahut vyapak tha. alochana ka maqasad moolyon ka sndhan karana hai. yah badi sadhana ka kam hai. bharat desh ki snskriti-sabhyata men ek se ek bade kathakar mauzood hain. par hindi ke bauddhik varg ke pas us taiyari ka abhav hai jo kisi bhi rachana ke moolyankan men pravritt hone ki prathamik yogyata hai.

moolat kavi

main moolat: kavi hi hoon. isako main bhi janata hoon aur baqi log bhi janate hain. main to aksar mazaq men kaha karata hoon ki main ek aisa kumhar hoon jisane dhokhe se kabhi ek kamiz sil di aur ab use sab darji kah rahe hain. sach yah hai ki main kumhar hi hoon.[4]

prakashit kritiyan

kavita sngrah 
  1. suno qarigar
  2. abootar kabootar
  3. rat men haramoniyam
  4. ek bhasha hua karati hai
  5. kavi ne kaha
anuvad
  1. indira gandhi ki akhiri ladaee
  2. kala anubhav
  3. lal ghas par nile ghode
  4. romyan rolan ka bharat
katha sahity
  1. dariyaee ghoda
  2. tirichh
  3. dattatrey ke dukh
  4. aur ant men prarthana
  5. palagomara ka skootar
  6. areba
  7. pareba
  8. mohan das
  9. maingosil
  10. pili chhatari vali ladaki
nibndh aur alochana sngrah
  1. nayi sadi ka pnchatntr
  2. eeshvar ki ankh
kritiyon ka mnchan
  1. tirichh[5]
  2. lal ghas par nile ghode (anuvad)[6]
  3. vaauren hestings ka sand par natak[7]
  4. aur ant men prarthana[8]
any bhashaon men anuvad
  1. Short Shorts Long Shots[9]
  2. Rage Revelry and Romance[10]
  3. The Girl with Golden Parasol[11]
  4. Mohan Das[12]
  5. Das Maedchen mit dem gelben Schirm[13]
  6. Und am Ende ein Gebet[14]
  7. Der golden Gurtel[15]
  • uparokt ke atirikt italo kaaulvino, nerooda, yehuda amichaee, pharnando pasova, kavafi, lorka, tadyush rozevich, zegjevyeski, aleksandr blaauk adi rachanakaron ke anuvad

samman

  • 1980 men apani kavita 'tibbat' ke lie 'bharat bhooshan agraval puraskar' se sammanit, 'om prakash samman', 'shrikant varma puraskar', 'muktibodh samman', 'sahityakar samman' prapt kar chuke hain.
  • 2004 men haaulaind ke prakhyat antararashtriy kavita utsav men ve bharatiy kavi ke roop men hissa le chuke hain.
  • 2010 men 'kahani mohan das' ke liye 'sahity akadami puraskar'.[16]
  • bharatabhooshan agraval puraskar
  • om prakash samman
  • shrikant varma puraskar
  • muktibodh samman
  • sahityakar samman
  • dvijadev samman
  • vanamali samman
  • pahal samman
  • SAARC Writers Award
  • PEN Grant for the translation of The Girl with the Golden Parasol, Trans. Jason Grunebaum
  • krishnabaladev vaid samman
  • maharashtr phaundeshan puraskar, 'tirichh ani itar katha' anu. jayaprakash savnt
  • 2010 ka sahity akadami puraskar, ('mohan das' ke liye)

uday prakash ke kathan

uday prakash ke kathan
  • main moolat: kavi hoon. mainne bahut sari kavitaen likhin aur chitr bhi banae hain. mainne kaaulej samay men ek kahani likhi thi jo bahut lokapriy huee. main samajhata hoon ki kahani ke pathak adhik hote hain aur vah zyada logon tak pahunchati hai. use lokapriyata adhik milati hai. main lagabhag isi tarah ka ek kumhar hoon jisane kamij sil di, to log use darji samajhane lage. log phir surahi lene usake pas nahin jaenge, jabaki kumhar janata hai ki mitti ka kam vah zyada achchhe tarike se kar sakata hai aur usamen hi zyada annd milata hai. mere sath yahi hai ki kavi hote hue bhi kahani likhakar samaj ki seva kar raha hoon. varishth kavi kedaranath sinh ne ek bar kaha bhi hai ki meri kahaniyan darasal meri kavitaon ka hi vistar hain. kahaniyan likhate hue mujhe bhi nahin lagata ki main kahaniyan likh raha hoon, balki jo kavyatmak snvedana kavita men nahin a rahi vah kahaniyon men a rahi hai. nirmal varma aur ऎse kee kahanikaron ke sath bhi lagabhag yahi raha. unaki kahaniyan padhate hue ऎsa lagata hai jaise kavitaen padh rahe hain. main kahani likhate hue bhi kavi hoon aur kavi sada kavi hi rahata hai.
  • jarman logon ki bharat men gahari ruchi hai. mere vyakhyan vibhinn vishayon par the, lekin indoloji mukhy vishay raha. vahan bharat ke nagarikaran ko lekar badi jigyasaen hain. apane pravas ke dauran mujhe kee chhote-bade 23 shahar-kasbon aur ganvon men vyakhyan dene ka mauqa mila. mainne yahan apani kahani 'aur ant men prarthana' ko apani tarah se padha to logon ne ऎsa anubhav kiya jaise yah unake atit ki kahani ho, kyonki vahan ke log bhi 1943-45 men ऎsi hi barbarata se gujare hain. kuchh snket vaishvik hote hain. mere kahani sngrah 'aur ant men prarthana' ko avard mila hai. isaka jarmani men anuvad vahin ke 29-30 sal ke yuva lekhak andre peee ne kiya hai.
  • jivan men ap jitana doobenge utana hi achchha likh paenge aur zyada logon tak pahunchenge. koee chiz likhana bina jivan jie snbhav nahin hai, kyonki isase hi anubhav-snsar badhata hai. agar ap apane samay ke manushy ke snkat aur usake yatharth ko vyakt karenge jisamen har koee ji raha hai, to vah sahity avashy hi lokapriy hoga. agar sahity kisi bazar ya ek simit varg ko dhyan men rakhakar likha ja raha hai, to bat alag hai. agar koee bada uddeshy samane rakhakar sahity likha jaega to usaka samman hoga.
  • 'mohanadas' apane samay ke prashnon ko kuredata hai. mohanadas ek sachamuch ka patr hai. vah aj bhi hai ek dalit vyakti poori mehanat ke sath padh-likhakar merit se age badhata hai, lekin hamari lokatantrik sthitiyon men aj bhi ऎse vyaktiyon ke lie koee thikana nahin hai. ek nakali mohanadas naukari pa leta hai aur asali mohanadas dar-dar bhatakane ko majaboor hai. ऎse hi mainne har kriti men samay ke sach aur vidnbanaon ke bich jivan jine ki majabooriyon ko udghatit kiya hai.
  • 'pili chhatari vali ladaki' ka anuvad 29-30 varsh ke ek yuva amarikan lekhak jison groonabam ne kiya. is anuvad ke lie unhen varsh 2005 ka pen yoo.es.e. anuvad kosh samman mila. shikago men is upanyas ka lokarpan hua aur ise kafi lokapriyata mili. chhatr to har jagah ise pasand karate hain, kyonki prem to vaishvik hai. jison hal hi bharat ae to unhonne bataya ki ve mere kahani sngrah 'mengosil' ka anuvad kar rahe hain.
  • angreji men ham dekhate hain ki jo kuchh bhi nahin hai usi bhasha men sab avard milate chale jate hain. is bar ek achchhi bat yah huee ki sahity ka tisara avard meri kriti 'aur ant men prarthana' ko mila, jabaki isamen aravind adiga ka angreji upanyas bhi tha jise chhathavan sthan mila. isase ham kah sakate hain ki chiniyon se to ham kafi pichhe rahe lekin hindi sahity ne angreji ko kafi pichhe chhod diya hai.
  • kahane vale kah rahe hain ki ane vala samay hindi bhasha ko nasht aur bhrasht kar raha hai, to ऎsa kuchh nahin hai. hindi bharat ki takat rahi hai. har parivartan ko atmasat karana use ata hai aur jo rakhane yogy nahin hai use bahar karana bhi ata hai. hindi lagatar samriddh ho rahi hai. hindi bharatiy bhashaon, boliyon aur vishv ki bhashaon se tamam tarah ke shabd, vynjanaen, muhavare aur bahut sari chizen le rahi hai.
  • main madhyapradesh ke anoopapur jile ke ek chhote se ganv sitapur men paida hua. aj bhi vahan mitti ke 18 ghar hain. hamara ghar pakka aur purana hai. ganv ke pichhe ek bahut badi son nadi bahati hai. jahan se son ka udgam hai usi se kuchh door narmada ka udgam hai. amarakntak mere ganv se paidal jaen, to 23 kilomitar door hai. mera janm 1952 men hua tab vahan bijali nahin thi. ham log lalaten aur dhibari ki roshani men padhate the. pul nahin tha, isalie ganv ke sabhi log tairana janate hain. panchavin kaksha ke bad nadi ko tair kar skool jana hota tha. kalam, phaunten pen yah sab bad men aya. ham shuroo men lakadi ki pati par likhate the chhathe darje se angrezi padhaee jati thi. main jahan par tha, vahan chhattisagadh tha aur madhy pradesh ka simant hai. mera ganv chhattisagadh sima men hai. meri man bhojapur ki aur pitaji baghel ke the.
  • 'mengosil' mere ird-gird ghati ek sachchi ghatana par adharit hai. ek saphaee karmachari ke parivar men 45 sal ki umr men pahali sntan paida huee to bahut khushi huee, lekin kuchh samay bad ek vajrapat sa hua ki bachche ka sir asntulit roop se bada ho raha hai. bataya gaya ki vah jivit nahin rahega. jyon-jyon bachcha bada hota gaya to ghar ki chintaen badhati gee, lekin usaka dimag bahut tej tha. vah jagath ki sab chijon ko samajhata tha. ghar ke logon ki upeksha ke bavajood usaki man jivan ke sare sukh usake lie jutane men lagi thi. is bich ghar men dhyan hatane ke lie ne bachche ke janm lene ki ghatana hoti hai. yah katha visngatiyon par buni gee hai jisamen snvedana ko vishesh roop se ubhara gaya hai.[17]


panne ki pragati avastha
adhar
prarambhik
madhyamik
poornata
shodh

tika tippani aur sndarbh

  1. udayaprakash (hindi). . abhigaman tithi: 1 aktoobar, 2011.
  2. main kumhar hi hoon, darji nahin – uday prakash (hindi). . abhigaman tithi: 1 aktoobar, 2011.
  3. uday prakash (hindi). . abhigaman tithi: 1 aktoobar, 2011.
  4. uday prakash (hindi). . abhigaman tithi: 1 aktoobar, 2011.
  5. pratham mnchan - rashtriy nath‌y vidyalay ke prasanna ke nirdeshan men.
  6. pratham mnchan - prasanna ke nirdeshan men.
  7. pratham mnchan - aravind gaud ke nirdeshan men, asmita natay snstha dvara kiya gaya. yah natak rashtriy nath‌y vidyalay ke bharat rng mahotsav v indiya haibitait sentar men bhi ayojit hua hai. 2001 se ab tak lagabhag 80 pradarshan ho chuke hain.
  8. pratham mnchan - arun pandey ke nirdeshan men.
  9. Translated by Robert A. Hueckstedt, Publisher Katha, New Delhi
  10. Translated by Robert A. Hueckstedt, Publisher, Srishti, New Delhi
  11. Translated by Jason Grunebaum, Publisher, Penguin India
  12. Translated by Pratik Kanjilal, Publisher, Little Magazine, New Delhi
  13. Translated by Ines Fornell, Heinz Werner Wessler and Reinhald Schein
  14. Translated by Andre Penz
  15. Translated by Lothar Lutze
  16. uday prakash (hindi). . abhigaman tithi: 1 aktoobar, 2011.
  17. uday prakash (hindi). . abhigaman tithi: 1 aktoobar, 2011.

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